Camping in Central Park
https://search.heritageburnaby.ca/link/councilreport29291
- Repository
- City of Burnaby Archives
- Report ID
- 22566
- Meeting Date
- 14-Aug-1972
- Format
- Council - Manager's Report
- Manager's Report No.
- 50
- Item No.
- 10
- Collection/Fonds
- City Council and Office of the City Clerk fonds
- Repository
- City of Burnaby Archives
- Report ID
- 22566
- Meeting Date
- 14-Aug-1972
- Format
- Council - Manager's Report
- Manager's Report No.
- 50
- Item No.
- 10
- Collection/Fonds
- City Council and Office of the City Clerk fonds
Documents
![50th Anniversary G.G.C., [1926-1979] thumbnail](/media/hpo/_Data/_BVM_Images/2015/2015_0035_0166_folded_redacted.jpg?width=280)
50th Anniversary G.G.C.
https://search.heritageburnaby.ca/link/museumdescription4594
- Repository
- Burnaby Village Museum
- Date
- [1926-1979]
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (51 photographs + 1 postcard + textual records)
- Scope and Content
- File consists of a scrapbook with a handpainted wood cover titled "50th Anniversary / G.G.C". The scrapbook documents events and ceremonies of the 4th Guide Company with the first half of the scrapbook containing photographs and documents regarding the 50th Anniversary of Girl Guides which was cele…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (51 photographs + 1 postcard + textual records)
- Scope and Content
- File consists of a scrapbook with a handpainted wood cover titled "50th Anniversary / G.G.C". The scrapbook documents events and ceremonies of the 4th Guide Company with the first half of the scrapbook containing photographs and documents regarding the 50th Anniversary of Girl Guides which was celebrated at St. Nicholas Church in 1960 while the second half documents earlier events from 1926, as well as other events in the 1960s such as; "Year of the Golden Jubilee", a parade in North Burnaby as well as Thinking Day 1976-1978, banquets, a disco contest, camping on Hollyburn mountain and a visit to Victoria in 1979. On November 3rd, 1926 the company was registered as the 5th Burnaby Guide company, in 1951 the number was changed to the 4th Vancouver Guide Company and in 1956 the number was changed to the 4th Burnaby Company.
- Accession Code
- BV015.35.166
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- [1926-1979]
- Media Type
- Textual Record
- Photograph
- Notes
- Transcribed title
- Items within scrapbook have been redacted in compliance with Section 22 of FIPPA
- A selection of photographs are described at item level (BV015.35.285 to BV.015.35.300).
Images
![50th Anniversary G.G.C., [1926-1979] thumbnail](/media/hpo/_Data/_BVM_Images/2015/2015_0035_0166_folded_redacted.jpg)
Documents
51st Burnaby Pack C.W.L.
https://search.heritageburnaby.ca/link/museumdescription4582
- Repository
- Burnaby Village Museum
- Date
- 1967-1975
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (77 photographs + textual records + ephemera)
- Scope and Content
- File consists of a ninety-three page scrapbook containing photographs, original artwork, newspaper clippings and memorabilia for the 51st Burnaby Brownie Pack, C.W.L.; 1967 - 1975. The title page "51st Burnaby Pack / C.W.L. / 1967 - 1975" of the scrapbook includes a pen and coloured pencil illustra…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (77 photographs + textual records + ephemera)
- Scope and Content
- File consists of a ninety-three page scrapbook containing photographs, original artwork, newspaper clippings and memorabilia for the 51st Burnaby Brownie Pack, C.W.L.; 1967 - 1975. The title page "51st Burnaby Pack / C.W.L. / 1967 - 1975" of the scrapbook includes a pen and coloured pencil illustration with an owl on a toadstool surrounded by sprites, elves and fairies. Special events are documented with photographs, newspaper clippings, newsletters, collages, illustrations and a variety of ephemera pertaining to: Enrolment Ceremonies; various donations of handicrafts; service projects; Dedication Ceremonies of the International Peace Arch; camping; Brownie and Guide Revels at James Cowan Centre, Burnaby and Queen's Park, New Westminster; Jubilee Poetry Contest for Eastburn District; Ceremony for Mrs. Clysdale; Baden Powell Day; and winning Cookie sale posters. The 51st Brownie Pack was opened on September 23, 1967 with one Brownie and 18 tweenies. Mrs. Jeanne Schneider was acting Tawny Owl and Mrs. Terry Parkin acting Brown Owl. The 51st Brownie Pack was part of the Eastburn District, Imperial Division and regular meetings were held at Our Lady of Mercy School auditorium.
- Creator
- Parker, Terry
- Accession Code
- BV016.49.81
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1967-1975
- Media Type
- Textual Record
- Photograph
- Notes
- Transcribed title
- Items online within scrapbook have been redacted in compliance with Section 22 of FIPPA
- Selected photographs from scrapbook are described at item level: BV016.49.100 to BV016.49.106
Images
Documents
First Burnaby Company
https://search.heritageburnaby.ca/link/museumdescription4590
- Repository
- Burnaby Village Museum
- Date
- 1934-1939
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (2 photographs + illustrations + textual records)
- Scope and Content
- File consists of a scrapbook with sixteeen double sided pages with handwritten journal notations, poems, hand drawn illustrations and photographs documenting 1st Burnaby Girl Guide activities including meetings, hiking, camping and various outings. Many of the journal entries describe hiking around…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (2 photographs + illustrations + textual records)
- Scope and Content
- File consists of a scrapbook with sixteeen double sided pages with handwritten journal notations, poems, hand drawn illustrations and photographs documenting 1st Burnaby Girl Guide activities including meetings, hiking, camping and various outings. Many of the journal entries describe hiking around Burnaby including areas such as Deer Lake, Brunette River, Willingdon and the Gilley Avenue Ravine while photographs document a garden party at the Municipal Hall at Edmonds in 1936. Photograph BV015.35.162.1 is titled "Garden Party / 1936" with Brown Owls identified L to R as: Mrs. Gowan, Miss May Dumas and Miss Kay Crossfield. Photograph BV015.35.162.2 is titled " Folk-dancing team / 1936 / Garden Party, Municipal Hall, Edmonds" with people identified in the top row L to R as: Phyllis Lockhart, Margaret Wilson, Marion Bellinger, Betty Martin and Peggy Urquhart and bottom row L to R as: Joan Warburton, Kay Lambert and Joan Mortimer. The scrapbook may have been a collective project by Marion Bellinger, Jean Atcheson, Margaret Wilson and Connie Benning.
