Medical Council of Canada, 13th annual announcement, September 15th, 1925: relating to registration under the Canada Medical Act, examination for the qualification of the Medical Council of Canada and the Canada Medical Register
Historical interest: provides information on applying for and obtaining a physician's license in Canada, including information about the qualifying examination ; p 24-79 is the "Canada Medical Register" a list of 1741 names, addresses, and dates of registration of persons licensed by the Medical Council of Canada at the time of publication (1925).
The Douglas Road School was originally established as a two-room school in 1908 on this site, and later expanded to four classrooms. Anticipating rapid settlement of this district, the School Board purchased two acres adjoining the old building. Two of the four rooms were designed to become one large auditorium suitable for special events and public gatherings, with seating for two hundred people. The classically-influenced school has been altered with new windows and extended with additional wings, but has retained its original red-brick veneer, tan-brick quoins and bellcast octagonal roof ventilator. Designed by McCarter & Nairne, the school was built by contractor A.S. Perry. McCarter & Nairne, who also designed the Second Street School, were the Burnaby School Board architects at this time. John Y. McCarter (1886-1981) and George Nairne (1884-1953) formed their partnership in 1921 after serving overseas during the First World War. The partners began designing houses and small apartment buildings, and their commissions included Vancouver’s first skyscraper, the Marine Building (1928-30).
The Cascades Drive-In Theatre was Canada's first drive-in and was started by George and William Steel and Joe and Art Johnson in 1946. Built along Grandview Highway (Canada Way) near Smith Street, the theatre opened on August 30, 1946. In 1977, the theatre was purchased by Don Soutar, Al Chappell and Norm Green and continued to operate until 1980. The property was then redeveloped as Cascades Village - a large condominium complex.
The Mortimer-Lamb House is a one and one half-storey, Arts and Crafts-style residence with a steeply pitched, side-gabled roof. The original cottage form has been enlarged with a later addition on the west side of the house. Located next to the Burnaby Lake Regional Park Wildlife Rescue Care Centre…
The Mortimer-Lamb House is a one and one half-storey, Arts and Crafts-style residence with a steeply pitched, side-gabled roof. The original cottage form has been enlarged with a later addition on the west side of the house. Located next to the Burnaby Lake Regional Park Wildlife Rescue Care Centre, the house has picturesque views of Burnaby Lake.
Heritage Value
Built circa 1922, the Mortimer-Lamb House is valued for its association with first owners, Harold Mortimer-Lamb (1872-1970), and his wife, Katherine Mary Mortimer-Lamb (1873-1939). Born in Leatherhead, Surrey, England, Harold Mortimer-Lamb immigrated to Canada in 1889. Seven years later in Vancouver, he married Katherine Mary Lindsay, a native of Winnipeg. Mortimer-Lamb was a key figure in the B.C. mining industry, serving as Secretary of the Mining Association of B.C. between 1900 and 1945, and also as the Secretary of the Canadian Institute of Mining and Metallurgy. In addition to his professional life, Mortimer-Lamb was a pioneer art photographer and was among Canada's leading art critics, and this house served as a central gathering place for renowned Canadian artists of the day. Mortimer-Lamb’s daughter, Molly Lamb Bobak (born 1922), became a renowned watercolourist, and was the only woman ever hired as an official Canadian war artist.
The Mortimer-Lamb House is a significant example of the work of noted architect, Samuel Maclure (1860-1929) and his partner, Ross Lort (1889-1969). Maclure, who was a close friend of the Mortimer-Lamb family, was British Columbia's leading residential architect, and was renowned for his high quality designs for prominent citizens in both Vancouver and Victoria. Maclure was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. The Mortimer-Lamb House was designed at the time when Maclure was in partnership with Ross Lort. In 1907, Lort began working for Maclure's firm as a draftsman, and by 1920 was in charge of Maclure's Vancouver office. Lort's architectural career spanned some sixty-years, and he designed some of the province's most familiar houses, apartments, institutions and places of worship.
The Mortimer-Lamb House is also a significant local example of the Arts and Crafts style, and incorporates elements such as board-and-batten siding on the ground floor, shingled gables and leaded casement windows. It is a testament to the domestic architecture built outside of established suburbs during the post-First World War era, typically modest in scale and representative of middle-class residential ideals.
