The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
Heritage Value
The E.W. Bateman House was constructed in the Deer Lake Crescent subdivision, that was originally promoted in 1911 as an upper class suburban neighbourhood. It represents one of the first residential developments in the City of Burnaby that required buildings to be of a specific value, thus demonstrating the desire for exclusivity among the successful businessmen who chose to settle in the area.
The house and grounds illustrate the reduced scale of upper-class residential construction at a time of modest returning prosperity that followed the end of the First World War, and the social, cultural, lifestyle and leisure sensibilities of the owners in the Deer Lake Crescent subdivision: such values as social aspiration, racial exclusivity, demonstration of architectural taste, and importance of a landscaped garden.
The heritage value of the E.W. Bateman House is its comprehensive representation of an upper middle-class suburban residence of the early 1920s. It was built for retired CPR executive Edwin Wettenhall Bateman (1859-1957) and his wife, Mary (Dale) Bateman (1865-1935), by contractor William Dodson in 1922. The Bateman House was designed by English-born and trained architect Enoch Evans (1862-1939) of E. Evans and Son, and is an important surviving residential design by Evans, and a typical example of the eclectic Period Revival influences that were common to domestic architecture in the post-First World War era. The symmetry of the imposing front verandah, supported by exaggerated Ionic columns, gives the relatively-modest house an image of grandeur and formality. Named after Edwin Bateman’s birthplace in Cheshire, England, ‘Elworth’ also symbolizes allegiance to England and the patriotic tenor of the time.
The heritage value for this house also lies in its interpretive value within the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The E.W. Bateman House was purchased by Burnaby in 1970 and became the focal point for the development of the Museum. Both the interior and exterior of the house have been restored and interpreted to the date of original construction, including recreated room interiors and period furnishings.
Defining Elements
The elements that define the heritage character of the E.W. Bateman House include its:
- rectangular form and massing with central entry on long side
- side gable roof with front shed dormer with cedar shingle cladding
- symmetry of front facade
- full open front verandah inset under the roofline, supported with Ionic columns
- cedar shingle siding
- multi-paned double-hung wooden-sash windows, mixture of 6-over-1 and 8-over-1
- symmetrical disposition of fenestration, with double-assembly units on the ground floor
- exterior shutters
- two flanking brick chimneys on the side elevations
- interior room layouts and original interior features such as quality millwork and original hardware
- original garage at the rear of the house
This house is one of two surviving houses built as a “Model Home” for the manager of the Barnet Lumber Company, which was the successor to the North Pacific Lumber Company. It was used as a combined home and office. It was constructed with framing lumber and millwork sawn at the mill. Typical of the Craftsman style, the house has a front gabled roof with triangular eave brackets. It has been altered with the addition of asbestos shingles over the original siding, but retains its form, scale and massing.
This house was designed by the firm of Townley & Matheson. The partnership of Fred Laughton Townley (1887-1966) and Robert Michael Matheson began in 1919, and the firm left a rich legacy of sophisticated work, including schools, commercial structures, many fine residences and the landmark Vancouver City Hall.
This house is one of two surviving houses built as a “Model Home” for one of the assistant managers of the Barnet Lumber Company, using framing lumber and millwork sawn at the mill. This house was also designed by the firm of Townley & Matheson. The house was raised and renovated in 1997, resulting in alterations such as new dormers and elongated porch piers.
Beautifully designed in an Arts and Crafts idiom, this church features a textural mix of finishes including lapped siding and stucco and half timbering in the gables. The British Columbian reported in July 1912 that: "The Baptists of Edmonds will possess a fine and well planned church when the building now commenced is ready for occupation. The architects are J.P. Matheson and Son, of Vancouver, and the contractors, Muttitt and Bell, of New Westminster. The entrance porch fronts Edmonds Road and the west side faces Vancouver Road. It will have a capacity for 272 sittings, spacious aisles and choir platform besides various rooms for Baptistery, vestry and robing apartments."