- Names
- Atcheson, Jean
- Wilson, Margaret
- Bellinger, Marion
- Dumas, May
- Crossfield, Kay
- Lockhart, Phyllis
- Martin, Betty
- Urquhart, Peggy
- Warburton, Joan
- Lambert, Kay
- Mortimer, Joan
- Girl Guides of Canada
- Accession Code
- BV015.35.162
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1934-1939
- Media Type
- Photograph
- Textual Record
- Graphic Material
- Notes
- Title based on contents of scrapbook
- Two photographs are described at item level (BV015.35.162.1 & BV015.35.162.2)
Images
Documents
Interview with Dr. Sadhu Binning
https://search.heritageburnaby.ca/link/museumdescription19348
- Repository
- Burnaby Village Museum
- Date
- [1931-2022] (interview content), interviewed 25 Nov. 2022
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 3 sound recordings (wav) (75 min., 56 sec.) + 1 sound recording (mp3) (75 min., 57 sec.)
- Scope and Content
- Item consists of an oral history interview with Dr. Sadhu Binning conducted by Anushay Malik with assistance from Burnaby Village Museum Assistant Curator, Kate Petrusa. The interview opens with introductions and how the content of the interview can be drawn on by Burnaby Village Museum for future …
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Museum Oral Histories series
- Description Level
- Item
- Physical Description
- 3 sound recordings (wav) (75 min., 56 sec.) + 1 sound recording (mp3) (75 min., 57 sec.)
- Material Details
- Interviewer: Anushay Malik Co Interviewer and technical support: Kate Petrusa Interviewee: Dr. Sadhu Binning Location of Interview: Love farmhouse at Burnaby Village Museum Interview Date: November 25, 2022 Total Number of tracks: 3 Total Length of all Tracks: (1:15:57) Digital master recordings (wav) were recorded onto three separate audio tracks, edited and merged together and converted to mp3 for access on Heritage Burnaby
- Scope and Content
- Item consists of an oral history interview with Dr. Sadhu Binning conducted by Anushay Malik with assistance from Burnaby Village Museum Assistant Curator, Kate Petrusa. The interview opens with introductions and how the content of the interview can be drawn on by Burnaby Village Museum for future exhibits and for researchers to learn more about the history of the South Asian community in Burnaby. During the interview, Dr. Binning shares his ancestral background along with his relatives' and his own personal experiences as a South Asian immigrant living and working in British Columbia and Burnaby. Dr. Binning conveys that he’s a Burnaby resident who’s lived in Burnaby since 1973 and that his children were born here. Binning shares his ancestral heritage beginning with his uncle Dhana Singh who emigrated from Punjab to British Columbia in 1931 and began working in the forest industry. He explains how Dhana Singh and another partner owned, operated and worked in small sawmills in the vicinity of Kamloops, Williams Lake and also on Vancouver Island. Binning conveys that in the beginning Dhana Singh and many other South Asian immigrants were not legal residents until 1938. In 1938, about 350 South Asian immigrants (mainly Punjabi) gathered resources to hire a lawyer to obtain permanent residency. Binning mentions that one of the notable South Asians in the group who was also a close friend of his uncle, was Darshan Singh Sangha, a trade unionist who was a founding member of the International Woodworkers of America (IWA) union and an active member of the Communist Party of Canada. Binning conveys how Darshan Singh Sangha returned to India in 1947 to be a part of the revolution, how he was very active in the communist movement in India. While in India, Darshan Singh Sangha, was known as Canadian and thereby adopted “Canadian” as his surname, becoming “Darshan Singh Canadian”. Binning further explains that his uncle Dhana Singh Sangha returned to India in 1951, married and came back to B.C. in 1957 bringing with him, his wife and children. In 1960, with the support of his uncle, Binning’s father, Jit Singh Binning immigrated to British Columbia and began working in sawmills in the lower mainland, Kamloops, Quesnel and on Vancouver Island. Binning clarifies that his uncle, Dhana Singh was able to immigrate to Canada with the support of his cousins from the Tarker Singh Bains family. Binning further describes Darshan Singh Sangha’s involvement with the Communist party and the IWA and how the majority of the members were from the forest industry. As an active and prominent member of the labour movement, Darshan Singh Sangha fought for the rights of South Asians and Chinese who working in the industry and facing racism, unfair wages and discriminatory practices. Binning describes how Darshan Singh Sangha wrote a book in English in 1943, titled “Rise of the New Asia”. Binning conveys how immigrants of Chinese and South Asian decent didn’t have the right to vote in British Columbia and how Darshan Singh Sangha was instrumental in obtaining the right to vote in British Columbia, although he was never given the credit. Binning describes his uncle Dhana Singh as a likeable guy with many friends, first living in Kamloops before moving to Vancouver. Binning imparts how the sport of wrestling is a popular Punjabi sport along with Punjabi kabaddi. He conveys that his uncle became involved in wrestling while working in sawmills. South Asian immigrants had to do physical labour working in sawmills, the work could be tough and could often lead to physical fights. A number of South Asian immigrants working in the mills already had experience as wrestlers from back home. Dhana Singh later left the lumber industry to work in the agriculture sector. Binning explains how immigration rules changed in the 1960s which lead to larger numbers of South Asians immigrating to Canada. Many of these new immigrants were educated and politically conscious. All of these new immigrants faced racism but being politically conscious from an independent India and with the ability to speak English they organized themselves to fight for their rights. Binning imagines the items that his uncle and his father may have brought with them in their suitcase when immigrating to Canada. Binning describes three items, including a rajai (a blanket with cotton inside that is sewn together), a bistra (small attaché case or trunk) and a piece of cloth to lie on. Binning further describes the roles in Indian society as caste divisions and that it was usually women’s work in making the rajais. Binning recollects the locations that his father and his family lived after coming to Vancouver. Binning explains that a few years after living together in Vancouver, he and his family moved to Burnaby in 1973 to be closer to his Dr. Binning’s wife, Jagdish Binning’s family. Dr. Binning and family lived in a house in Burnaby located on Irmin Street near Royal Oak between 1973 and 1987. While living at this house their children attended McPherson Park Junior High School and later Burnaby South Secondary School. Binning reflects on some of the racism that he and his family have faced while living in Burnaby which led him to write a poem that he published in 1994 titled “No More Watno Dur”. Binning explains the meaning of the title “Watan” meaning “country and everybody” “a country far way from the motherland”. Binning explains the origins of the magazine “Watan” that was started by a friend in 1973. The magazine got its roots in Vancouver in 1973 from an organization called the “Punjabi Literary Association”. Binning became the editor of the magazine in 1976 and his friend joined him as assistant editor