After New Westminster was established as the Capital City, the surrounding lands were surveyed by the Royal Engineers. The discovery of Burnaby Lake by Robert Burnaby in 1859 soon led to the construction of Douglas Road to Deer Lake in 1861. The completion of the tramline in 1891 renewed interest in the lands around both Burnaby Lake and Deer Lake and soon a group of gentlemen farmers had established strawberry fields and orchards to serve the New Westminster market. These were the most productive and well managed "fruit ranches" in the Fraser Valley. Local strawberries were so admired that they commanded 50 cents more per crate at local markets. One local paper reported that the area appeared as if "an English Village had been taken and planted amidst the grandeur of British Columbia scenery."
The Dr. William & Ruth Baldwin House is a two-storey modern post-and-beam structure, located on the southern shore of Deer Lake in Burnaby's Deer Lake Park. The site is steeply sloped, and the main entrance of the house is at the top of the slope facing onto Deer Lake Drive.
The Dr. William & Ruth Baldwin House is a two-storey modern post-and-beam structure, located on the southern shore of Deer Lake in Burnaby's Deer Lake Park. The site is steeply sloped, and the main entrance of the house is at the top of the slope facing onto Deer Lake Drive.
Heritage Value
The Baldwin House is valued as a prime example of Burnaby’s post-Second World War modern heritage and progressive architectural style, as well as for its personal connections to internationally-acclaimed architect, Arthur Erickson.
Inspired by the modern domestic idiom established earlier in the twentieth century by Frank Lloyd Wright and Richard Neutra, Erickson conceived his architecture as responding directly to the site. A cohesive expression of simple orthogonal lines and ultimate transparency, this structure reduces the idea of post-and-beam West Coast modernism to its most refined elements. A fine example of the evolving talent of Erickson’s earlier work, this house is a landmark modern house in Burnaby and is unique in terms of siting and context.
Having just won the 1963 competition for the new Simon Fraser University in Burnaby with his partner, Geoff Massey, and having built fewer than half a dozen homes previously, Erickson’s reputation was growing and his skill as a designer of modern buildings was in great demand. The same year that Erickson/Massey Architects designed SFU, Dr. William Baldwin and his wife, Ruth, personal friends of Erickson, commissioned him to design this house. Erickson was already familiar with the site; as a child he had spent time at this spot when his family visited friends who lived on Deer Lake. Both the Baldwin House and the university were completed in 1965. SFU became internationally famous; the Baldwin House was also considered an architectural success and was recognized in publications of the time.
Only a single storey of this two-storey house is visible from the road, as it is built into the hillside in response to its steep site and proximity to Deer Lake. Like many other Erickson designs, this structure was conceived as a pavilion. Constructed of glass and wood, its transparency facilitates visual access to the lake’s edge, acting as an invitation, rather than a barrier, to the landscape. The house blends into the natural surroundings and the site includes other man-made landscape features such as a reflecting pool. As a reaction to the often grey quality of light in the region, Erickson exploits flat planes of water as a source of borrowed light.
The refined and purposeful design, transparency, openness of plan and adjacency to the lake combine to give the house a floating appearance at the water's edge. The concept of a floating house set within an accompanying garden was inspired, in part, by the palaces and house boats of Dal Lake in Kashmir and the famed nearby Mughal Gardens. Although Erickson never visited Dal Lake, he travelled extensively throughout India, and specifically mentions the Kashmir reference in relation to this house. There is a rich complexity of other allusions worked into the fabric of the house, unified by a feeling for the conjunction of light, water and land at this special location.
Widely renowned as Canada’s most brilliant modern architect, Erickson’s reputation is important to the development and growth of modern architecture in Canada and North America.