'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
Heritage Value
'Fairacres' is important as a record of the early years of Burnaby, specifically the Deer Lake area, as a place of tranquility and beautiful scenery in which the wealthy and successful in the burgeoning cities of New Westminster and Vancouver chose to retire or to make their family homes. The main house, which anchors in style and setting the outbuildings on the estate, demonstrates the social, cultural, and aesthetic values of local wealthy businessmen and women of the early twentieth century - values such as appreciation of architectural elegance and grand interior spaces, leisure and recreation, formal landscaped gardens and scenic views.
Also important is the association with the English-born and trained architect Robert Mackay Fripp (1858-1917), as this was one of his grandest residential commissions. Steeped in the current architectural trends in Great Britain, Fripp designed this sprawling mansion in the Arts and Crafts style, reflected in the architectural detailing and proportions. The style was common at the time and was often used for estate mansions as a symbol of affluence and good, modern taste as well as an affinity for all things British. Quality is displayed inside and out in the finishes and materials, orchestrated by prominent local contractor, James Charles Allen, including imported English materials of specific value such as imported Medmenham tiles in the fireplace surrounds, one of the earliest documented use of these tiles outside the United Kingdom. Detailed features of the interior woodwork were carved by Scottish-born master wood carver George Selkirk Gibson (1867-1942), who was best known for his many commissions for prominent British Columbia architect Samuel Maclure.
The outbuildings at 'Fairacres' are an important record of the functioning of a large estate of the time. The Garage and Stables and the Chauffeur’s Cottage accommodated the use of automobiles, horses and carriages, and in concert with the estate's location near the new British Columbia Electric Railway 'Burnaby Lake' interurban line, illustrate the evolving nature of regional transportation and the growing bedroom communities and estates made possible by increasing options for transportation. Other outbuildings accommodated the agricultural activities that helped support the Ceperley estate.
The estate was conceived and funded by American-born Grace E. Dixon Ceperley (1863-1917), who had achieved significant wealth through a bequest from her brother-in-law, Vancouver pioneer Arthur Ferguson. Her husband, Henry Tracy Ceperley (1850-1929), also American-born, was a successful and well-respected businessman who made a significant contribution to the development of the City of Vancouver. The construction of 'Fairacres' spawned the transformation of the Deer Lake area from a farming community into a preferred location for elite suburban homes.
'Fairacres' is significant to the City of Burnaby as its first civic heritage conservation project. Acquired in 1966 for conversion to Burnaby’s first art gallery, it was dedicated in 1967 to mark Canada’s Centennial of Confederation.
Defining Elements
Key elements that define the heritage character of the ‘Fairacres’ mansion include its:
- setting in relation to the gardens, its former market garden, and the vistas to Deer Lake and other grand homes in the area
- side gable roof with prominent dormers and cedar shingle cladding
- verandah across the eastern (garden) facade, with its view over the landscaped gardens and the distant mountains
- porte cochere with its side steps for those arriving by automobile, and central raised step for those alighting from horse-drawn carriages
- rich variety of exterior elements that demonstrate the typical Arts and Crafts use of local materials such as cobble stone chimneys and foundations, wide wooden siding and half-timbering
- mixture of double-hung and casement wooden-sash windows, many with multi-paned sash
- lavish interior spaces, designed for entertaining on a grand scale, including a billiard room with a beamed ceiling and an inglenook fireplace, and generous living and dining rooms arranged off a central hall
- quality of the interior materials such as imported Medmenham tiles in fireplace surrounds, window hardware by Hope and Sons, and leaded stained glass
- interior wood work including the staircase, and carvings by George Selkirk Gibson
- remaining formal Edwardian garden landscape elements, including the cross-axial plan that reflects the relationship of the mansion to its 'outdoor rooms'
P.I.D. No. 004-493-311
Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
City of Burnaby, Visual Art Collection: Original rendering by R.P.S. Twizell
Burnaby Historical Society, Community Archives: Ceperley Photograph Album
Burnaby Village Museum, Collection: Carved dining room panels by G.S. Gibson and other hardware items
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
This school was originally designed by Bowman & Cullerne as a two-storey, four-room school building in 1923, with a two-room addition completed in 1926 and another in 1927. Originally designed in the Arts and Crafts style, it has been altered, with the addition of stucco over the original siding and replacement windows, but has retained its original form and massing, as well as its roof-top ventilator and front gabled entrance with grouped columns. Bowman & Cullerne specialized in school design. After Harold Cullerne (1890-1976) returned from service during the First World War, he joined J.H. Bowman (1864-1943) in a partnership that lasted from 1919 to 1934. The firm’s other school designs included Seaforth School (1922, now relocated to Burnaby Village Museum), Burnaby North High School (1923), and Nelson Avenue School (1927).
