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Subject
- Adornment 83
- Adornment - Jewelry 4
- Adornment - Lapel Pins 83
- Advertising Medium 92
- Advertising Medium - Business Cards 17
- Advertising Medium - Flyer 34
- Advertising Medium - Poster 2
- Advertising Medium - Signs and Signboards 36
- Agricultural Tools and Equipment 5
- Agricultural Tools and Equipment - Cultivators 1
- Agricultural Tools and Equipment - Gardening Equipment 2
- Agriculture 3
Person / Organization
- A & H Plastering and Stucco 1
- Aikenhead, May 7
- Air Raid Precautions (A.R.P.) 30
- Alpha Secondary School 4
- Bailey, Joan 8
- Bateman, Catherine "Cassie" Dale 1
- Bateman, Edwin W. 4
- Bateman Family 9
- Bateman, Mary Dale 1
- Bayntun, Charmaine "Sherrie" Yanko 5
- BC Society of Model Engineers (BCSME) 1
- B.C. Summer Games 1
vase
https://search.heritageburnaby.ca/link/museumartifact24227
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.5.722
- Description
- White china vase with black design on top and neck; bird on branch with peach-coloured blossoms and green leaves on body of vase.
- Object History
- This item originates from the Chinese Herbalist Store “Way Sang Yuen Wat Kee & Co.”, Victoria B.C.
- Classification
- Chemical T&E
- Measurements
- 13 cm height x 7 cm diameter at widest part
Images
vase
https://search.heritageburnaby.ca/link/museumartifact32005
- Repository
- Burnaby Village Museum
- Accession Code
- HV972.70.11
- Description
- Vase. round; white glazed ceramic with pedestal base. Front - portraits of H.M.Queen Mary and H.M.King George V with rose between them, crown above the portraits and a lion below, sprays of thistle, shamrock, roses around the portraits, Union Jack at right and Royal Standard left; Back - lion, unicorn around coat-of-arms
- Marks/Labels
- "H.M.KING GEORGE V", printed under King George V portrait. "H.M.QUEEN MARY", printed under Queen Mary's portrait "HONI SOIT QUI MAL Y PENSE" printed around coat of arms "DIEU ET MON DROIT", printed below the coat of arms below. "MAY THEIR REIGN BE GLORIOUS"printed at the bottom .
Images
vase
https://search.heritageburnaby.ca/link/museumartifact88775
- Repository
- Burnaby Village Museum
- Accession Code
- LHV974.8.16
- Description
- Vase, glass; conical; clear vase with pink glass base; base has been broken and poorly repaired
- Object History
- Bessie Choate was the Secretary of the Burnaby Historical Society.
- Category
- 02. Furnishings
- Classification
- Household Accessories - - Horticultural Containers
- Object Term
- Vase
- Subjects
- Household Accessory
- Names
- Choate, Bessie Perley
Images
velvet trim
https://search.heritageburnaby.ca/link/museumartifact80966
- Repository
- Burnaby Village Museum
- Accession Code
- BV007.16.7
- Description
- Two pieces of black velvet trim both 1 inch in width and 33 inches in length.
- Object History
- Found in the 1950s when donor moved to 3814 Oxford Street, the former home of Burnaby Councillor Angus MacDonald (1854-1943). Presumed to be from his family and could have belonged to his spouse Margaret I. Thompson MacDonald (1862-1939).
Images
vernier caliper
https://search.heritageburnaby.ca/link/museumartifact89769
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.10
- Description
- vernier caliper; steel caliper with a Vernier scale; metric and imperial measurment on the same side; "Original / Helios" and "GERMANY" stamped into opposite side.
