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Edmonds Baptist Church
https://search.heritageburnaby.ca/link/landmark575
- Repository
- Burnaby Heritage Planning
- Description
- Church building.
- Associated Dates
- 1912
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Walker Avenue
- Associated Dates
- 1912
- Description
- Church building.
- Heritage Value
- Beautifully designed in an Arts and Crafts idiom, this church features a textural mix of finishes including lapped siding and stucco and half timbering in the gables. The British Columbian reported in July 1912 that: "The Baptists of Edmonds will possess a fine and well planned church when the building now commenced is ready for occupation. The architects are J.P. Matheson and Son, of Vancouver, and the contractors, Muttitt and Bell, of New Westminster. The entrance porch fronts Edmonds Road and the west side faces Vancouver Road. It will have a capacity for 272 sittings, spacious aisles and choir platform besides various rooms for Baptistery, vestry and robing apartments."
- Locality
- Edmonds
- Historic Neighbourhood
- Edmonds (Historic Neighbourhood)
- Planning Study Area
- Richmond Park Area
- Architect
- J.P. Matheson & Son
- Builder
- Muttitt and Bell
- Area
- 1471.58
- Contributing Resource
- Building
- Ownership
- Private
- Names
- Matheson, John
- Street Address
- 7135 Walker Avenue
- Street View URL
- Google Maps Street View
Images
H.T. Ceperley Estate 'Fairacres' Mansion
https://search.heritageburnaby.ca/link/landmark526
- Repository
- Burnaby Heritage Planning
- Description
- 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
- Associated Dates
- 1911
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Henry Tracy & Grace Ceperley Estate
- Burnaby Art Gallery
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Henry Tracy & Grace Ceperley Estate
- Burnaby Art Gallery
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1911
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
- Heritage Value
- 'Fairacres' is important as a record of the early years of Burnaby, specifically the Deer Lake area, as a place of tranquility and beautiful scenery in which the wealthy and successful in the burgeoning cities of New Westminster and Vancouver chose to retire or to make their family homes. The main house, which anchors in style and setting the outbuildings on the estate, demonstrates the social, cultural, and aesthetic values of local wealthy businessmen and women of the early twentieth century - values such as appreciation of architectural elegance and grand interior spaces, leisure and recreation, formal landscaped gardens and scenic views. Also important is the association with the English-born and trained architect Robert Mackay Fripp (1858-1917), as this was one of his grandest residential commissions. Steeped in the current architectural trends in Great Britain, Fripp designed this sprawling mansion in the Arts and Crafts style, reflected in the architectural detailing and proportions. The style was common at the time and was often used for estate mansions as a symbol of affluence and good, modern taste as well as an affinity for all things British. Quality is displayed inside and out in the finishes and materials, orchestrated by prominent local contractor, James Charles Allen, including imported English materials of specific value such as imported Medmenham tiles in the fireplace surrounds, one of the earliest documented use of these tiles outside the United Kingdom. Detailed features of the interior woodwork were carved by Scottish-born master wood carver George Selkirk Gibson (1867-1942), who was best known for his many commissions for prominent British Columbia architect Samuel Maclure. The outbuildings at 'Fairacres' are an important record of the functioning of a large estate of the time. The Garage and Stables and the Chauffeur’s Cottage accommodated the use of automobiles, horses and carriages, and in concert with the estate's location near the new British Columbia Electric Railway 'Burnaby Lake' interurban line, illustrate the evolving nature of regional transportation and the growing bedroom communities and estates made possible by increasing options for transportation. Other outbuildings accommodated the agricultural activities that helped support the Ceperley estate. The estate was conceived and funded by American-born Grace E. Dixon Ceperley (1863-1917), who had achieved significant wealth through a bequest from her brother-in-law, Vancouver pioneer Arthur Ferguson. Her husband, Henry Tracy Ceperley (1850-1929), also American-born, was a successful and well-respected businessman who made a significant contribution to the development of the City of Vancouver. The construction of 'Fairacres' spawned the transformation of the Deer Lake area from a farming community into a preferred location for elite suburban homes. 'Fairacres' is significant to the City of Burnaby as its first civic heritage conservation project. Acquired in 1966 for conversion to Burnaby’s first art gallery, it was dedicated in 1967 to mark Canada’s Centennial of Confederation.
- Defining Elements
- Key elements that define the heritage character of the ‘Fairacres’ mansion include its: - setting in relation to the gardens, its former market garden, and the vistas to Deer Lake and other grand homes in the area - side gable roof with prominent dormers and cedar shingle cladding - verandah across the eastern (garden) facade, with its view over the landscaped gardens and the distant mountains - porte cochere with its side steps for those arriving by automobile, and central raised step for those alighting from horse-drawn carriages - rich variety of exterior elements that demonstrate the typical Arts and Crafts use of local materials such as cobble stone chimneys and foundations, wide wooden siding and half-timbering - mixture of double-hung and casement wooden-sash windows, many with multi-paned sash - lavish interior spaces, designed for entertaining on a grand scale, including a billiard room with a beamed ceiling and an inglenook fireplace, and generous living and dining rooms arranged off a central hall - quality of the interior materials such as imported Medmenham tiles in fireplace surrounds, window hardware by Hope and Sons, and leaded stained glass - interior wood work including the staircase, and carvings by George Selkirk Gibson - remaining formal Edwardian garden landscape elements, including the cross-axial plan that reflects the relationship of the mansion to its 'outdoor rooms'
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Current--Museum
- Primary Historic--Estate
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- City of Burnaby, Visual Art Collection: Original rendering by R.P.S. Twizell Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Carved dining room panels by G.S. Gibson and other hardware items
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Names
- Ceperley, Grace
- Ceperley, H.T.
