"Arts" found 130 records | Heritage Burnaby

Interview with Sadhu Binning and Sukhwant Hundal

https://search.heritageburnaby.ca/link/museumdescription19603

Repository: Burnaby Village Museum

Date: 1967-2023 (interview content), interviewed 29 May 2023

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)

Scope and Content: Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in…

1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: Many Voices Project Interviews subseries

Description Level: Item

Physical Description: 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)

Material Details: Interviewer: James Binks Interviewee: Sadhu Binning and Sukhwant Hundal Location of Interview: Burnaby Village Museum Interview Date: May 29, 2023 Total Number of tracks: 2 Total Length of all Tracks:1:33:07 Digital master recordings (wav) were recorded onto two separate audio tracks, edited and merged together into one track and converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in Burnaby". The interview focuses on the history of "Vancouver Sath" as well as literary works created by Hundal and Binning and the Punjabi literary magazine "Watno Dur" and "Watan". 00:00 - 13:30 Interview opens with brief introductions and information on Sadhu Binning, Sukhwant Hundal and Vancouver Sath provided by the interviewer, James Binks. Interviewees Sadhu Binning and Sukhwant Hundal describe how they met and what they were focused on prior to the formation of the organization Vancouver Sath. Binning briefly describes how he became involved as a writer in the literary world and recalls how he published his first poem in an Indian literary magazine in 1972. Hundal describes how he immigrated to Canada from Punjab in 1975, the various industries that he worked in as a new immigrant and his interest in literature with a focus on social issues. Hundel describes how he developed a relationship with Sadhu Binning after his short story was published in "Watno Dur" literary magazine which in turn lead to his involvement with the Punjabi Literary Association and becoming co-editor of "Watnu Dur". 13:31 – 27:44 Hundal provides more background on his life as a South Asian immigrant, working in sawmills and completing a diploma in Power and Process Engineering and how he first became interested in literature while living in India. Binning and Hundal both share their insights into the formation of Vancouver Sath and provide details on their involvement with the Punjabi literary publication “Watnu Dur”. Binning describes how the inspiration for the formation of the Vancouver Sath organization came from India and that Binning, Hundal and some other members of the Punjabi Literary Association decided to form their own group where they could have more informal discussions around social, political and literary issues. 27:45 – 43:31 Binning describes how the political issues that were happening in Punjab between 1978 and 1983 influenced discussions in the South Asian community whereas prior to 1978 there was more focus on local issues that new immigrants were facing. Binning conveys how their work with Vancouver Sath endeavored to focus more on local issues and Hundal conveys how they made the decision to begin producing theatrical works rather than just written works to reach a wider audience. Hundal and Binning share names of the people that were involved with Vancouver Sath and describe some of the early plays that they performed. Binning describes the foundations of the organization where they worked together as a collective making decisions in producing and performing the works with Binning and Hundal taking on the responsibility for the written work. They talk about their first paid experience being invited to perform a few of their plays at the Vancouver Folk Music Festival. 43:32 – 55:17 Hundal and Binning describe how they continued to support themselves financially since they weren’t making money from Vancouver Sath. Binning and Hundal provide further details on how their collective worked with the process of writing the plays and presenting and discussing details with the Vancouver Sath community before performing to an audience. Hundal talks about the transition that the magazine “Watno Dur” took in 1986 which lead to renaming it “Watan”. Hundal and Binning discuss how in 1992 and 1993 they decided to try to get more young people involved and began publishing a magazine in English called “Ankur”. They describe the content and list some of the authors who contributed to the magazine. 55:18 – 1:20:12 Hundal and Binning provide background details on the author of “Maluka”, Sadhu Singh Dhami and describe the details that lead them to translating the book into Punjabi, touring with the author and adapting the novel into a play which Vancouver Sath performed. Binning and Hundal describe and discuss other plays that Vancouver Sath performed including some plays that were recorded and broadcast over local radio stations. 1:20:13 – 1:32:57 Binning and Hundal reflect on what lead Vancouver Sath to discontinue theatrical performances in the mid 1990’s. Binning and Hundal state how they are both still very involved in publishing literary works but no longer perform theatrical works. Binning and Hundal describe some of their literary works and projects that they’ve been involved in and also reflect on and describe the current theatre scene in the South Asian community. Hundal conveys that even though they no longer call themselves “Vancouver Sath” they continue to enjoy working as a collective discussing literary works and ideas.