in 1978. Binning continued to work as editor until 1983 or 1984 when he returned to school to complete his Bachelor’s degree and Master’s degree. Binning describes the origins of the “Vancouver Sath” that was formed by a small group of South Asians around 1982. Binning was a founding member of the organization and held meetings and rehearsals at his house in Burnaby. Vancouver Sath first started out as an informal discussion forum by a group of politically conscious Punjabi writers and activists. Binning talks about issues and problems that Vancouver Sath addressed including; racism as well as domestic violence in the South Asian community. Binning explains how he and Sukhwant Hundal wrote articles on these issues and others that were happening in the South Asian community in Canada. Binning talks about how in 1983, the group was inspired to begin performing theatrical works after consulting with Gursharan Singh who was from a well known theatrical group from Punjab who were performing in Vancouver. In the beginning the Vancouver Sath’s plays were focused on the problems in Punjab but they soon decided to address social issues in their own South Asian community here in Canada. Binning summarizes and draws attention to, some of the plays that Vancouver Sath has written and performed including; “Picket Line”, about Punjabi women farmworkers’ rights; “Lattan de Bhoot”, about domestic abuse; “A Crop of Poison”; “Kihda Viah” (English translation- “Whose Marriage”) about arranged marriage and others about social issues in the South Asian community. The plays were performed in public schools and community centres in Vancouver and Richmond, Simon Fraser University and some were also performed in Toronto, Calgary and Williams Lake. Binning mentions some of the traditional foods that he likes to eat and where he and his family have shopped to find ingredients. He recalls how his mother, Gurmaje Kaur Binning did all of the cooking and was often cooking all day long. In the sixties, the Binning family address on 13th Avenue in Vancouver was also used as a postal address for many friends and family who’d recently immigrated. When these friends dropped by to pick up their mail, his mother often provided them with tea and food. After Binning and his wife, Jagdish moved to their own home in 1973, he shared in some of the shopping and cooking but his wife did the majority of the work due to his busy schedule. The interview closes with Binning providing an explanation of how “Watno Dur” magazine changed it’s name to “Watan” magazine. Binning reflects on how this came to be, when he made the decision to get an education in Canada and to stay here, not just as a “Canadian” but as a “Punjabi Canadian.
- History
- Interviewee biography: Dr. Sadhu Binning was born on May 10, 1947 to mother Gurmej Kaur and father Jeet Singh Binning. Due to lack of proper records management in India at the time of his birth, it is believed that he was actually born sometime in December of 1947. He grew up alongside two brothers and one sister in a village located in Kapurthala, Punjab. Dr. Binning attended secondary school in the nearby city of Phagwara, Punjab although he did not complete his education here. Throughout his childhood, he enjoyed reading both Punjabi and Hindi novels and learned how to read Urdu as well. Dr. Binning’s uncle, Dhana Singh immigrated to Canada in 1933 and returned to India in 1953. When Dhana Singh returned to Canada in 1957, he sponsored Dr. Binning’s father, Jeet Singh Binning to immigrate. Dhana Singh co-owned a few saw mills in British Columbia and also worked in the truck driving industry. Dr. Binning remembers that some people who had lived in Canada would visit their village and that they appeared to be strong and healthy and looked happy. He also noticed that they would eat meat, so whenever they would visit there would be meat available. In 1967, when he was nineteen and a half years old, Dr. Binning immigrated Canada to join his father. He recalls his father and uncle and a friend arriving at the airport to pick him up. During his first few days, Dr. Binning made the decision to remove his turban and beard upon receiving advice from his uncle. Dr. Binning first obtained work on a farm in Abbotsford, working alongside his mother. While working, Dr. Binning also attended English classes in Vancouver. Dr. Binning’s Uncle Dhana Singh worked in a Vancouver saw mill and tried to help find work for his nephew but was unsuccessful. Dr. Binning soon found work at a saw mill in Avola and worked there until the end of the summer until a friend helped find him work in a saw mill in North Vancouver. During his free time, he enjoyed camping with friends. In 1970, Dr. Binning left the saw mill after obtaining a job at the post office. The post office offered lower wages than working at the mill but Dr. Binning believed that he would become more educated working here. While working as a postman, Dr. Binning recalls facing a lot of discrimination and racism and was often referred to as a ‘Paki’ multiple times a day. In 1973, Dr. Binning married Jagish Sihota. Sadhu and Jagdish originated from nearby villages in India and met each other in Canada. Dr. Binning’s wife, Jagdish worked at the Royal Bank of Canada for thirty years until her retirement. While working, she also looked after the household and their son and daughter. Jagdish also handwrote a magazine, “Watno Dur’ (English translation: ‘away from homeland’) which was distributed in the community. In 1976, Dr. Binning became the editor of the magazine and the name was later changed to “Watan’ as they had accepted their new homeland of Canada. While working at the post office, Dr. Binning also attended night school starting in eighth grade. After receiving his high school diploma, he was accepted to Simon Fraser University and earned a Bachelor of Arts degree with a double major in Anthropology and Sociology and in 1986 he obtained a Masters degree from Simon Fraser University. While attending university, Dr. Binning was very active within the community and wanted to work to improve society. He first thought that he would return to India to contribute and improve rights in his homeland but upon seeing the prevalence of the movements in Canada, he realized that work needed to be done here too. In 1983, Dr. Binning became a founding member and contributor to a theatrical collective known as “Vancouver Sath”. The theatrical group produced plays that represented societal issues and were invited to perform at multiple conferences throughout British Columbia and Canada. The group focused and acknowledged the many issues in Punjab and in Canada. One of the plays that the group produced focused on the exploitation of Punjabi women who worked on farms in Canada. Dr. Binning continued to be involved as an integral member of Vancouver Sath until 1995. Over the years, Dr. Binning has strongly lobbied for Punjabi language education and between 1988 and 2008 he worked as Punjabi instructor at the University of British Columbia. He first worked as a teaching assistant at UBC under Dr. Harjot Oberoi and due to low wages, he simultaneously worked at the Post Office. In 2019, Dr. Binning received an Honorary Doctor of Letters from UBC in recognition of his work. Since 1973, Dr. Binning has lived in Burnaby and has resided in the same home that he and his wife Jagdish purchased in 1987. In his free time, he enjoys cycling, watercolour painting, travelling abroad and going on road trips. Interviewer biography: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”.