- Fripp, Robert Mackay
- Allen, James Charles
- Gibson, George Selkirk
- Street Address
- 6344 Deer Lake Avenue
- Street View URL
- Google Maps Street View
Images
H.T. Ceperley Estate 'Fairacres' Chauffeur's Cottage
https://search.heritageburnaby.ca/link/landmark529
- Repository
- Burnaby Heritage Planning
- Description
- Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
- Associated Dates
- 1911
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1911
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917) was retained by the Ceperleys to design several original outbuildings on their estate at the same time as the main house was constructed. The Chauffeur's Cottage illustrates the increasing importance of the automobile in the lives of the wealthy of the early twentieth century. It also demonstrates Grace and Henry Tracy Ceperley's social aspirations and grand-country-estate pretension in having a chauffeur. The cottage's location - close to the garage and convenient, but not adjacent, to the main house - enhances the grand country house landscape design and contributes to the overall composition of the estate's plan. The Arts and Crafts styled Chauffeur's Cottage is important as an indicator of the aesthetic and social sensibilities of the Ceperley family in retaining an architect to design a modest building for staff accommodation.
- Defining Elements
- Key elements that define the heritage character of the 'Fairacres' Chauffeur's Cottage include its: - location, in relation to the main house and in close proximity to the Garage and Stables buildings - side gable roof with cedar shingle cladding - Arts and Crafts architectural features such as the jerkin-headed door hood, a reference to the thatched-roofed cottages of southern England; eight-paned wooden-sash casement windows; and cedar-shingled exterior - two internal brick chimneys - modest, functional interior, with simple trim and lack of pretension
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Chinese ‘Tiger Whiskey’ and opium bottles found during restoration
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
H.T. Ceperley Estate 'Fairacres' Garage & Stables
https://search.heritageburnaby.ca/link/landmark530
- Repository
- Burnaby Heritage Planning
- Description
- Designed in the British Arts and Crafts style, the ‘Fairacres’ Garage and Stables is a two-storey wood frame building located on the 'Fairacres' estate, situated to the north of the Chauffeur's Cottage; at the south end of the structure is a single vehicle garage and to the north are several stable…
- Associated Dates
- 1911
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1911
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- Designed in the British Arts and Crafts style, the ‘Fairacres’ Garage and Stables is a two-storey wood frame building located on the 'Fairacres' estate, situated to the north of the Chauffeur's Cottage; at the south end of the structure is a single vehicle garage and to the north are several stables for carriage, riding, and draught horses, a coach house, and tack room; the upper floor was originally a hay loft.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917) was retained by the Ceperleys to design several original outbuildings on their estate at the same time as the main house was constructed. The Garage and Stables building is important as a record of its era when transportation modes were in transition and the horse-drawn carriage, while still in use, was giving way to the automobile. The relative spatial arrangements within the building are a valuable indication of the economy of space associated with the automobile, as compared to the horse. The extent of the stabling arrangements signifies not only the use of carriage horses but also the continued reliance on draught horses in farming activities in this era. As well, it is an indication of the fashionable nature of equestrianism for wealthy families during this time. The building is important as a demonstration of the aesthetics of the Ceperley family in having an architect-designed outbuilding and obtaining craftsmanship and materials of the highest quality for each structure on their estate.
- Defining Elements
- Key elements that define the heritage character of the 'Fairacres' Garage and Stables include its: - location within easy reach of the main house and in close proximity to the Chauffeur's Cottage - floor plan with the garage at one end, close to the Chauffeur's Cottage, and stables and equine facilities at the other - variety and complexity of the roofline, including gable wall dormers, gable-on-hip roof ends, and half-hip extensions - Arts and Crafts architectural features of the exterior such as the shingle wall cladding articulated with a chevron-patterned course of shingles at the first floor level; casement windows; and deep eaves with additional purlins to support the overhang - original stable doors with hand-made forged-iron door hardware - multi-paned wooden-sash windows, some retaining original wire glass
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
- Street View URL
- Google Maps Street View
Images
Interview with Surjeet Kaur Parmar
https://search.heritageburnaby.ca/link/museumdescription19350
- Repository
- Burnaby Village Museum
- Date
- [1905-2022] (interview content), interviewed 6 Dec. 2022
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)
- Scope and Content
- Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Museum Oral Histories series
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)
- Material Details
- Interviewer: Anushay Malik Interviewee: Surjeet Kaur Parmar Language of Interview: Urdu, Hindi and Punjabi Location of Interview: home of Surjeet Kaur Parmar in Burnaby Interview Date: December 6, 2022 Total Number of tracks: 2 Total Length of tracks: (1:15:32) Digital master recordings (wav) were edited into one recording and converted to mp3 for access on Heritage Burnaby
- Scope and Content
- Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and Canada, her personal experiences and her ancestors’ stories as South Asian immigrants, reflections on and personal experiences of racial discrimination as a South Asian immigrant, her places of residence, her employment background, her cultural practices and traditions including food, clothing and craft. The interview begins with introductions from interviewer Anushay Mailik. Surjeet Kaur Parmar imparts her own family’s migration story beginning with her very first elders that immigrated to Canada from India. A relative (unnamed) immigrated to Canada first and a few years later (around 1905) returned to India and brought back three cousins that included; Ginaya Singh (Ghania Singh Manhas) and Doman Singh . Mayo Singh (Ghania Singh’s younger brother) came in 1906 on his own to join them. Surjeet’s grandfather (Shair/Sher Singh Manhas) also wanted to immigrate at this time, but he was too young and weak to manage such a long trip. Surjeet conveys that while living in British Columbia, Mayo and Ginaya Singh worked together at saw mills. With their knowledge and understanding of mill work they ended up owning and operating a mill in Paldi near Duncan on Vancouver Island. At this time, most of the men from Surjeet’s family region in Punjab were abroad and with no men living at home. Mayo Singh’s father (Bhulla Singh) looked after her father (Lashman Singh Manhas) and paternal uncle (Kashmir Singh Manhas) back in Punjab. When Mayo’s father died, Mayo Singh adopted her paternal uncle (Kashmir Singh) and brought him to Canada in 1926. Surjeet describes her ancestors’ immigration journey from India to Canada. They all travelled by ship and if someone ran out of money en route, they could work on the ship. Surjeet explains that both Mayo and Ginaya Singh are Surjeet’s grandfather’s first cousins and her father’s second cousins. Surjeet recollects her grandfather (Shair/Sher Singh Manhas) saying “now that you’ve arrived there, take one cousin from each side with you”. Surjeet explains that the cousins were all from the same village in Punjab and her great grandfather wanted someone to go abroad, so he sent a few and had them bring more as the years went on. Surjeet says that she’s uncertain as to why they chose Canada rather than America but thinks that they did some form of research and determined that it was a good place to come to. Surjeet admits that she doesn’t know the name of her paternal grandfather or other elders since she never met them. Surjeet shares that it was a traditional practice to mark pots and pans with family names and imparts that she discovered her father’s name “Lashman Singh” written on the bottom of a glass. Surjeet expresses that she’s marked her own pots and pans with her name to identify which ones are hers when she gets together with family or does catering. Surjeet refers to a kohl bottle that she has and how she’d like to offer it to the museum. She explains how the kohl bottle is no longer in use but was used by her mother (Budhan Kaur Manhas) and daughter and her grandchildren. Surjeet describes a blanket that she made called a “phulkari”, now on display in a small museum in Coquitlam, a wedding shawl, that her daughter now owns and a silk sari with embroidery. Surjeet and Anushay discuss the possibility of donating the kohl bottle and the sari to the museum. Surjeet explains how the kohl is used and how her mother used to make kohl. She describes how you rub the kohl with your hands, put cardamom in it, one or two other ingredients and fill the kohl bottle up with water. Surjeet says that she used kohl as eyeliner when living in India. The interviewer asks Surjeet more about Ginaya Singh. Surjeet conveys that Ginaya Singh ended up leaving the mill on Vancouver Island and moved to Vancouver. After Ginaya Singh died from a heart attack (in 1953) his family moved from Vancouver to Burnaby. Surjeet recalls that following the death of Ginaya Singh’s youngest son, her family didn’t celebrate “Lohri” (a winter festival celebrating newborns and newly married people) for three years. She shares that she was very young at this time but remembers there being beautiful photographs of young children all dressed up and displayed in her family home. She expresses that dressing up for photos has changed over time and adds that suits didn’t really come into fashion until after the 1970s or 1980s. Surjeet conveys that her uncle named Kashmira Singh first worked at the mill in Paldi near Duncan then moved to Vancouver and opened up his own mill in North Vancouver. Surjeet’s father, Lashman Singh Manhas arrived in 1953. Surjeet expresses that Kapoor Singh was educated and worked as a manager at the mill on Vancouver Island. Surjeet recollects meeting Mayo Singh, his wife and eldest son in 1952 when they travelled to India for a cousin’s wedding. Surjeet remembers that Mayo Singh’s family had a very large house in India. She describes the house as a very opulent two story house with indoor plumbing for a bathtub, a kitchen with a woodstove, coloured mirrors, bejeweled curtains, a motor room to park cars, a buffalo and more. Surjeet refers to Nand Singh, a younger brother of Mayo Singh, who travelled from India to San Franciso and spent a year wandering around before deciding to return to India. She describes him as living in Bombay with his wife Vishan Kaur and having a transport business. Nand had two kids that came to Canada. Surjeet recollects the tragic death of Ganda Singh (Ginaya Singh) who died of a heart attack on someone’s doorstep, they thought that he was drunk so didn’t open the door. Surjeet conveys that Mayo Singh’s wife, Mission Kaur (Saradani Bishan Kaur) died while visiting India (in 1952) and that some of Mayo’s sons were married in Canada and one in India. Surjeet expresses that it was hard for Mayo’s sons to have one of their parents die in India and one die in Canada (Mayo Singh died in B.C. in 1955). Surjeet describes the hospital that Mayo built in the village of Paldi. She mentions that there were festivals and functions that took place there, there were many nurses and doctors. She recalls there being a school where their land was. She recalls that if they got headaches they were treated with medicine and that it didn’t cost much, only a six pence. Surjeet talks about her arranged marriage to Kalwant Singh "Nadeem" Parmar. Surjeet explains that her father and brother immigrated to British Columbia first (1953) and after a few months they brought Surjeet and her mother (Budhan Kaur Manhas). She recollects that when she was in Grade 10 and around 17 years of age, her family made plans to travel to India to attend a family wedding. During this time, her father suggested that it would be a good opportunity to take Surjeet with them to find her a husband in India to marry. After meeting and marrying Nadeem Parmar in India, Surjeet and Nadeem moved to England. Surjeet recollects that in order to immigrate to Canada, each family member had to pass a medical exam and how difficult it was. Her two sisters, mother and brother all had to take the test in Delhi. Surjeet recalls living in England with Nadeem. While living in England, Nadeem worked during the day and studied engineering at college in the evening. Surjeet expresses that she liked living in England and was sad to leave. While living there, they enjoyed a close knit Punjabi community and they all lived