The book of common prayer and administration of the sacraments and other rites and ceremonies of the church according to the use of the Church of England : together with the psalter, or psalms of David
"Mabel N. Blake - Whitsun 1913, S.T.C." -- handwritten in ink on title page verso.
"St. Luke V.5. St. John XXI - 15-17" -- handwritten in in on title page verso
"Pointed as they are to be sung or said in Churches ; and the Form and Manner of Making, Ordaining, and Consecrating of Bishops, Priests, and Deacons." -- title page
The book of common prayer and administration of the sacraments and other rites and ceremonies of the church according to the use of the Church of England : together with the Psalter or Psalms of David
"J------ / ---------- / 1918 / -------" -- handwritten in ink on endpaper (front).
"W.H. Moyes / 7083 Buller Avenue / South Burnaby, B.C."
-- stamped on the both side of endpaper (front).
xxxviii, 435 p., [9] leaves of plates : geneal. tables, maps ; 19 cm.
Inscription
"Hosaho Hodder" [handwritten in pencil on front endpaper]
"65" [handwritten in pencil on page after p. 135]
"H. Morey & Co
Booksellers and Stationers
New Westminster, B.C." [stamped in red ink on page after p. 135]
Fonds consists of a small collection of photographs documenting the life of Mary England (nee Gooding). Photographs include the house of Mary and Alfred England on Royal Oak Avenue; Mary England's house on Griffiths Avenue and of Mary and Alfred England ca. 1915.
Fonds consists of a small collection of photographs documenting the life of Mary England (nee Gooding). Photographs include the house of Mary and Alfred England on Royal Oak Avenue; Mary England's house on Griffiths Avenue and of Mary and Alfred England ca. 1915.
History
Mary England was born to parents Robert and Mary (nee Morgan) Gooding in Wales on March 30, 1879. Mary and her brother Robert Nathaniel Gooding came to Canada from the U.K. in 1905. While living in Canada, Mary met and married Alfred Henry England. The couple lived in a house on Hornby Street in Vancouver which they ran as a boarding house. In 1914, Mary and Alfred moved to a house located at 1906 Royal Oak Avenue and Victory Street in Burnaby (house number changed to7353 after 1958). Alfred worked in the composing room at the Vancouver Province until his untimely death in October 1917. Mary continued to reside in their home on Royal Oak until 1930 when she built and moved into a house on Griffiths Avenue in Burnaby.
Mary was employed as an office clerk with the Municipality of the District of Burnaby. Mary England was an active member of the community including becoming the first president of the West Burnaby auxiliary of the Victorian Order of Nurses between 1915 and 1917 and a founding member of the Burnaby Civic Employees Union in 1919. She often spoke out about issues that impacted female workers, and felt that the wages for the inside workers, many of whom were women, were inadequate. Often on England’s motions, the Union from time to time brought to Council concerns about the treatment of women, including behaviour of managers in the general office, suspension of a young woman for her choice of clothes, and in 1931, health issues that warranted “accommodation…for the ladies in the Hall.” Mary served as president of the union from 1922-1923 and held leadership roles in the New Westminster Trades and Labour Council. Mary served as union secretary until 1934, after losing her position as municipal employee during the Great Depression. She and the union tried to fight her dismissal, but to no avail as they were told that the reasons were purely economic. The union honoured her with a Life time membership at St. Alban's Hall a few months later.
Mary died in Burnaby in 1959 at the age of 79 years.
Front endpaper:
"1909
D. Chartere" [written in pencil]
"NOT IN LIBRARY SERVICE" [written in pencil]
Piece of thin tissue paper between frontispiece and title page:
An attempt at tracing the frontispiece portrait of Queen Victoria - part of face and right arm.
Title page and front endpapers have the following stamped in purple ink:
"Gilmore Avenue School
LIBRARY
Book Number ________
Catalogue Page ______"
"R 134" is written in blue ink in the "Book Number" blank, on the endpaper stamps.
The F.J. Hart Estate, 'Avalon,' is comprised of 5.26 hectares of lakefront property now located within Deer Lake Park, an Arts and Crafts/Tudor Revival styled mansion and an associated later outbuilding. The mansion is now operated as the Hart House Restaurant.