- Creator
- Burnaby Village Museum
- Subjects
- Industries - Logging/lumber
- Industries - Forestry
- Foods
- Migration
- Organizations - Societies and Clubs
- Organizations - Unions
- Persons - South Asian Canadians
- Performances
- Performances - Dramatic Performances
- Social Issues
- Social Issues - Racism
- Names
- Binning, Dr. Sadhu
- Binning, Gurmaje Kaur
- Binning, Jit Singh
- Binning, Jagdish
- Sangha, Darshan Singh
- Canadian Farmworkers Union
- Hundal, Sukhwant
- Sangra, Harjinder
- Singh, Dhana
- Vancouver Sath
- Responsibility
- Petrusa, Kate
- Malik, Anushay
- Accession Code
- BV022.29.3
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [1931-2022] (interview content), interviewed 25 Nov. 2022
- Media Type
- Sound Recording
- Notes
- Title based on contents of item
- Transcription available on Heritage Burnaby
Documents
Audio Tracks
Interview with Dr. Sadhu Binning, [1931-2022] (interview content), interviewed 25 Nov. 2022
Interview with Dr. Sadhu Binning, [1931-2022] (interview content), interviewed 25 Nov. 2022
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0003_004.mp3Interview with Sadhu Binning and Sukhwant Hundal
https://search.heritageburnaby.ca/link/museumdescription19603
- Repository
- Burnaby Village Museum
- Date
- 1967-2023 (interview content), interviewed 29 May 2023
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)
- Scope and Content
- Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Museum Oral Histories series
- Subseries
- Many Voices Project Interviews subseries
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)
- Material Details
- Interviewer: James Binks Interviewee: Sadhu Binning and Sukhwant Hundal Location of Interview: Burnaby Village Museum Interview Date: May 29, 2023 Total Number of tracks: 2 Total Length of all Tracks:1:33:07 Digital master recordings (wav) were recorded onto two separate audio tracks, edited and merged together into one track and converted to mp3 for access on Heritage Burnaby
- Scope and Content
- Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in Burnaby". The interview focuses on the history of "Vancouver Sath" as well as literary works created by Hundal and Binning and the Punjabi literary magazine "Watno Dur" and "Watan". 00:00 - 13:30 Interview opens with brief introductions and information on Sadhu Binning, Sukhwant Hundal and Vancouver Sath provided by the interviewer, James Binks. Interviewees Sadhu Binning and Sukhwant Hundal describe how they met and what they were focused on prior to the formation of the organization Vancouver Sath. Binning briefly describes how he became involved as a writer in the literary world and recalls how he published his first poem in an Indian literary magazine in 1972. Hundal describes how he immigrated to Canada from Punjab in 1975, the various industries that he worked in as a new immigrant and his interest in literature with a focus on social issues. Hundel describes how he developed a relationship with Sadhu Binning after his short story was published in "Watno Dur" literary magazine which in turn lead to his involvement with the Punjabi Literary Association and becoming co-editor of "Watnu Dur". 13:31 – 27:44 Hundal provides more background on his life as a South Asian immigrant, working in sawmills and completing a diploma in Power and Process Engineering and how he first became interested in literature while living in India. Binning and Hundal both share their insights into the formation of Vancouver Sath and provide details on their involvement with the Punjabi literary publication “Watnu Dur”. Binning describes how the inspiration for the formation of the Vancouver Sath organization came from India and that Binning, Hundal and some other members of the Punjabi Literary Association decided to form their own group where they could have more informal discussions around social, political and literary issues. 27:45 – 43:31 Binning describes how the political issues that were happening in Punjab between 1978 and 1983 influenced discussions in the South Asian community whereas prior to 1978 there was more focus on local issues that new immigrants were facing. Binning conveys how their work with Vancouver Sath endeavored to focus more on local issues and Hundal conveys how they made the decision to begin producing theatrical works rather than just written works to reach a wider audience. Hundal and Binning share names of the people that were involved with Vancouver Sath and describe some of the early plays that they performed. Binning describes the foundations of the organization where they worked together as a collective making decisions in producing and performing the works with Binning and Hundal taking on the responsibility for the written work. They talk about their first paid experience being invited to perform a few of their plays at the Vancouver Folk Music Festival. 43:32 – 55:17 Hundal and Binning describe how they continued to support themselves financially since they weren’t making money from Vancouver Sath. Binning and Hundal provide further details on how their collective worked with the process of writing the plays and presenting and discussing details with the Vancouver Sath community before performing to an audience. Hundal talks about the transition that the magazine “Watno Dur” took in 1986 which lead to renaming it “Watan”. Hundal and Binning discuss how in 1992 and 1993 they decided to try to get more young people involved and began publishing a magazine in English called “Ankur”. They describe the content and list some of the authors who contributed to the magazine. 55:18 – 1:20:12 Hundal and Binning provide background details on the author of “Maluka”, Sadhu Singh Dhami and describe the details that lead them to translating the book into Punjabi, touring with the author and adapting the novel into a play which Vancouver Sath performed. Binning and Hundal describe and discuss other plays that Vancouver Sath performed including some plays that were recorded and broadcast over local radio stations. 1:20:13 – 1:32:57 Binning and Hundal reflect on what lead Vancouver Sath to discontinue theatrical performances in the mid 1990’s. Binning and Hundal state how they are both still very involved in publishing literary works but no longer perform theatrical works. Binning and Hundal describe some of their literary works and projects that they’ve been involved in and also reflect on and describe the current theatre scene in the South Asian community. Hundal conveys that even though they no longer call themselves “Vancouver Sath” they continue to enjoy working as a collective discussing literary works and ideas.
