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Duncan & Margaret McGregor Estate 'Glen-Lyon' Mansion

https://search.heritageburnaby.ca/link/landmark518
Repository
Burnaby Heritage Planning
Description
Overlooking the rich farmland of the Fraser River floodplain, 'Glen-Lyon' is an Edwardian era rural estate, with a tall, two and one-half storey plus basement wood-frame mansion, set in a pastoral and formal landscape with an associated barn and early log pond, located near a ravine and forested ar…
Associated Dates
1902
Formal Recognition
Heritage Designation, Community Heritage Register
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Geographic Access
Marine Drive
Associated Dates
1902
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 12183
Enactment Date
11/12/2006
Description
Overlooking the rich farmland of the Fraser River floodplain, 'Glen-Lyon' is an Edwardian era rural estate, with a tall, two and one-half storey plus basement wood-frame mansion, set in a pastoral and formal landscape with an associated barn and early log pond, located near a ravine and forested area adjacent to Marine Drive in South Burnaby.
Heritage Value
‘Glen-Lyon’ is valued as an excellent example of a privately-owned Edwardian era country estate built at the turn of the nineteenth century. The property retains significant heritage features including the Edwardian era mansion with rustic Arts and Crafts features, and elements of a working agricultural landscape. The property was originally the Royal City Mills logging camp, and in 1900 was purchased by Duncan Campbell McGregor (1853-1929) and Margaret Jane McGregor (1875-1960), who named their estate ‘Glen-Lyon’ after Duncan McGregor’s birthplace in Perthshire, Scotland. The McGregors were active in municipal affairs and social activities, and played a significant role in the early development of Burnaby. Duncan McGregor served as a city councillor from 1909 to 1912 and was elected reeve of Burnaby in 1913. Margaret McGregor was instrumental in the formation and fundraising activities of the Victoria Order of Nurses in Burnaby. Additionally, the site is historically significant for its association with early social welfare and correctional reform. The estate was sold in 1926 to an inter-denominational religious organization called the Home of the Friendless, which used it as their B.C. headquarters. The organization was charged with several cases of abuse and neglect in 1937, after which a Royal Commission was formed that led to new legislation to regulate and license all private welfare institutions. 'Glen-Lyon' was sold to the provincial government, and was dedicated in 1939 by the Lt.-Gov. E.W. Hamber for use as the New Haven Borstal Home for Boys and Youthful Offenders (later renamed the New Haven Correction Centre). The Borstal movement originated in England in the late nineteenth century, as an alternative to sending young offenders and runaways to prisons by providing reformatories that focused on discipline and vocational skill. This site’s role as the first North American institution devoted to the Borstal School philosophy was historic, and influenced corrections programs across Canada. The site retains significant features from its development in 1939 as the Borstal School, including a large gambrel-roofed barn designed by Chief Provincial Architect Henry Whittaker of the Department of Public Works that is the only remaining structure of its kind in Burnaby. Between 1941 and 1945 the mansion housed the Provincial School for the Deaf and Blind when the Borstal School was closed temporarily as a war measure during the Second World War.
Defining Elements
Key elements that define the heritage character of 'Glen-Lyon' Mansion include its: - location on a sloping site with expansive southern exposure, adjacent to Marine Drive - residential form, scale and massing of the house as exemplified by its two and one-half storey height, above-ground basement and rectangular plan - Arts and Crafts elements of the house such as its stone foundation, multi-gabled roof line with steep central hipped roof, symmetrical cross-gables, side shed dormers, bellcast upper walls sheathed in cedar shingles and lower walls sheathed in narrow clapboard - original exterior features of the house such as the full width front verandah with square columns, central staircase on the southern elevation, original doors and stained glass windows; and the irregular fenestration such as double-hung 1-over-1 wooden-sash windows, bay windows, and projecting windows in the gable ends - original interior features of the house such as the U-shaped main stair designed around two symmetrically placed Ionic columns, and interior trim on the main floor including boxed beams and fireplaces - gambrel-roofed barn with roof vent with finial, sliding hay loft and access doors, small multi-pane windows, and lapped wooden siding - associated landscape features such as the original garden plantings with some exotic and many native specimen trees; the original log pond and its concrete Marine Drive causeway and culvert; rockeries and a rose garden
Historic Neighbourhood
Fraser Arm (Historic Neighbourhood)
Planning Study Area
Big Bend Area
Organization
Home of the Friendless
Borstal School
New Haven Correction Centre
Architect
Henry Whittaker
Function
Primary Historic--Estate
Community
Burnaby
Cadastral Identifier
003-004-661
Boundaries
'Glen-Lyon' is comprised of a single residential lot located at 4250 Marine Drive, Burnaby.
Area
230873.18
Contributing Resource
Building
Ownership
Private
Names
McGregor, Duncan C. (1853-1929)
Whittaker, Henry
Home of the Friendless
Borstal School
New Haven Correction Centre
Subjects
Buildings - Heritage
Buildings - Residential - Houses
Buildings - Public - Detention Facilities
Buildings - Residential
Street Address
4250 Marine Drive
Street View URL
Google Maps Street View
Images
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E.W. Bateman House 'Elworth'

https://search.heritageburnaby.ca/link/landmark538
Repository
Burnaby Heritage Planning
Description
The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
Associated Dates
1922
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Edwin & Mary Bateman Residence
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Other Names
Edwin & Mary Bateman Residence
Geographic Access
Deer Lake Avenue
Associated Dates
1922
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
Heritage Value
The E.W. Bateman House was constructed in the Deer Lake Crescent subdivision, that was originally promoted in 1911 as an upper class suburban neighbourhood. It represents one of the first residential developments in the City of Burnaby that required buildings to be of a specific value, thus demonstrating the desire for exclusivity among the successful businessmen who chose to settle in the area. The house and grounds illustrate the reduced scale of upper-class residential construction at a time of modest returning prosperity that followed the end of the First World War, and the social, cultural, lifestyle and leisure sensibilities of the owners in the Deer Lake Crescent subdivision: such values as social aspiration, racial exclusivity, demonstration of architectural taste, and importance of a landscaped garden. The heritage value of the E.W. Bateman House is its comprehensive representation of an upper middle-class suburban residence of the early 1920s. It was built for retired CPR executive Edwin Wettenhall Bateman (1859-1957) and his wife, Mary (Dale) Bateman (1865-1935), by contractor William Dodson in 1922. The Bateman House was designed by English-born and trained architect Enoch Evans (1862-1939) of E. Evans and Son, and is an important surviving residential design by Evans, and a typical example of the eclectic Period Revival influences that were common to domestic architecture in the post-First World War era. The symmetry of the imposing front verandah, supported by exaggerated Ionic columns, gives the relatively-modest house an image of grandeur and formality. Named after Edwin Bateman’s birthplace in Cheshire, England, ‘Elworth’ also symbolizes allegiance to England and the patriotic tenor of the time. The heritage value for this house also lies in its interpretive value within the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The E.W. Bateman House was purchased by Burnaby in 1970 and became the focal point for the development of the Museum. Both the interior and exterior of the house have been restored and interpreted to the date of original construction, including recreated room interiors and period furnishings.
Defining Elements
The elements that define the heritage character of the E.W. Bateman House include its: - rectangular form and massing with central entry on long side - side gable roof with front shed dormer with cedar shingle cladding - symmetry of front facade - full open front verandah inset under the roofline, supported with Ionic columns - cedar shingle siding - multi-paned double-hung wooden-sash windows, mixture of 6-over-1 and 8-over-1 - symmetrical disposition of fenestration, with double-assembly units on the ground floor - exterior shutters - two flanking brick chimneys on the side elevations - interior room layouts and original interior features such as quality millwork and original hardware - original garage at the rear of the house
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Morley-Buckingham Area
Organization
Burnaby Village Museum
Architect
Enoch Evans
E. Evans and Son
Builder
William Dodson
Function
Primary Current--Museum
Primary Historic--Single Dwelling
Community
Burnaby
Cadastral Identifier
P.I.D. No. 011-030-356 Legal Description: Parcel 1, District Lot 79 and District Lot 85, Group 1, New Westminster District, Reference Plan 77594
Boundaries
Burnaby Village Museum is comprised of a single municipally-owned property located at 6501 Deer Lake Avenue, Burnaby.
Area
38,488.63
Contributing Resource
Building
Landscape Feature
Structure
Ownership
Public (local)
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Bateman, Edwin W.
Bateman, Mary Dale
Evans, Enoch
Dodson, William
Burnaby Village Museum
Subjects
Buildings - Residential
Buildings - Residential - Houses
Buildings - Heritage
Buildings - Civic - Museums
Street Address
6501 Deer Lake Avenue
Street View URL
Google Maps Street View
Images
Less detail