Defining Elements
The elements of the Baldwin House that define its character are those materials and details which respond to the location of the building and determine the relation between landscape and building, combining to create a single cohesive site. These include its:
- close proximity to water
- orthogonal plan and massing, with flat tar-and-gravel roof
- stepped down massing orienting the house towards the water
- post-and-beam construction, with the width of the beams matched to the width of the posts
- wood and glass used as primary building materials
- transparency and light achieved by the abundant use of glass
- large undivided sheets of single glazing
- butt glazed glass corners
- abundant and generous balconies, which blur the transition from interior to exterior
- horizontal flush cedar siding
- use of salvaged brick for chimneys
- use of chains as downspouts
- built-in rooftop barbeque
- built in furniture and fittings dating to the time of construction, such as original hardware, benches, bathroom vanities and kitchen cabinets
- landscaped site including reflecting pool, plantings and a dock protruding into the lake
Overlooking the rich farmland of the Fraser River floodplain, 'Glen-Lyon' is an Edwardian era rural estate, with a tall, two and one-half storey plus basement wood-frame mansion, set in a pastoral and formal landscape with an associated barn and early log pond, located near a ravine and forested ar…
Overlooking the rich farmland of the Fraser River floodplain, 'Glen-Lyon' is an Edwardian era rural estate, with a tall, two and one-half storey plus basement wood-frame mansion, set in a pastoral and formal landscape with an associated barn and early log pond, located near a ravine and forested area adjacent to Marine Drive in South Burnaby.
Heritage Value
‘Glen-Lyon’ is valued as an excellent example of a privately-owned Edwardian era country estate built at the turn of the nineteenth century. The property retains significant heritage features including the Edwardian era mansion with rustic Arts and Crafts features, and elements of a working agricultural landscape. The property was originally the Royal City Mills logging camp, and in 1900 was purchased by Duncan Campbell McGregor (1853-1929) and Margaret Jane McGregor (1875-1960), who named their estate ‘Glen-Lyon’ after Duncan McGregor’s birthplace in Perthshire, Scotland. The McGregors were active in municipal affairs and social activities, and played a significant role in the early development of Burnaby. Duncan McGregor served as a city councillor from 1909 to 1912 and was elected reeve of Burnaby in 1913. Margaret McGregor was instrumental in the formation and fundraising activities of the Victoria Order of Nurses in Burnaby.
Additionally, the site is historically significant for its association with early social welfare and correctional reform. The estate was sold in 1926 to an inter-denominational religious organization called the Home of the Friendless, which used it as their B.C. headquarters. The organization was charged with several cases of abuse and neglect in 1937, after which a Royal Commission was formed that led to new legislation to regulate and license all private welfare institutions. 'Glen-Lyon' was sold to the provincial government, and was dedicated in 1939 by the Lt.-Gov. E.W. Hamber for use as the New Haven Borstal Home for Boys and Youthful Offenders (later renamed the New Haven Correction Centre). The Borstal movement originated in England in the late nineteenth century, as an alternative to sending young offenders and runaways to prisons by providing reformatories that focused on discipline and vocational skill. This site’s role as the first North American institution devoted to the Borstal School philosophy was historic, and influenced corrections programs across Canada. The site retains significant features from its development in 1939 as the Borstal School, including a large gambrel-roofed barn designed by Chief Provincial Architect Henry Whittaker of the Department of Public Works that is the only remaining structure of its kind in Burnaby. Between 1941 and 1945 the mansion housed the Provincial School for the Deaf and Blind when the Borstal School was closed temporarily as a war measure during the Second World War.
Defining Elements
Key elements that define the heritage character of 'Glen-Lyon' Mansion include its:
- location on a sloping site with expansive southern exposure, adjacent to Marine Drive
- residential form, scale and massing of the house as exemplified by its two and one-half storey height, above-ground basement and rectangular plan
- Arts and Crafts elements of the house such as its stone foundation, multi-gabled roof line with steep central hipped roof, symmetrical cross-gables, side shed dormers, bellcast upper walls sheathed in cedar shingles and lower walls sheathed in narrow clapboard
- original exterior features of the house such as the full width front verandah with square columns, central staircase on the southern elevation, original doors and stained glass windows; and the irregular fenestration such as double-hung 1-over-1 wooden-sash windows, bay windows, and projecting windows in the gable ends
- original interior features of the house such as the U-shaped main stair designed around two symmetrically placed Ionic columns, and interior trim on the main floor including boxed beams and fireplaces
- gambrel-roofed barn with roof vent with finial, sliding hay loft and access doors, small multi-pane windows, and lapped wooden siding
- associated landscape features such as the original garden plantings with some exotic and many native specimen trees; the original log pond and its concrete Marine Drive causeway and culvert; rockeries and a rose garden
The Jacob and Margaret Wysong House is a two and one-half storey, wood-frame Arts and Crafts house with a hipped roof and hipped dormers. Symmetrical in massing, it is distinguished by its masonry verandah columns, foundations and chimneys. It is located on a corner lot on Sperling Avenue at Stanle…
The Jacob and Margaret Wysong House is a two and one-half storey, wood-frame Arts and Crafts house with a hipped roof and hipped dormers. Symmetrical in massing, it is distinguished by its masonry verandah columns, foundations and chimneys. It is located on a corner lot on Sperling Avenue at Stanley Street in the Edmonds neighbourhood of South Burnaby.