in the same area. Surjeet states later in her interview that living in Canada was different from living in England. In England, family and friends lived closer together whereas in Canada places were further apart. Surjeet says that while living in England she could walk to do her shopping. While living in England, after her children were a bit older, she worked as a seamstress in a shirt factory for a few years before coming to Canada. Surjeet imparts that her father (Lashman Singh Manhas) died of a heart attack in 1970 and her mother (Budhan Kaur Manhas) died in 1998. Her father and her family first lived in North Vancouver and then her parents bought a house on Eton Street in Burnaby, near the Ocean. After her father died, her brother and mother bought a house and moved to the Capitol Hill neighbourhood in Burnaby. In 1973, Surjeet, Nadeem and their two children immigrated to Canada and moved in with her brother and mother. Surjeet includes that her paternal aunt (Koshali Kaur Manhas) and cousins also moved to Burnaby and that her aunt and some of her cousins were sponsored by her son who came earlier. Surjeet recalls that after arriving in Canada she got work sewing in a factory located on Water Street in Gastown. Surjeet recollects travelling to her job by bus. Surjeet shares that she brought saris and quilted blankets “rijai”, not household items, in her suitcase when she came to Canada from England. Surjeet explains that the “rijai” (quilted blankets) were made from cotton from her home village in India. The blankets were made by women and then brought back to her to quilt on her sewing machine. Surjeet recalls that when she returned to Canada (in 1973 with her husband and children) they first lived with her mother and brother on Capitol Hill in Burnaby before moving to a house on Fell Avenue and then to their current home in 1982. In 1981, she worked at “Canadian Window Covering” factory making window coverings. The factory was located in the Brentwood area of Burnaby. Surjeet recalls how the factory became unionized and of how she left the factory and found union work at the Labatt’s brewery (Winery and Distillery Workers Local 300). Surjeet describes the work that she did while working at Labatt’s brewery which was located next to the Royal Columbian Hospital in Burnaby. Around 1995, when the Labatt’s factory closed down in Burnaby, she got union work as a bottle sorter for BDL Brewers Distributor Limited, where bottles were gathered for distribution at Braid Station. Surjeet left this job in 2000. Surjeet talks about traditional foods like bindi, sabji, aam and karela and where she’s shopped to find traditional ingredients for South Asian cuisine. She recollects how at first she could only find traditional ingredients at stores in Gastown, Chinatown and on Main Street in Vancouver but now they are more readily available at major grocery stores. Surjeet expresses that traditional spices and dry goods have been hard to find, apart from stores like, Famous Foods and Patels when it was located on Commercial Drive. Surjeet talks about using ingredients such as green pea flour and Besan flour to make pakoras and kahdri. Surjeet states that many immigrants didn’t wear their traditional clothing until she came later. She expresses that many South Asian immigrants didn’t wear their clothes “because there were no rights, we had to try to become like them”. Surjeet conveys that even though some were able to purchase property (she provides an example of family members in Duncan who faced discrimination by the owner/seller of a piece of property they were purchasing) that they had very little rights and they were all living in fear. She expresses that she herself didn’t experience this but in the beginning when people settled here (in B.C.) that it was very difficult. Surjeet says that when she goes to the Gurdwara and to work, she wears a sari and conveys that while working at the factory, she was encouraged to wear a sari, it was accepted then. She brought printed saris to work and her co workers said that they’d wear them to parties. Surjeet reflects on her own experiences of racism and discrimination and expresses that her generation “has learned how to stand up in front, then they got scared of saying anything”. “The people who came here first were afraid because they were alone, they had to settle down here and make a home from scratch, but the ones who came after had everything already built and made”. She explains how they helped one another when they came (to British Columbia). She describes how the Gurdwara was located on 2nd Street and all of the ships went there (new immigrants?), people would gather, get water, help one another and there would be a place for all people. Surjeet shares a personal experience of helping members of her husband’s family to immigrate to Canada. She tells of the complications of some being left behind in India and that some came to Canada as refugees that she and her husband sponsored. Surjeet expresses their struggles with raising a family, working and trying to pay for their own house while also trying to assist and support family members. Surjeet describes in detail how her husband Nadeem went back to India after his mother died to help his father, sister and her family immigrate. She explains that the immigration process took about four years and his father had to apply as a refugee. Nadeem’s sister came with her children but had to return to India so Surjeet and her family had to look after Nadeem’s sister’s child/children. Surjeet expresses that during this time she continued to work at Canadian Window Coverings, working an afternoon shift and sometimes taking her son with her. She expresses that this as a very hectic time, working the whole day, making food for everyone, grocery shopping, looking after a her sister in law’s younger child at night and getting no rest. Surjeet describes the time when she was working and her children were attending the local school. She expresses the challenges of working long days and often arriving home after her children. She recollects a time when there was a snow storm and how she was worried about her children making it home and being alone while she was at work, there were no cell phones in those days but they had phone numbers of her brother and sister. Surjeet tells of how they tried to help the rest of the Nadeem’s family immigrate including his brother who was a soccer player in India. They were able to buy a house for the whole family to live but expresses after several months Nadeem’s brother decided to stay in India. Surjeet expresses the complications and frustrations of trying to bring all family members to Canada.
