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- Accidents 14
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Acceptance of invitation to Chinese Export Commodities Fair
https://search.heritageburnaby.ca/link/museumdescription14800
- Repository
- Burnaby Village Museum
- Date
- 1979
- Collection/Fonds
- Julie Lee and Cecil Lee family fonds
- Description Level
- Item
- Physical Description
- 1 p.
- Scope and Content
- Item consists of a one page form titled "Acceptance of Invitation" from Chinese Export Commodities Fair (Spring) 1979 Kwangchow.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Julie Lee and Cecil Lee family fonds
- Description Level
- Item
- Physical Description
- 1 p.
- Material Details
- Text in both English and Chinese
- Scope and Content
- Item consists of a one page form titled "Acceptance of Invitation" from Chinese Export Commodities Fair (Spring) 1979 Kwangchow.
- Creator
- Chinese Export Commodities Fair
- Accession Code
- BV019.6.20
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1979
- Media Type
- Textual Record
- Scan Resolution
- 600
- Scan Date
- January 20, 2021
- Scale
- 100
- Notes
- Title based on content of item
- Item is part of a scrapbook album created by Cecil Lee
Images
adze blade
https://search.heritageburnaby.ca/link/museumartifact44868
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.19
- Description
- Nephrite adze blade; chipped on one end; rectangular shaped.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Nephrite is found in the Fraser Canyon
- Culture Phase: Possibly Locarno Beach phase (3520-2200 Before Present) or Marpole (400BC - 400AD)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
adze blade
https://search.heritageburnaby.ca/link/museumartifact44870
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.21
- Description
- Chisel, adze or axe blade made of serpentine; black; ends broken off; tapered rectangle shape.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Culture Phase: Locarno Beach (3520-2200 Before Present) or Marpole (400BC - 400AD)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
adze blade
https://search.heritageburnaby.ca/link/museumartifact44872
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.23
- Description
- Chisel, adze or axe blade made of serpentine; small
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Culture Phase: Locarno Beach (3520-2200 Before Present) or Marpole (400BC - 400AD)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
adze blade
https://search.heritageburnaby.ca/link/museumartifact44873
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.24
- Description
- Nephrite adze blade; small
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Nephrite is found in the Fraser Canyon
- Culture Phase: Locarno Beach (3520-2200 Before Present) or Marpole (400BC - 400AD)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
adze blade
https://search.heritageburnaby.ca/link/museumartifact44874
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.25
- Description
- Adze blade; small; possibly nephrite.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Nephrite is found in the Fraser Canyon
- Culture Phase: Locarno Beach (3520-2200 Before Present) or Marpole (400BC - 400AD)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
adze blade
https://search.heritageburnaby.ca/link/museumartifact44876
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.27
- Description
- Nephrite adze blade; rectangular; chipped on one side; slightly grooved on longer edges.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Nephrite is found in the Fraser Canyon
- Marpole Culture (400BC - 400AD) or Gulf of Georgia Culture (400 AD – 1800); essentially these archaeological materials date to the last 2400 years.
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
![Aerial View of Chinese Market Gardens on Marine Drive, [between 1950 and 1959] (date of original), 2017 (date of duplication) thumbnail](/media/hpo/_Data/_BVM_Images/2017/2017_0040_0001_001.jpg?width=280)
Aerial View of Chinese Market Gardens on Marine Drive
https://search.heritageburnaby.ca/link/museumdescription4296
- Repository
- Burnaby Village Museum
- Date
- [between 1950 and 1959] (date of original), 2017 (date of duplication)
- Collection/Fonds
- Herbert Yee Law family fonds
- Description Level
- Item
- Physical Description
- 1 photograph (jpg) : b&w
- Scope and Content
- Photograph is an aerial view looking south over the Chinese Market Gardens along Marine Drive in the Big Bend area of Burnaby.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Herbert Yee Law family fonds
- Description Level
- Item
- Physical Description
- 1 photograph (jpg) : b&w
- Scope and Content
- Photograph is an aerial view looking south over the Chinese Market Gardens along Marine Drive in the Big Bend area of Burnaby.
- Names
- Chinese Market Gardens
- Geographic Access
- Marine Drive
- Accession Code
- BV017.40.1
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- [between 1950 and 1959] (date of original), 2017 (date of duplication)
- Media Type
- Photograph
- Historic Neighbourhood
- Fraser Arm (Historic Neighbourhood)
- Planning Study Area
- Big Bend Area
- Scan Resolution
- 600
- Scan Date
- 11/19/2017
- Scale
- 100
- Notes
- Title based on contents of photograph.