The Douglas Road School was originally established as a two-room school in 1908 on this site, and later expanded to four classrooms. Anticipating rapid settlement of this district, the School Board purchased two acres adjoining the old building. Two of the four rooms were designed to become one large auditorium suitable for special events and public gatherings, with seating for two hundred people. The classically-influenced school has been altered with new windows and extended with additional wings, but has retained its original red-brick veneer, tan-brick quoins and bellcast octagonal roof ventilator. Designed by McCarter & Nairne, the school was built by contractor A.S. Perry. McCarter & Nairne, who also designed the Second Street School, were the Burnaby School Board architects at this time. John Y. McCarter (1886-1981) and George Nairne (1884-1953) formed their partnership in 1921 after serving overseas during the First World War. The partners began designing houses and small apartment buildings, and their commissions included Vancouver’s first skyscraper, the Marine Building (1928-30).
Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917) was retained by the Ceperleys to design several original outbuildings on their estate at the same time as the main house was constructed.
The Chauffeur's Cottage illustrates the increasing importance of the automobile in the lives of the wealthy of the early twentieth century. It also demonstrates Grace and Henry Tracy Ceperley's social aspirations and grand-country-estate pretension in having a chauffeur. The cottage's location - close to the garage and convenient, but not adjacent, to the main house - enhances the grand country house landscape design and contributes to the overall composition of the estate's plan.
The Arts and Crafts styled Chauffeur's Cottage is important as an indicator of the aesthetic and social sensibilities of the Ceperley family in retaining an architect to design a modest building for staff accommodation.
Defining Elements
Key elements that define the heritage character of the 'Fairacres' Chauffeur's Cottage include its:
- location, in relation to the main house and in close proximity to the Garage and Stables buildings
- side gable roof with cedar shingle cladding
- Arts and Crafts architectural features such as the jerkin-headed door hood, a reference to the thatched-roofed cottages of southern England; eight-paned wooden-sash casement windows; and cedar-shingled exterior
- two internal brick chimneys
- modest, functional interior, with simple trim and lack of pretension
P.I.D. No. 004-493-311
Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
Burnaby Historical Society, Community Archives: Ceperley Photograph Album
Burnaby Village Museum, Collection: Chinese ‘Tiger Whiskey’ and opium bottles found during restoration
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Designed in the British Arts and Crafts style, the ‘Fairacres’ Garage and Stables is a two-storey wood frame building located on the 'Fairacres' estate, situated to the north of the Chauffeur's Cottage; at the south end of the structure is a single vehicle garage and to the north are several stable…
Designed in the British Arts and Crafts style, the ‘Fairacres’ Garage and Stables is a two-storey wood frame building located on the 'Fairacres' estate, situated to the north of the Chauffeur's Cottage; at the south end of the structure is a single vehicle garage and to the north are several stables for carriage, riding, and draught horses, a coach house, and tack room; the upper floor was originally a hay loft.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917) was retained by the Ceperleys to design several original outbuildings on their estate at the same time as the main house was constructed.
The Garage and Stables building is important as a record of its era when transportation modes were in transition and the horse-drawn carriage, while still in use, was giving way to the automobile. The relative spatial arrangements within the building are a valuable indication of the economy of space associated with the automobile, as compared to the horse. The extent of the stabling arrangements signifies not only the use of carriage horses but also the continued reliance on draught horses in farming activities in this era. As well, it is an indication of the fashionable nature of equestrianism for wealthy families during this time.