- Measurements
- L: 18.4 cm
Images
violet ray generator kit
https://search.heritageburnaby.ca/link/museumartifact5622
- Repository
- Burnaby Village Museum
- Accession Code
- BV986.20.2
- Description
- Violet ray generator; box is black, silver corners, hinged lid, two hinged snap closures, black handle; inside lid is brown velvet with silver holders for glass tube attachments; plaque "CHAS.A.BRANSTON LIMITED"; in box left side is voltage dial, three black control knobs; right side is compartment for two cords, one with plug end, other with hollow brown bakelite? handle; with two discs on handles, two metal tubes, one roller with handle, metal rectangle, and red instruction booklet "THE BRANSTON VIOLET RAY HIGH FREQUENCY GENERATOR", illustrated; c. 1928
- Object History
- This is a Branston Violet Ray Generator. Branston’s claims were similar to those of other Violet Ray makers. Treatments are given for over a hundred ailments, ranging from abscess through appendicitis, colitis, diabetes, glaucoma, gonorrhoea, haemmorrhoids, impotence, laryngitis, mumps, pyorrhea, tuberculosis, ulcers, wrinkles and even writer’s cramp. Electrical medical devices like this one were popular for decades among physicians, irregular practitioners, and home users, who could purchase them through catalogs and drugstores. The machine plugs into an electrical wall outlet. A glass electrode plugs into the wand, produces a violet glow, and delivers a spark when touched to the skin. The strength of the spark, controlled by the voltage selector, ranges from mild to quite intense. Attachments could stimulate many body parts.
- Classification
- Energy Production T&E - - Other Energy Production T&E
- Object Term
- Generator
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
Images
violin
https://search.heritageburnaby.ca/link/museumartifact2235
- Repository
- Burnaby Village Museum
- Accession Code
- BV990.3.1
- Description
- John Leonard's violin. Label inside reads: "Copy of Antonius Stradivarius"; made in Germany, "Imperial Violin" stamped on back behind scroll; with bow; and with case, black, which has purple felt lining
- Object History
- This violin was used by George Leonard, Martha (Leonard) Love's father. It was passed down to his grandson John Leonard Love who played it in the parlour of the Love Farmhouse at Burnaby Village Museum.
- Subjects
- Musical Instruments
- Names
- Love, John Leonard
Images
volley ball
https://search.heritageburnaby.ca/link/museumartifact34142
- Repository
- Burnaby Village Museum
- Accession Code
- BV991.45.29
- Description
- Volleyball, cream-coloured, partially deflated; black "OFFICIAL 5 SIZE WEIGHT" in one panel, "SUPERSTAR RVB5" in next panel below; red "NYLON WOUND" in panel below this; worn, scuffed; black dot with hole in centre for inflation, black "5 to 7 LBS" "MOISTEN NEEDLE BEFORE INSERTING" "TAIWAN"
- Object History
- Salvaged from Oakalla Prison site in October 1991
- Names
- Oakalla Prison Farm
Images
voters list
https://search.heritageburnaby.ca/link/museumartifact28188
- Repository
- Burnaby Village Museum
- Accession Code
- HV973.26.38
- Description
- City of Vancouver Voters' List - Booklet -- [1897]. The booklet is buff cover with black print. The booklet was produced by the Vancouver News-Advertiser Printing and Bookbinding on Cambie Street Vancouver. Handwritten on cover and crossed out, "Jas Clandening"; voters are listed by wards, 1-4, alphabetically, with their property details.
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Vancouver
- Title
- City of Vancouver Voters' List
- Publication Date
- 1897
Images
voters list
https://search.heritageburnaby.ca/link/museumartifact28296
- Repository
- Burnaby Village Museum
- Accession Code
- HV973.26.146
- Description
- City of Vancouver Voters' List - Booklet -- [1896]. The cover is red and badly stained and torn. The booklet was produced by Vancouver News-Advertiser and Bookbinding on Cambie Street. Voters are listed by ward, 1-4, in alphabetical order with property details.
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Vancouver
- Patent Date
- 1896
- Publication Date
- 1896
Images
voucher
https://search.heritageburnaby.ca/link/museumartifact91074
- Repository
- Burnaby Village Museum
- Accession Code
- BV020.5.1798
- Description
- Voucher; green ink on light blue cardstock; text reads: "Royal Bank / of Canada / .25 / Good for one candy stick at / BURNABY VILLAGE MUSEUM / General Store"
- Object History
- Item was found in Burnaby Villagee Museum printshop along with other Heritage Village / Burnaby Villagee Museum ephemera created between 1971 and 1990. Item was printed on printing press in Burnaby Villagee Museum printshop.