Images
![Aerial View of Chinese Market Gardens on Marine Drive, [between 1950 and 1959] (date of original), 2017 (date of duplication) thumbnail](/media/hpo/_Data/_BVM_Images/2017/2017_0040_0001_001.jpg)
A Family Farm
https://search.heritageburnaby.ca/link/museumdescription14268
- Repository
- Burnaby Village Museum
- Date
- 2020
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 sound recording (mp3) (00:13:57 min)
- Scope and Content
- Item consists of a recording of part one in a series of three “Back to the Roots” podcasts about the history of Chinese-Canadian farming in Burnaby and the lower mainland. Part one is titled “A Family Farm”. The podcasts were created by students Rose Wu and Wei Yan Yeong from the Faculty of Land an…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- UBC Partnership series
- Description Level
- Item
- Physical Description
- 1 sound recording (mp3) (00:13:57 min)
- Material Details
- Podcasts hosts: Rose Wu; Wei Yan Yeong Persons from recorded extracts: Denise Fong; Josephine Chow Music: prod. riddiman Podcast Date: October 2020 Total Number of tracks: 1 Total Length of all tracks: 00:13:57 min Photograph info: Store front of Way Sang Yuen Wat Kee & Co in Victoria, B.C., 1975. BV017.7.191
- Scope and Content
- Item consists of a recording of part one in a series of three “Back to the Roots” podcasts about the history of Chinese-Canadian farming in Burnaby and the lower mainland. Part one is titled “A Family Farm”. The podcasts were created by students Rose Wu and Wei Yan Yeong from the Faculty of Land and Food Systems at the University of British Columbia Faculty and while student interns at Burnaby Village Museum. In this series the students connect their knowledge of food systems to their shared Chinese heritage in order to discover how Chinese Canadian history is rooted in their local food systems. 00:00-02:21 The podcast opens with Wei Yan Yeong and Rose Wu introducing themselves and their topic- the Chinese Canadian experience in Burnaby and the people who have made important contributions to the city’s development. “A Family Farm” talks about Chinese-owned businesses which are family run. “The family-oriented nature of Chinese-owned businesses also extend to many of the early (and current) Chinese-owned farms in the Burnaby Big Bend area. When Chinese men first began farming in BC in the 1860s, a lot of them worked as labourers because they weren’t allowed to own land. After World War II many of these farmers were allowed to purchase lots, thanks to the Veterans Land Grant. These grants allowed returning veterans to purchase small parcels of land with government loans. Eventually, these men would start families on the farm, and many Chinese-owned farms became family-operated businesses where every member, male, female, child, and extended relatives were enlisted to work the grounds. And it was hard work, often from dawn to dusk, 6-7 days a week.” 02:23 – 07:50 This portion includes excerpts from Oral History interview with Josephine Chow (nee Hong) of Hop On Farms in the Burnaby Big Bend area. The interview was conducted by Burnaby Village Museum researcher Denise Fong. Josephine recalls growing up on the family farm with her six siblings. She tells of how the family pulled together money to purchase twelve acres along Marine Drive in 1951, her family’s background, daily life on the farm , responsibilities on the farm for her and her siblings and of how her mother had to balance working on the farm and providing for a family of ten to twelve people. 07:51 – 08:10 In this portion, hosts comment and reflect on their own experiences. “While it’s likely that a lot of this was done out of necessity and not being able to afford additional paid labourers, having grown up in Chinese households ourselves, we can definitely understand the rationale for these family-operated businesses and how it connects back to the Chinese understanding of family and kinship.” 08:11 – 09:06 In this portion, Rose and Wei provide information on the roots of the Chinese character for family “jia” in mandarin or “gah” in Cantonese. They explain that the term family is composed of two parts: the upper element is like a roof, symbolizing shelter, and the bottom part represents a pig which symbolizes food, whereby the Chinese character for family represents that of a farm. They provide a quote from the writings of Francois de Martin-Donos “In ancient China, the farm is an enterprise, a shelter that insures one food and work. The farm is a place to rely on, but in return, needs to be maintained, including a set of responsibilities. In other words, “family” is the insurance of a stable life.” 09:07 – 10:27 In this portion, the hosts speak about how traditional Chinese thought is heavily influenced by the teachings of Confucius and Confucius philosophy. They explain how Confucius emphasized five sets of human relationships that form the basis for society: ruler and minister, husband and wife, parents and child, sibling and sibling, friend and friend. Of these five, three are familial relationships also known as Filial piety – the respect and care for one’s familial superiors (such as parents, elders, and ancestors). They speak of how this is one of Confucianism’s main teachings and in this respect caring for family members is seen as a moral obligation. In China housing arrangements are in the form of siheyuan”s — a type of residence that featured a courtyard surrounded on all four sides with buildings. These traditionally housed one large extended family if they were wealthy enough. 10:28 – 13:08 In this portion, hosts provide further information on Josephine Chow’s family experience working and living on the “Hop On” family farm through the decades. An excerpt from the interview with Josephine Chow conducted by Denise Fong is included. In this excerpt, Josephine reflects on her past experiences on the farm and her present day experiences of her siblings running the farm. 13:09 -13:56 Final summary, credits and acknowledgements.