History: Interviewees' biographies: Dr. Sadhu Binning was born on May 10, 1947 to mother Gurmej Kaur and father Jeet Singh Binning. Due to lack of proper records management in India at the time of his birth, it is believed that he was actually born sometime in December of 1947. He grew up alongside two brothers and one sister in a village located in Kapurthala, Punjab. Dr. Binning attended secondary school in the nearby city of Phagwara, Punjab although he did not complete his education here. Throughout his childhood, he enjoyed reading both Punjabi and Hindi novels and learned how to read Urdu as well. Dr. Binning’s uncle, Dhana Singh immigrated to Canada in 1933 and returned to India in 1953. When Dhana Singh returned to Canada in 1957, he sponsored Dr. Binning’s father, Jeet Singh Binning to immigrate. Dhana Singh co-owned a few saw mills in British Columbia and also worked in the truck driving industry. Dr. Binning remembers that some people who had lived in Canada would visit their village and that they appeared to be strong and healthy and looked happy. He also noticed that they would eat meat, so whenever they would visit there would be meat available. In 1967, when he was nineteen and a half years old, Dr. Binning immigrated Canada to join his father. He recalls his father and uncle and a friend arriving at the airport to pick him up. During his first few days, Dr. Binning made the decision to remove his turban and beard upon receiving advice from his uncle. Dr. Binning first obtained work on a farm in Abbotsford, working alongside his mother. While working, Dr. Binning also attended English classes in Vancouver. Dr. Binning’s Uncle Dhana Singh worked in a Vancouver saw mill and tried to help find work for his nephew but was unsuccessful. Dr. Binning soon found work at a saw mill in Avola and worked there until the end of the summer until a friend helped find him work in a saw mill in North Vancouver. During his free time, he enjoyed camping with friends. In 1970, Dr. Binning left the saw mill after obtaining a job at the post office. The post office offered lower wages than working at the mill but Dr. Binning believed that he would become more educated working here. While working as a postman, Dr. Binning recalls facing a lot of discrimination and racism and was often referred to as a ‘Paki’ multiple times a day. In 1973, Dr. Binning married Jagish Sihota. Sadhu and Jagdish originated from nearby villages in India and met each other in Canada. Dr. Binning’s wife, Jagdish worked at the Royal Bank of Canada for thirty years until her retirement. While working, she also looked after the household and their son and daughter. Jagdish also handwrote a magazine, “Watno Dur" (English translation: ‘away from homeland’) which was distributed in the community. In 1976, Dr. Binning became the editor of the magazine and the name was later changed to “Watan’ as they had accepted their new homeland of Canada. While working at the post office, Dr. Binning also attended night school starting in eighth grade. After receiving his high school diploma, he was accepted to Simon Fraser University and earned a Bachelor of Arts degree with a double major in Anthropology and Sociology and in 1986 he obtained a Masters degree from Simon Fraser University. While attending university, Dr. Binning was very active within the community and wanted to work to improve society. He first thought that he would return to India to contribute and improve rights in his homeland but upon seeing the prevalence of the movements in Canada, he realized that work needed to be done here too. In 1983, Dr. Binning became a founding member and contributor to a theatrical collective known as “Vancouver Sath”. The theatrical group produced plays that represented societal issues and were invited to perform at multiple conferences throughout British Columbia and Canada. The group focused and acknowledged the many issues in Punjab and in Canada. One of the plays that the group produced focused on the exploitation of Punjabi women who worked on farms in Canada. Dr. Binning continued to be involved as an integral member of Vancouver Sath until 1995. Over the years, Dr. Binning has strongly lobbied for Punjabi language education and between 1988 and 2008 he worked as Punjabi instructor at the University of British Columbia. He first worked as a teaching assistant at UBC under Dr. Harjot Oberoi and due to low wages, he simultaneously worked at the Post Office. In 2019, Dr. Binning received an Honorary Doctor of Letters from UBC in recognition of his work. Since 1973, Dr. Binning has lived in Burnaby and has resided in the same home that he and his wife purchased in 1987. In his free time, he enjoys cycling, watercolour painting, travelling abroad and going on road trips. Suhkwant Hundal is a founding member in the group known as Vancouver Sath and has spent a lot of time in Burnaby rehearsing and writing plays. Sadhu Binning and Sukhwant Hundal co-wrote the Vancouver Sath's first play, "Picket-Line" and many others. This play was staged in November 1984. He's authored and edited pieces for the various newsletters and magazines including "Watno Dur" and "Watan". Through the 1980's and early 1990's Hundal has been active in South Asian advocacy in Burnaby and the Lower Mainland. In his retirement years, Hundal has been a lecturer on Punjabi language at the University of British Columbia in the Department of Asian Studies. Interviewer biography: James Binks has lived in the Lower Mainland since 2009 after relocating from Ontario. James holds a Bachelor of Arts in Anthropology from the University of British Columbia, where he conducted researched on heritage, environment, and globalization in India, Nepal, and Italy. At Burnaby Village Museum, James contributed to the exhibit “Truths Not Often Told: Being South Asian in Burnaby”.