- History
- Interviewee biography: Surjeet Kaur Parmar was born in Punjab, India in 1942 to parents Lashman Singh Manhas (1913-1970) and Budhan Kaur Manhas (1906-1998). Surjeet’s ancestors, Ghania Singh Manhas, Doman Singh and Mayo Singh immigrated to British Columbia in 1905 and 1906. The group got work in saw mills and soon began owning and operating their own saw mills, first in Chilliwack and Rosedale districts and later in 1920 on Vancouver Island near Duncan (Paldi) (known as the Mayo Lumber Company). In 1927, Surjeet’s paternal uncle, Kashmir Singh Manhas left Paldi, Punjab at the age of 18 years with Mayo Singh Manhas and after months of travel they arrived at Paldi on Vancouver Island. In 1953, Surjeet’s father, Lashman Singh Manhas and her two brothers immigrated to Canada and soon after brought her and her mother, Budhan Kaur Manhas. After immigrating, her father began working at “Kashmir Lumber Company” in North Vancouver which was owned by his brother Kashmira Singh Manhas. Surjeet, her parents and two brothers first made their home in North Vancouver and the 1960s they moved to 3824 Eton Street in Burnaby. In 1959, Surjeet and her family returned to India for her brother’s wedding. During this time a marriage was arranged for Surjeet to marry Nadeem Parmar and they were married in 1960. Following their marriage, Surjeet and Nadeem moved to England where they began raising their two children. While living in England, Surjeet worked as seamstress at a factory. In 1973, following the death of Surjeet’s father who died in 1970, Surjeet and Nadeem decided to immigrate to British Columbia. For the first few years, Surjeet, Nadeem and their two children lived with her mother and brother in the Capitol Hill neighbourhood of Burnaby before purchasing their own home on Fell Avenue. While living in Burnaby Surjeet has worked as a seamstress for Canadian Window Covering, Labatt's Brewery and BDL Brewers Distributor Limited which she left in 2000. In 1982, Surjeet and her family moved into a new home that they had built on Woodsworth Street where they still live today. Interviewer biography: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”.
- Creator
- Burnaby Village Museum
- Subjects
- Buildings - Industrial - Saw Mills
- Clothing
- Crafts
- Employment
- Migration
- Social Issues
- Social Issues - Racism
- Occupations - Labourers
- Occupations - Millworkers
- Persons - South Asian Canadians
- Names
- Parmar, Surjeet Kaur
- Parmar, Kalwant Singh "Nadeem"
- Manhas, Ghania Singh
- Singh, Mayo
- Manhas, Kashmir Singh
- Manhas, Sher Singh
- Manhas, Budhan Kaur
- Manhas, Lashman Singh
- Accession Code
- BV022.29.5
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [1905-2022] (interview content), interviewed 6 Dec. 2022
- Media Type
- Sound Recording
- Related Material
- See also BV022.29.1 - interview with Kalwant Singh "Nadeem" Parmar
- Notes
- Title based on contents of item
- Transcription of interview translated to English from Urdu, Hindi and Punjabi to English created by Rajdeep
- Transciption available on Heritage Burnaby
- Spelling of "Ginaya Singh" found as "Ghania Singh Manhas" in obituary and death certificate
Documents
Audio Tracks
Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022
Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0005_003.mp3Interview with Reidun Seim by Kathy Bossort January 13, 2016 - Track 1
https://search.heritageburnaby.ca/link/oralhistory650
- Repository
- City of Burnaby Archives
- Date Range
- 1904-1940
- Length
- 0:11:22
- Summary
- This portion of the interview is about Reidun Seim talking about her father’s immigration to the USA in 1904 at age 16, his return to Norway and marrying Martine, her parents emigration from Norway to Vancouver in 1930, her father’s purchase of an acre of land on Curtis Street and building a two ro…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Reidun Seim talking about her father’s immigration to the USA in 1904 at age 16, his return to Norway and marrying Martine, her parents emigration from Norway to Vancouver in 1930, her father’s purchase of an acre of land on Curtis Street and building a two room house for the family, Reidun’s birth in 1931, and the family’s move to Curtis Street in 1932. She talks about her childhood memories of playing on a big stump and cedar log in the yard.
- Date Range
- 1904-1940
- Length
- 0:11:22
- Names
- Seim, Sjur
- Seim, Martine
- Geographic Access
- Curtis Street
- Historic Neighbourhood
- Lochdale (Historic Neighbourhood)
- Planning Study Area
- Lochdale Area
- Interviewer
- Bossort, Kathy
- Interview Date
- January 13, 2016
- Scope and Content
- Recording is of an interview with Reidun Seim conducted by Kathy Bossort. Reidun Seim was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about Reidun Seim’s memories about her parent’s farm on Curtis Street, events in her childhood, and the people who lived in or visited her neighborhood. She takes us on a tour of her neighborhood in the 1940s, telling us stories about families who lived on Curtis Street on and east of 7300 block, including people who lived on Burnaby Mountain in the old Hastings Grove subdivision above the end of municipal water service at Philips Avenue. She describes changes to Curtis Street, particularly after it provided access to Simon Fraser University in 1965. She also talks about her teaching career, and about how she values the green space and conservation area on Burnaby Mountain.