- History
- Podcast hosts, Rose Wu and Wei Yan Yeong are University of British Columbia students in the Faculty of Land and Food Systems and student interns at Burnaby Village Museum.
- Creator
- Burnaby Village Museum
- Subjects
- Persons - Chinese Canadians
- Agriculture - Farms
- Agriculture
- Gardens - Market Gardens
- Social Issues - Discrimination
- Social Issues - Racism
- Names
- Fong, Denise
- Responsibility
- Wu, Rose
- Yeong, Wei Yan
- Geographic Access
- Marine Drive
- Accession Code
- BV020.28.3
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- 2020
- Media Type
- Sound Recording
- Historic Neighbourhood
- Fraser Arm (Historic Neighbourhood)
- Planning Study Area
- Big Bend Area
- Related Material
- BV020.28.4; BV020.28.5
- Notes
- Title based contents of sound recording
- See also Interview with Josephine Chow by Denise Fong February 7, 2020 - BV020.6.1
- Compilation of Research Resources used by authors Rose Wu and Wei Yan Yeong include:
- Why is family important in China? https://medium.com/@francois_dmd/why-is-family-so-important-in-china-1617b13a67
- Burnaby Village Museum - Interview with Josephine Chow by Denise Fong Feb. 7, 2020. BV020.6.1 https://search.heritageburnaby.ca/permalink/museumsoundrecording12337
- Covered Roots: The History of Vancouver's Chinese Farms https://www.youtube.com/watch?v=M4WHS2Uf3JU
- Burnaby Village Museum Shares Chinese-Canadian Farming History This Summer https://westcoastfood.ca/burnaby-village-museum-shares-chinese-canadian-farming-history-this-summer/
- Chinese Market Gardeners in the City of Burnaby BC Continue to Practice Urban Agriculture https://cityfarmer.info/chinese-market-gardeners-in-the-city-of-burnaby-bc-continue-to-practice-urban-agriculture/
- Chinese Market Gardening in BC https://www.bcfoodhistory.ca/chinese-market-gardening-bc/
Images
Audio Tracks
A Family Farm, 2020
Album page
https://search.heritageburnaby.ca/link/museumartifact90706
- Repository
- Burnaby Village Museum
- Accession Code
- BV005.54.745
- Description
- Album page with two advertisement pages; col.; glossy; (may be from a program); page on the left includes a photograph of Chief Dan George with text reading: "The day we joined / A Confederation Celebration / Empire Stadium Vancouver, B.C. / July 20th. 1971"; page on the right reads: "Burnaby Salutes Centennial '71 / with Pioneer Village in Century Park / ... Burnaby Centennial '71 Committee"; recto. of eage page includes a printed advertisement
- Object History
- Album page 217 from Don Copan album/scrapbook for Burnaby Centennial '71 celebrations
- Don Copan was an active member of the Burnaby Centennial ’71 Committee and later became the founding President of the Century Park Museum Association. While a member of the Burnaby Centennial ’71 Committee, Don created a scrapbook album of photographs and ephemera documenting the Burnaby Centennial ’71 Committee’s involvement in celebrating British Columbia’s Centenary of Confederation between January and December 1971 including Burnaby’s Commemorative Project – Heritage Village (Burnaby Village Museum).