- Category
- 08. Communication Artifacts
- Classification
- Documentary Artifacts - - Financial Records
- Object Term
- Record, Sales
- Measurements
- 6.5 x 11 cm
- Maker
- Burnaby Village Museum
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
- Publication Date
- [198-]
- Subjects
- Exchange Medium - Tickets
Images
wall clock
https://search.heritageburnaby.ca/link/museumartifact81748
- Repository
- Burnaby Village Museum
- Accession Code
- BV011.20.1
- Description
- Clock - wall clock in a wood case with a pendulum enclosed by a lower extension of the case. The case face is octagonal with a round clock dial. The clock is made by the "New Haven" clock company of the USA. and is marked as a "REGULATOR"
- There is a paper label glued to the back of the clock : "8 Day ERIE REGULATOR / TIME PIECE / MADE BY / THE NEW HAVEN CLOCK CO. / NEW HAVEN CONN. / U.S.A. / DIRECTIONS FOR REGULATING THE CLOCK / If the clock should go too fast, lower the ball; if too / slow, raise it." printed on label.
- There is a pendulum with the clock
- There is a key to wind the clock
- Object History
- The donor was a janitor working for the Burnaby School Board durring most of his career. The clock was donated is from the Riverway East School. This school was built in 1906 and torn down after the Second World War, ca 1948, and replaced with a new school called Glenwood.
- Riverway East School was very similar to the Seaforth School now located at the Burnaby Village Museum.
- Classification
- Timekeeping T&E
- Object Term
- Clock
- Subjects
- Timekeeping Tools and Equipment
- Names
- Riverway East School
Images
wall decoration
https://search.heritageburnaby.ca/link/museumartifact82538
- Repository
- Burnaby Village Museum
- Accession Code
- BV012.14.133
- Description
- ornamental hanging decoration, faux wood card and wood mounted and covered with patterned vinyl, motif of 3 jugs framed in string and filled with coloured glass in blue tones, measures 24 cm h x 17.7 cm w.
- Object History
- From the Yanko family home in Burnaby. Annie D. Basiuk (later Yanko) was born on February 25, 1902 in Sheho, Saskatchewan (formerly Sheho, North West Territories). Daniel "Dan" Yanko was born in Kobilnicha, Ukraine in 1887 and immigrated to Canada in May or June of 1905. Daniel Yanko married Annie D. Basiuk and had thirteen children together. Their son, John Ivan Yanko was born on the family farm, near Kelliher, Saskatchewan, on June 27, 1923. In grade six, John was pulled out of school to help support the family. Eugenia “Jenny” Haresomovych (later Carman) was born August 8, 1904 in Galecia, Austria. She came to Canada in 1928, when her parents sent her to live with the Austrian consular in Halifax. A year later, she was in The Pas with Albert Edward Carman, with whom she would have three children. Their daughter, Leida Doria "Lillian Doris" Carman was born in The Pas, Manitoba March 24, 1929. Eugenia “Jenny” (Haresomovych) Carman later re-married Joseph Nagy who was born in Hungary in October 3, 1900. Jenny, Joseph and the children moved to Nelson, British Columbia, where Joseph worked for the Canadian Pacific Railway. At the age of twenty, John Yanko met his future wife Lillian Doris Carman while visiting relatives in Burnaby. Lillian received a rail pass because of her dad’s employment with the CPR and at fourteen had gone to visit her Godmother in Burnaby. John Ivan Yanko and Leida Doria "Lillian Doris" Carman were married October 16, 1948 in Nelson, British Columbia and moved into the basement of John’s sister’s house on Union Street. Lillian began working at the downtown Woodward’s store as a cashier in 1948. In 1950, the young couple bought property at 7385 (later renumbered 7391) Broadway in Burnaby and began constructing a house as they could afford it. Knowing she’d be let go if she was pregnant, when Lillian was expecting her first child, Jenny sewed her several versions of the same outfit; they all used the same material, but each was a little bit larger than the last to accommodate her expanding girth. Rhonda, born in 1953 and Charmaine, born in 1955, grew up in the Broadway home. They attended school at Sperling Elementary, and later at Burnaby North high school. Lillian left her job to be a stay-at-home mom when Rhonda was born, but that changed in 1963 when John and Charmaine were in a car accident that left John temporarily unable to work. Joseph Nagy died April 20, 1962; his wife Eugenia “Jenny” (Haresomovych) (Carman) Nagy passed away August 14, 1985. Daniel "Dan" Yanko died in 1976; his wife Annie D. (Basiuk) Yanko died in 1997. John Yanko later returned to work, establishing his own tile setting business and working until age eighty-two. John and Lillian lived out the rest of their married lives on the Broadway property. John Ivan Yanko passed away in 2010; his wife Leida Doria "Lillian Doris" Carman (Carman) Yanko passed away in 2011.