Heritage Value
The Jacob and Margaret Wysong House is significant for illustrating the early development of the Edmonds neighbourhood, a speculative subdivision that was created and marketed during the pre-First World War real estate boom. The area’s proximity to New Westminster, coupled with extensive views and two newly developed streetcar lines, ensured that Edmonds attracted a wave of suburban development. The scale of this house is atypical of the usual suburban lots, and reflects the prominence of this location and its spectacular views. Set on a large lot, the Jacob and Margaret Wysong House is a grand estate home that is one of the earliest, and most prominent, in South Burnaby.
This is also an exceptional example of Arts and Crafts architecture, displaying the use of native materials that was a hallmark of the style. The first owners were Jacob Wysong and his wife Margaret. Jacob Wysong, a local contractor, constructed the house in 1912. The stonework is exceptional, and the use of rough-cut granite and fieldstone, with overall shingle cladding, recalls the rustic vernacular common in Western park lodges, and evokes a country lifestyle in harmony with nature. The hipped roof was designed with a flat top that acted as a lookout tower that provided views of the surrounding landscape.
Defining Elements
Key elements that define the heritage character of the Jacob and Margaret Wysong House include its:
- prominent corner location in the Edmonds neighbourhood of South Burnaby
- residential form, scale and massing as expressed by its two and one-half storey plus raised basement height, symmetrical plan, hipped roof with flat top, hipped dormers, and hipped roof over the full open front verandah with a central front gable
- masonry elements such as rough-cut granite and fieldstone foundations, verandah columns, stair cheeks, and external and internal chimneys
- wooden-frame construction including original cedar shingling on dormers and facing verandah, shingling on remainder of house under later stucco cladding, and surviving original dimensional trim facing verandah and on dormers
- Arts and Crafts features such as the use of natural materials, open soffits and angled roof overhang
- windows including: double-hung 18-over-1 wooden sash windows; multi-paned casement windows; French doors to verandah; and front door with glazed sidelights
- associated landscape features including surrounding mature trees, hedges and perimeter plantings
The O.G. Naud House is a south facing, two-storey house with a bellcast hipped roof, set on a high basement. It features a double-height front verandah supported by classical columns. It is located on Victory Street in the Alta Vista neighbourhood of South Burnaby, and is one of the oldest houses i…
The O.G. Naud House is a south facing, two-storey house with a bellcast hipped roof, set on a high basement. It features a double-height front verandah supported by classical columns. It is located on Victory Street in the Alta Vista neighbourhood of South Burnaby, and is one of the oldest houses in the area.
Heritage Value
Built in 1908, the O.G. Naud House is valued as one of the first houses to be built in the Alta Vista neighbourhood and is a direct link to the first settlement of the area. Close proximity to the B.C. Electric Railway streetcar line, at Royal Oak and Highland Park, permitted easy access to New Westminster and Vancouver. These transportation links, combined with spectacular views of the Fraser Valley, encouraged the early development of this South Burnaby neighbourhood.
The O.G. Naud House is architecturally significant as an example of the influence of the Classical Revival style that had been popularized in Eastern Canada. The basic form of the house is a Foursquare, with a double-height verandah that dominates the symmetrically balanced façade, supported on lathe-turned columns. A central entry and regular fenestration further unify the façade composition. Construction employed locally available materials. The rough-cut foundation stone was harvested from boulders from the G. Ledingham property on the south side of Victory Street. The builder and first owner, Onezime George Naud (1858-1951), was originally from St. Albans, Quebec. He worked on railway construction in Alabama, where he met his wife, Charlsie Elizabeth Sims (1869-1974). He later took part in the 1898 Gold Rush in Atlin, then worked as a stonemason on CPR culverts and bridges across B.C. An accomplished stonemason, Naud also worked on the original Vancouver and New Westminster post offices, the Parliament buildings in Victoria, and the Capitol building in Olympia, Washington.