- History
- Interviewees' biographies: Dr. Sadhu Binning was born on May 10, 1947 to mother Gurmej Kaur and father Jeet Singh Binning. Due to lack of proper records management in India at the time of his birth, it is believed that he was actually born sometime in December of 1947. He grew up alongside two brothers and one sister in a village located in Kapurthala, Punjab. Dr. Binning attended secondary school in the nearby city of Phagwara, Punjab although he did not complete his education here. Throughout his childhood, he enjoyed reading both Punjabi and Hindi novels and learned how to read Urdu as well. Dr. Binning’s uncle, Dhana Singh immigrated to Canada in 1933 and returned to India in 1953. When Dhana Singh returned to Canada in 1957, he sponsored Dr. Binning’s father, Jeet Singh Binning to immigrate. Dhana Singh co-owned a few saw mills in British Columbia and also worked in the truck driving industry. Dr. Binning remembers that some people who had lived in Canada would visit their village and that they appeared to be strong and healthy and looked happy. He also noticed that they would eat meat, so whenever they would visit there would be meat available. In 1967, when he was nineteen and a half years old, Dr. Binning immigrated Canada to join his father. He recalls his father and uncle and a friend arriving at the airport to pick him up. During his first few days, Dr. Binning made the decision to remove his turban and beard upon receiving advice from his uncle. Dr. Binning first obtained work on a farm in Abbotsford, working alongside his mother. While working, Dr. Binning also attended English classes in Vancouver. Dr. Binning’s Uncle Dhana Singh worked in a Vancouver saw mill and tried to help find work for his nephew but was unsuccessful. Dr. Binning soon found work at a saw mill in Avola and worked there until the end of the summer until a friend helped find him work in a saw mill in North Vancouver. During his free time, he enjoyed camping with friends. In 1970, Dr. Binning left the saw mill after obtaining a job at the post office. The post office offered lower wages than working at the mill but Dr. Binning believed that he would become more educated working here. While working as a postman, Dr. Binning recalls facing a lot of discrimination and racism and was often referred to as a ‘Paki’ multiple times a day. In 1973, Dr. Binning married Jagish Sihota. Sadhu and Jagdish originated from nearby villages in India and met each other in Canada. Dr. Binning’s wife, Jagdish worked at the Royal Bank of Canada for thirty years until her retirement. While working, she also looked after the household and their son and daughter. Jagdish also handwrote a magazine, “Watno Dur" (English translation: ‘away from homeland’) which was distributed in the community. In 1976, Dr. Binning became the editor of the magazine and the name was later changed to “Watan’ as they had accepted their new homeland of Canada. While working at the post office, Dr. Binning also attended night school starting in eighth grade. After receiving his high school diploma, he was accepted to Simon Fraser University and earned a Bachelor of Arts degree with a double major in Anthropology and Sociology and in 1986 he obtained a Masters degree from Simon Fraser University. While attending university, Dr. Binning was very active within the community and wanted to work to improve society. He first thought that he would return to India to contribute and improve rights in his homeland but upon seeing the prevalence of the movements in Canada, he realized that work needed to be done here too. In 1983, Dr. Binning became a founding member and contributor to a theatrical collective known as “Vancouver Sath”. The theatrical group produced plays that represented societal issues and were invited to perform at multiple conferences throughout British Columbia and Canada. The group focused and acknowledged the many issues in Punjab and in Canada. One of the plays that the group produced focused on the exploitation of Punjabi women who worked on farms in Canada. Dr. Binning continued to be involved as an integral member of Vancouver Sath until 1995. Over the years, Dr. Binning has strongly lobbied for Punjabi language education and between 1988 and 2008 he worked as Punjabi instructor at the University of British Columbia. He first worked as a teaching assistant at UBC under Dr. Harjot Oberoi and due to low wages, he simultaneously worked at the Post Office. In 2019, Dr. Binning received an Honorary Doctor of Letters from UBC in recognition of his work. Since 1973, Dr. Binning has lived in Burnaby and has resided in the same home that he and his wife purchased in 1987. In his free time, he enjoys cycling, watercolour painting, travelling abroad and going on road trips. Suhkwant Hundal is a founding member in the group known as Vancouver Sath and has spent a lot of time in Burnaby rehearsing and writing plays. Sadhu Binning and Sukhwant Hundal co-wrote the Vancouver Sath's first play, "Picket-Line" and many others. This play was staged in November 1984. He's authored and edited pieces for the various newsletters and magazines including "Watno Dur" and "Watan". Through the 1980's and early 1990's Hundal has been active in South Asian advocacy in Burnaby and the Lower Mainland. In his retirement years, Hundal has been a lecturer on Punjabi language at the University of British Columbia in the Department of Asian Studies. Interviewer biography: James Binks has lived in the Lower Mainland since 2009 after relocating from Ontario. James holds a Bachelor of Arts in Anthropology from the University of British Columbia, where he conducted researched on heritage, environment, and globalization in India, Nepal, and Italy. At Burnaby Village Museum, James contributed to the exhibit “Truths Not Often Told: Being South Asian in Burnaby”.