Defining Elements
Key elements that define the heritage character of the Mortimer-Lamb House include its:
- treed setting with views of Burnaby Lake
- residential form, scale and massing as expressed by its one and one-half storey height, rectangular plan and steeply pitched side-gabled roof
- wood-frame construction
- Arts and Crafts elements such as board-and-batten siding on the ground floor, cedar shingles in the gables and open soffits
- original straight-leaded casement windows in single and multiple-assembly
- internal red-brick chimney with corbelled cap
This memorial granite drinking fountain is a monument to Burnaby’s municipal employees who lost their lives in the First World War. It has been relocated from its original setting to a shaded arterial pathway within the Burnaby Village Museum.
This memorial granite drinking fountain is a monument to Burnaby’s municipal employees who lost their lives in the First World War. It has been relocated from its original setting to a shaded arterial pathway within the Burnaby Village Museum.
Heritage Value
The fountain is an early civic monument with superior massing and detail, constructed of local materials by local stonemason William Williamson. It was erected by the Burnaby Civic Employees Union (now CUPE Local 23) in 1923, on Burnaby’s original Municipal Hall grounds located at Kingsway and Edmonds Street, to honour their members who lost their lives in the First World War, commemorated by an engraved memorial at the top of the fountain. It signifies an important connection with the early strength and prominence of the civic labour union in Burnaby, as this was a memorial erected by the union members themselves, rather than by the civic government.
Many war memorials were constructed across Canada after the end of the First World War, however, most are static, inviting passive contemplation. This memorial is unusual in its combination of functions; its use as a drinking fountain invites active participation. The memorial also includes a stone drinking bowl for dogs at the bottom left of the memorial, further illustrating the daily functional use of the fountain.
The heritage value for this fountain also lies in its interpretive value within the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The fountain was moved to the Burnaby Village Museum in 1974.
Defining Elements
The character defining features of the Burnaby Civic Employees Union Memorial Fountain include its:
- distinctive form with central water fountain
- construction of rough-dressed local B.C. granite
- engraved memorial at the top
- carved emblematic maple leaf
- drinking fountain function
- dog drinking bowl
The Montague and Marcia Moore Residence, situated on Sperling Avenue, is a one and one-half storey wood-frame house with Tudor Revival elements such as half-timbering and diamond-leaded windows. The landscaping includes a large hedge at the front of the property. It is located on a lakefront site w…
The Montague and Marcia Moore Residence, situated on Sperling Avenue, is a one and one-half storey wood-frame house with Tudor Revival elements such as half-timbering and diamond-leaded windows. The landscaping includes a large hedge at the front of the property. It is located on a lakefront site within the scenic Deer Lake Park Heritage Precinct.
Heritage Value
Located within the historic Deer Lake Park neighbourhood, the Montague and Marcia Moore Residence is valued as an example of the late persistence of the historicist influence on domestic architecture, at a time when it was still considered the height of good taste for a house to be designed in a recognizable period revival style. This is reflected in the rustic Tudor Revival elements such as half-timbering, waney-edged boards in the gables, brick nogging, diamond-leaded windows, and bird houses in the main gable. The cobblestone chimney, the major focal point of the house, was constructed from river stones that were transported from Lynn Canyon.
Meticulously retained in its original condition, this was the last home to be constructed by the Moore family before the Second World War construction supply rationing took effect. It was built by Danish contractor, Hans Jorgensen Hau (1878-1944), who had a flair for the construction of homes with a rustic character, and shares a number of design features with Hau’s own house at 5070 Canada Way.
Defining Elements
Key elements that define the heritage character of the Montague and Marcia Moore Residence include its:
- location on a lakefront site, within the Deer Lake Park Heritage Precinct
- residential form, scale and massing as expressed by its one and one-half storey height, rectangular plan and front gabled roof
- wood-frame construction
- Tudor Revival elements such as stucco and wood half-timbering, diamond-leaded casement windows, scroll-cut brackets, brick nogging on the front façade, bird houses in the main front gable, waney-edged boards at gable peaks, plank front door with strap hinges and a prominent external cobblestone chimney
- associated landscape features such as a granite wall, and mature coniferous and deciduous trees
The Moore House is a one-storey, side-gabled house with stepped roof planes and a split-level attached garage. The house faces east, and features distinct river rock porch columns and a large central tapered chimney. It is located within the Deer Lake Park Heritage Precinct, and is adjacent to a re…
The Moore House is a one-storey, side-gabled house with stepped roof planes and a split-level attached garage. The house faces east, and features distinct river rock porch columns and a large central tapered chimney. It is located within the Deer Lake Park Heritage Precinct, and is adjacent to a related house, the Rosalie (Moore) Barrett Residence, built the following year.