Defining Elements
The key characteristics that define the heritage character of the O.G. Naud House include its:
- south-facing location, with generous set back from the street, in the Alta Vista neighbourhood of South Burnaby
- residential form, scale and massing as expressed by its two-storey height plus full basement, bellcast hipped roof, rectangular plan and front projecting double-height verandah
- masonry construction materials such as the rough-cut granite foundation
- wood-frame construction, including lapped wooden siding and shingle siding extant under later cladding
- Edwardian era features including lathe-turned columns, balustrades of dimensional lumber, scroll-cut bargeboards in front gable, and scroll-cut eave brackets
- associated landscape features including lane access to the east, large cedar trees and perimeter plantings
Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone wall…
Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone walls and planted terraces. It is situated in the residential neighbourhood of Vancouver Heights, on a high point of land overlooking Burrard Inlet to the west and the mouth of Lynn Creek to the east. This prominent residence is now part of a large senior citizens development known as Seton Villa.
Heritage Value
Overlynn Mansion is valued as a superb example of the work of the noted architectural firm of Maclure and Fox. The architecture of Samuel Maclure (1860-1929) was synonymous with high quality residential design for prominent citizens in both Vancouver and Victoria. Maclure was known for his British Arts and Crafts style with meticulous attention paid to functional and beautiful interiors that utilized native wood combined with luxurious imported fittings. He was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. Maclure’s Vancouver office, in association with his partner Cecil Croker Fox (1879-1916), received some sixty residential commissions between 1909-1915 as a result of the booming local economy and subsequent development of new residential districts. Maclure’s practice in Victoria was equally prolific at the time.
Overlynn Mansion is valued as one of Burnaby’s oldest upper-class estates and for its association with the development of Vancouver Heights. In 1909, C.J. Peter and his employer, G.F. and J. Galt Limited, pioneered the development of Vancouver Heights in North Burnaby, believing it to be one of the most picturesque districts in area and an alternative to the CPR’s prestigious Shaughnessy Heights development in Vancouver. Buyers were obligated to build houses worth $3,500 at a time when the average house price was $1,000. Overlynn Mansion, built in 1909 for $75,000, was one of the first houses constructed in Vancouver Heights and by far the most grandiose and impressive.
Additionally, this landmark residence is significant and an intact and comprehensive representation of a grand Edwardian era estate home. The interior is notably intact, and retains many highly-refined original features, including substantive millwork of exotic woods, silver-plated and nickel-plated light fixtures, fine plasterwork, tiled fireplaces and exceptional hardware. Landscape features of Overlynn Mansion include the original layout for circulation paths, a porte-cochere, granite posts and stone walls, a sandstone and iron sundial, and mature trees and shrubbery. The house was designated by Burnaby Council in 1995 and was the first heritage building in B.C. to receive legal protection for its interior features.
Defining Elements
Key elements that define the heritage character of Overlynn Mansion include its:
- prominent corner location on a steep sloping site in the Vancouver Heights neighbourhood
- views to Burrard Inlet and the North Shore mountains
- residential form, scale and massing as exemplified by its grand two-storey plus basement height and irregular plan
- British Arts and Crafts elements such as the rubble-stone granite masonry on the ground floor and foundation level, and decorative half-timbering and rough-cast stucco on the upper storey
- compound hipped bell-cast roof, clad with cedar shingles, with shed dormers at the rear
- subtle battering of ground floor and foundation level stonework
- porte-cochere with hipped roof and battered granite piers
- wood-clad projecting bay extensions
- irregular fenestration: double-hung 6-over-1 wooden-sash windows; multi-pane casement wooden windows with multi-pane transoms; diamond leaded casement windows; and banks of stained glass windows
- five tall rubble-stone granite block stone chimneys
- interior features such as the oak, cedar and Yaka (Australian mahogany) panelled walls, oak panelling and staircase walls inlaid with ebony, ivory and brass, stenciled canvas friezes, wooden dadoes and plaster walls, encaustic floor tiles, Australian gumwood floors, oak panelled doors with art glass, oak beamed ceiling with stucco panels, cast plaster vaulted hall and living room ceilings, sterling silver light fixtures including a chandelier and scones, nickel-plated newel light, brass Art Nouveau styled ceiling light, brass stair carpet poles and locks, built-in bookcases and buffet, fireplace with encaustic tiles and fire dogs, imported Medmenham fireplace tiles (the earliest known use outside of the United Kingdom), fireplace mantel with green tile and cast iron firebox, and inglenook fireplace with encaustic tiles and carved mantel and brass fireplace insert
- landscape features such as the granite gate posts and iron entrance gate, granite posts and iron fence, granite garden wall, sandstone garden steps, sandstone and iron sundial, granite and concrete terraces adjacent to the house, configuration of pathways and sandstone steps including the front access road, mature deciduous and coniferous tree stock including a Monkey Puzzle Tree and pruned shrubbery throughout the site
The R.F. Anderson House is a large, two-and-one-half storey Arts and Crafts style wood frame house, now located in Deer Lake Park, built as a family home and now used as institutional offices.