- Names
- Yanko Family
Images
wall decoration
https://search.heritageburnaby.ca/link/museumartifact82539
- Repository
- Burnaby Village Museum
- Accession Code
- BV012.14.134
- Description
- ornamental hanging decoration, faux wood card and wood mounted and covered with patterned vinyl, motif of 3 jugs framed in string and filled with coloured glass in purple tones, measures 24 cm h x 17.7 cm w.
- Object History
- From the Yanko family home in Burnaby. Annie D. Basiuk (later Yanko) was born on February 25, 1902 in Sheho, Saskatchewan (formerly Sheho, North West Territories). Daniel "Dan" Yanko was born in Kobilnicha, Ukraine in 1887 and immigrated to Canada in May or June of 1905. Daniel Yanko married Annie D. Basiuk and had thirteen children together. Their son, John Ivan Yanko was born on the family farm, near Kelliher, Saskatchewan, on June 27, 1923. In grade six, John was pulled out of school to help support the family. Eugenia “Jenny” Haresomovych (later Carman) was born August 8, 1904 in Galecia, Austria. She came to Canada in 1928, when her parents sent her to live with the Austrian consular in Halifax. A year later, she was in The Pas with Albert Edward Carman, with whom she would have three children. Their daughter, Leida Doria "Lillian Doris" Carman was born in The Pas, Manitoba March 24, 1929. Eugenia “Jenny” (Haresomovych) Carman later re-married Joseph Nagy who was born in Hungary in October 3, 1900. Jenny, Joseph and the children moved to Nelson, British Columbia, where Joseph worked for the Canadian Pacific Railway. At the age of twenty, John Yanko met his future wife Lillian Doris Carman while visiting relatives in Burnaby. Lillian received a rail pass because of her dad’s employment with the CPR and at fourteen had gone to visit her Godmother in Burnaby. John Ivan Yanko and Leida Doria "Lillian Doris" Carman were married October 16, 1948 in Nelson, British Columbia and moved into the basement of John’s sister’s house on Union Street. Lillian began working at the downtown Woodward’s store as a cashier in 1948. In 1950, the young couple bought property at 7385 (later renumbered 7391) Broadway in Burnaby and began constructing a house as they could afford it. Knowing she’d be let go if she was pregnant, when Lillian was expecting her first child, Jenny sewed her several versions of the same outfit; they all used the same material, but each was a little bit larger than the last to accommodate her expanding girth. Rhonda, born in 1953 and Charmaine, born in 1955, grew up in the Broadway home. They attended school at Sperling Elementary, and later at Burnaby North high school. Lillian left her job to be a stay-at-home mom when Rhonda was born, but that changed in 1963 when John and Charmaine were in a car accident that left John temporarily unable to work. Joseph Nagy died April 20, 1962; his wife Eugenia “Jenny” (Haresomovych) (Carman) Nagy passed away August 14, 1985. Daniel "Dan" Yanko died in 1976; his wife Annie D. (Basiuk) Yanko died in 1997. John Yanko later returned to work, establishing his own tile setting business and working until age eighty-two. John and Lillian lived out the rest of their married lives on the Broadway property. John Ivan Yanko passed away in 2010; his wife Leida Doria "Lillian Doris" Carman (Carman) Yanko passed away in 2011.