- Creator
- Burnaby Village Museum
- Subjects
- Occupations - Writers
- Organizations
- Organizations - Unions
- Migration
- Persons - South Asian Canadians
- Performances - Dramatic Performances
- Social Issues
- Social Issues - Discrimination
- Social Issues - Racism
- Names
- Vancouver Sath
- Binning, Dr. Sadhu
- Hundal, Sukhwant
- Dhami, Sadhu Singh
- Pritam, Amrita
- Rampuri, Gurcharan
- Tut, Mukhan
- Thobani, Sunera
- Hoss Mushroom Farm
- Deol, Jeevan
- Dulai, Phinder
- Dhillon, Sital
- Bhangoo, Bhavna
- Rai, Gurmail
- Punjabi Lekhak Manch
- Di Awaz, Samay
- Johal, Balinder
- Sara, Amanpal
- United Farm Workers Union
- Canadian Farmworkers Union
- Responsibility
- Binks, James
- Accession Code
- BV023.16.7
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- 1967-2023 (interview content), interviewed 29 May 2023
- Media Type
- Sound Recording
- Notes
- Title based on contents of item
- Transcription available on request
Audio Tracks
Interview with Sadhu Binning and Sukhwant Hundal, 1967-2023 (interview content), interviewed 29 May 2023
Interview with Sadhu Binning and Sukhwant Hundal, 1967-2023 (interview content), interviewed 29 May 2023
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2023_0016_0007_003.mp3![Burnaby Girl Guides, [1914]-1969, predominant ca. 1920 (date of original), copied 2016 thumbnail](/media/hpo/_Data/_BVM_Images/2015/2015_0035_0164_folded.jpg?width=280)
Burnaby Girl Guides
https://search.heritageburnaby.ca/link/museumdescription4592
- Repository
- Burnaby Village Museum
- Date
- [1914]-1969, predominant ca. 1920 (date of original), copied 2016
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (textual records + 2 digital files : (pdfs) + 102 photographs : (tiffs))
- Scope and Content
- File consists of images and selected contents from a scrapbook with 38 double sided pages containing mostly photographs with some newspaper clippings, written material and emphemera including a page of badges and ribbons which reads "Enrolment & Membership Card of / Joan Bailey 1926 / 1st Burnaby" …
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (textual records + 2 digital files : (pdfs) + 102 photographs : (tiffs))
- Scope and Content
- File consists of images and selected contents from a scrapbook with 38 double sided pages containing mostly photographs with some newspaper clippings, written material and emphemera including a page of badges and ribbons which reads "Enrolment & Membership Card of / Joan Bailey 1926 / 1st Burnaby" and an embroidered alphabet of the Morse Code. The third page of the scrapbook includes a four page chronology titled "History of Guiding - Burnaby / 1913 - 1960" compiled by Mrs. Dolly Weber, Mrs. J. Heaps, Miss Eileen Periton, Mrs. J. Albertson and D. Fowler. The scrapbook also includes an original letter and post-script from Lady Olave Baden-Powell to Mrs. Fowler dated November 5, 1961; a typewritten copy of: "TSOONA" / PROVINCIAL GUIDE CAMPSITE - ROSEDALE B.C." and a three page typewritten copy of "THE CAMPFIRE / Volume 1, No. 4 _ November 1935 _ Vancouver, B.C.". Many of the events documented in photographs [between 1914 and 1969] are identified on each page and read as the following: "Burnaby Brownies - Guides & Rangers" / "Early 1920" (1 photograph); "Ambulance / Display / 1st. Co."; "Girl Guide Rally - New Westminster and / Burnaby - June 16, 1923" (5 photographs); "Girl Guide Rally - New Westminster and / Burnaby - June 16, 1923" (5 photographs); "Burnaby Guides and / Brownies / June 17, 1923" (5 photographs); "April 1923" (1 photograph); "June 1923 / 2nd Burnaby Company" (1 photograph); "Burnaby May Day / 26.5.28"(2 photographs); "Sechelt 1929_ 2nd "B" Company" (2 photographs); "Leaders and Seconds / 2nd Burnaby / Grouse Mountain" (1 photograph); "Sechelt 1929 / Commandant Mrs. Peal" (1 photograph); "2nd Company / June 1930" (1 photograph); "1932 / 2nd Company at Rally / Municipal Hall Grounds" (1 photograph) ; "First Burnaby Folk Dancing team / Winners of the E.F.D. cup 1940--41-42" (1 photograph); "1st Burnaby Company / winners of Bessborough Shield / 1942 / Captain L. Crane" (1 photograph); "May 6th 1935 / Dedication of flag at Central Park" (1 photograph); "May Day Celebration / Burnaby B.C. May 6th 1935 / Stride Studios Photos" (1 photograph); "Mrs. Don Wilks / Mrs. Georgie / Runcie / Publicity Photo re- / Brownie / Training / 1958-60" (1 photograph); "Kathleen Anderson / about 1958-60?" (1 photograph); "1957 / Burnaby Camp Site / at / Wilson Creek" (1 photograph); "Work Party (1958)" (1 photograph); "Burnaby Camp Site / Spring 1958 / Cabins & Staff Houses / Dining Shelter / Cabins" (3 photographs); "Can. Girl Guide Assoc. - Provincial Leaders Conference / April 14-15/61 Civic Centre, Prince George, BC" (1 photograph) ; "June 8th, 1958 / Opening / Ceremonies / Burnaby Site / Wilson Creek / Camp Site" (4 photographs); 2 unidentified photographs [ca.1915] of a large group of Girl Guides gathered on the Pacific National Exhibition grounds (photo credit- Leonard Frank); 1 unidentified photograph of a group of Girl Guides gathered for a group portrait [ca.1914]; "Girl Guide Camp / Granthams / Landing / July 1923" (4 photographs); 4 unidentified photographs of girl guides gathered on the ship "Lady Evelyn" [ca. 1920]; "Burnaby Girl Guides" 1918; "First Burnaby Girl Guides 1920" (2 photographs on page); "2nd Co. 1923" (1 photograph) "1st Burnaby Co." [1923] (1 photograph); "Gypsy Scene - Concert / Mar 17, 1923 / Unveiling / War / Memorial / Edmonds / 1923" (3 photographs on page); "Faith Jacobson / 1961" (2 photographs); "Eve MacLean / 1961" (1 photograph); "Beverley Simkin of Montreal and Judy Robins / of the S.R.S. Royal Oak taken on the day they / sailed from Montreal for the Ranger Camp at / "Our Chalet" in Adelboden, Switzerland, May 1962" (1 photograph) and "Religion & Life Emblem / Diane Peters 11th Bby. Co. / Rev. G.W. Luetkehodeter / 1961" (2 photographs on one page).