Associated Dates
1912
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Hart House, Rosedale Gardens, Frederick John & Alice Hart Estate
The F.J. Hart Estate, 'Avalon,' is comprised of 5.26 hectares of lakefront property now located within Deer Lake Park, an Arts and Crafts/Tudor Revival styled mansion and an associated later outbuilding. The mansion is now operated as the Hart House Restaurant.
Heritage Value
'Avalon' and its estate grounds are important as an illustration of the cultural, aesthetic, and lifestyle values of the wealthy families that settled in the Deer Lake area early in the twentieth century. These values were predominantly those of elegant country living and leisure pursuits.
The estate is important for its connection with wealthy land developer Frederick John Hart (1868-1945), who was not only instrumental in the creation of subdivisions which promoted Deer Lake as an exclusive residential development for successful families in the New Westminster and Vancouver area, but was also an influential member of this new suburban community and of the emerging municipality of Burnaby. Hart had a wide range of business, civic, and political interests: his real-estate company managed many of the land sales in the area and numerous other large developments throughout the region; he was an entrepreneurial businessman associated with a number of companies important to the economic development of the area and British Columbia; and he was a 'public spirited citizen' and an alderman for the City of New Westminster.
The architectural style of ‘Avalon’ set the tone for many of the grand mansions in the adjacent residential development - British Arts and Crafts in derivation, with eclectic details, particularly Tudor precedents. Designed for Hart and his wife Alice Chapman Hart (1867-1935) by Burnaby architect Frank William Macey (1863-1935), the use of references to Tudor England illustrates the relevance and importance to the residents of the area of a strong and visible connection with Britain. The first resident architect in Burnaby, Macey was born and trained in England where he was well-respected for having published two standard texts for the architectural profession. He settled in Burnaby in the first decade of the twentieth century and obtained a number of commissions from prominent businessmen who were building grand homes in the new community of Deer Lake. He designed mostly in the British Arts and Crafts style and introduced the use of rough-cast stucco for building exteriors, a characteristic for which he was renowned, and of which ‘Avalon’ is an excellent example.
Defining Elements
Key elements that define the heritage character of 'Avalon' include its:
- estate in its entirety: house, grounds, landscape features and garage outbuilding
- complex asymmetrical massing
- side gable roof punctuated with massive cross gables at the front and rear and open gable ends
- exterior features of the house such as the rough-cast stucco with mock-Tudor timbering; cobble-stone facings; square tower with mock battlements
- multiple-assemblies of wooden-sash casement windows
- tall, prominent corbelled brick chimneys
- grand interior spaces and fittings: particularly the entrance hall with its carved stone fireplace; the main staircase; panelled wainscotting; Tudor-arched windows; and fireplaces with original tile surrounds
P.I.D. No. 002-764-431
Legal Description: Lot 6 Except: Firstly: Part on Reference Plan 14874 and Secondly: Part subdivided by Plan 77594, District Lot 85, Group 1, New Westminster District, Plan 11109
Boundaries
'Avalon' is comprised of a single municipally-owned property located at 6664 Deer Lake Avenue, Burnaby.
Area
18,792.29
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
Burnaby Village Museum, Collection: Hart Photograph Albums
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
This house was built for Henry Ramsay and his wife, Elsa Kirby (née Burnett), who were married at Holy Trinity Cathedral in New Westminster in 1910. Henry was a real estate agent, originally from Newcastle-on-Tyne, England. Beautifully designed in the Arts and Crafts style, it follows the ideals of the movement in the use of native materials. The wooden construction includes timber porch and roof brackets. The roofline is of a notably low pitch. English-born architect Robert Mackay Fripp (1858-1917) had a varied career working at various times in England, New Zealand and Los Angeles. Fripp found the opportunity in British Columbia to promote his passion for British Arts and Crafts aesthetics through a series of residential and institutional commissions. The Ramsay Residence was built at the height of the Arts and Crafts movement, and Fripp’s output during this period was prolific; his residential designs ranged from modest California bungalows to stately Tudor Revival homes in Shaughnessy, Point Grey and Kerrisdale. This elegant house was built by contractor C.G. Bowden.