- Names
- Yanko Family
Images
wall hanging
https://search.heritageburnaby.ca/link/museumartifact7019
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.360.20
- Description
- Chinese wall hanging
- Subjects
- Persons - Chinese Canadians
Images
wall hanging
https://search.heritageburnaby.ca/link/museumartifact7020
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.360.21
- Description
- Chinese wall hanging
- Subjects
- Persons - Chinese Canadians
Images
wall hanging
https://search.heritageburnaby.ca/link/museumartifact7021
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.360.22
- Description
- Chinese wall hanging
- Subjects
- Persons - Chinese Canadians
Images
wall hanging
https://search.heritageburnaby.ca/link/museumartifact7022
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.360.23
- Description
- Chinese wall hanging
- Subjects
- Persons - Chinese Canadians
Images
wall hanging
https://search.heritageburnaby.ca/link/museumartifact7023
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.360.24
- Description
- Chinese wall hanging
- Subjects
- Persons - Chinese Canadians
Images
wall hanging
https://search.heritageburnaby.ca/link/museumartifact91702
- Repository
- Burnaby Village Museum
- Accession Code
- BV023.4.4
- Description
- Painted scene wall hanging. The scene is painted on woven grass that can be easily rolled.
- The painting is of a person and a pair of oxen along a road. There is a large tree bow in the background, along with a mountain range. The painting is coloured in orange, green, yellow, brown, white, and black.
- The hanging has a thread fringe at the bottom.
- Object History
- These are items that belonged to the donors as household items in their home in Burnaby between 1976 and 2023.
- Category
- 02. Furnishings
- Classification
- Household Accessories - - Decorative Furnishings
- Object Term
- Hanging, Wall
Images
wall hanging
https://search.heritageburnaby.ca/link/museumartifact91703
- Repository
- Burnaby Village Museum
- Accession Code
- BV023.4.5
- Description
- Painted scene wall hanging. The scene is painted on woven grass that can be easily rolled.
- The painting is of two peacocks, one sitting on a branch with the plumage draped down to the ground, and the second peacock is bent to sip water.
- The feathers or plumage of the wall hanging are not painted but are made of feathers or feather like material.
- Object History
- These are items that belonged to the donors as household items in their home in Burnaby between 1976 and 2023.
- Category
- 02. Furnishings
- Classification
- Household Accessories - - Decorative Furnishings
- Object Term
- Hanging, Wall
Images
wallpaper fragment
https://search.heritageburnaby.ca/link/museumartifact40158
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.33.93
- Description
- Piece of wallpaper, small, rectangular; light beige ground flecked with small green dashes and larger brown dashes and squiggles; brown and greenish watercolour leaf shapes, parallel metallic gold lines of varying lengths grouped in threes; back appears to have pieces of other wall papers attached
- Object History
- This artifact was found in Love Farmhouse, in the bedroom, when one of the thermostats was found.
- Names
- Love, Jesse, 1849-1928
- Geographic Access
- Cumberland Street
- Historic Neighbourhood
- East Burnaby (Historic Neighbourhood)
Images
wall section
https://search.heritageburnaby.ca/link/museumartifact81703
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.33.108
- Description
- A section of wall board and plaster with a flower motif wallpaper on the top surface.
- Object History
- This item was taken from Love farmhouse. It is unknown what room the fragment is from.
- Measurements
- 13 cm. X 28.5 cm X 2.5 cm thick. ( plaster 1.5 cm and wallboard 1 cm)
- Geographic Access
- Cumberland Street
- Historic Neighbourhood
- East Burnaby (Historic Neighbourhood)
Images
wastebasket
https://search.heritageburnaby.ca/link/museumartifact4628
- Repository
- Burnaby Village Museum
- Accession Code
- BV987.1.13
- Description
- Wastebasket, wire.