Associated Dates
1912
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Robert Fenwick & Bessie Anderson House, Anderson Residence
The R.F. Anderson House is a large, two-and-one-half storey Arts and Crafts style wood frame house, now located in Deer Lake Park, built as a family home and now used as institutional offices.
Heritage Value
The R.F. Anderson House contributes to the overall stylistic ambiance of the area and demonstrates that a range of architectural features can be read as a cohesive whole. Although designed primarily in the British Arts and Crafts genre, as were other residences around Deer Lake, it also displays some influences of the popular Craftsman style.
It was constructed in the Deer Lake Crescent subdivision, which was originally promoted as an upper class neighbourhood. It represents one of the first residential developments in the City of Burnaby that required buildings to be of a specific value, thus demonstrating the desire for exclusivity among the successful businessmen who chose to settle in the area. The house and grounds illustrate the social, cultural, lifestyle and leisure sensibilities of a successful local businessman and his family in the early twentieth century; Anderson was a New Westminster hardware merchant and Justice of the Peace.
The development of the house and grounds within a controlled suburban context also illustrate the values of the owners in the Deer Lake Crescent subdivision, such as social aspiration, racial exclusivity, demonstration of architectural taste, importance of a landscaped garden, and the provision of facilities for fashionable leisure pursuits such as lawn tennis. The estate makes an important contribution to the residential grouping now preserved within Deer Lake Park, and demonstrates the broad social mix of those who chose to live in the area at a time when it was in transition from a market gardening area to a more exclusive residential community.
The R.F. Anderson House is important for its association with local architect Frank William Macey (1863-1935), the first resident architect in Burnaby. Macey was born and trained in England where he was well-respected for having published two standard texts for the architectural profession. He settled in Burnaby in the first decade of the twentieth century and obtained a number of commissions from prominent businessmen who were building grand homes in the new community of Deer Lake. He designed these houses mostly in the British Arts and Crafts style.
Defining Elements
Key elements that define the heritage character of the R.F. Anderson House include its:
- location within a park setting in relation to the W.J. Mathers House
- irregular massing of the exterior and its cladding of drop-siding, with half-timbering and rough-cast stucco in the gables
- picturesque irregular roofline, including an alteration in pitch over the front verandah, with cedar shingle cladding
- interior plan with its generous entrance hall, staircase, and massive staircase window with leaded-lights
- multiple-assembly wooden-sash casement windows
- quality of interior features such as the Douglas Fir woodwork (some with original varnish finish); original hardware supplied by Anderson's hardware company; and original fireplaces with ornate tile surrounds
- setting with the imprint of the lawn tennis court, now a garden terrace, and some of the original plantings
The Rosalie (Moore) Barrett Residence is a one-storey ranch-style bungalow with a cross-gabled roofline, located on Sperling Avenue. It is located within the Deer Lake Park Heritage Precinct, and is adjacent to a related house, the Ethel Moore Residence, built the previous year.
The Rosalie (Moore) Barrett Residence is a one-storey ranch-style bungalow with a cross-gabled roofline, located on Sperling Avenue. It is located within the Deer Lake Park Heritage Precinct, and is adjacent to a related house, the Ethel Moore Residence, built the previous year.
Heritage Value
This house is significant for its connection with first owner, Rosalie Barrett, the daughter of Ethel Hutchings Moore, who lived in the adjacent house at 5145 Sperling Avenue. A spacious modernist bungalow, it was constructed in 1942, and was designed by Rosalie Moore herself. Moore intended to build several houses on this property, but further development was curtailed due to wartime restrictions on domestic construction.