- Biographical Notes
- Reidun Seim was born in 1931 in Vancouver B.C. to Sjur and Martine Seim. Sjur and Martine Seim emigrated to Canada from Norway in 1930, and after settling in Vancouver, moved to an acre of land and a new home at the base of Burnaby Mountain in 1932. Sjur attended UBC to learn about poultry farming and began his own chicken and egg business in 1935. The farm animals and large garden also contributed to the family’s livelihood and self-sufficiency. The Curtis Street neighborhood was a lively place and extended well up Curtis Street on the west slope of Burnaby Mountain, where Reidun would babysit for families. Reidun attended Sperling Avenue Elementary School (Gr. 1-8), Burnaby North High School, and Vancouver Normal School for teacher training in 1950-1951. She began teaching primary grades in Port Coquitlam at James Park School. Most of her career was spent in North Delta, teaching at Kennedy and Annieville schools from 1954-1958, appointed Primary Consultant (1958-1960) and Primary Supervisor (1960-1985), before retiring in 1986. Reidun lived at home with her parents on Curtis Street, commuting to Delta, and continues to live in the original farmhouse.
- Total Tracks
- 14
- Total Length
- 2:35:58
- Interviewee Name
- Seim, Reidun
- Interview Location
- Burnaby City Hall in the Law Library
- Interviewer Bio
- Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Media Type
- Sound Recording
Audio Tracks
Track one of interview with Reidun Seim
Track one of interview with Reidun Seim
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS196-017/MSS196-017_Track_1.mp3M. G. Hill
https://search.heritageburnaby.ca/link/archivedescription82537
- Repository
- City of Burnaby Archives
- Date
- [between 1899 and 1910]
- Collection/Fonds
- Hill family and Vidal family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : sepia ; 10.5 x 16.5 cm
- Scope and Content
- Photograph is a portrait of one man and five rows of boys. Identified fourth from the right in the back row is Minard G. Hill.
- Repository
- City of Burnaby Archives
- Date
- [between 1899 and 1910]
- Collection/Fonds
- Hill family and Vidal family fonds
- Physical Description
- 1 photograph : sepia ; 10.5 x 16.5 cm
- Description Level
- Item
- Record No.
- 550-111
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Accession Number
- 2013-03
- Scope and Content
- Photograph is a portrait of one man and five rows of boys. Identified fourth from the right in the back row is Minard G. Hill.
- Subjects
- Persons - Children
- Buildings - Schools
- Media Type
- Photograph
- Notes
- Title based on note accompanying photograph
- Note in pencil on album page reads: "M.G. Hill / (4th from right back row)"
Images
M. G. Hill
https://search.heritageburnaby.ca/link/archivedescription82538
- Repository
- City of Burnaby Archives
- Date
- [between 1899 and 1910]
- Collection/Fonds
- Hill family and Vidal family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : sepia ; 10.5 x 16.5 cm
- Scope and Content
- Photograph is a portrait of one man and five rows of boys. Identified fourth from the right in the back row is Minard G. Hill.
- Repository
- City of Burnaby Archives
- Date
- [between 1899 and 1910]
- Collection/Fonds
- Hill family and Vidal family fonds
- Physical Description
- 1 photograph : sepia ; 10.5 x 16.5 cm
- Description Level
- Item
- Record No.
- 550-112
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Accession Number
- 2013-03
- Scope and Content
- Photograph is a portrait of one man and five rows of boys. Identified fourth from the right in the back row is Minard G. Hill.
- Subjects
- Persons - Children
- Buildings - Schools
- Media Type
- Photograph
- Notes
- Title based on note accompanying photograph
- Note in pencil on album page reads: "M.G. Hill / (4th from right back row)"
Images
Students on steps of school
https://search.heritageburnaby.ca/link/museumdescription19797
- Repository
- Burnaby Village Museum
- Date
- [191-]
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 14 x 9 cm
- Scope and Content
- Photograph of a group of students seated on the steps of a school. The teacher is standing at the doors at the top of the stairs. The children are seated in five rows. Esther (Love) Stanley is identified seated in the fourth row, second from left.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 14 x 9 cm
- Scope and Content
- Photograph of a group of students seated on the steps of a school. The teacher is standing at the doors at the top of the stairs. The children are seated in five rows. Esther (Love) Stanley is identified seated in the fourth row, second from left.
- Subjects
- Persons - Children
- Persons - Students
- Names
- Stanley, Esther Love
- Accession Code
- BV022.32.219
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [191-]
- Media Type
- Photograph
- Scan Resolution
- 600
- Scan Date
- 2023-04-18
- Notes
- Title based on contents of photograph
- Photograph is part of Esther Love Stanley photograph album 1 (BV022.32.1)
Images
Unidentified girl
https://search.heritageburnaby.ca/link/archivedescription39228
- Repository
- City of Burnaby Archives
- Date
- 1916
- Collection/Fonds
- Peers Family and Hill Family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 6 x 10.5 cm on page 24.5 x 32.5 cm (pasted in album)
- Scope and Content
- Photograph of an unidentified girl seated on a railing, holding knitting needles and yarn in her hands.
- Repository
- City of Burnaby Archives
- Date
- 1916
- Collection/Fonds
- Peers Family and Hill Family fonds
- Physical Description
- 1 photograph : b&w ; 6 x 10.5 cm on page 24.5 x 32.5 cm (pasted in album)
- Description Level
- Item
- Record No.
- 477-547
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Accession Number
- 2007-12
- Scope and Content
- Photograph of an unidentified girl seated on a railing, holding knitting needles and yarn in her hands.