- Reference
- Photographs from the Don Copan scrapbook/album are described as part of the Donald Copan collection - Copan Album series
- Category
- 08. Communication Artifacts
- Classification
- Advertising Media
- Object Term
- Advertisement
Images
Documents
Alfred's Fountain Pen
https://search.heritageburnaby.ca/link/museumdescription9684
- Repository
- Burnaby Village Museum
- Date
- 2016
- Collection/Fonds
- Burnaby Village Museum Film and Video collection
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (3 min., 40 sec.) : digital, 25 fps, col., sd., stereo
- Scope and Content
- The video depicts the challenges of film maker Alfred Woo’s physical, social, and cultural transformation to a foreign country. Sentimentally prior to departing Hong Kong in 1954, Alfred was presented a fountain pen by some of his grade two classmates, a souvenir that he has cherished all these yea…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum Film and Video collection
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (3 min., 40 sec.) : digital, 25 fps, col., sd., stereo
- Scope and Content
- The video depicts the challenges of film maker Alfred Woo’s physical, social, and cultural transformation to a foreign country. Sentimentally prior to departing Hong Kong in 1954, Alfred was presented a fountain pen by some of his grade two classmates, a souvenir that he has cherished all these years despite losing contact with them long ago. In his seniority, he muses poignantly about the symbolism of this writing instrument and shares his wonderment about the destiny of these childhood benefactors.
- History
- Immigrating from Hong Kong to Canada as a child, Alfred Woo easily assimilated into the Canadian way of life at an early age and has enjoyed the best of both worlds. A law graduate, his professional career included service as a Crown Counsel, securities administrator, corporate executive, and as private practitioner. He also served in the Canadian Army (Reserve Force) as a legal officer and an artillery officer before being honorably discharged at the rank of Major. A Burnaby resident for over 30 years, and now retired, he continues to volunteer helping seniors, a community service club, and a veterans group.
- Creator
- Woo, Alfred
- Other Title Information
- title supplied by film maker
- Subjects
- Persons - Chinese Canadians
- Names
- Woo, Alfred
- Accession Code
- BV016.37.15
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 2016
- Media Type
- Moving Images
- Notes
- Transcribed title
Images
Video
Alfred's Fountain Pen, 2016
Alfred's Fountain Pen, 2016
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2016_0037_0015_001.mp4
A Pig's Tale
https://search.heritageburnaby.ca/link/museumdescription14365
- Repository
- Burnaby Village Museum
- Date
- Oct. 2020
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 3 video recordings (mp4) (5 min., 28 sec.) : digital, col., sd., stereo, subtitles
- Scope and Content
- Item consists of part two in a two part video series "A Taste of History" created by Debbie Liang and Joty Gill, University of British Columbia alumni and graduates from the Asian Canadian & Asian Migration Studies program (ACAM). Part two is titled "A Pig's Tale". The film highlights the history o…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- UBC Partnership series
- Description Level
- Item
- Physical Description
- 3 video recordings (mp4) (5 min., 28 sec.) : digital, col., sd., stereo, subtitles
- Material Details
- Script: Debbie Liang; Joty Gill Narration: Joty Gill Editor: Debbie Liang Subtitles: English; Simplified Chinese; Traditional Chinese Video Appearances: Kathy Lee; Eleanor Lee Illustrations and Animations: Debbie Liang Photos, Images & B-roll: Piggery photo, image courtesy of Elwin Xie; Douglas Road: City of Burnaby Archives, 477-841; Canada Way, City of Burnaby Archives, 556-522, photo by Peg Campbell; Red pig by Debbie Liang; Piglets sleeping, image courtesy of RoyBuri from pixabay, free to use; Chinese Zodiac, image courtesy of RoofOfAllLight from wikimedia, Creative Commons Attribution-Share Alike 4.0 International license; Pictograph for Home by Debbie Liang; Pigs lying down, image courtesy of Elwin Xie; Council minutes all from heritageburnaby.com; Cleanliness illustration set by Debbie Liang; "The Heathen Chinese in British Columbia" from Library and Archives Canada; Laundryman spitting from Daily News, Prince Rupert in 1911; Slicer on counter