The Rosalie (Moore) Barrett Residence is a testament to Deer Lake's continued popularity as a residential neighbourhood in the 1940s. Although Burnaby was serviced by a number of transportation links at the time, the increasing availability of automobiles provided improved access to outlying suburbs. Rising real estate prices in Vancouver and New Westminster attracted residents to this neighbourhood because of its relative affordability, central location and beautiful scenery.
Defining Elements
Key elements that define the heritage character of the Rosalie (Moore) Barrett Residence include its:
- location within the Deer Lake Park Heritage Precinct
- residential form, scale and massing as expressed by its one-storey height, rambling linear plan and cross-gabled roof
- wood-frame construction with stucco siding and waney-edged boards in the gable peaks
- red brick on the front façade and rough-cut granite at the base of the house
- Modernist design as exemplified by the asymmetrical, linear plan with low pitched roof
- internal granite chimney
- original windows, including wooden-sash casement windows in double and triple-assembly with four-part, horizontal leading
- original front door with glass block sidelights
- associated landscape features such as granite gateposts, foundation plantings and mature coniferous trees
Collected by editorial for use in an April 2002 issue of the Burnaby NewsLeader
Caption from metadata for 535-2329-1: "Norbert Wuensche checks one of the many varieties of rhododendron growing around his home in North Burnaby. He's been an avid hobbyist of the flower for more than 20 years, and many of the hybrids in his garden are his own creation."
Caption from metadata for 535-2329-2: "Norbert Wuensche checks the stigma of one of his rhododendron blossoms. By cutting back the petals to discourage bees from cross-pollenating his flowers, then carefully collecting the pollen and mixing it with pollen from other varieties, he's able to create his own rhododendron hybrids."
Caption from metadata for 535-2329-3: "Young plants that are the result of his breeding efforts are raised in his tiny greenhouse until they're strong enough to be planted outdoors."
Caption from metadata for 535-2329-4: "Norbert Wuensche stands in his back garden, which he's built into a showcase for many varieties of rhododendron, some of which he's developed himself."
Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Assistant Curator, Kate Petrusa. The webinar is titled "Weaving and Learning through Art" and is presented by Nicole Preissl, Explorative Designer of Sḵwx̱wú7mesh and Stó:lō decent. The Zoom webinar is the f…
Date of Presentation: Tuesday, May 11, 7:00 pm - 8:15 pm
Total Number of tracks: 1
Total Length of all tracks: min., sec.
Recording Device: Zoom video communication platform
Recording Note: Film was edited from it's original recorded version (90 min., 05 sec.) to edited version (76 min., 47 sec.) for public viewing on Heritage Burnaby.
Scope and Content
Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Assistant Curator, Kate Petrusa. The webinar is titled "Weaving and Learning through Art" and is presented by Nicole Preissl, Explorative Designer of Sḵwx̱wú7mesh and Stó:lō decent. The Zoom webinar is the fifth in a series of six "Neighbourhood Speaker series" webinars exploring a range of topics shared by Indigenous speakers and knowledge keepers that were presented and made available to the public between April 27 and May 12, 2021. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online session. Nicole supports her presentation with slides and provides a hands on demonstration on weaving. Prior to the webinar, participants were offered materials that were prepared and made available from Burnaby Village Museum.
In this interactive webinar, Nicole Preissl, explores the importance of plants within Coast Salish culture and demonstrates the traditional technique of rope-making. In the first part of her presentation, Nicole provides examples of indigenous plants and trees that grow in British Columbia and shares information on thier historical and cultural significance, medicinal and edible properties and how to identify them. Nicole also shares her own experiences and appreciation for natural materials and provides examples of her artwork. In the second half of Nicole's presentation participants are invited to join her demonstration in learning basic weaving techniques. Nicole provides two hands-on demonstrations to follow, one with yarn and one with iris leaves.
During and follwing the presentation, Nicole Preissl takes questions from the audience that are moderated by the host, Kate Petrusa.
History
Nicole Preissl is an explorative designer who uses natural materials to influence her work. From both Sḵwx̱wú7mesh and Stó:lō decent, she began introducing traditional artistic customs into her practice as a means of connecting to her culture. In her art practice she uses natural fibres and materials to create textile based designs. Her areas of interest are natural plant dyes, weaving Coast Salish style garments and using raw hide to create thought provoking design pieces.