Creator: Burnaby Village Museum

Subjects: Occupations - Writers; Organizations; Organizations - Unions; Migration; Persons - South Asian Canadians; Performances - Dramatic Performances; Social Issues; Social Issues - Discrimination; Social Issues - Racism

Names: Vancouver Sath; Binning, Dr. Sadhu; Hundal, Sukhwant; Dhami, Sadhu Singh; Pritam, Amrita; Rampuri, Gurcharan; Tut, Mukhan; Thobani, Sunera; Hoss Mushroom Farm; Deol, Jeevan; Dulai, Phinder; Dhillon, Sital; Bhangoo, Bhavna; Rai, Gurmail; Punjabi Lekhak Manch; Di Awaz, Samay; Johal, Balinder; Sara, Amanpal; United Farm Workers Union; Canadian Farmworkers Union

Responsibility: Binks, James

Accession Code: BV023.16.7

Access Restriction: No restrictions

Reproduction Restriction: No known restrictions

Date: 1967-2023 (interview content), interviewed 29 May 2023

Media Type: Sound Recording

Notes: Title based on contents of item; Transcription available on request

Audio Tracks

Interview with Sadhu Binning and Sukhwant Hundal, 1967-2023 (interview content), interviewed 29 May 2023

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2023_0016_0007_003.mp3

Interview with Shanaz Khan

https://search.heritageburnaby.ca/link/museumdescription20284

Repository: Burnaby Village Museum

Date: [1956-2023] (interview content), interviewed 24 Sep. 2023

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 1 sound recording (wav) (65 min., 54 sec.) + 1 sound recording (mp3) (63 min., 54 sec.)

Scope and Content: Item consists of a recording of an oral history interview with Shanaz Khan conducted by Burnaby Village Museum registrar Rajdeep on September 24, 2023. 00:00:00- 00:09:59 Shanaz Khan shares information about herself, her family and life in Fiji before she immigrated to Vancouver in 1972 and her fi…

1 document 1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: Many Voices Project Interviews subseries

Description Level: Item

Physical Description: 1 sound recording (wav) (65 min., 54 sec.) + 1 sound recording (mp3) (63 min., 54 sec.)

Material Details: Interviewer: Rajdeep Interviewee: Shanaz Khan Location of Interview: Love farmhouse at Burnaby Village Museum Interview Date: September 24, 2023 Total Number of tracks: 1 Total Length of all Tracks: 01:05:54 Digital master recording (wav) was converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of a recording of an oral history interview with Shanaz Khan conducted by Burnaby Village Museum registrar Rajdeep on September 24, 2023. 00:00:00- 00:09:59 Shanaz Khan shares information about herself, her family and life in Fiji before she immigrated to Vancouver in 1972 and her first experiences after immigrating to Vancouver including where her family lived, her work as an accountant for major banks in Vancouver, training and working as a chef and living in Surrey and Vancouver. 00:10:00 - 00:14:59 Shanaz shares experiences in her career as an accountant working in Vancouver and Tumbler Ridge and her experiences of racism that she faced in her workplace. Shanaz talks about her life after retirement and her volunteer work. 00:015:00 - 00:22:53 Shanaz talks about her life in Burnaby for the last 19 years and what she likes about living here. Shanaz recollects locations of stores in Vancouver where her family shopped to find traditional foods and where her family lived after immigrating. Shanaz shares some of her favourite traditional foods. 00:22:54 - 00:37:41 Shanaz recollects some of her childhood experiences growing up in Fiji and her experiences of swimming in Fiji, Hawaii and in Vancouver. Shanaz talks about her fitness regime and places that she likes to exercise in Burnaby including trails and green spaces and reflects on the changes to Burnaby with increased development, the cost of housing and the crime rate. 00:37:42 - 00:52:41 Shanaz talks about the traditional clothing and western clothing that she’s worn and accessed while living in Burnaby and Vancouver. Shanaz describes some traditional Islamic religious practices including the nikah (marriage), funerals, prayers, Eid, Hajj and her own personal practices as well as locations of mosques and cemeteries available to Muslims in the lower mainland. 00:52:42 - 01:05:54 Shanaz talks about her parent’s religious and ancestral background, her religious upbringing and the demographics of Fiji.

History: Interviewee biography: Shanaz Khan was born and raised in Suva, Fiji in the 1950's. In the early 1970's, Shanaz immigrated to Vancouver with her parents and younger brother. Shanaz attended John Oliver High School and took one year of accounting courses at Langara College. Over the years Shanaz worked as an accountant in major banks and for a mining company in Tumbler Ridge. Shanaz also worked as a chef at various restaurants and bakeries after completing training at a Vancouver Culinary School. Shanaz has made her home in Burnaby for the past 19 years. Following her retirement, Shanaz has volunteered for different organizations including the YWCA. Interviewer biography: Rajdeep was born and raised in the Lower Mainland and is of Punjabi (South Asian) descent. She has an Associate of Arts degree in Asian Studies from Kwantlen Polytechnic University, a Bachelor of Arts (Hons.) in Anthropology from the University of British Columbia. She is a student in the Restoration of Natural Systems program at the University of Victoria. Rajdeep works at Simon Fraser University as a Program Assistant and as a researcher with the City of Burnaby. At Burnaby Village Museum, Rajdeep contributed to the exhibit “Truths Not Often Told: Being South Asian in Burnaby”.