Barnet Lumber Company House

https://search.heritageburnaby.ca/link/landmark662
Repository
Burnaby Heritage Planning
Description
Residential building.
Associated Dates
1925
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Geographic Access
Texaco Drive
Associated Dates
1925
Description
Residential building.
Heritage Value
This house is one of two surviving houses built as a “Model Home” for the manager of the Barnet Lumber Company, which was the successor to the North Pacific Lumber Company. It was used as a combined home and office. It was constructed with framing lumber and millwork sawn at the mill. Typical of the Craftsman style, the house has a front gabled roof with triangular eave brackets. It has been altered with the addition of asbestos shingles over the original siding, but retains its form, scale and massing. This house was designed by the firm of Townley & Matheson. The partnership of Fred Laughton Townley (1887-1966) and Robert Michael Matheson began in 1919, and the firm left a rich legacy of sophisticated work, including schools, commercial structures, many fine residences and the landmark Vancouver City Hall.
Historic Neighbourhood
Barnet (Historic Neighbourhood)
Planning Study Area
Burnaby Mountain Area
Architect
Townley & Matheson
Area
2225.77
Contributing Resource
Building
Ownership
Public (local)
Names
Townley & Matheson
Barnet Lumber Company
Subjects
Buildings - Heritage
Buildings - Residential
Buildings - Residential - Houses
Street Address
8007 Texaco Drive
Street View URL
Google Maps Street View
Images
Less detail

Barnet Lumber Company House

https://search.heritageburnaby.ca/link/landmark663
Repository
Burnaby Heritage Planning
Description
Residential building.
Associated Dates
1925
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Geographic Access
Texaco Drive
Associated Dates
1925
Description
Residential building.
Heritage Value
This house is one of two surviving houses built as a “Model Home” for one of the assistant managers of the Barnet Lumber Company, using framing lumber and millwork sawn at the mill. This house was also designed by the firm of Townley & Matheson. The house was raised and renovated in 1997, resulting in alterations such as new dormers and elongated porch piers.
Historic Neighbourhood
Barnet (Historic Neighbourhood)
Planning Study Area
Burnaby Mountain Area
Architect
Townley & Matheson
Contributing Resource
Building
Ownership
Private
Names
Townley & Matheson
Barnet Lumber Company
Subjects
Buildings - Heritage
Buildings - Residential
Buildings - Residential - Houses
Street Address
8039 Texaco Drive
Street View URL
Google Maps Street View
Images
Less detail

Capitol Hill Community Hall

https://search.heritageburnaby.ca/link/landmark563
Repository
Burnaby Heritage Planning
Description
Public building.
Associated Dates
1948
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Geographic Access
Howard Avenue
Associated Dates
1948
Description
Public building.
Heritage Value
The Capitol Hill Community Hall was designed by local architect Harold Cullerne (1890-1976). After Cullerne returned from service during the First World War, he joined J.H. Bowman in a partnership that lasted from 1919 to 1934. After Bowman retired in 1934, Cullerne practiced on his own, continuing to work on schools and institutional buildings, such as the Art Deco Hollywood Theatre in Vancouver. In 1944, Cullerne designed a community hall for Capitol Hill; the scheme was delayed, and redesigned before it was finally built after the end of the Second World War. A simple front gabled roof hall structure, this hall is a monument to community spirit, erected by community members on a volunteer basis, and used for community events for over half a century. The hall replaced two earlier structures, both destroyed by fire, that had served the same purpose.
Locality
Capitol Hill
Historic Neighbourhood
Capitol Hill (Historic Neighbourhood)
Planning Study Area
Capitol Hill Area
Architect
Harold Cullerne
Ownership
Public (local)
Names
Cullerne, Harold
Capitol Hill Community Hall
Subjects
Buildings - Heritage
Buildings - Civic
Buildings - Civic - Community Centres
Street Address
361 Howard Avenue
Street View URL
Google Maps Street View
Images
Less detail

Duncan & Margaret McGregor Estate 'Glen-Lyon' New Haven Barn

https://search.heritageburnaby.ca/link/landmark852
Repository
Burnaby Heritage Planning
Description
Designed in a vernacular architectural style, the New Haven Barn is a large gambrel-roofed barn located on the Edwardian era McGregor Estate 'Glen-Lyon,' overlooking the rich farmland of the Fraser River floodplain and near a ravine and forested area adjacent to Marine Drive in South Burnaby.
Associated Dates
1939
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Home of the Friendless, New Haven Borstal Home for Boys and Youthful Offenders, New Haven Correction Centre
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Other Names
Home of the Friendless, New Haven Borstal Home for Boys and Youthful Offenders, New Haven Correction Centre
Geographic Access
Marine Drive
Associated Dates
1939
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 12183
Enactment Date
11/12/2006
Description
Designed in a vernacular architectural style, the New Haven Barn is a large gambrel-roofed barn located on the Edwardian era McGregor Estate 'Glen-Lyon,' overlooking the rich farmland of the Fraser River floodplain and near a ravine and forested area adjacent to Marine Drive in South Burnaby.
Heritage Value
The site is historically significant for its association with early social welfare and correctional reform. The estate was sold in 1926 to an inter-denominational religious organization called the Home of the Friendless, which used it as their B.C. headquarters. The organization was charged with several cases of abuse and neglect in 1937, after which a Royal Commission was formed that led to new legislation to regulate and license all private welfare institutions. 'Glen-Lyon' was sold to the provincial government, and was dedicated in 1939 by the Lt.-Gov. E.W. Hamber for use as the New Haven Borstal Home for Boys and Youthful Offenders (later renamed the New Haven Correction Centre). The Borstal movement originated in England in the late nineteenth century, as an alternative to sending young offenders and runaways to prisons by providing reformatories that focused on discipline and vocational skill. This site’s role as the first North American institution devoted to the Borstal School philosophy was historic, and influenced corrections programs across Canada. The New Haven Barn is a significant feature from its development in 1939 as the Borstal School, designed by Chief Provincial Architect Henry Whittaker of the Department of Public Works, and is the only remaining structure of its kind in Burnaby.
Defining Elements
Key elements that define the heritage character of the New Haven Barn include its: - gambrel-roofed barn with roof vent with finial, sliding hay loft and access doors, small multi-pane windows, and lapped wooden siding
Historic Neighbourhood
Fraser Arm (Historic Neighbourhood)
Planning Study Area
Big Bend Area
Organization
Home of the Friendless
Borstal School
New Haven Correction Centre
Architect
Henry Whittaker
Function
Primary Historic--Estate
Community
Burnaby
Cadastral Identifier
003-004-661
Boundaries
'Glen-Lyon' is comprised of a single residential lot located at 4250 Marine Drive, Burnaby.
Area
230873.18
Contributing Resource
Building
Ownership
Private
Names
Whittaker, George
New Haven Borstal Home for Boys and Youthful Offenders
New Haven Correction Centre
Borstal School
Subjects
Buildings - Heritage
Buildings - Public - Detention Facilities
Buildings - Agricultural
Street Address
4250 Marine Drive
Street View URL
Google Maps Street View
Images
Less detail