Photograph of a stream with banks on both sides. There are power poles running along both sides of the stream and along the horizon. There are many houses forming a community to the left side of the stream in the photograph. On the right side of the photograph, there is a cabin with a large sign th…
Photograph of a stream with banks on both sides. There are power poles running along both sides of the stream and along the horizon. There are many houses forming a community to the left side of the stream in the photograph. On the right side of the photograph, there is a cabin with a large sign that reads, "NEW ENGLAND GRANITE & MARBLE CO."
The Charles R. Shaw House is a one and one-half storey plus basement wood-frame late Victorian era residence, located on the grounds of the Normanna Rest Home development in East Burnaby, near its original location on this site. Originally a modest vernacular Victorian structure, it has been enlarg…
The Charles R. Shaw House is a one and one-half storey plus basement wood-frame late Victorian era residence, located on the grounds of the Normanna Rest Home development in East Burnaby, near its original location on this site. Originally a modest vernacular Victorian structure, it has been enlarged and embellished through later additions.
Heritage Value
The Shaw House is one of the oldest surviving houses in Burnaby, and is valued as a representation of a typical vernacular pioneer house in Burnaby, and a rare survivor from the late Victorian era. The original portion of the house displays a simplicity of form and detail consistent with early local construction, while the later additions display a more sophisticated approach.
Originally built in 1891, this house is valued for its association with first owner, Charles R. Shaw (1834-1916) and Mary D. Shaw (1848-1897), one of Burnaby’s earliest settlers. Born in England, Shaw immigrated to Toronto in 1869, and relocated to New Westminster in 1889, where he worked as an employee of the Mechanic's Mill Company, an early woodworking plant. After moving to Burnaby, he was unanimously elected by acclamation as first reeve (mayor) of the new municipality in 1892. In 1894, Shaw sold his house and farm and moved his family to Kamloops due to his wife Mary's failing health. After Mary died in 1897, the Shaw family returned to Toronto.
The Shaw House is additionally valued for its association with a later owner, James Brookes (1884-1953), founder of James Brookes Woodworking Ltd., a mill that was a major employer in East Burnaby. Brookes bought and renovated the house in 1917. In 1927, he built a much larger house on the property (now demolished), and the original house was moved to the corner of the property to serve as a gardener's cottage for Brookes' estate. The additions made to the house at this time employed sash and milled products produced by the Brookes plant. Although altered, this Victorian era residence remains largely intact, with Brookes’s later additions.
Defining Elements
Key elements that define the heritage character of the Shaw House include its:
- modest vernacular residential form, scale and massing, as exemplified by its one and one-half storey plus basement height, front gabled roof, shed roofed verandah and asymmetrical plan
- asymmetrical front entrance
- cladding: horizontal wooden drop siding on the original portion of the house; cedar shingles on additions; decorative octagonal cedar shingles in the front gable; original decorated bargeboards at front, with cut-out details
- later renovations to the front verandah and side addition which resulted in a partially glazed porch entrance and addition with large window assemblies
- square verandah columns
- irregular fenestration: double-hung wooden-sash windows in a variety of configurations such as 6-over-1 and 4-over-1 windows in the original portion of the house, 12-over-1 windows, and one 24-over-1 window in the front addition
- small window at front entry
- fifteen-pane French front entry door
- internal red brick chimney with corbelled cap
Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917) was retained by the Ceperleys to design several original outbuildings on their estate at the same time as the main house was constructed.
The Chauffeur's Cottage illustrates the increasing importance of the automobile in the lives of the wealthy of the early twentieth century. It also demonstrates Grace and Henry Tracy Ceperley's social aspirations and grand-country-estate pretension in having a chauffeur. The cottage's location - close to the garage and convenient, but not adjacent, to the main house - enhances the grand country house landscape design and contributes to the overall composition of the estate's plan.
The Arts and Crafts styled Chauffeur's Cottage is important as an indicator of the aesthetic and social sensibilities of the Ceperley family in retaining an architect to design a modest building for staff accommodation.