Creator: Burnaby Village Museum

Subjects: Buildings - Religious - Mosques; Cemeteries; Ceremonies - Funerals; Ceremonies - Weddings; Education; Housing; Migration; Occupations; Persons - South Asian Canadians; Religions - Islam; Religions - Christianity; Social Issues; Social Issues - Racism; Sports - Swimming

Names: Khan, Shanaz

Responsibility: Rajdeep

Accession Code: BV023.16.18

Access Restriction: No restrictions

Reproduction Restriction: No known restrictions

Date: [1956-2023] (interview content), interviewed 24 Sep. 2023

Media Type: Sound Recording

Notes: Title based on contents of item; Transcription available

Documents

2023_0016_0018_003

Audio Tracks

Interview with Shanaz Khan, [1956-2023] (interview content), interviewed 24 Sep. 2023

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2023_0016_0018_002.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 1

https://search.heritageburnaby.ca/link/oralhistory516

Repository: City of Burnaby Archives

Date Range: 1900-1946

Length: 00:07:05

Summary: This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver,…

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver, but managed to find a place to live outside the camp where her grandmother grew a large garden from seeds brought in the seams of her clothing. She notes that the Lion Islands were named Oikawa-shima by the Japanese settlers.

Date Range: 1900-1946

Length: 00:07:05

Subjects: Wars - World War, 1939-1945; Persons - Japanese Canadians

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track one of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_1.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 7

https://search.heritageburnaby.ca/link/oralhistory522

Repository: City of Burnaby Archives

Date Range: 1930-1990

Length: 00:13:56

Summary: This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and dis…

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and distrust in her family. She also talks about visiting Hiroshima on her trip to Japan in 1980

Date Range: 1930-1990

Length: 00:13:56

Subjects: Wars - World War, 1939-1945; Persons - Japanese Canadians

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track seven of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_7.mp3

Leila Orman subseries

https://search.heritageburnaby.ca/link/archivedescription62945

Repository: City of Burnaby Archives

Date: 1918-1976

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Subseries

Physical Description: Textual records and other materials

Scope and Content: Subseries consists of manuscripts written by Leila Orman as well as paintings, scrapbooks, postcards, photographs, hymn books and correspondence.

Repository: City of Burnaby Archives

Date: 1918-1976

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Leila Orman subseries

Physical Description: Textual records and other materials

Description Level: Subseries

Accession Number: BHS2007-04

Scope and Content: Subseries consists of manuscripts written by Leila Orman as well as paintings, scrapbooks, postcards, photographs, hymn books and correspondence.

History: A. Leila Orman was born June 2, 1901 in Eastleigh, Hampshire, England. She is the youngest daughter of Daisy Marie Orman, her sister Daisy Hilda Orman (later Targett) being three and a half years her senior. At five years old Leila began a long fight with a crippling type of rheumatoid arthritis. By the time she was thirteen, she experienced completely ankylosed joints. Her family travelled all over hoping to find a cure, but to no avail. In 1913 her father joined his two brothers in Calgary, and by 1915 the family had joined him. Leila developed an interest in painting and knitting, and composed her own poems. She began writing news articles for the Calgary Daily Herald in the 1930s, and her first sonnet was published in that paper on August 28, 1934. She had a strong interest in the arts, often writing about music and the visual arts. While living in Calgary, she became a member of the Business and Professional Women’s Club as well as a member of the Canadian Author’s Association. When her father retired in 1938, the family moved to Rosewood Avenue in Burnaby. Leila wrote on a typewriter with two sticks to type out the letters. She was an avid reader and was able to turn the pages with a special stick with elastic bands wound around the ends. Canadian novelist Maida Parlow French became her lifelong friend and encouraged her to write her own autobiography, but she was not able to finish it. Leila wrote “The Giving Heart” in October of 1948. By 1952, she was writing the "Across the Board" column for the British Columbia Saturday Magazine with the intention of inspiring other “incapacitated folk” to live up to their full potential: “If [she] could reach a few people, and encourage them to reach up and out, [she] should feel the effort well worthwhile.” A member of the St. Alban’s Prayer Healing Fellowship group, Leila wrote the “Christian Manifesto for World Peace” in 1963. The Prayer Group met twice monthly at one of the members’ homes and undertook to pray daily for the sick and for world peace. After Leila’s mother died in 1955, Leila’s friend Jeanie Brown kept house for her and was her constant companion. Jeanie Brown and Leila lived together for over thirteen years until an accident sent Leila to hospital and later to nursing home where she died on February 16, 1976.

Media Type: Textual Record; Photograph

Creator: Orman, A. Leila

Notes: MSS104 and PC506; Title based on content of subseries

S. Dale Standen fonds

https://search.heritageburnaby.ca/link/archivedescription88376

Repository: City of Burnaby Archives

Date: 2014

Collection/Fonds: S. Dale Standen fonds

Description Level: Fonds

Physical Description: 1 cm. of textual records.

Scope and Content: Fonds consists of one book, titled "Standens and McQueens: A Canadian Story of Migrant Families" written and published by S. Dale Standen.