The building is important as a demonstration of the aesthetics of the Ceperley family in having an architect-designed outbuilding and obtaining craftsmanship and materials of the highest quality for each structure on their estate.
Defining Elements
Key elements that define the heritage character of the 'Fairacres' Garage and Stables include its:
- location within easy reach of the main house and in close proximity to the Chauffeur's Cottage
- floor plan with the garage at one end, close to the Chauffeur's Cottage, and stables and equine facilities at the other
- variety and complexity of the roofline, including gable wall dormers, gable-on-hip roof ends, and half-hip extensions
- Arts and Crafts architectural features of the exterior such as the shingle wall cladding articulated with a chevron-patterned course of shingles at the first floor level; casement windows; and deep eaves with additional purlins to support the overhang
- original stable doors with hand-made forged-iron door hardware
- multi-paned wooden-sash windows, some retaining original wire glass
Photographic postcard of the Central Park auto tourist grounds. Two unidentified men can be seen standing in front of a car which is parked next to the campground building. In the background, a clothesline has been strung holding towels and blankets.
Photographic postcard of the Central Park auto tourist grounds. Two unidentified men can be seen standing in front of a car which is parked next to the campground building. In the background, a clothesline has been strung holding towels and blankets.
Photographic postcard of the Royal Oak Hotel at Kingsway and Royal Oak (3501 Kingsway, old street numbering). Three men (who have been identified by a note on the back of the card as Andrew Johnson, T.C. Hicks and W. Hicks) can be seen standing at the front steps of the hotel while a Burnaby Police…
Photographic postcard of the Royal Oak Hotel at Kingsway and Royal Oak (3501 Kingsway, old street numbering). Three men (who have been identified by a note on the back of the card as Andrew Johnson, T.C. Hicks and W. Hicks) can be seen standing at the front steps of the hotel while a Burnaby Police officer is seated on his horse in the driveway.
This portion of the interview pertains to John Burton's memories of working for Cowan's Music Store as a teenager. He tells the story of a raid at the hotel bar next door.
This portion of the interview pertains to John Burton's memories of working for Cowan's Music Store as a teenager. He tells the story of a raid at the hotel bar next door.
Recording is of an interview with John Burton conducted by Colin Stevens inside the Music Shop at Burnaby Village Museum, 1988. John Burton discusses his experiences working in music shops in New Westminster in the 1920s. Major themes discussed are: sales, displays, popular culture.
Biographical Notes
John Burton was born in 1912 in New Westminster. He went to Second Street School, then Edmonds, then Saint Anne's Convent, and St. Louis College and Connaught before graduating from Burnaby South School in 1930.
While at High School, John worked at Cowan's Music Store at 716 Columbia Street in New Westminster on Saturdays and after school.
John Burton's grandfather John Foley was the founder of the Orangeville Sun newspaper in Orangeville, Ontario, established in 1861. He ran the paper until his death in 1882, when his son, John Foley Jr. took over as editor and publisher at the age of sixteen. Two of his daughters were involved in the newspaper; Margaret Foley was a regular contributor to the paper, and John Burton's mother was a typesetter.
When John Burton was a teenager, he went to Orangeville to learn the trade from his uncle. Unfortunately, he was only there eighteen months when his uncle died December 21, 1932. The family was unable to hold on to the business and the paper amalgamated with the Orangeville Banner newspaper in 1933.
Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Images
Audio Tracks
Track three of interview with John Burton by Colin Stevens
Track three of interview with John Burton by Colin Stevens
Aerial photographic postcard of Barnet Lumber Company's Mill. The handwritten caption on the lower left corner of the postcard reads: "Aeroplane view of the Barnet Lumber Co. Ltd./ Barnet BC." The handwritten caption on the lower right corner reads: "Copyright 1927/ Pacific Airway Ltd./ Vancouver …
Aerial photographic postcard of Barnet Lumber Company's Mill. The handwritten caption on the lower left corner of the postcard reads: "Aeroplane view of the Barnet Lumber Co. Ltd./ Barnet BC." The handwritten caption on the lower right corner reads: "Copyright 1927/ Pacific Airway Ltd./ Vancouver B.C.".