Edmonds Baptist Church

https://search.heritageburnaby.ca/link/landmark575
Repository
Burnaby Heritage Planning
Description
Church building.
Associated Dates
1912
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Geographic Access
Walker Avenue
Associated Dates
1912
Description
Church building.
Heritage Value
Beautifully designed in an Arts and Crafts idiom, this church features a textural mix of finishes including lapped siding and stucco and half timbering in the gables. The British Columbian reported in July 1912 that: "The Baptists of Edmonds will possess a fine and well planned church when the building now commenced is ready for occupation. The architects are J.P. Matheson and Son, of Vancouver, and the contractors, Muttitt and Bell, of New Westminster. The entrance porch fronts Edmonds Road and the west side faces Vancouver Road. It will have a capacity for 272 sittings, spacious aisles and choir platform besides various rooms for Baptistery, vestry and robing apartments."
Locality
Edmonds
Historic Neighbourhood
Edmonds (Historic Neighbourhood)
Planning Study Area
Richmond Park Area
Architect
J.P. Matheson & Son
Builder
Muttitt and Bell
Area
1471.58
Contributing Resource
Building
Ownership
Private
Names
Matheson, John
Subjects
Buildings - Heritage
Buildings - Religious
Buildings - Religious - Churches
Street Address
7135 Walker Avenue
Street View URL
Google Maps Street View
Images
Less detail

H.T. Ceperley Estate 'Fairacres' Mansion

https://search.heritageburnaby.ca/link/landmark526
Repository
Burnaby Heritage Planning
Description
'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Henry Tracy & Grace Ceperley Estate
Burnaby Art Gallery
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Other Names
Henry Tracy & Grace Ceperley Estate
Burnaby Art Gallery
Geographic Access
Deer Lake Avenue
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
Heritage Value
'Fairacres' is important as a record of the early years of Burnaby, specifically the Deer Lake area, as a place of tranquility and beautiful scenery in which the wealthy and successful in the burgeoning cities of New Westminster and Vancouver chose to retire or to make their family homes. The main house, which anchors in style and setting the outbuildings on the estate, demonstrates the social, cultural, and aesthetic values of local wealthy businessmen and women of the early twentieth century - values such as appreciation of architectural elegance and grand interior spaces, leisure and recreation, formal landscaped gardens and scenic views. Also important is the association with the English-born and trained architect Robert Mackay Fripp (1858-1917), as this was one of his grandest residential commissions. Steeped in the current architectural trends in Great Britain, Fripp designed this sprawling mansion in the Arts and Crafts style, reflected in the architectural detailing and proportions. The style was common at the time and was often used for estate mansions as a symbol of affluence and good, modern taste as well as an affinity for all things British. Quality is displayed inside and out in the finishes and materials, orchestrated by prominent local contractor, James Charles Allen, including imported English materials of specific value such as imported Medmenham tiles in the fireplace surrounds, one of the earliest documented use of these tiles outside the United Kingdom. Detailed features of the interior woodwork were carved by Scottish-born master wood carver George Selkirk Gibson (1867-1942), who was best known for his many commissions for prominent British Columbia architect Samuel Maclure. The outbuildings at 'Fairacres' are an important record of the functioning of a large estate of the time. The Garage and Stables and the Chauffeur’s Cottage accommodated the use of automobiles, horses and carriages, and in concert with the estate's location near the new British Columbia Electric Railway 'Burnaby Lake' interurban line, illustrate the evolving nature of regional transportation and the growing bedroom communities and estates made possible by increasing options for transportation. Other outbuildings accommodated the agricultural activities that helped support the Ceperley estate. The estate was conceived and funded by American-born Grace E. Dixon Ceperley (1863-1917), who had achieved significant wealth through a bequest from her brother-in-law, Vancouver pioneer Arthur Ferguson. Her husband, Henry Tracy Ceperley (1850-1929), also American-born, was a successful and well-respected businessman who made a significant contribution to the development of the City of Vancouver. The construction of 'Fairacres' spawned the transformation of the Deer Lake area from a farming community into a preferred location for elite suburban homes. 'Fairacres' is significant to the City of Burnaby as its first civic heritage conservation project. Acquired in 1966 for conversion to Burnaby’s first art gallery, it was dedicated in 1967 to mark Canada’s Centennial of Confederation.
Defining Elements
Key elements that define the heritage character of the ‘Fairacres’ mansion include its: - setting in relation to the gardens, its former market garden, and the vistas to Deer Lake and other grand homes in the area - side gable roof with prominent dormers and cedar shingle cladding - verandah across the eastern (garden) facade, with its view over the landscaped gardens and the distant mountains - porte cochere with its side steps for those arriving by automobile, and central raised step for those alighting from horse-drawn carriages - rich variety of exterior elements that demonstrate the typical Arts and Crafts use of local materials such as cobble stone chimneys and foundations, wide wooden siding and half-timbering - mixture of double-hung and casement wooden-sash windows, many with multi-paned sash - lavish interior spaces, designed for entertaining on a grand scale, including a billiard room with a beamed ceiling and an inglenook fireplace, and generous living and dining rooms arranged off a central hall - quality of the interior materials such as imported Medmenham tiles in fireplace surrounds, window hardware by Hope and Sons, and leaded stained glass - interior wood work including the staircase, and carvings by George Selkirk Gibson - remaining formal Edwardian garden landscape elements, including the cross-axial plan that reflects the relationship of the mansion to its 'outdoor rooms'
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Douglas-Gilpin Area
Architect
Robert Mackay Fripp
Builder
James Charles Allen
George Selkirk Gibson
Function
Primary Current--Museum
Primary Historic--Estate
Community
Burnaby
Cadastral Identifier
P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
City of Burnaby, Visual Art Collection: Original rendering by R.P.S. Twizell Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Carved dining room panels by G.S. Gibson and other hardware items
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Ceperley, Grace
Ceperley, H.T.
Fripp, Robert Mackay
Allen, James Charles
Gibson, George Selkirk
Subjects
Buildings - Heritage
Buildings - Residential - Houses
Buildings - Residential
Street Address
6344 Deer Lake Avenue
Street View URL
Google Maps Street View
Images
Less detail