Repository: City of Burnaby Archives

Date: 2014

Collection/Fonds: S. Dale Standen fonds

Physical Description: 1 cm. of textual records.

Description Level: Fonds

Access Restriction: No restrictions

Accession Number: 2014-30

Scope and Content: Fonds consists of one book, titled "Standens and McQueens: A Canadian Story of Migrant Families" written and published by S. Dale Standen.

History: Sydney Drysdale (Dale) Standen was born in Regina, Saskatchewan, in 1942. That same year, his parents, Sydney (Sid) and Effie Standen (nee McQueen) moved his family west to Burnaby, following the McQueen family who moved here in 1941. Dale grew up with his family in South Burnaby from 1942 to 1963, first living on Miller Avenue and later at 3842 Imperial Street. His youngest brother Eric was born in Vancouver in 1947 and his two elder brothers Neil (born in 1939) and Phil (born in 1932) were born in Saskatchewan. His brother Phil died tragically during an RCAF training exercise in 1955 and was buried at Ocean View cemetery in Burnaby. Dale's parents were devoted to church work in West Burnaby United Church (formerly Jubilee Henderson Presbyterian Church) on Sussex Avenue. Dale's father, Sid, taught at Nelson Avenue School in 1949 and from 1950 at Burnaby South High School. After 1962, he taught at North Burnaby High School and then Burnaby Central High School as head of their math departments. He supplemented his teacher's income by marking Departmental exams in Victoria. He enjoyed coaching high school sports and was largely responsible for organizing high school boys curling in Greater Vancouver. Sid Standen retired from teaching in 1971. Dale graduated with a Bachelor of Arts degree from the University of British Columbia in 1963, a Masters of Arts degree from University of Oregon in 1965, and a PhD from University of Toronto in 1975. He was employed as an instructor at Vancouver City College from 1965 to 1967, a Professor at Trent University from 1971 to 2006, and Professor Emeritus of History from 2006 to present. At Trent, he served terms as Chair of the Department of History and Principal of Lady Eaton College. From 1986 to 1987, he was seconded to the History Division of the Canadian Museum of Civilization as Principal Historian, New France Section, and participated in the development of the Canada Hall exhibits. His research interests include the history of New France, particularly the fur trade and French Aboriginal relations, and applied/public history, especially museums. His interests have involved him in serving on the Board of Directors of the Canadian Canoe Museum and assisting the Design Team in the development of the Museum's millennium exhibits which were completed in 2001. He served a term as President of the French Colonial History Society, and is a past member of the Board of the Champlain Society. Dale's mother, Effie, died in Burnaby in 1965. His father, Sydney, remarried in 1967 to Gladys Marshall and they continued to live in the Standen home on Imperial Street until 1972. Dale inherited his family records and photographs following the death of his father in 1975 and, with some help from his brothers and other relatives, wrote a history of his parents’ families. Original family photos and records are held in the Trent University Archives.

Media Type: Textual Record

Creator: Standen, Sydney Drysdale "Dale"

Notes: Title based on contents of fonds.; MSS189; Original records are held with the Trent University Archives: the Standen-McQueen Family fonds 14-014; and the William Standen fonds 87-006.

SFU/Burnaby Centennial Committee fonds

https://search.heritageburnaby.ca/link/archivedescription97236

Repository: City of Burnaby Archives

Date: [191-?] (date of original) -2015

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Description Level: Fonds

Physical Description: 10 cm. of textual records and other material.

Scope and Content: Records consist of material created and collected by the SFU/Burnaby Centennial Committee in celebration of Burnaby's Centennial in 1992. Celebration projects undertaken by the Committee include: Image Bank project; Centennial Oral History project; Burnaby at 100 video series; and two publications:…

Repository: City of Burnaby Archives

Date: [191-?] (date of original) -2015

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Physical Description: 10 cm. of textual records and other material.

Description Level: Fonds

Accession Number: 2015-03; 2014-28

Scope and Content: Records consist of material created and collected by the SFU/Burnaby Centennial Committee in celebration of Burnaby's Centennial in 1992. Celebration projects undertaken by the Committee include: Image Bank project; Centennial Oral History project; Burnaby at 100 video series; and two publications: "Burnaby: A Cultural Inventory and Resource Guide" and "Suburb of Happy Homes: Burnaby Centennial Themes".