Photograph of two men standing on either side of a woman in front of the Central Hotel in White Rock, BC. There is an open touring car behind the people.
Sign on the second floor of the hotel, in the background that reads: “CENTRAL HOTEL / MEALS / AND / ROOMS / S& P ELSEY PROPS”. There is another s…
Photograph of two men standing on either side of a woman in front of the Central Hotel in White Rock, BC. There is an open touring car behind the people.
Sign on the second floor of the hotel, in the background that reads: “CENTRAL HOTEL / MEALS / AND / ROOMS / S& P ELSEY PROPS”. There is another sign directly behind the people. The first line of the sign reads: “_TAGE DEPOT” (STAGE DEPOT). Other signs on the front of the hotel read: “CENTRAL HOTEL DINING ROOM / AFTERNOON TEAS& REFRESHMENT” and “CENTRAL HOTEL”. There are two awnings with “CENTRAL HOTEL” on the front edges
Annotation on recto of postcard reads: "'THE OASIS, SUBURBAN CAFE / A place of Refinement and Good Food. - On the Highway between New Westminster and Vancouver"
Typed on verso of postcard reads: " Vancouver, B.C. / Dear ___________/ We just had Chicken Dinner at "The Oasis" Suburban Cafe, and I must say it was a real treat, everything was so tasty. If ever you motor up to Vancouver be sure and stop there. It is right on the Pacific Highway at 2675 Kingsway East, about three miles from New Westminster, and 20 minutes run from the Hotel Vancouver."
Photographic postcard of an unidentified woman standing outside a grocery store. The store is a unit on the ground level of a brick building, behind which another building is visible. The display window includes stacks of canned goods, and advertisements for Rowntree's Cocoa, butter and margarine.…
Photographic postcard of an unidentified woman standing outside a grocery store. The store is a unit on the ground level of a brick building, behind which another building is visible. The display window includes stacks of canned goods, and advertisements for Rowntree's Cocoa, butter and margarine. The sign on top of the display window was partially blocked by putting something over the area while printing the photograph. It reads, "Family Grocer [blocked letters] & Corn Dealer."
9 paintings : colour print, 2 photographs : b&w, and 1 folder of textual records
Scope and Content
File consists of application for a driver's license, Kingsway Driving School report card, driver's examination receipt and a letter addressed to Hazel Simnett from the Victorian Order of Nurses for Canada. Also included is an immigration inspection card of Fred Simnett aboard the S.S. Lake Champlai…
9 paintings : colour print, 2 photographs : b&w, and 1 folder of textual records
Description Level
File
Record No.
MSS167-008
Accession Number
2013-22
Scope and Content
File consists of application for a driver's license, Kingsway Driving School report card, driver's examination receipt and a letter addressed to Hazel Simnett from the Victorian Order of Nurses for Canada. Also included is an immigration inspection card of Fred Simnett aboard the S.S. Lake Champlain from Liverpool and a letter from the Office of the Mayor addressed to Mary Ann Simnett for her ninetieth birthday. Also included is a photograph (see item 559-001). Also included are newsclippings regarding Robert Burnaby and the "Bygones of Burnaby" book, a programme of the Robert Burnaby Commemorative Dinner, a photocopy of "The Argus" (Burnaby South High School's newspaper) from 1938, a programme from Madys Pridmore Brown's Variety Programme, "The Buzzer" Volume 40 Issue 16 advertising Vancouver street cars, New Vista Society certificate addressed to Hazel Simnett, an envelope of Fenwick Lansdowne bird prints from 1957 and a print of the Royal Family found in a cardboard envelope postmarked 1972.