H.T. Ceperley Estate 'Fairacres' Steam Plant Building

https://search.heritageburnaby.ca/link/landmark528
Repository
Burnaby Heritage Planning
Description
Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the fo…
Associated Dates
1908
Formal Recognition
Heritage Designation, Community Heritage Register
Repository
Burnaby Heritage Planning
Geographic Access
Deer Lake Avenue
Associated Dates
1908
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the foundation for the greenhouses stand adjacent. The Steam Plant Building stands as a pendant to the Root House, which is to the north of the former greenhouses.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Ceperleys operated 'Fairacres' with staff, a farm manager and workers, including Chinese, to grow produce for themselves and for sale at local markets. The Steam Plant Building illustrates the market gardening activity of the area around Deer Lake and its importance to the Ceperley family, which valued a year-round supply of fresh fruit and vegetables for the kitchen and flowers for the house. It also illustrates the cultural and aesthetic values of the Ceperleys in retaining an architect to design a functional outbuilding using an accepted and contemporary architectural style. Built in 1908, the Steam Plant Building was significantly altered in the 1960s and restored to its original design in 2000.
Defining Elements
Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its: - overall spatial arrangement of the Steam Plant Building in relation to the former greenhouses and the Root House - side gable roof with cedar shingle cladding. - tall brick chimney indicitive of the building's original function. - distinctive Arts and Crafts architectural features such as the shingle wall cladding with decorative shingling under window sills, deep eaves, and pebble-dashed concrete foundation walls - six-paned wooden-sash casement windows - simple functional interior features - rubble stone walls that formed the foundation for the greenhouses
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Douglas-Gilpin Area
Architect
Robert Mackay Fripp
Function
Primary Historic--Outbuilding
Community
Burnaby
Cadastral Identifier
P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
Burnaby Historical Society, Community Archives: Ceperley Photograph Album
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Ceperley, Grace
Ceperley, H.T.
Fripp, Robert Mackay
Subjects
Buildings - Heritage
Buildings - Agricultural - Greenhouses
Buildings - Agricultural
Street Address
6344 Deer Lake Avenue
Images
Less detail

Capitol Hill School

https://search.heritageburnaby.ca/link/landmark564
Repository
Burnaby Heritage Planning
Description
School building.
Associated Dates
1923
Other Names
Ecole Capitol Hill Elementary School
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Other Names
Ecole Capitol Hill Elementary School
Geographic Access
Holdom Avenue
Associated Dates
1923
Description
School building.
Heritage Value
This school was originally designed by Bowman & Cullerne as a two-storey, four-room school building in 1923, with a two-room addition completed in 1926 and another in 1927. Originally designed in the Arts and Crafts style, it has been altered, with the addition of stucco over the original siding and replacement windows, but has retained its original form and massing, as well as its roof-top ventilator and front gabled entrance with grouped columns. Bowman & Cullerne specialized in school design. After Harold Cullerne (1890-1976) returned from service during the First World War, he joined J.H. Bowman (1864-1943) in a partnership that lasted from 1919 to 1934. The firm’s other school designs included Seaforth School (1922, now relocated to Burnaby Village Museum), Burnaby North High School (1923), and Nelson Avenue School (1927).
Locality
Capitol Hill
Historic Neighbourhood
Capitol Hill (Historic Neighbourhood)
Planning Study Area
Capitol Hill Area
Architect
Bowman & Cullerne
Ownership
Public (local)
Names
Bowman & Cullerne
Cullerne, Harold
Bowman, Joseph Henry
Subjects
Buildings - Heritage
Buildings - Schools
Street Address
350 Holdom Avenue
Street View URL
Google Maps Street View
Images
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Douglas Road School

https://search.heritageburnaby.ca/link/landmark573
Repository
Burnaby Heritage Planning
Description
School building.
Associated Dates
1928
Other Names
Douglas Road Elementary School
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Other Names
Douglas Road Elementary School
Geographic Access
Canada Way
Associated Dates
1928
Description
School building.
Heritage Value
The Douglas Road School was originally established as a two-room school in 1908 on this site, and later expanded to four classrooms. Anticipating rapid settlement of this district, the School Board purchased two acres adjoining the old building. Two of the four rooms were designed to become one large auditorium suitable for special events and public gatherings, with seating for two hundred people. The classically-influenced school has been altered with new windows and extended with additional wings, but has retained its original red-brick veneer, tan-brick quoins and bellcast octagonal roof ventilator. Designed by McCarter & Nairne, the school was built by contractor A.S. Perry. McCarter & Nairne, who also designed the Second Street School, were the Burnaby School Board architects at this time. John Y. McCarter (1886-1981) and George Nairne (1884-1953) formed their partnership in 1921 after serving overseas during the First World War. The partners began designing houses and small apartment buildings, and their commissions included Vancouver’s first skyscraper, the Marine Building (1928-30).
Locality
Burnaby Lake
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Douglas-Gilpin Area
Architect
McCarter & Nairne
Names
McCarter & Nairne
Douglas Road School
Subjects
Buildings - Heritage
Buildings - Schools
Street Address
4861 Canada Way
Street View URL
Google Maps Street View
Images
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H.T. Ceperley Estate 'Fairacres' Chauffeur's Cottage

https://search.heritageburnaby.ca/link/landmark529
Repository
Burnaby Heritage Planning
Description
Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Repository
Burnaby Heritage Planning
Geographic Access
Deer Lake Avenue
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917) was retained by the Ceperleys to design several original outbuildings on their estate at the same time as the main house was constructed. The Chauffeur's Cottage illustrates the increasing importance of the automobile in the lives of the wealthy of the early twentieth century. It also demonstrates Grace and Henry Tracy Ceperley's social aspirations and grand-country-estate pretension in having a chauffeur. The cottage's location - close to the garage and convenient, but not adjacent, to the main house - enhances the grand country house landscape design and contributes to the overall composition of the estate's plan. The Arts and Crafts styled Chauffeur's Cottage is important as an indicator of the aesthetic and social sensibilities of the Ceperley family in retaining an architect to design a modest building for staff accommodation.
Defining Elements
Key elements that define the heritage character of the 'Fairacres' Chauffeur's Cottage include its: - location, in relation to the main house and in close proximity to the Garage and Stables buildings - side gable roof with cedar shingle cladding - Arts and Crafts architectural features such as the jerkin-headed door hood, a reference to the thatched-roofed cottages of southern England; eight-paned wooden-sash casement windows; and cedar-shingled exterior - two internal brick chimneys - modest, functional interior, with simple trim and lack of pretension
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Douglas-Gilpin Area
Architect
Robert Mackay Fripp
Function
Primary Historic--Outbuilding
Community
Burnaby
Cadastral Identifier
P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Chinese ‘Tiger Whiskey’ and opium bottles found during restoration
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Ceperley, H.T.
Ceperley, Grace
Fripp, Robert Mackay
Subjects
Buildings - Heritage
Buildings - Residential - Cottages
Street Address
6344 Deer Lake Avenue
Images
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H.T. Ceperley Estate 'Fairacres' Garage & Stables