Defining Elements
Key elements that define the heritage character of the 'Fairacres' Chauffeur's Cottage include its:
- location, in relation to the main house and in close proximity to the Garage and Stables buildings
- side gable roof with cedar shingle cladding
- Arts and Crafts architectural features such as the jerkin-headed door hood, a reference to the thatched-roofed cottages of southern England; eight-paned wooden-sash casement windows; and cedar-shingled exterior
- two internal brick chimneys
- modest, functional interior, with simple trim and lack of pretension
P.I.D. No. 004-493-311
Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
Burnaby Historical Society, Community Archives: Ceperley Photograph Album
Burnaby Village Museum, Collection: Chinese ‘Tiger Whiskey’ and opium bottles found during restoration
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
The J.D. Shearer House is a one and one-half storey British Arts and Crafts-style house distinguished by its picturesque roofline, half-timbered rough-cast stucco cladding on the upper floor and battered window casings. It is located on the south side of Buckingham Avenue at Haszard Street in Burna…
The J.D. Shearer House is a one and one-half storey British Arts and Crafts-style house distinguished by its picturesque roofline, half-timbered rough-cast stucco cladding on the upper floor and battered window casings. It is located on the south side of Buckingham Avenue at Haszard Street in Burnaby's Deer Lake neighbourhood.
Heritage Value
Built in 1912, the J.D. Shearer House is an excellent example of the high quality residences constructed in the British Arts and Crafts style by affluent citizens in Burnaby's Deer Lake neighbourhood, promoted at the time as the equivalent of the prestigious Shaughnessy Heights development in Vancouver. The site of this house was part of Louis Claude Hill's Buckingham Estate subdivision. Development of these Edwardian era neighbourhoods in Burnaby was facilitated by the B.C. Electric Railway interurban line. In addition, the increasing availability of automobiles to the well-to-do families of the era sped up the process of urbanization in the outlying areas of Vancouver.
Built for retired English military officer John D. Shearer and his wife, Katherine, the British Arts and Crafts design of the house represents associations with the Mother Country and the displays of patriotic loyalty considered desirable characteristics at the time. The picturesque charm and character of rural England is evoked in harmony with its woodland setting.
Defining Elements
Key elements that define the heritage character of the J.D. Shearer House include its:
- location in the Buckingham Estate subdivision in the Deer Lake neighbourhood
- residential form, scale and massing as exemplified by its one and one-half storey plus basement height, asymmetrical plan, front bay window and picturesque roofline
- British Arts and Crafts details such as the half-timbering and rough-cast stucco on the upper storey, battered window casings, external clinker brick chimney on the east facade, deep overhanging closed eaves and bargeboards with distinctive lower returns
- side gabled roof with gabled and shed dormers, clad in cedar
- raised central entrance porch
- irregular fenestration, including multi-paned transoms over casement windows
- two internal red brick chimneys
The years 1911-1912 saw great expansion and settlement in Burnaby and large public works projects were undertaken to service the growing community. One project that was determined to be a necessity was the construction of a proper highway between New Westminster and Vancouver. The Province and the Municipality agreed to share the costs of construction (with Burnaby paying 25% and the Province 75%) and so Kingsway was built to improve the current Vancouver Road. The road was named after the famous King's Way in London, England.
In 1906 C.T. Piper and Alfred Wiggs built a sawmill at the foot of what is now Piper Avenue along the north shore of Burnaby Lake. These operations and the proximity of the Great Northern Railway encourage settlers to move into this area and among them were Colonel and Mrs. James Ward. They were authorized to open a post office here and Mrs. Ward named it 'Lozells' after the Anglican parish to which she had been a member in Birmingham, England.
The R.F. Anderson House is a large, two-and-one-half storey Arts and Crafts style wood frame house, now located in Deer Lake Park, built as a family home and now used as institutional offices.
Associated Dates
1912
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Robert Fenwick & Bessie Anderson House, Anderson Residence
The R.F. Anderson House is a large, two-and-one-half storey Arts and Crafts style wood frame house, now located in Deer Lake Park, built as a family home and now used as institutional offices.
Heritage Value
The R.F. Anderson House contributes to the overall stylistic ambiance of the area and demonstrates that a range of architectural features can be read as a cohesive whole. Although designed primarily in the British Arts and Crafts genre, as were other residences around Deer Lake, it also displays some influences of the popular Craftsman style.