- Names
- Girl Guides of Canada
- Accession Code
- BV015.35.164
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- [1914]-1969, predominant ca. 1920 (date of original), copied 2016
- Media Type
- Photograph
- Textual Record
- Historic Neighbourhood
- Edmonds (Historic Neighbourhood)
- Central Park (Historic Neighbourhood)
- Planning Study Area
- Edmonds Area
- Maywood Area
- Notes
- Transcribed title
- Digital images were created of the scrapbook prior to selective retention of original records that were removed for conservation purposes
- Some textual records that were selected for retention have been described at file level under BV015.35.164: "Tsoona" Provincial Guide Campsite - Rosedale B.C." and Burnaby Girl Guides newsletter, "The Campfire" (November 1935)
- Photographs that were retained from scrapbook have been described at item level (BV015.35.221 to BV015.35.284)
- Some textual records and ephemera that were selected for retention have been described at item level (BV015.35.320, BV015.35.321, and BV015.35.334 to BV015.35.348).
Images
![Burnaby Girl Guides, [1914]-1969, predominant ca. 1920 (date of original), copied 2016 thumbnail](/media/hpo/_Data/_BVM_Images/2015/2015_0035_0164_folded.jpg)
Documents
Girl Guiding
https://search.heritageburnaby.ca/link/museumdescription4588
- Repository
- Burnaby Village Museum
- Date
- 1939-1951
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook album (99 photographs+ textual records + other material)
- Scope and Content
- File consists of 18 loose pages of a scrapbook created by Ivy McGeachie (nee Ivy Oldham) who was involved in guiding in Burnaby between 1942 -1948. The front page of the scrapbook is titled “Girl / Guiding” and has a wood-burnt image of a camp fire and a singed photo of a flag pole. The scrapbook …
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook album (99 photographs+ textual records + other material)
- Scope and Content
- File consists of 18 loose pages of a scrapbook created by Ivy McGeachie (nee Ivy Oldham) who was involved in guiding in Burnaby between 1942 -1948. The front page of the scrapbook is titled “Girl / Guiding” and has a wood-burnt image of a camp fire and a singed photo of a flag pole. The scrapbook contains photographs along with bits and pieces of ephemera. Included in the material is a four page, type-written diary of a Girl Guide camp held at Aldergrove Beach in August of 1963. Many of the photographs document the activities of the 2nd Burnaby Girl Guide Company and include photos of Ivy and Margaret McGeachie in uniform on roller skates; Burnaby District Camp (Aldergrove, BC) / 1948; Hiking; Canadian Girl Guide Golden Jubilee; Open House at St. Alban’s church hall; a hand tinted photo of Ivy McGeachie 1939 and the 2nd Kamloops Folk Dance – Yale Cariboo Musical festival 1951.
- Creator
- McGeachie, Ivy Ashliegh
- Accession Code
- BV015.35.160
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1939-1951
- Media Type
- Photograph
- Textual Record
- Notes
- Title based on content of file
- Some photographs within scrapbook have been described at item level (BV015.35.191 to BV015.35.210)
Images
Documents
Vera Armstrong scrapbook
https://search.heritageburnaby.ca/link/museumdescription4586
- Repository
- Burnaby Village Museum
- Date
- 1960-1970 (date of original), copied 2016
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (2 digital files : (pdf) + 58 photographs : col. (tiffs) + 58 photographs)
- Scope and Content
- File consists of images of a scrapbook that was created by Vera Armstrong during her involvement with the Burnaby Girl Guides. The scrapbook is composed mostly of photographs along with a few newspaper clippings, correspondence and ephemera about Guiding and camps. Both originals and copies of than…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Girl Guides fonds
- Description Level
- File
- Physical Description
- 1 scrapbook (2 digital files : (pdf) + 58 photographs : col. (tiffs) + 58 photographs)
- Scope and Content
- File consists of images of a scrapbook that was created by Vera Armstrong during her involvement with the Burnaby Girl Guides. The scrapbook is composed mostly of photographs along with a few newspaper clippings, correspondence and ephemera about Guiding and camps. Both originals and copies of thank you letters from various organizations regarding donations are included. Much of the photograph collection is described as outings and events such as; hiking on Burnaby Mountain, visiting a sheep farm in Ladner, Stanley Park, Wilson Creek and camps with various themes, a Powell Church service, a Winter Camp and a visit to the Parthenon in West Vancouver (built by resident Nick Kogo in the 1960s and demolished or moved sometime in the 1990s).
- Creator
- Armstrong, Vera
- Accession Code
- BV015.35.158
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1960-1970 (date of original), copied 2016
- Media Type
- Photograph
- Textual Record
- Notes
- Title based on contents of file
- Digital images were created of the scrapbook prior to selective retention of original records that were removed for conservation purposes
- Three photographs from scrapbook have been retained and described at item level (BV015.35.189, BV015.35.190 and BV015.35.255)
- Other photographs have been retained under file BV015.35.158 (no item level descriptions)
Images
Documents
Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 1
https://search.heritageburnaby.ca/link/oralhistory516
- Repository
- City of Burnaby Archives
- Date Range
- 1900-1946
- Length
- 00:07:05
- Summary
- This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver,…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver, but managed to find a place to live outside the camp where her grandmother grew a large garden from seeds brought in the seams of her clothing. She notes that the Lion Islands were named Oikawa-shima by the Japanese settlers.
- Date Range
- 1900-1946
- Length
- 00:07:05
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track one of interview with Toki Miyashita
Track one of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_1.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 2
https://search.heritageburnaby.ca/link/oralhistory517
- Repository
- City of Burnaby Archives
- Date Range
- 1942-1969
- Length
- 00:07:41
- Summary
- This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and …
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and then began to teach others these skills in Montreal .