History: The SFU (Simon Fraser University)/Burnaby Centennial Committee was established in 1990 and obtained initial funding from the President of Simon Fraser University, which was matched by a grant authorized by the Mayor and Council of the Municipality of Burnaby. Further funding came from the Burnaby (civic) Centennial Committee after the projects had been accepted as part of the recognition for Burnaby's Centennial celebrations in 1992. The suggestion for this committee originated with Professor Robert Anderson from the School of Communications and he was joined by Professors Veronica Strong-Boag from the Department of History and Leonard J. Evenden from the Department of Geography. Primary responsibilities ended up falling jointly to Professor Evenden and Susan Jamieson-McLarnon. The Committee was made up of the following members who helped to carry out the projects to completion: Rodney Fowler (SFU Department of Geography), Terry Fowler (Adler School of Professional Psychology, Chicago), Edward Gibson (SFU Department of Geography and Director of the Simon Fraser Gallery), James Ross (SFU Archivist), Allen Seager (Department of History), Grant Strate (SFU Fine and Performing Arts), and Arthur Wirick (representing Burnaby Municipal Centennial Committee). Other members of the university community contributed their expertise in a variety of ways, including: Jack Corse (SFU Librarian), Stephen Duguid (Institute of Humanities), Christine Hearn (Continuing Studies), Ken Mennel (Media and Public Relations), Jane Parkinson (Historian and Researcher), Stanley Shapiro (Business Administration) and Jerry Zaslove (Institute for the Humanities). Rodney Fowler also filled the position of committee coordinator. The committee's first undertaking was to explore the extent and availability of historical resources in the community of Burnaby. Two graduate students were hired to help carry out this work in the summer of 1991, which took two forms: a document-based study and an oral history project. The document-based history resulted in an inventory of 'archival' resources titled "Burnaby: A Cultural Inventory and Resource Guide," and the Oral History Project consisted of interviews with 11 Burnaby citizens. With the culmination of these two projects, a day-long workshop was held with both the SFU and the Burnaby municipal committees and other members of the Burnaby community who were pursuing various centennial projects of their own. Following the workshop and several meetings, the committee proposed other projects in addition to the Cultural Inventory and Oral History Project. The other completed projects consisted of: "The Burnaby Image Bank" which included an exhibition titled, "Images of Burnaby"; a finding aid video titled, "Burnaby's Photographic Family Album / Burnaby Image Bank Collection / Volume 1 / 1992"; a video titled "Burnaby at 100: Images and Voices"; a book of essays titled, "Suburb of Happy Homes: Burnaby Centennial Themes"; and a dance festival sponsored by The Centre for the Arts. "Suburb of Happy Homes: Burnaby Centennial Themes", dedicated to the citizens and students of Burnaby, and to the students of Simon Fraser University, was published in 1995. For this project, Leonard Evenden received the City of Burnaby Heritage Award in 1997. A companion project to the book of essays consisted of a map project which illustrated the development of settlement within the city, but it never came to fruition due to funding constraints.

Media Type: Textual Record; Photograph; Sound Recording; Moving Images

Notes: Title based on contents of fonds; PC 576, MI 579, MSS 187

Burnaby Art Gallery subseries

https://search.heritageburnaby.ca/link/archivedescription14

Repository: City of Burnaby Archives

Date: 1890 (date of original)-1983

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Subseries

Physical Description: Photographs and textual records

Scope and Content: Subseries consists of photographs of and publications related to the Burnaby Art Gallery and Fairacres property.

Repository: City of Burnaby Archives

Date: 1890 (date of original)-1983

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Burnaby Art Gallery subseries

Physical Description: Photographs and textual records

Description Level: Subseries

Accession Number: BHS1996-12; BHS1990-05

Scope and Content: Subseries consists of photographs of and publications related to the Burnaby Art Gallery and Fairacres property.

History: The Burnaby Art Gallery association was founded in 1967. The purpose of the association was to present a historical and contemporary art program by local, regional, national, and international artists; facilitate the development of emerging artists; provide diverse art educational programming; acquire culturally significant works on paper. The City of Burnaby assumed management of the gallery, its collection, staff and governance in 1998, with the art gallery then taking on the added responsibility of caring for and managing the City of Burnaby’s permanent art collection. The Gallery, along with the Shadbolt Centre for the Arts and the Burnaby Village Museum in Deer Lake Park, are part of the Parks, Recreation and Cultural Services Department of the City of Burnaby. The Burnaby Art Gallery is located inside the historic Ceperley House, built by Henry and Grace Ceperley. The couple purchased a strawbery farm on the north shore of Deer Lake from George Clayton in 1909 and built their home, also known as "Fairacres", on the property in 1911. The house was designed by the English architect, R.P.S. Twizell and with its river rock veranda, beautiful hand-crafted woodwork, stained-glass and tile, remains one of the finest examples of Edwardian architecture in the Lower Mainland. Grace and Hentry Ceperley had one daughter named Ethelwyn who married James Edward Hall. Ethelwyn and James Edward Hall had three children: Edith Ceperley, James Edward "Junior," and Florence Renn. In 1917, Grace Ceperley died and left Fairacres to her husband with the stipulation that when the home was sold the proceeds would be used to build a playground for the children of Vancouver in Stanley Park. In 1939, the local Catholic Diocese funded a group of five Benedictine monks from Mount Angel, Oregon to establish a priory in the province. The monks purchased the Ceperley House for their monastery. They also built a large gymnasium on the property. After serving as a monastery, the house was used as a fraternity for some of the first students attending Simon Fraser University, and then became home to the art gallery in the 1960s. The City of Burnaby acquired the property in 1966 and the house was designated a heritage building in 1992. In 1998 the City began restoring exterior of the house and upgraded the building for improved public use. The renovations were completed in 2000, and transformed the house back to its appearance of 1911. The gymnasium built by the Benedictine monks was converted into into the James Cowan Theatre. There are two main galleries, a lounge gallery with a fireplace and easy chairs and The Shopping Bag, a gallery shop run by volunteers. The goals of the gallery are to: provide access to contemporary Canadian art, present works from the permanent collection; collect contemporary works on paper; and offer challenging and educational exhibition related programming.