It was constructed in the Deer Lake Crescent subdivision, which was originally promoted as an upper class neighbourhood. It represents one of the first residential developments in the City of Burnaby that required buildings to be of a specific value, thus demonstrating the desire for exclusivity among the successful businessmen who chose to settle in the area. The house and grounds illustrate the social, cultural, lifestyle and leisure sensibilities of a successful local businessman and his family in the early twentieth century; Anderson was a New Westminster hardware merchant and Justice of the Peace.
The development of the house and grounds within a controlled suburban context also illustrate the values of the owners in the Deer Lake Crescent subdivision, such as social aspiration, racial exclusivity, demonstration of architectural taste, importance of a landscaped garden, and the provision of facilities for fashionable leisure pursuits such as lawn tennis. The estate makes an important contribution to the residential grouping now preserved within Deer Lake Park, and demonstrates the broad social mix of those who chose to live in the area at a time when it was in transition from a market gardening area to a more exclusive residential community.
The R.F. Anderson House is important for its association with local architect Frank William Macey (1863-1935), the first resident architect in Burnaby. Macey was born and trained in England where he was well-respected for having published two standard texts for the architectural profession. He settled in Burnaby in the first decade of the twentieth century and obtained a number of commissions from prominent businessmen who were building grand homes in the new community of Deer Lake. He designed these houses mostly in the British Arts and Crafts style.
Defining Elements
Key elements that define the heritage character of the R.F. Anderson House include its:
- location within a park setting in relation to the W.J. Mathers House
- irregular massing of the exterior and its cladding of drop-siding, with half-timbering and rough-cast stucco in the gables
- picturesque irregular roofline, including an alteration in pitch over the front verandah, with cedar shingle cladding
- interior plan with its generous entrance hall, staircase, and massive staircase window with leaded-lights
- multiple-assembly wooden-sash casement windows
- quality of interior features such as the Douglas Fir woodwork (some with original varnish finish); original hardware supplied by Anderson's hardware company; and original fireplaces with ornate tile surrounds
- setting with the imprint of the lawn tennis court, now a garden terrace, and some of the original plantings
This church was one of the first built in North Burnaby to serve the new community of Vancouver Heights. Designed by architect Frank Barrs and constructed by local builders, Arthur England and Mr. Scott, it reflected the English roots of the Anglican Church with its fine Arts and Crafts style. It was officially opened in an impressive ceremony by the Bishop of New Westminster and could accommodate 200 worshippers. It was named after Saint Nicholas, the patron saint of sailors. The adjoining parish hall was completed in 1920. The church building features a gabled roof, triangular eave brackets and a semi-octagonal apse. Stucco has been applied to the exterior, but it retains its original form, scale and massing. It now houses the Burnaby Pacific Grace Church. English-born Frank Barrs (1871-1963) arrived in Vancouver in 1907 and established an office for about one year before he began working for the Vancouver Exhibition Association. He briefly established a partnership (1912-1913) with Samuel Shewbrooks (1877-1957), and was active as an architect until about 1933.
This house was built by Thomas Davis Coldicutt (1879-1970) and Margaret Jane Coldicutt, pre-eminent local citizens. Thomas Coldicutt was born in Birmingham and arrived in Canada in 1900, finding success in the steamboat industry. In 1902, he married Margaret Jane Styler who had been born in Redditch, Worcester, England, and in 1908 they settled in East Burnaby–some of the first pioneers to the area–and established a fruit farm. Thomas had a successful real estate, insurance and brokerage business, and was elected as a councillor for East Burnaby in 1909. He was also active in civic, political and social circles in Burnaby and became president of the Burnaby Board of Trade. "East Burnaby is booming and the signs of prosperity that may be seen on every hand. Most of these are substantial dwellings, such as effect a permanent improvement to the countryside. Among those whose homes have been completed, or on the point of completion may be mentioned. Councillor Coldicutt, who has built himself a habitation on Second Avenue at a cost of $4,000. (The British Columbian, 1911). In 1913, Coldicutt sold his original farm described as “the show place of Burnaby” to the Burnaby School Board for the development of Second Street School and this house was moved from Second Street and Sixteenth Avenue to this site. It has been extensively altered, but retains its original form, scale and massing.