Photographs copied from various photograph albums including; Albert Paker, George Love, Gordon Love and Esther (Love) Stanley. Content includes: Love family in front of the piano inside parlour; Love family members with musical instruments inside parlour; Ben Brandrith and Robert Love in uniforms; …
Photographs copied from various photograph albums including; Albert Paker, George Love, Gordon Love and Esther (Love) Stanley. Content includes: Love family in front of the piano inside parlour; Love family members with musical instruments inside parlour; Ben Brandrith and Robert Love in uniforms; unidentified Asian man in field with hoe and young trees behind him; wedding cake from Frank Charles Stanley and Esther Love's wedding; land clearing for Love farmhouse; Jesse Love feeding chickens; Jesse and Hannah (Girlie) Love in hats outside on Love farm; large picnic on grass; four generations of Love family members; gatherings of Love family members outside; Love family posed in a car inside a studio (Will, Sarah, George, Phoebe and Martha); Leonard Love dressed as a boy scout; Martha (Dot) with children; Love family members celebrate centennial; Jesse Love and Martha (Dot) Love outside Love farmhouse; Love farmhouse with porch and garden; swing at Love farmhouse; Parker family in living room and view of the Love farmhouse from the front.
Photograph of a woman named Kay seated on the grass of Mabel Hawkshaw's home located at 3908 Deer Lake Avenue (R.F. Anderson house - 6504 Deer Lake Avenue). Gardens and trees are visible behind.
Photograph of a woman named Kay seated on the grass of Mabel Hawkshaw's home located at 3908 Deer Lake Avenue (R.F. Anderson house - 6504 Deer Lake Avenue). Gardens and trees are visible behind.
Photograph of Louise Irwin standing on a limb of a cherry tree in the yard of the Irwin family home on the site of the Barnet Lumber Mill. The cherry tree is in full bloom with cherry blossoms.
Photograph of Louise Irwin standing on a limb of a cherry tree in the yard of the Irwin family home on the site of the Barnet Lumber Mill. The cherry tree is in full bloom with cherry blossoms.
Photograph of Louise Irwin standing under a cherry tree that is in full bloom with cherry blossoms. The tree is in the yard of the Irwin family home on the site of the Barnet Lumber Mill.
Photograph of Louise Irwin standing under a cherry tree that is in full bloom with cherry blossoms. The tree is in the yard of the Irwin family home on the site of the Barnet Lumber Mill.
Postcard: colour photo of pink rhododendron flowers; horizontal; on reverse in navy, "No. 6" "RHODODENDRON" "The official flower of Burnaby, B.C." "This beautiful plant..."; illustration at left of R.C.M.P. officer; at bottom, "Photo by Dr. Edward Chan" "B.R. & S.F. Show" "S-2739"; row of large dots over line of print "Photo by Peter Scurr"; navy bar up centre "PUB. BY NATURAL COLOR PRODUCTIONS, LTD., VANCOUVER, B.C."; at bottom, "MADE IN CANADA" "GRANT-MANN", logo; at upper right, illustration of mounted R.C.M.P. officer, "POST CARD" "ADDRESS", rectangle with "USE CANADIAN POSTAGE"; unused
Postcard: colour photo of pink rhododendron flowers; horizontal; on reverse in navy, "No. 7" "RHODODENDRON" "The official flower of Burnaby, B.C." "This beautiful plant..."; illustration at left of R.C.M.P. officer; at bottom "Photo by Peter Scurr" "B.R. & S.F. Show" "S-2740"; a series of large dots covers line "Photo by D.R. Edward Chan"?, slightly off; navy bar up centre with "PUB. BY NATURAL COLOR PRODUCTIONS, LTD., VANCOUVER, B.C."; at bottom, "MADE IN CANADA" "GRANT-MANN", logo; at upper right, illustration of mounted R.C.M.P. officer, "POST CARD" "ADDRESS", rectangle with "USE CANADIAN POSTAGE"; unused
Collected by editorial for use in a May 1999 issue of the Burnaby NewsLeader
Caption from metadata: "Cool, cloudy weather didn't keep flower lovers, and photographers, from enjoying the blossoms at the annual Rhododendron Festival at Deer Lake Park."