Media Type: Textual Record; Photograph

Creator: Burnaby Art Gallery

Notes: Title based on contents of subseries; PC241, PC242, MSS066

Interview with Jagandeep "Jag" Nagra

https://search.heritageburnaby.ca/link/museumdescription19605

Repository: Burnaby Village Museum

Date: 1984-2023 (interview content), interviewed 5 Jun. 2023

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 1 sound recording (wav) (47 min., 26 sec.) + 1 sound recording (mp3) (47 min., 27 sec.)

Scope and Content: Item consists of a recording of an oral history interview with Jagandeep "Jag" Nagra interviewed by Burnaby Village Museum Registrar, James Binks. 00:00:00 – 00:04:31 The interview opens with introductions and biographical details about Jag Nagra. The interviewer shares information about Jag Nagra…

1 document 1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: Many Voices Project Interviews subseries

Description Level: Item

Physical Description: 1 sound recording (wav) (47 min., 26 sec.) + 1 sound recording (mp3) (47 min., 27 sec.)

Material Details: Interviewer: James Binks Interviewee: Jagandeep "Jag" Nagra Location of Interview: Burnaby Village Museum Interview Date: June 5, 2023 Total Number of tracks: 1 Total Length of all Tracks: 47:27

Scope and Content: Item consists of a recording of an oral history interview with Jagandeep "Jag" Nagra interviewed by Burnaby Village Museum Registrar, James Binks. 00:00:00 – 00:04:31 The interview opens with introductions and biographical details about Jag Nagra. The interviewer shares information about Jag Nagra’s art career and the many art projects and commissions that Jag has worked on. Jag shares information about her parents, providing details about their immigration to British Columbia from Punjab and the places that Jag and her family have lived over the years. 00:04:32 – 00:12:38 Jag talks about what inspired her to become interested in art, her art education and how her artistic practice and expression have developed over time. Jag describes how she first started in graphic design, how she’s become more involved in public art and her experience working in design. Jag touches on her experiences of being a South Asian growing up and living in a predominantly white neighbourhood and provides information about her parents, Avatar Singh Nagra and Rajwant Kaur Nagra and their migration to Canada. 00:12:39 – 00:20:03 Jag talks about her inspiration in creating her work, her involvement with the revitalization of the Punjabi Market in Vancouver, the Punjabi Market Collective and other public art projects that she’s been involved with focusing on the South Asian community and LGBTQ+ issues. 00:20:04 – 00:41:09 Jag talks about her involvement with the Burnaby Village Museum’s exhibit “Truths Not Often Told: Being South Asian in Burnaby”. The interviewer and Jag take a walk throughout the exhibit while Jag describes the art work that she created for the exhibit and her creative process. Jag reflects on her own experiences being involved in the exhibit. 00:41:10 – 00:47:27 Jag talks about her own experiences as a South Asian Queer artist reflecting on her experiences within the art community. In closing Jag reflects on the impacts of the exhibit that celebrates South Asian culture in Burnaby.

History: Interviewee biography: Jagandeep "Jag" Nagra is a queer Panjabi Visual Artist passionate about community development, making art accessible and ending stigma against LGBTQ+ people within the South Asian community. Nagra has worked with clients such as the Vancouver Canucks, Tim Hortons and Microsoft and is currently serving as Vice Chair of the Punjabi Market Collective. She is featured in the internationally acclaimed, award wining LGBTQ documentary Emergence: Out of the Shadows. Her artworks are part of the Museum of Vancouver’s permanent collection and have been commissioned for the Burnaby Village Museum exhibit "Truths Not Often Told: Being South Asian in Burnaby". Interviewer biography: James Binks has lived in the Lower Mainland since 2009 after relocating from Ontario. James holds a Bachelor of Arts in Anthropology from the University of British Columbia, where he conducted researched on heritage, environment, and globalization in India, Nepal, and Italy. At Burnaby Village Museum, James contributed to the exhibit “Truths Not Often Told: Being South Asian in Burnaby”.