at Way Sang Yuen Wat Kee & Co., Burnaby Village Museum BV017.7.290; Way Sang Yuen Wat Kee & Co. Store front, Burnaby Village Museum BV017.7.191; Medical Practices Disagreement illustration by Debbie Liang; Butchering pig, image courtesy of Elwin Xie; Chinatown brolls, courtesy of Food2 group from UBC's 2019 ACAM 390 Class; Black Rotary telephone beside ball pen on white printed paper, image courtesy of Pixabay from pexels.com, free to use; Burnaby Lake on a cloudy day, image courtesy of Flying Pegunin from wikipedia; The Vancouver Sun May 4, 1921 from newspapers.com; Vancouver Daily May 3, 1921 from newspapers.com; Reduce number of pigs illustration by Debbie Liang; Black and white photo of piggery, image courtesy of Elwin Xie; 2019 Piggery illustration by Debbie Liang Music and Sound Effects: "Acoustic Mediation 2" from audionautix; Pig Grunting sounds from Kiddopedia Animasl, Creative Commons 0; "Piano moment" & "November" from bensound.com; "Ding sound effect" from freesoundlibrary; Wuxia2_Guzheng_Pipa by PeriTune http://peritune.com; Music promoted by https://www.free-stock-music.com; Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Video adapted from 2019 BVM intern project by Debbie Liang and Marcela Gomez Special thanks to: UBC: Joanna Yang, Jenny Lu, Denise Fong, Henry Yu; BVM: Kate Petrusa, Amy Wilson Changes to music may have been made for the purposes of this video
- Scope and Content
- Item consists of part two in a two part video series "A Taste of History" created by Debbie Liang and Joty Gill, University of British Columbia alumni and graduates from the Asian Canadian & Asian Migration Studies program (ACAM). Part two is titled "A Pig's Tale". The film highlights the history of Chinese pig farms also known as "Piggeries" in Burnaby. The film tells the story of how many of these farms were established by Chinese immigrants along Douglas Road (now Canada Way) between the 1890s and 1920s; the importance of the pig in the Chinese Culture as well as a way for Chinese immigrants to make a living and the racism and discriminatory bylaws that the Chinese pig farmers suffered that finally led to the closure of many of these farms. Content references three documented piggery ranches along Douglas Road: Ah Sam; Young Chung and Hop Hin Yen. The films are supported with voice over in english, subtitles, animation along with historical photographs. One version of the film is supported with subtitles in English while two other versions of the film are supported with subtitles in Simplified Chinese and Traditional Chinese.
- History
- In 2020, due to the restrictions of COVID-19, University of British Columbia student interns with the Burnaby Village Museum Chinese Canadian History in Burnaby project were asked to create virtual experiences to reimagine Burnaby Village Museum's historical Chinese Canadian programming in remote online spaces. Debbie Liang and Joty Gill (UBC alumni and graduates of Dr. Henry Yu's 2019 summer ACAM 390A Global Seminar to Aisa) returned to work with Burnaby Village Museum to create two short films showcasing the history of Chinese Canadian Chop Suey restaurants and piggeries in Burnaby.
- Creator
- Liang, Debbie
- Debbie Liang
- Subjects
- Persons - Chinese Canadians
- Social Issues - Discrimination
- Social Issues - Racism
- Regulations
- Agriculture
- Agriculture - Farms
- Agriculture - Ranches
- Animals - Pigs
- Names
- Liang, Debbie
- Gill, Joty
- Burnaby Village Museum
- University of British Columbia
- Xie, Elwin
- Way Sang Yuen Wat Kee & Company
- Ah Sam
- Young Chung
- Hop Hin Yen
- Responsibility
- University of British Columbia
- UBC Initiative for Student Teaching and Research in Chinese Canadian Studies
- Burnaby Village Museum
- Geographic Access
- Douglas Road
- Canada Way
- Accession Code
- BV020.28.7
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- Oct. 2020
- Media Type
- Moving Images
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Notes
- Transcribed title
Images
Video
A Pig's Tale, Oct. 2020
A Pig's Tale, Oct. 2020
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2020_0028_0007_001.mp4
apothecary case
https://search.heritageburnaby.ca/link/museumartifact91630
- Repository
- Burnaby Village Museum
- Accession Code
- BV022.21.104
- Description
- Wood case covered in leather filled with various items including spoons, feathers, gauze, and paper packets.
- The case was assembled to act as an apothecary case for a movie.