https://search.heritageburnaby.ca/link/landmark530
Repository
Burnaby Heritage Planning
Description
Designed in the British Arts and Crafts style, the ‘Fairacres’ Garage and Stables is a two-storey wood frame building located on the 'Fairacres' estate, situated to the north of the Chauffeur's Cottage; at the south end of the structure is a single vehicle garage and to the north are several stable…
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Geographic Access
Deer Lake Avenue
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
Designed in the British Arts and Crafts style, the ‘Fairacres’ Garage and Stables is a two-storey wood frame building located on the 'Fairacres' estate, situated to the north of the Chauffeur's Cottage; at the south end of the structure is a single vehicle garage and to the north are several stables for carriage, riding, and draught horses, a coach house, and tack room; the upper floor was originally a hay loft.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917) was retained by the Ceperleys to design several original outbuildings on their estate at the same time as the main house was constructed. The Garage and Stables building is important as a record of its era when transportation modes were in transition and the horse-drawn carriage, while still in use, was giving way to the automobile. The relative spatial arrangements within the building are a valuable indication of the economy of space associated with the automobile, as compared to the horse. The extent of the stabling arrangements signifies not only the use of carriage horses but also the continued reliance on draught horses in farming activities in this era. As well, it is an indication of the fashionable nature of equestrianism for wealthy families during this time. The building is important as a demonstration of the aesthetics of the Ceperley family in having an architect-designed outbuilding and obtaining craftsmanship and materials of the highest quality for each structure on their estate.
Defining Elements
Key elements that define the heritage character of the 'Fairacres' Garage and Stables include its: - location within easy reach of the main house and in close proximity to the Chauffeur's Cottage - floor plan with the garage at one end, close to the Chauffeur's Cottage, and stables and equine facilities at the other - variety and complexity of the roofline, including gable wall dormers, gable-on-hip roof ends, and half-hip extensions - Arts and Crafts architectural features of the exterior such as the shingle wall cladding articulated with a chevron-patterned course of shingles at the first floor level; casement windows; and deep eaves with additional purlins to support the overhang - original stable doors with hand-made forged-iron door hardware - multi-paned wooden-sash windows, some retaining original wire glass
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Douglas-Gilpin Area
Architect
Robert Mackay Fripp
Function
Primary Historic--Outbuilding
Community
Burnaby
Cadastral Identifier
P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
Burnaby Historical Society, Community Archives: Ceperley Photograph Album
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Ceperley, H.T.
Ceperley, Grace
Fripp, Robert Mackay
Subjects
Buildings - Agricultural - Stables
Buildings - Heritage
Street Address
6344 Deer Lake Avenue
Street View URL
Google Maps Street View
Images
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H.T. Ceperley Estate 'Fairacres' Greenhouse Foundation Wall

https://search.heritageburnaby.ca/link/landmark862
Repository
Burnaby Heritage Planning
Description
The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
Associated Dates
1908
Formal Recognition
Heritage Designation, Community Heritage Register
Repository
Burnaby Heritage Planning
Geographic Access
Deer Lake Avenue
Associated Dates
1908
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 140665
Enactment Date
23/11/1992
Description
The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate, which was designed as a country estate with a working farm that included over 10 acres of productive berry and vegetable fields, with a large kitchen garden, a root house to store food, an orchard, and greenhouses heated by steam. The agricultural potential of the Deer Lake area made it one of the first parts of the municipality to attract settlement. In 1909, the Ceperleys built three large greenhouses heated by an adjacent steam plant (Fairacres Steam Plant). The greenhouses featured granite foundation walls, including this one which remains intact. The Ceperleys employed a large staff to manage the estate's agricultural production, including Chinese farm labourers. Produce was grown for use at the estate, and for sale at local markets. Agricultural use of the estate continued when a Catholic order of Benedictine monks purchased the estate as part of the Priory of St. Joseph and the Seminary of Christ the King, and continued to farm the land until 1953.
Defining Elements
Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its: - overall spatial arrangement of the Greenhouse Foundation Wall in relation to the Steam Plant Building and the Root House - original rubble stone walls reflecting the Arts and Crafts design aesthetic of the estate buildings.
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Douglas-Gilpin Area
Architect
Robert Mackay Fripp
Function
Primary Historic--Outbuilding
Community
Burnaby
Cadastral Identifier
P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Landscape Feature
Remains
Ownership
Public (local)
Other Collection
Burnaby Historical Society, Community Archives: Ceperley Photograph Album
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Ceperley, Grace
Ceperley, H.T.
Fripp, Robert Mackay
Subjects
Buildings - Agricultural
Building Components
Buildings - Agricultural - Greenhouses
Street Address
6344 Deer Lake Avenue
Images
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H.T. Ceperley Estate 'Fairacres' Root House

https://search.heritageburnaby.ca/link/landmark527
Repository
Burnaby Heritage Planning
Description
The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the ma…
Associated Dates
1908
Formal Recognition
Heritage Designation, Community Heritage Register
Repository
Burnaby Heritage Planning
Geographic Access
Deer Lake Avenue
Associated Dates
1908
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the main house, 'Fairacres,' this functional structure was used as a frost-free store for fruit and vegetables for the family's use.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000. The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
Defining Elements
The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000. The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Douglas-Gilpin Area
Architect
Robert Mackay Fripp
Function
Primary Historic--Outbuilding
Secondary Historic--Food Storage
Community
Burnaby
Cadastral Identifier
P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
Burnaby Historical Society, Community Archives: Ceperley Photograph Album
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Ceperley, Grace
Ceperley, H.T.
Fripp, Robert Mackay
Subjects
Buildings - Heritage
Buildings - Agricultural
Street Address
6344 Deer Lake Avenue
Images
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Arrow Neon Sign

https://search.heritageburnaby.ca/link/landmark861
Repository
Burnaby Heritage Planning
Description
Commercial building.
Associated Dates
1961
Other Names
Lost in the 50's Drive-in
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Other Names
Lost in the 50's Drive-in
Geographic Access
Edmonds Street
Associated Dates
1961
Description
Commercial building.
Heritage Value
The Arrow Neon Sign was built in 1961 by the Neonette Sign Company of New Westminster when this property was opened as the Tomahawk Drive-in Restaurant. The restaurant was later known as Lindy's Burger and in 1990, the business was renamed Lost in the 50's Drive-in. It stands 20-foot tall and is composed of a large double-sided hollow steel panel serpentine arrow mounted on a pole supporting a lexan sign panel measuring approximately 8 feet wide by 4 feet tall. The sign was designed with three illuminated features: a round lamp at the top of the pole, a double-sided rectangular fluorescent sign panel box, and two double-sided rows of orange neon arrows that follow the large serpentine arrow. The Arrow Neon Sign remains as a rare surviving example of neon sign art in the city and is the only historic neon sign in South Burnaby. The sign has gained prominence over the years as it has been associated with this small iconic drive-in which has also been utilized as a set for film production. Additionally, the drive-in has played a prominent role in the Edmonds community as a popular setting for recent "Show and Shine" participants to park their classic cars.
Locality
Edmonds
Historic Neighbourhood
East Burnaby (Historic Neighbourhood)
Planning Study Area
Lakeview-Mayfield Area
Builder
Neonette Sign Company
Community
Burnaby
Contributing Resource
Structure
Ownership
Public (local)
Subjects
Buildings - Commercial - Restaurants
Advertising Medium - Signs and Signboards
Street Address
7741 Edmonds Street
Street View URL
Google Maps Street View
Images
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Helen 'The Swinging Girl' Neon Sign