Creator: Burnaby Village Museum

Subjects: Migration; Persons - South Asian Canadians; Persons - LGBTQ+; Occupations - Artists; Social Issues; Social Issues - Racism; Social Issues - Discrimination

Names: Nagra, Jagandeep "Jag"

Responsibility: Binks, James

Accession Code: BV023.16.9

Access Restriction: No restrictions

Reproduction Restriction: No known restrictions

Date: 1984-2023 (interview content), interviewed 5 Jun. 2023

Media Type: Sound Recording

Notes: Title based on contents of item; Transcription available on Heritage Burnaby

Documents

2023_0016_0009_003

Audio Tracks

Interview with Jagandeep

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2023_0016_0009_002.mp3

2014 Environmental Award Program

https://search.heritageburnaby.ca/link/councilreport59482

Repository: City of Burnaby Archives

Report ID: 99424

Meeting Date: 26-May-2014

Format: Council - Committee Report

Collection/Fonds: City Council and Office of the City Clerk fonds

2 documents

Repository: City of Burnaby Archives

Report ID: 99424

Meeting Date: 26-May-2014

Format: Council - Committee Report

Collection/Fonds: City Council and Office of the City Clerk fonds

Documents

Report 99424

26-May-2014 Meeting Minutes

Burnaby Neighbourhood Speaker Series series

https://search.heritageburnaby.ca/link/museumdescription14763

Repository: Burnaby Village Museum

Date: 2017-2022, predominant 2020-2022

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Series

Physical Description: 2 video recordings (m4v) + 22 video recordings (mp4)

Scope and Content: Series consists of recordings of presentations and webinars presented as part of the Burnaby Neighbourhood Speaker series, presented in partnership by the Burnaby Public Library and Burnaby Village Museum. Presentations that took place in the Fall of 2017 were recorded on film at the Metrotown br…

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Burnaby Neighbourhood Speaker Series series

Description Level: Series

Physical Description: 2 video recordings (m4v) + 22 video recordings (mp4)

Scope and Content: Series consists of recordings of presentations and webinars presented as part of the Burnaby Neighbourhood Speaker series, presented in partnership by the Burnaby Public Library and Burnaby Village Museum. Presentations that took place in the Fall of 2017 were recorded on film at the Metrotown branch of the Burnaby Public Library. These two presentations were presented by Julie Lee and Ken Yip and speak about their Chinese Canadian heritage while growing in Burnaby. Webinars created in the Fall of 2020, Spring of 2021, Fall of 2021 and Fall of 2022 were presented live on zoom and the Burnaby Village Museum’s Facebook page. The webinars that took place in 2020-2022 cover various topics and were hosted by Burnaby Village Museum Assistant Curator, Kate Petrusa; Burnaby Village Museum Curator, Jane Lemke; Burnaby Public Library Reference Librarian, Mariah Gastaldo; Stewardship Program Manager with Still Moon Arts Society, Adrian Avendaño; Burnaby Village Museum Community Engagement Coordinator, Christina Froschauer; Burnaby Village Museum Indigenous Education Programmer Nicole Preissl and Burnaby Village Museum Education Programmer Ashley Jones. Speakers in the webinars include: Burnaby Village Museum Registrar Catharine McPherson and Burnaby Village Museum Assistant Curator Kate Petrusa; Kamala Todd; City of Burnaby Heritage Planner Lisa Codd; UBC Students - Debbie Liang; Joty Gill; Rose Wu and Wei Yan Yeong; Nathan Lee; Denise Fong; Michelle George; City of Burnaby Indigenous Relations Manager Fancy Poitras and City of Burnaby Social Planner Rebekah Mahaffey; John Preissl; Xwalacktun; Nicole Preissl and Brandon Gabriel; Raymond Nakamura; Debra Sloan; Tim Nishibata of the Vancouver Japanese Gardeners Association; Burnaby Village Museum Curator Jane Lemke; Richard Lott; Deirdre Lott; John Adams; Jim Wolf; Tsleil-Waututh Nation (TWN) member and elder Carleen Thomas; Meagan Innes; Dr. Sharanjit Kaur Sandhra; Museum Conservator Elizabeth Czerwinski; Michael DesMazes; Carly Bouwman; Eric Damer and Lorne Gray. The fonds is arranged in the following subseries: 1) Neighbourhood Speaker Series - Fall 2020 subseries 2) Neighbourhood Speaker Series - Spring 2021 subseries 3) Neighbourhood Speaker Series - Fall 2021 subseries 4) Neighbourhood Speaker Series - Fall 2017 subseries 5) Neighbourhood Speaker Series - Fall 2022 subseries

History: The Burnaby Neighbourhood Speaker Series is a public programming series which began in 2014. The series is presented in partnership between the Burnaby Public Library and the Burnaby Village Museum. Presentations regarding a range of historical, cultural and contemporary topics related to Burnaby are provided at various Burnaby Public Library locations. Due to the COVID-19 pandemic restrictions in 2020-2021, these talks became available virtually utilizing the cloud based Zoom video communications platform and Facebook live platforms. This format has continued into 2022 to reach a broader audience.

Accession Code: BV018.6; BV020.29; BV021.17; BV021.31; BV022.27

Date: 2017-2022, predominant 2020-2022

Media Type: Moving Images

Related Material: See also: Chinese Canadian History in Burnaby Research Project fonds

Notes: Title based on contents of series; For details on topics of presentations see subseries and item level descriptions; Further accruals are expected