- Object History
- This apothecary case was a prop used in the 1994 film "Little Women"
- For more information about the donor, see Hipman "Jimmy" Chow and Donna Polos fonds
- Category
- 02. Furnishings
- Classification
- Furniture - - Storage & Display Furniture
- Object Term
- Chest
- Subjects
- Persons - Chinese Canadians
- Names
- Chow, Hipman "Jimmy"
Images
Are we really changing? Reflections on Reconciliation
https://search.heritageburnaby.ca/link/museumdescription15669
- Repository
- Burnaby Village Museum
- Date
- 12 May 2021
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (91 min., 26 sec.) : digital, col., sd., stereo ; 29 fps
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke. The webinar is titled "Are We Really Changing? Reflections on Reconciliation" and is presented by Brandon Gabriel, visual arts from the Kwantlen First Nation. The Zoom webinar is the sixt…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (91 min., 26 sec.) : digital, col., sd., stereo ; 29 fps
- Material Details
- Presenter: Brandon Gabriel
- Host: Jane Lemke
- Date of Presentation: Wednesday, May 12, 7:00 pm - 8:30 pm
- Total Number of tracks: 1
- Total Length of all tracks: min., sec.
- Recording Device: Zoom video communication platform
- Recording Note: Film was edited from it's original recorded version (92 min., 31 sec.) to edited version (91 min., 26 sec.) for public viewing on Heritage Burnaby.
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke. The webinar is titled "Are We Really Changing? Reflections on Reconciliation" and is presented by Brandon Gabriel, visual arts from the Kwantlen First Nation. The Zoom webinar is the sixth in a series of six "Neighbourhood Speaker Series" webinars exploring a range of topics shared by Indigenous speakers and knowledge keepers that were presented and made available to the public between April 27 and May 12, 2021. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions and comments during the interactive online sessions. In this webinar, Brandon supports his presentation with slides and explores the following questions; If we have not changed the way we introduce ourselves to each other and this land then what are we reconciling?" and "If resource exploitation, racism and colonization continue today, how can we change?" Brandon Gabriel, mixed-media artist and activist, looks back at some highlights of his twenty seven year artistic journey and shares what you can do to tackle reconciliation in your own life. Brandon presents counter narratives speaking to the importance of: Land; Languages; Colonial Annihilation and Indigenous Resurgence. Brandon pauses half way through his presentation to ask and reflect on the question "How far back do you know your ancestors on your mother's side?". While listeners are reflecting, Brandon shares a recording of Dennis Leon of Kwantlen First Nation performing the song “True Love”. Following this, Brandon takes questions from the audience and comments on the importance of matriarchal lineage in indigenous culture. In the second half of the presentation, Brandon talks about his own art and shares examples of Indigenous artists work including: Bill Reid, Zacharias Kunuk, Marianne Nicholson; Brian Jungan and Rebecca Bellmore. Following the presentation, Brandon Gabriel takes questions from the audience that are moderated by the host, Jane Lemke.
- History
- Brandon Gabriel is an award winning, and Internationally recognized visual artist from the Kwantlen First Nation, in unceded Fort Langley B.C. Brandon was educated at Kwantlen Polytechnic University (1999-2003) and at Emily Carr University of Art and Design (2003-2006). Brandon has over twenty seven years of professional experience as a designer, wood carver, mixed media sculptor, graphic designer, illustrator, and educator. He has exhibited works in the United Kingdom, Hong Kong, South America, the USA, and across Canada.
- Creator
- Burnaby Village Museum
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Art
- Indigenous peoples - Canada - Government relations
- Indigenous peoples - Canada - , Treatment of
- Responsibility
- Lemke, Jane
- Accession Code
- BV021.17.6
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- 12 May 2021
- Media Type
- Moving Images
- Notes
- Title based on content of video recording The following link was shared at the end of the presentation: Kwantlen First Nation: https://www.kwantlenfn.ca/
Images
Video
Are we really changing? Reflections on Reconciliation, 12 May 2021
Are we really changing? Reflections on Reconciliation, 12 May 2021
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2021_0017_0006_002.mp4
Authorized by the Education Ministry For Lower Division Primary School Use, Volume 10 New Chinese Language Textbook
https://search.heritageburnaby.ca/link/museumlibrary616
- Repository
- Burnaby Village Museum
- Collection
- Special Collection
- Material Type
- Book
- Accession Code
- BV985.360.10
- Author
- Shang Wu Yin Shu Guan
- Place of Publication
- Shanghai
- Publisher
- Commercial Press, Limited
- Publication Date
- 1906
- Physical Description
- 61 p. : ill (some col.), ports, maps ; 22 cm
- Subjects
- Persons - Chinese Canadians
- Object History
- Some books in this accession are marked: "Mr. Chan Y. Leong, 111 Pender St. E., Vancouver B.C., Canada, North America, Western H."