- Subjects
- Crafts - Knitting
- Media Type
- Photograph
- Notes
- Title based on contents of photograph
Images
Woman knitting on porch
https://search.heritageburnaby.ca/link/museumdescription19801
- Repository
- Burnaby Village Museum
- Date
- [191-]
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 6.5 x 10.5 cm
- Scope and Content
- Photograph of a woman knitting while seated on the porch of a house.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 6.5 x 10.5 cm
- Scope and Content
- Photograph of a woman knitting while seated on the porch of a house.
- Subjects
- Crafts - Knitting
- Accession Code
- BV022.32.223
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [191-]
- Media Type
- Photograph
- Scan Resolution
- 600
- Scan Date
- 2023-04-18
- Notes
- Title based on contents of photograph
- Photograph is part of Esther Love Stanley photograph album 1 (BV022.32.1)
- Note in black ink on verso of photograph reads: "our home in the Bush"
Images
Boy in front of a wire fence
https://search.heritageburnaby.ca/link/museumdescription1438
- Repository
- Burnaby Village Museum
- Date
- [1915]
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : sepia ; 11.5 x 7 cm
- Scope and Content
- Photograph of a boy standing in front of a wire fence. There is barbed wire along the top of the fence. The season appears to be winter, because the tree have no leaves and the boy is wearing a cap and a winter coat. Location is not identified.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : sepia ; 11.5 x 7 cm
- Material Details
- inscribed in pencil, verso, c. "185"
- Scope and Content
- Photograph of a boy standing in front of a wire fence. There is barbed wire along the top of the fence. The season appears to be winter, because the tree have no leaves and the boy is wearing a cap and a winter coat. Location is not identified.
- Subjects
- Structures - Fences
- Persons - Children
- Accession Code
- BV985.5813.1
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [1915]
- Media Type
- Photograph
- Related Material
- The boy and the fence in the photograph resembles the boy depicted in front of wire fence gate in photograph BV985.5822.1
- Scan Resolution
- 600
- Scan Date
- 2024-02-27
- Notes
- Title based on contents of photograph
Images
Charlotte Vidal and class
https://search.heritageburnaby.ca/link/archivedescription82427
- Repository
- City of Burnaby Archives
- Date
- [between 1908 and 1912]
- Collection/Fonds
- Hill family and Vidal family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w postcard ; 8.5 x 14 cm
- Scope and Content
- Photographic postcard shows a class portrait of girls. Identified fifth from the left in the back row is Charlotte Vidal.
- Repository
- City of Burnaby Archives
- Date
- [between 1908 and 1912]
- Collection/Fonds
- Hill family and Vidal family fonds
- Physical Description
- 1 photograph : b&w postcard ; 8.5 x 14 cm
- Description Level
- Item
- Record No.
- 550-047
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Accession Number
- 2013-03
- Scope and Content
- Photographic postcard shows a class portrait of girls. Identified fifth from the left in the back row is Charlotte Vidal.
- Subjects
- Animals - Dogs
- Persons - Children
- Media Type
- Photograph
- Notes
- Title based on note accompanying photograph and contents of photograph
- Note at top of album page in pencil reads: "Charlotte Vidal (back row 5th from left)"
Images
Dorothy and Alexander Vidal
https://search.heritageburnaby.ca/link/archivedescription82429
- Repository
- City of Burnaby Archives
- Date
- [between 1908 and 1912]
- Collection/Fonds
- Hill family and Vidal family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8 x 10.5 cm
- Scope and Content
- Photograph shows a boy and a girl identified as Alexander Vidal and Dorothy Vidal, respectively.
- Repository
- City of Burnaby Archives
- Date
- [between 1908 and 1912]
- Collection/Fonds
- Hill family and Vidal family fonds
- Physical Description
- 1 photograph : b&w ; 8 x 10.5 cm
- Description Level
- Item
- Record No.
- 550-049
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Accession Number
- 2013-03
- Scope and Content
- Photograph shows a boy and a girl identified as Alexander Vidal and Dorothy Vidal, respectively.
- Subjects
- Persons - Children
- Media Type
- Photograph
- Notes
- Title based on note accompanying photograph
- Note on album page in pencil reads: "Dorothy and Alex Vidal / Ioco, BC"
- Note in blue pen on verso reads: "Aunt Dor / Uncle Bill / Ioco"
Images
Dot Brandrith with three children
https://search.heritageburnaby.ca/link/museumdescription19778
- Repository
- Burnaby Village Museum
- Date
- [191-]
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8 x 11 cm
- Scope and Content
- Photograph of Martha Dorothy "Dot" Brandrith standing with three children outside of the Love family farmhouse on Cumberland Road.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8 x 11 cm
- Scope and Content
- Photograph of Martha Dorothy "Dot" Brandrith standing with three children outside of the Love family farmhouse on Cumberland Road.
- Subjects
- Persons - Children
- Geographic Access
- Cumberland Street
- Street Address
- 7651 Cumberland Street
- Accession Code
- BV022.32.200
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [191-]
- Media Type
- Photograph
- Historic Neighbourhood
- East Burnaby (Historic Neighbourhood)
- Planning Study Area
- Cariboo-Armstrong Area
- Scan Resolution
- 600
- Scan Date
- 2023-04-04
- Notes
- Title based on contents of photograph
- Photograph is part of Esther Love Stanley photograph album 1 (BV022.32.1)
Images
Five children and a dog
https://search.heritageburnaby.ca/link/archivedescription82563
- Repository
- City of Burnaby Archives
- Date
- [1900-1930]
- Collection/Fonds
- Hill family and Vidal family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 7 x 9 cm
- Scope and Content
- Photograph is a portrait of three unidentified boys, two unidentified girls and a dog sitting on logs in a clearing of a forest.