https://search.heritageburnaby.ca/link/landmark591
Repository
Burnaby Heritage Planning
Description
Commercial building.
Associated Dates
1956
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Helen's Childrens Wear Sign
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Other Names
Helen's Childrens Wear Sign
Geographic Access
Hastings Street
Associated Dates
1956
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 12771
Enactment Date
19/04/2010
Description
Commercial building.
Heritage Value
While the building here is of some importance as the former North Burnaby municipal office, its primary importance is its delightful neon sign that has become a North Burnaby landmark. Helen Arnold opened Helen’s Childrens Wear shop in the building next door to the old Municipal offices in 1948. In 1955, when North Burnaby moved out, she moved into the vacated building. As part of the renovations, Helen enlisted the assistance of her good friend Jimmy Wallace, owner of Vancouver’s Wallace Neon Company, to create a new sign for her expanded business. One of the company’s designers, Reeve Lehman, created the swinging neon girl that was installed in 1956. Designed in two parts, one section of the sign is cloud shaped and reads ‘Helen’s’ while the other section is a moving representation of a little girl on a swing. The sign is nine feet six inches high and nine feet wide, and the lower section is animated with an internal motor and gears. It immediately became a landmark on Hastings Street, and recently the sign’s design fame has spread far and wide as one of the best surviving examples of kinetic neon art in North America.
Locality
Vancouver Heights
Historic Neighbourhood
Vancouver Heights (Historic Neighbourhood)
Planning Study Area
Willingdon Heights Area
Community
Burnaby
Names
Helen's Childrens Wear
Subjects
Buildings - Commercial - Stores
Advertising Medium - Signs and Signboards
Street Address
4142 Hastings Street
Street View URL
Google Maps Street View
Images
Less detail