- Sam Kee & Company merchants is the business located at 111 Pender St. E. Vancouver - originally owned by Chan Toy (many alternative names including Chang Toy) which was later run by Chang Yat Leong - presumably the same person as Chan Y. Leong.
- Notes
- Chinese language book
- On double leaves, East Asian binding
Images
automobile jacks
https://search.heritageburnaby.ca/link/museumartifact91629
- Repository
- Burnaby Village Museum
- Accession Code
- BV022.21.103
- Description
- Pair of bumper jacks or car jacks. The jacks are a ratcheting style. The first jack is made of steal and used as a model for the second one which is made of wood and designed to be a prop for a movie set.
- Both jacks have an orange painted finish that has been weathered and distressed. One through time and use, the other intentionally designed to look old.
- The jacks have a base plate, lifting runner, ratcheting handle, and standard column with adjustment holes.
- The prop bumper jack has fewer moving parts and does not include any of the spring mechanisms.
- Object History
- Jimmy Chow worked in TV and film as a property master for more than 42 years. A property master is responsible for building and procuring props that actors handle and use. This sometimes means making replica items that are lighter, false or make filming easier on the actor. This differs from set decoration, which uses props to create a backdrop and is less central to the action on set.
- Jimmy Chow was responsible for designing, managing, and sourcing props for films such as: BFG, Warcraft: The Beginning, X-Men 2, Fantastic Four, Watchman, Tron: Legacy, Little Women, Seven Years in Tibet, Shanghai Noon, The Shipping News, Fantastic Four: Rise of the Silver Surfer, The Changeling, Man of Steel (Superman), Snow Falling on Cedars, Legends of the Fall, And the Sea Will Tell, and Once a Thief.
- He entered the film industry in 1973 working for CBC Vancouver and gained valuable experience working on the set of the television series The Beachcombers, which launched his career.
- Classification
- Land Transportation T&E - - Land Transportation Accessories
- Object Term
- Jack, Vehicle
- Subjects
- Persons - Chinese Canadians
- Names
- Chow, Hipman "Jimmy"
Images
![Banquet hall inside Dragon Inn, [196-] thumbnail](/media/hpo/_Data/_BVM_Images/2022/2022_0019_0006_001.jpg?width=280)
Banquet hall inside Dragon Inn
https://search.heritageburnaby.ca/link/museumdescription19077
- Repository
- Burnaby Village Museum
- Date
- [196-]
- Collection/Fonds
- Larry Lee family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : col. ; 9 x 9 cm
- Scope and Content
- Photograph of the interior of the banquet hall of the Dragon Inn. People are seated at long tables covered in white table cloths.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Larry Lee family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : col. ; 9 x 9 cm
- Scope and Content
- Photograph of the interior of the banquet hall of the Dragon Inn. People are seated at long tables covered in white table cloths.
- Names
- Dragon Inn
- Accession Code
- BV022.19.6
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [196-]
- Media Type
- Photograph
- Scan Resolution
- 600
- Notes
- Title based on contents of photograph
Images
![Banquet hall inside Dragon Inn, [196-] thumbnail](/media/hpo/_Data/_BVM_Images/2022/2022_0019_0006_001.jpg)
basket
https://search.heritageburnaby.ca/link/museumartifact2720
- Repository
- Burnaby Village Museum
- Accession Code
- HV971.171.1
- Description
- Chinese basket
- Category
- 04.Tools & Equipment for Materials
- Classification
- Food Processing & Preparation T&E - - Food Storage Equipment
Images
basket
https://search.heritageburnaby.ca/link/museumartifact17681
- Repository
- Burnaby Village Museum
- Accession Code
- HV978.2.13
- Description
- Nut-shaped, coiled cedar root basket with cedar root foundation and watch-spring base and lid construction. Hinged lid is attached with leather ties. Covered in beading, where in the decorative elements are laid flat on surface, rather than folded into cedar root stitches as is done with imbrication. Designs are in red and black dyed cherry bark. Interior Salish: Nlaka’pamux
- Object History
- Nut-shaped baskets are identified as one of the oldest types by Haeberlin and Teit (1928: 202-3). They were used for storing berries and were also common work baskets for women, used to hold small tools – awls, thread, shells, trinkets and other odds and ends (202).