- Repository
- City of Burnaby Archives
- Date
- [1900-1930]
- Collection/Fonds
- Hill family and Vidal family fonds
- Physical Description
- 1 photograph : b&w ; 7 x 9 cm
- Description Level
- Item
- Record No.
- 550-134
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Accession Number
- 2013-03
- Scope and Content
- Photograph is a portrait of three unidentified boys, two unidentified girls and a dog sitting on logs in a clearing of a forest.
- Subjects
- Persons - Children
- Animals - Dogs
- Media Type
- Photograph
- Notes
- Title based on contents of photograph
Images
Four boys with two bicycles
https://search.heritageburnaby.ca/link/museumdescription19938
- Repository
- Burnaby Village Museum
- Date
- [191-]
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 6 x 8.5 cm
- Scope and Content
- Photograph of four boys standing together with two bicycles. The group are standing together outside. Houses are visible in the background.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 6 x 8.5 cm
- Scope and Content
- Photograph of four boys standing together with two bicycles. The group are standing together outside. Houses are visible in the background.
- Accession Code
- BV022.32.360
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [191-]
- Media Type
- Photograph
- Scan Resolution
- 600
- Scan Date
- 2023-06-09
- Notes
- Title based on contents of photograph
- Photograph is part of Esther Love Stanley photograph album 1 (BV022.32.1)
Images
Frances Waplington
https://search.heritageburnaby.ca/link/museumdescription5084
- Repository
- Burnaby Village Museum
- Date
- [1915]
- Collection/Fonds
- Waplington family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : sepia ; 8.5 x 5.5 cm
- Scope and Content
- Photograph of young Frances Waplington at age 21 months. Frances is wearing a hat and standing against a wall or fence. Frances is the eldest daughter of Jack and Sarah Waplington.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Waplington family fonds
- Description Level
- Item
- Physical Description
- 1 photograph : sepia ; 8.5 x 5.5 cm
- Scope and Content
- Photograph of young Frances Waplington at age 21 months. Frances is wearing a hat and standing against a wall or fence. Frances is the eldest daughter of Jack and Sarah Waplington.
- Subjects
- Persons - Children
- Accession Code
- BV016.46.57
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [1915]
- Media Type
- Photograph
- Scan Resolution
- 600
- Scan Date
- 2023-01-09
- Notes
- Title based on contents of photograph
- Handwritten text on back of photograph reads: "Fa [illegible] Waplington / 21 mos. May 24th/15."
- Photograph is part of Photograph album BV016.46.52
Images
Group of children and adults
https://search.heritageburnaby.ca/link/museumdescription19808
- Repository
- Burnaby Village Museum
- Date
- [191-]
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.5 x 11.5 cm
- Scope and Content
- Photograph of unidentified group of five children with two adult men standing together outside. Trees are visible in the background.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Esther Love Stanley fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.5 x 11.5 cm
- Scope and Content
- Photograph of unidentified group of five children with two adult men standing together outside. Trees are visible in the background.
- Subjects
- Persons - Children
- Accession Code
- BV022.32.230
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [191-]
- Media Type
- Photograph
- Scan Resolution
- 600
- Scan Date
- 2023-04-18
- Notes
- Title based on contents of photograph
- Photograph is part of Esther Love Stanley photograph album 1 (BV022.32.1)
Images
Hazel Peterson photographs
https://search.heritageburnaby.ca/link/archivedescription62794
- Repository
- City of Burnaby Archives
- Date
- [1880-2000]
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- File
- Physical Description
- ca. 60 photographs : b&w and col. -- 2 prints : col. illustrations
- Scope and Content
- File consists of loose photographs of Hazel Peterson (nee Erickson), as well as photographs of her family and parents, Charles and Amanda Erickson, and her husband, Edwin Peterson. Photographs are from all stages of Hazel Peterson's life, including infancy and childhood and later years of her life,…
- Repository
- City of Burnaby Archives
- Date
- [1880-2000]
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Hazel Peterson subseries
- Physical Description
- ca. 60 photographs : b&w and col. -- 2 prints : col. illustrations
- Material Details
- Some photographs remain in frames or paper covers.
- Description Level
- File
- Record No.
- 504-001
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- BHS2000-08
- Scope and Content
- File consists of loose photographs of Hazel Peterson (nee Erickson), as well as photographs of her family and parents, Charles and Amanda Erickson, and her husband, Edwin Peterson. Photographs are from all stages of Hazel Peterson's life, including infancy and childhood and later years of her life, including a trip to Hawaii in 1982. File includes studio portraits, cartes de visites, postcards, and some illustrations.
- Subjects
- Travel
- Persons - Children
- Media Type
- Photograph
- Notes
- Title based on content of file
- Note on verso of 504-022 reads: "This was taken several years ago / Your niece / Hazel Petersen (at left)"
- Note on verso of 504-027 reads: "Hazel Erickson Peterson"
- Note on verso of 504-028 reads: "all of us except Ethel" and identifies the siblings in the photo
- Note on verso of 504-029 reads: "not such a bad picture considering" and identifies the people in the photo.
- Note on verso of 504-030 reads: "Agnus McDonald" and "Touch up outline of deer"
- Note on envelope for 504-039:504-041 reads: "Hazel Petersen resided at Dania Home, Burnaby, for 20 years before her death shortly before her 100th birthday."