Heritage Value
The Moore House is significant for its relationship to first owner, Ethel Hutchings Moore (1884-1948), who purchased the property from Maud and Harriet Woodward, two of Deer Lake's first residents. Moore purchased the property with the hopes of introducing her children into the house construction business. This house, built in 1941, borrows its design from a 'California Desert House' built in Carmel a few years earlier. Rendered in traditional materials, this modern style merges comfortably with the rustic British Arts and Crafts tradition of most Deer Lake houses. Unusual for being built during wartime date, it was built at a time when domestic construction was severely curtailed due to shortages of labour and material. It is now owned by the City of Burnaby and is part of the Deer Lake Park Heritage Precinct.
The Moore House is significant as a testament to Deer Lake's continued popularity as a residential neighbourhood in the 1940s. Although Burnaby was serviced by a number of transportation links at the time, the increasing availability of automobiles provided improved access to outlying suburbs. Rising real estate prices in Vancouver and New Westminster attracted residents to this neighbourhood because of its relative affordability, central location and beautiful scenery.
Defining Elements
Key elements that define the heritage character of the Moore House include its:
- location within the Deer Lake Park Heritage Precinct
- residential form, scale and massing as expressed by its one-storey height, linear plan, side gabled roof with multiple roof planes and split-level attached garage
- wood-frame construction with stucco cladding
- river rock porch columns and external tapered chimney
- decorative embellishments including scroll-cut stickwork on the rear elevation and waney-edged boards in the gable peaks
- wooden-sash casement windows with three-part, horizontal leading
- associated landscaping features, including stone wall at the front of the property and coniferous and deciduous trees surrounding the property
Willingdon Heights was another new subdivision developed in Burnaby during the post-World War Two building boom. A brochure about the development published in 1948 proclaimed "the Willingdon Heights 500 home development project in Burnaby fulfills its promise to provide a self-contained community for former members of the armed services and their families...the largest single veteran housing project in Canada as far as homes for individual ownership is concerned, Willingdon Heights development was planned by the Central Mortgage and Housing Corporation...At this date the earlier built rows of homes have passable roads and the owners are improving lawns and gardens in spare time...eventually additional stores and professional services will be installed and recreational projects will add to the amenities of a community of congenial residents..."
North Burnaby’s first park began its life as the Capitol Hill subdivision during the land boom of 1909. In 1914 the boom went bust and many owners of unoccupied lots failed to pay the property taxes owing and the land became the property of the Municipality of Burnaby. By 1922, Burnaby had so many lots that it decided to reserve land for future park use and dedicated a narrow 26 acre site adjacent to the ravine. During the 1920s, the Heights area boomed again and many new residents wanted a playground for their children. A local women’s group took on the cause and enlisted local residents and businesses to raise the necessary funds. On June 25, 1927 crowds gathered to officially dedicate “Confederation Park” named in honour of the Diamond Jubilee of Canada’s Confederation (1867-1927).
Authorization for Treasurer to Borrow from Royal Bank of Canada for the Provisions of the Local Improvement Construction Bylaw No 2 (West Burnaby Sewers)
380 p., [84] leaves of col. plates : ill. (some col.) ; 26 cm.
Inscription
"D. Dashwood-Jones" -hand written in ink on front cover.
"Donald / Dashwood-Jone" -hand written in ink on spine.
"Wood Pidgeon" -hand written in ink on first page.
"Blue Grouse or / Sooty Grouse" -hand written in ink on first page.
"--------(?)" -- engraved on front cover
"Esmie Thompson" -- handwritten in ink on endpaper (front).
"---- me ---- 23, ----tt --25.52 -- 24.25 --- me tt 8.66 15.60" -- handwritten in pencil (slightly erased) on endpaper (front).
"Where is Jean Emerson?" -- handwritten in ink on endpaper (back).
"15-62 / 7-64" -- handwritten in pencil on endpaper (back).