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nlaka'pamux
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact27529
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.119.3
- Description
- Rectangular coiled cedar root basket with cedar slat foundation, lid has parallel slat construction and is covered with beaded designs edged by imbrication in canary grass. Basket has a flat lid that is hinged to body with leather ties. A mistake was made in how the design was applied to one end of this basket. This is not common as many weavers would correct this mistake. Completely imbricated walls, beaded design on lid. Coast Salish: Sḵwx̱wú7mesh?
- Object History
- The donor reported that the baskets were traded in the early 1920s for clothes by the donor's mother, who lived in North Vancouver. Her mother told her the "Capilano Indians" used to go door to door with their baskets in North Vancouver.
- Diamonds are considered a star pattern and are common to Sḵwx̱wú7mesh and Nlaka’pamux basketry. The main design resembles a ladder or fence and is uncommon.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Sḵwx̱wú7mesh
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact30051
- Repository
- Burnaby Village Museum
- Accession Code
- HV973.79.1
- Description
- Rectangular coiled cedar root basket with cedar slat foundation. Parallel slat base and lid. Walls of basket flare slightly towards the rim. Basket has a conoid lid – one that fits over top of a flange on the rim of the basket. Rim is inset. Sets of triangular shaped stitches attach base to walls. Base of basket is protected by a foot, one slat high. Grass used for imbricated designs has a flat appearance typical of cattail grass. Black dyed and red cherry bark used for other design elements. Handles missing.
- Object History
- Design variant is uncommon. This may be a zoomorphic design possibly representing an animal head or flying bird.
- Country Made
- Canada
- Province Made
- British Columbia
- School/Style
- Coast Salish
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact50308
- Repository
- Burnaby Village Museum
- Accession Code
- BV006.24.5
- Description
- The basket is round with a lid and has a geometric design in black. Made using the coiled method.
- Object History
- Resembles California and Southwestern style baskets made of willow, dye and grass.
- Country Made
- United States of America
- Province Made
- California
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact80185
- Repository
- Burnaby Village Museum
- Accession Code
- BV006.34.2
- Description
- Chinese small, woven basket. For vending fruits and vegetables. It was given by the vender to his customers. It is a brown colour with loop handles opposite each other there is a string with a knot in the middle running from one loop to the other loop. The bottom of the basket is roughly square, becoming more round as it rises. Top is 24.5 cm by 23.5 cm. and the bottom is 14 cm square.
- Object History
- This basket was a shopping basket for cutsomers of Chinese Canadian food peddlers. The donor indicated that the peddlers sold fruit and vegetables in summer and fish in winter. It was meant to be a convenience to shoppers when she came outside to select produce.
- Category
- 04.Tools & Equipment for Materials
- Classification
- Container
- Object Term
- Basket
- Subjects
- Persons - Chinese Canadians
Images
basket
https://search.heritageburnaby.ca/link/museumartifact84019
- Repository
- Burnaby Village Museum
- Accession Code
- BV014.9.1
- Description
- This basket is woven using the wrapped twining method and is made of swamp grass. The designs were made using aniline dyes and are badly faded; original colours still visible on the inside of lid and basket. The weave on this basket is very finely done. The basket and lid are decorated with bird motifs. Originally birds were yellow on a purple background. The lid has a drop edge that fits over a lip around the top edge of the basket. It is decorated in concentric circles with a dark spot in the centre. The spot includes black as well as the wine colour. The outside is faded to a light brown colour. Nuu-chah-nulth
- Object History
- The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nuu-Chah-Nulth
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact84020
- Repository
- Burnaby Village Museum
- Accession Code
- BV014.9.2
- Description
- Basket with red cedar bark base and warps and swamp grass wefts. The base is done in checker weave, while the walls and lid are done using wrapped twining. The base of the basket is secured with two strand twining and then the warps were split and smaller rows of two strand twining follow. The edge of the base is distinguished by one row of three strand twining, which creates a noticeable break in the pattern, before the wrapped twining begins for the walls. Designs, consisting of horizontal stripes, were made using analine dyes, which are extremely light sensitive. Colours are preserved on inside of basket, where light exposure has been much lower. Originally red and black stripes. Nuu-chah-nulth
- Object History
- The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nuu-Chah-Nulth
Images