- Date Range
- 1942-1969
- Length
- 00:07:41
- Subjects
- Education
- Arts
- Persons - Japanese Canadians
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track two of interview with Toki Miyashita
Track two of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_2.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 3
https://search.heritageburnaby.ca/link/oralhistory518
- Repository
- City of Burnaby Archives
- Date Range
- 1969-1990
- Length
- 00:04:54
- Summary
- This portion of the interview is about Toki Miyashita and her family’s move to Burnaby in 1969 to an apartment near Brentwood Mall. She tells about continuing to demonstrate origami in schools and teach Ikebana in the community.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita and her family’s move to Burnaby in 1969 to an apartment near Brentwood Mall. She tells about continuing to demonstrate origami in schools and teach Ikebana in the community.
- Date Range
- 1969-1990
- Length
- 00:04:54
- Subjects
- Persons - Volunteers
- Arts
- Historic Neighbourhood
- Vancouver Heights (Historic Neighbourhood)
- Planning Study Area
- Brentwood Area
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track three of interview with Toki Miyashita
Track three of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_3.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 4
https://search.heritageburnaby.ca/link/oralhistory519
- Repository
- City of Burnaby Archives
- Date Range
- 1969-1990
- Length
- 00:07:26
- Summary
- This portion of the interview is about Toki Miyashita’s explanation about the practice and art of Japanese flower-arranging (Ikebana) and her specific school or discipline Ikebana Sogetsu. She talks about the meanings of the material used.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s explanation about the practice and art of Japanese flower-arranging (Ikebana) and her specific school or discipline Ikebana Sogetsu. She talks about the meanings of the material used.
- Date Range
- 1969-1990
- Length
- 00:07:26
- Subjects
- Arts
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track four of interview with Toki Miyashita
Track four of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_4.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 5
https://search.heritageburnaby.ca/link/oralhistory520
- Repository
- City of Burnaby Archives
- Date Range
- 1969-1990
- Length
- 00:07:05
- Summary
- This portion of the interview is about Toki Miyashita’s involvement in the Multicultural Society, flower-arranging groups, and her own practice and willingness to respond to requests for presentations. She describes how traditional rules govern doll-making, Ikebana and the wearing of the kimono.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s involvement in the Multicultural Society, flower-arranging groups, and her own practice and willingness to respond to requests for presentations. She describes how traditional rules govern doll-making, Ikebana and the wearing of the kimono.
- Date Range
- 1969-1990
- Length
- 00:07:05
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track five of interview with Toki Miyashita
Track five of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_5.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 6
https://search.heritageburnaby.ca/link/oralhistory521
- Repository
- City of Burnaby Archives
- Date Range
- 1976-1990
- Length
- 00:07:36
- Summary
- This portion of the interview is about Toki Miyashita’s trips to Japan in 1976 and 1980, visiting family in Myagi Prefecture, their response to her and her daughter, and her impression of Japan
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s trips to Japan in 1976 and 1980, visiting family in Myagi Prefecture, their response to her and her daughter, and her impression of Japan
- Date Range
- 1976-1990
- Length
- 00:07:36
- Subjects
- Travel
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track six of interview with Toki Miyashita
Track six of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_6.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 7
https://search.heritageburnaby.ca/link/oralhistory522
- Repository
- City of Burnaby Archives
- Date Range
- 1930-1990
- Length
- 00:13:56
- Summary
- This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and dis…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and distrust in her family. She also talks about visiting Hiroshima on her trip to Japan in 1980
- Date Range
- 1930-1990
- Length
- 00:13:56
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track seven of interview with Toki Miyashita
Track seven of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_7.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 8
https://search.heritageburnaby.ca/link/oralhistory523
- Repository
- City of Burnaby Archives
- Date Range
- 1984-1990
- Length
- 00:04:47
- Summary
- This portion of the interview is about Toki Miyashita’s six years service on Burnaby’s Family Court. She talks about what the Court does and the need for better services for battered women. She also relates that when Municipal officials receive visitors from Japan she is often asked to help.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s six years service on Burnaby’s Family Court. She talks about what the Court does and the need for better services for battered women. She also relates that when Municipal officials receive visitors from Japan she is often asked to help.
- Date Range
- 1984-1990
- Length
- 00:04:47
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track eight of interview with Toki Miyashita
Track eight of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_8.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 9
https://search.heritageburnaby.ca/link/oralhistory524
- Repository
- City of Burnaby Archives
- Date Range
- 1980-1990
- Length
- 00:19:08
- Summary
- This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby’s sister-city Kushiro’s gift of Toko’s sculptures to Burnaby for the Centennial. She also describes Toko’s appreciation of the Haida totems and the native people of BC, and his gift of a set of carving tools to Chief Saul Terry
- Date Range
- 1980-1990
- Length
- 00:19:08
- Subjects
- Celebrations - Centennial
- Indigenous wood-carving - Totem poles
- Woodworking Tools and Equipment
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track nine of interview with Toki Miyashita
Track nine of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_9.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 10
https://search.heritageburnaby.ca/link/oralhistory525
- Repository
- City of Burnaby Archives
- Date Range
- 1989-1990
- Length
- 00:06:41
- Summary
- This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics
- Date Range
- 1989-1990
- Length
- 00:06:41
- Subjects
- Celebrations - Centennial
- Ceremonial Artifacts - Totem Poles
- Woodworking Tools and Equipment
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track ten of interview with Toki Miyashita
Track ten of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_10.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 11
https://search.heritageburnaby.ca/link/oralhistory526
- Repository
- City of Burnaby Archives
- Date Range
- 1969-1990
- Length
- 00:07:33
- Summary
- This portion of the interview is about the lessons Toki Miyashita learned from visiting Ikebana teachers, especially care for and skill using their tools, and mindfulness in choosing material for arrangements. She notes that flower arranging is used as a way to relax and feel calm.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about the lessons Toki Miyashita learned from visiting Ikebana teachers, especially care for and skill using their tools, and mindfulness in choosing material for arrangements. She notes that flower arranging is used as a way to relax and feel calm.
- Date Range
- 1969-1990
- Length
- 00:07:33
- Subjects
- Arts
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track eleven of interview with Toki Miyashita
Track eleven of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_11.mp3