Interview with Surjeet Kaur Parmar

https://search.heritageburnaby.ca/link/museumdescription19350
Repository
Burnaby Village Museum
Date
[1905-2022] (interview content), interviewed 6 Dec. 2022
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Item
Physical Description
2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)
Scope and Content
Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and…
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
Museum Oral Histories series
Subseries
South Asian Canadian Interviews subseries
Description Level
Item
Physical Description
2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)
Material Details
Interviewer: Anushay Malik Interviewee: Surjeet Kaur Parmar Language of Interview: Urdu, Hindi and Punjabi Location of Interview: home of Surjeet Kaur Parmar in Burnaby Interview Date: December 6, 2022 Total Number of tracks: 2 Total Length of tracks: (1:15:32) Digital master recordings (wav) were edited into one recording and converted to mp3 for access on Heritage Burnaby
Scope and Content
Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and Canada, her personal experiences and her ancestors’ stories as South Asian immigrants, reflections on and personal experiences of racial discrimination as a South Asian immigrant, her places of residence, her employment background, her cultural practices and traditions including food, clothing and craft. The interview begins with introductions from interviewer Anushay Mailik. Surjeet Kaur Parmar imparts her own family’s migration story beginning with her very first elders that immigrated to Canada from India. A relative (unnamed) immigrated to Canada first and a few years later (around 1905) returned to India and brought back three cousins that included; Ginaya Singh (Ghania Singh Manhas) and Doman Singh . Mayo Singh (Ghania Singh’s younger brother) came in 1906 on his own to join them. Surjeet’s grandfather (Shair/Sher Singh Manhas) also wanted to immigrate at this time, but he was too young and weak to manage such a long trip. Surjeet conveys that while living in British Columbia, Mayo and Ginaya Singh worked together at saw mills. With their knowledge and understanding of mill work they ended up owning and operating a mill in Paldi near Duncan on Vancouver Island. At this time, most of the men from Surjeet’s family region in Punjab were abroad and with no men living at home. Mayo Singh’s father (Bhulla Singh) looked after her father (Lashman Singh Manhas) and paternal uncle (Kashmir Singh Manhas) back in Punjab. When Mayo’s father died, Mayo Singh adopted her paternal uncle (Kashmir Singh) and brought him to Canada in 1926. Surjeet describes her ancestors’ immigration journey from India to Canada. They all travelled by ship and if someone ran out of money en route, they could work on the ship. Surjeet explains that both Mayo and Ginaya Singh are Surjeet’s grandfather’s first cousins and her father’s second cousins. Surjeet recollects her grandfather (Shair/Sher Singh Manhas) saying “now that you’ve arrived there, take one cousin from each side with you”. Surjeet explains that the cousins were all from the same village in Punjab and her great grandfather wanted someone to go abroad, so he sent a few and had them bring more as the years went on. Surjeet says that she’s uncertain as to why they chose Canada rather than America but thinks that they did some form of research and determined that it was a good place to come to. Surjeet admits that she doesn’t know the name of her paternal grandfather or other elders since she never met them. Surjeet shares that it was a traditional practice to mark pots and pans with family names and imparts that she discovered her father’s name “Lashman Singh” written on the bottom of a glass. Surjeet expresses that she’s marked her own pots and pans with her name to identify which ones are hers when she gets together with family or does catering. Surjeet refers to a kohl bottle that she has and how she’d like to offer it to the museum. She explains how the kohl bottle is no longer in use but was used by her mother (Budhan Kaur Manhas) and daughter and her grandchildren. Surjeet describes a blanket that she made called a “phulkari”, now on display in a small museum in Coquitlam, a wedding shawl, that her daughter now owns and a silk sari with embroidery. Surjeet and Anushay discuss the possibility of donating the kohl bottle and the sari to the museum. Surjeet explains how the kohl is used and how her mother used to make kohl. She describes how you rub the kohl with your hands, put cardamom in it, one or two other ingredients and fill the kohl bottle up with water. Surjeet says that she used kohl as eyeliner when living in India. The interviewer asks Surjeet more about Ginaya Singh. Surjeet conveys that Ginaya Singh ended up leaving the mill on Vancouver Island and moved to Vancouver. After Ginaya Singh died from a heart attack (in 1953) his family moved from Vancouver to Burnaby. Surjeet recalls that following the death of Ginaya Singh’s youngest son, her family didn’t celebrate “Lohri” (a winter festival celebrating newborns and newly married people) for three years. She shares that she was very young at this time but remembers there being beautiful photographs of young children all dressed up and displayed in her family home. She expresses that dressing up for photos has changed over time and adds that suits didn’t really come into fashion until after the 1970s or 1980s. Surjeet conveys that her uncle named Kashmira Singh first worked at the mill in Paldi near Duncan then moved to Vancouver and opened up his own mill in North Vancouver. Surjeet’s father, Lashman Singh Manhas arrived in 1953. Surjeet expresses that Kapoor Singh was educated and worked as a manager at the mill on Vancouver Island. Surjeet recollects meeting Mayo Singh, his wife and eldest son in 1952 when they travelled to India for a cousin’s wedding. Surjeet remembers that Mayo Singh’s family had a very large house in India. She describes the house as a very opulent two story house with indoor plumbing for a bathtub, a kitchen with a woodstove, coloured mirrors, bejeweled curtains, a motor room to park cars, a buffalo and more. Surjeet refers to Nand Singh, a younger brother of Mayo Singh, who travelled from India to San Franciso and spent a year wandering around before deciding to return to India. She describes him as living in Bombay with his wife Vishan Kaur and having a transport business. Nand had two kids that came to Canada. Surjeet recollects the tragic death of Ganda Singh (Ginaya Singh) who died of a heart attack on someone’s doorstep, they thought that he was drunk so didn’t open the door. Surjeet conveys that Mayo Singh’s wife, Mission Kaur (Saradani Bishan Kaur) died while visiting India (in 1952) and that some of Mayo’s sons were married in Canada and one in India. Surjeet expresses that it was hard for Mayo’s sons to have one of their parents die in India and one die in Canada (Mayo Singh died in B.C. in 1955). Surjeet describes the hospital that Mayo built in the village of Paldi. She mentions that there were festivals and functions that took place there, there were many nurses and doctors. She recalls there being a school where their land was. She recalls that if they got headaches they were treated with medicine and that it didn’t cost much, only a six pence. Surjeet talks about her arranged marriage to Kalwant Singh "Nadeem" Parmar. Surjeet explains that her father and brother immigrated to British Columbia first (1953) and after a few months they brought Surjeet and her mother (Budhan Kaur Manhas). She recollects that when she was in Grade 10 and around 17 years of age, her family made plans to travel to India to attend a family wedding. During this time, her father suggested that it would be a good opportunity to take Surjeet with them to find her a husband in India to marry. After meeting and marrying Nadeem Parmar in India, Surjeet and Nadeem moved to England. Surjeet recollects that in order to immigrate to Canada, each family member had to pass a medical exam and how difficult it was. Her two sisters, mother and brother all had to take the test in Delhi. Surjeet recalls living in England with Nadeem. While living in England, Nadeem worked during the day and studied engineering at college in the evening. Surjeet expresses that she liked living in England and was sad to leave. While living there, they enjoyed a close knit Punjabi community and they all lived in the same area. Surjeet states later in her interview that living in Canada was different from living in England. In England, family and friends lived closer together whereas in Canada places were further apart. Surjeet says that while living in England she could walk to do her shopping. While living in England, after her children were a bit older, she worked as a seamstress in a shirt factory for a few years before coming to Canada. Surjeet imparts that her father (Lashman Singh Manhas) died of a heart attack in 1970 and her mother (Budhan Kaur Manhas) died in 1998. Her father and her family first lived in North Vancouver and then her parents bought a house on Eton Street in Burnaby, near the Ocean. After her father died, her brother and mother bought a house and moved to the Capitol Hill neighbourhood in Burnaby. In 1973, Surjeet, Nadeem and their two children immigrated to Canada and moved in with her brother and mother. Surjeet includes that her paternal aunt (Koshali Kaur Manhas) and cousins also moved to Burnaby and that her aunt and some of her cousins were sponsored by her son who came earlier. Surjeet recalls that after arriving in Canada she got work sewing in a factory located on Water Street in Gastown. Surjeet recollects travelling to her job by bus. Surjeet shares that she brought saris and quilted blankets “rijai”, not household items, in her suitcase when she came to Canada from England. Surjeet explains that the “rijai” (quilted blankets) were made from cotton from her home village in India. The blankets were made by women and then brought back to her to quilt on her sewing machine. Surjeet recalls that when she returned to Canada (in 1973 with her husband and children) they first lived with her mother and brother on Capitol Hill in Burnaby before moving to a house on Fell Avenue and then to their current home in 1982. In 1981, she worked at “Canadian Window Covering” factory making window coverings. The factory was located in the Brentwood area of Burnaby. Surjeet recalls how the factory became unionized and of how she left the factory and found union work at the Labatt’s brewery (Winery and Distillery Workers Local 300). Surjeet describes the work that she did while working at Labatt’s brewery which was located next to the Royal Columbian Hospital in Burnaby. Around 1995, when the Labatt’s factory closed down in Burnaby, she got union work as a bottle sorter for BDL Brewers Distributor Limited, where bottles were gathered for distribution at Braid Station. Surjeet left this job in 2000. Surjeet talks about traditional foods like bindi, sabji, aam and karela and where she’s shopped to find traditional ingredients for South Asian cuisine. She recollects how at first she could only find traditional ingredients at stores in Gastown, Chinatown and on Main Street in Vancouver but now they are more readily available at major grocery stores. Surjeet expresses that traditional spices and dry goods have been hard to find, apart from stores like, Famous Foods and Patels when it was located on Commercial Drive. Surjeet talks about using ingredients such as green pea flour and Besan flour to make pakoras and kahdri. Surjeet states that many immigrants didn’t wear their traditional clothing until she came later. She expresses that many South Asian immigrants didn’t wear their clothes “because there were no rights, we had to try to become like them”. Surjeet conveys that even though some were able to purchase property (she provides an example of family members in Duncan who faced discrimination by the owner/seller of a piece of property they were purchasing) that they had very little rights and they were all living in fear. She expresses that she herself didn’t experience this but in the beginning when people settled here (in B.C.) that it was very difficult. Surjeet says that when she goes to the Gurdwara and to work, she wears a sari and conveys that while working at the factory, she was encouraged to wear a sari, it was accepted then. She brought printed saris to work and her co workers said that they’d wear them to parties. Surjeet reflects on her own experiences of racism and discrimination and expresses that her generation “has learned how to stand up in front, then they got scared of saying anything”. “The people who came here first were afraid because they were alone, they had to settle down here and make a home from scratch, but the ones who came after had everything already built and made”. She explains how they helped one another when they came (to British Columbia). She describes how the Gurdwara was located on 2nd Street and all of the ships went there (new immigrants?), people would gather, get water, help one another and there would be a place for all people. Surjeet shares a personal experience of helping members of her husband’s family to immigrate to Canada. She tells of the complications of some being left behind in India and that some came to Canada as refugees that she and her husband sponsored. Surjeet expresses their struggles with raising a family, working and trying to pay for their own house while also trying to assist and support family members. Surjeet describes in detail how her husband Nadeem went back to India after his mother died to help his father, sister and her family immigrate. She explains that the immigration process took about four years and his father had to apply as a refugee. Nadeem’s sister came with her children but had to return to India so Surjeet and her family had to look after Nadeem’s sister’s child/children. Surjeet expresses that during this time she continued to work at Canadian Window Coverings, working an afternoon shift and sometimes taking her son with her. She expresses that this as a very hectic time, working the whole day, making food for everyone, grocery shopping, looking after a her sister in law’s younger child at night and getting no rest. Surjeet describes the time when she was working and her children were attending the local school. She expresses the challenges of working long days and often arriving home after her children. She recollects a time when there was a snow storm and how she was worried about her children making it home and being alone while she was at work, there were no cell phones in those days but they had phone numbers of her brother and sister. Surjeet tells of how they tried to help the rest of the Nadeem’s family immigrate including his brother who was a soccer player in India. They were able to buy a house for the whole family to live but expresses after several months Nadeem’s brother decided to stay in India. Surjeet expresses the complications and frustrations of trying to bring all family members to Canada.
History
Interviewee biography: Surjeet Kaur Parmar was born in Punjab, India in 1942 to parents Lashman Singh Manhas (1913-1970) and Budhan Kaur Manhas (1906-1998). Surjeet’s ancestors, Ghania Singh Manhas, Doman Singh and Mayo Singh immigrated to British Columbia in 1905 and 1906. The group got work in saw mills and soon began owning and operating their own saw mills, first in Chilliwack and Rosedale districts and later in 1920 on Vancouver Island near Duncan (Paldi) (known as the Mayo Lumber Company). In 1927, Surjeet’s paternal uncle, Kashmir Singh Manhas left Paldi, Punjab at the age of 18 years with Mayo Singh Manhas and after months of travel they arrived at Paldi on Vancouver Island. In 1953, Surjeet’s father, Lashman Singh Manhas and her two brothers immigrated to Canada and soon after brought her and her mother, Budhan Kaur Manhas. After immigrating, her father began working at “Kashmir Lumber Company” in North Vancouver which was owned by his brother Kashmira Singh Manhas. Surjeet, her parents and two brothers first made their home in North Vancouver and the 1960s they moved to 3824 Eton Street in Burnaby. In 1959, Surjeet and her family returned to India for her brother’s wedding. During this time a marriage was arranged for Surjeet to marry Nadeem Parmar and they were married in 1960. Following their marriage, Surjeet and Nadeem moved to England where they began raising their two children. While living in England, Surjeet worked as seamstress at a factory. In 1973, following the death of Surjeet’s father who died in 1970, Surjeet and Nadeem decided to immigrate to British Columbia. For the first few years, Surjeet, Nadeem and their two children lived with her mother and brother in the Capitol Hill neighbourhood of Burnaby before purchasing their own home on Fell Avenue. While living in Burnaby Surjeet has worked as a seamstress for Canadian Window Covering, Labatt's Brewery and BDL Brewers Distributor Limited which she left in 2000. In 1982, Surjeet and her family moved into a new home that they had built on Woodsworth Street where they still live today. Interviewer biography: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”.
Creator
Burnaby Village Museum
Subjects
Buildings - Industrial - Saw Mills
Clothing
Crafts
Employment
Migration
Social Issues
Social Issues - Racism
Occupations - Labourers
Occupations - Millworkers
Persons - South Asian Canadians
Names
Parmar, Surjeet Kaur
Parmar, Kalwant Singh "Nadeem"
Manhas, Ghania Singh
Singh, Mayo
Manhas, Kashmir Singh
Manhas, Sher Singh
Manhas, Budhan Kaur
Manhas, Lashman Singh
Accession Code
BV022.29.5
Access Restriction
No restrictions
Reproduction Restriction
No known restrictions
Date
[1905-2022] (interview content), interviewed 6 Dec. 2022
Media Type
Sound Recording
Related Material
See also BV022.29.1 - interview with Kalwant Singh "Nadeem" Parmar
Notes
Title based on contents of item
Transcription of interview translated to English from Urdu, Hindi and Punjabi to English created by Rajdeep
Transciption available on Heritage Burnaby
Spelling of "Ginaya Singh" found as "Ghania Singh Manhas" in obituary and death certificate
Documents
Audio Tracks

Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022

Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0005_003.mp3
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A Good Size Log, Barnet B.C

https://search.heritageburnaby.ca/link/archivedescription38346
Repository
City of Burnaby Archives
Date
[1907]
Collection/Fonds
Burnaby Historical Society fonds
Description Level
Item
Physical Description
1 photograph : b&w postcard ; 8.7 x 13.8 cm
Scope and Content
Photographic postcard of a labourer grappling with a large log on the log chute at the Barnet mill. The caption to the card reads: "A Good Size Log / Barnet B.C." The Barnet Mill was called the North Pacific Lumber Company from 1889 to 1914.
Repository
City of Burnaby Archives
Date
[1907]
Collection/Fonds
Burnaby Historical Society fonds
Series
Community Archives Collection series
Subseries
Charles Lee subseries
Physical Description
1 photograph : b&w postcard ; 8.7 x 13.8 cm
Description Level
Item
Record No.
411-005
Access Restriction
No restrictions
Reproduction Restriction
No known restrictions
Accession Number
BHS2000-13
Scope and Content
Photographic postcard of a labourer grappling with a large log on the log chute at the Barnet mill. The caption to the card reads: "A Good Size Log / Barnet B.C." The Barnet Mill was called the North Pacific Lumber Company from 1889 to 1914.
Subjects
Occupations - Labourers
Woodworking Tools and Equipment - Logging Machinery
Buildings - Industrial - Mills
Documentary Artifacts - Postcards
Names
Barnet Mill
Media Type
Photograph
Notes
Title taken from caption
Geographic Access
Barnet Village
Texaco Drive
Street Address
8059 Texaco Drive
Historic Neighbourhood
Barnet (Historic Neighbourhood)
Planning Study Area
Burnaby Mountain Area
Images
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MacMillan Bloedel Ltd.

https://search.heritageburnaby.ca/link/archivedescription34685
Repository
City of Burnaby Archives
Date
June 10, 1957
Collection/Fonds
Burnaby Historical Society fonds
Description Level
Item
Physical Description
1 photograph : b&w ; 20.2 x 25.6 cm mounted on cardboard
Scope and Content
Photograph of the interior of MacMillan Bloedel Ltd.'s paper converting plant. Three labourers are at work. There are piles of packages labeled "3 LB" and "7 LB."
Repository
City of Burnaby Archives
Date
June 10, 1957
Collection/Fonds
Burnaby Historical Society fonds
Series
Community Archives Collection series
Subseries
Photographs subseries
Physical Description
1 photograph : b&w ; 20.2 x 25.6 cm mounted on cardboard
Description Level
Item
Record No.
094-001
Access Restriction
No restrictions
Reproduction Restriction
Reproduce for fair dealing purposes only
Accession Number
BHS2007-04
Scope and Content
Photograph of the interior of MacMillan Bloedel Ltd.'s paper converting plant. Three labourers are at work. There are piles of packages labeled "3 LB" and "7 LB."
Subjects
Buildings - Industrial - Mills
Industries - Pulp and Paper
Occupations - Labourers
Names
MacMillan Bloedel Limited
Media Type
Photograph
Photographer
Cash, Jack
Notes
Title based on contents of photograph
Stamp and annotation on back of cardboard reads, "MacMillan and Bloedel Limited / Date Jun 10 1957 / Subject(s) Paper Converting"
Stamp on back of cardboard reads, "Photo by Jack Cash Photographic Studios / 1629 Marine Drive, North Vancouver, B.C. / Please credit when used for Publicity or Editorial Reproduction. / Must not be copied unless specified on invoice. / Print No. 9446, Date June 11 1957"
Images
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