Images
watch
https://search.heritageburnaby.ca/link/museumartifact16260
- Repository
- Burnaby Village Museum
- Accession Code
- HV982.6.10
- Description
- Pocket watch; silver, cream, black; outside of watch is silver metal with floral engraving; inside of watch has cream face with two gold flower sprays embossed on right and left; watch face is in the top part of face; bottom part of face has metal circle with metal bar running over it
- Object History
- C. 1900; rare; made in Switzerland
- Marks/Labels
- "8 JOURS" (French), painted on left bottom of face, under flowers "8 DIAS" (Spanish), painted on centre of watch face "8 DAYS", painted on right bottom of face, under flowers "SWISS", painted on centre of watch face, above '6' "R S", painted on left of face, under '7' "A F", painted on right of face, under '5'
- Country Made
- Switzerland
- Subjects
- Timekeeping Tools and Equipment
Images
watch
https://search.heritageburnaby.ca/link/museumartifact16261
- Repository
- Burnaby Village Museum
- Accession Code
- HV982.6.11
- Description
- Pocket watch with chain; gold coloured cover with white watch face and black numbers; has small second face for seconds at bottom; back has metal cover with engraving on inside
- Object History
- 9 carat; made in Switzerland; made in Birmingham according to accession register
- Marks/Labels
- "VERTEX", painted in centre of watch face "SWISS MADE", painted along bottom of watch face "For good service / presented to / James Murray (larger) / by / Ogston & Tennant Ltd.", engraved inside, on watch "679142" engraved inside, on cover
- Country Made
- Switzerland
- Subjects
- Timekeeping Tools and Equipment
Images
watch
https://search.heritageburnaby.ca/link/museumartifact27398
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.107.10
- Description
- Small watch (?) band, gold
Images
watch
https://search.heritageburnaby.ca/link/museumartifact27399
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.107.11
- Description
- Watch band, gold, woman's
Images
watch; chain
https://search.heritageburnaby.ca/link/museumartifact27395
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.107.7
- Description
- Gold watch chain
Images
watch; fob
https://search.heritageburnaby.ca/link/museumartifact16254
- Repository
- Burnaby Village Museum
- Accession Code
- HV982.6.4
- Description
- Watch fob: Compass, miniature, sterling silver in form of a ship's wheel and with initials "J.R" on back. C. 1910
Images
watchmaker file
https://search.heritageburnaby.ca/link/museumartifact89779
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.18
- Description
- watchmaker file; steel; lens-shaped, dual sided, duel ended file; one side/end has a fine double-cut pattern; the other side/end has a coarse horizontal, single-cut pattern; "G ANTOINE GARDON" stamped on double-cut pattern side, "4" stamped on the single-cut pattern side.
- Measurements
- L: 11.3 cm W: 0.9 cm
Images
watchmakers bench lathe
https://search.heritageburnaby.ca/link/museumartifact89803
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.1
- Description
- watchmakers bench lathe; cantilever-bed "Webster-Whitcomb" lathe manufactured by the "American Watch Tool Co"; nickle-plated; appears to be missing the draw-in spindle wheel and the spindle button
- Measurements
- L: 28.2 cm W: 22.5 cm
Images
Wax seal
https://search.heritageburnaby.ca/link/museumartifact36456
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.81.2
- Description
- Victorian Order of Nurses (V.O.N.) seal is the tabletop stamping type which imprints the words "VICTORIAN ORDER OF NURSES" and "BURNABY BRANCH"; official; stamper is black metal, lever at top; "MADE IN CANADA" at side of base; seal disc is brass; label at front transcribes the words on the seal.
- Object History
- The Victorian Order of Nurses for Canada is a non-profit charitable organization created for the purposes of home care and social services established in 1898 to perpetuate the memory of Victoria the Good. The Burnaby Branch of the Victorian Order of Nurses (VON) was established in 1912 with Miss Colhoun as its first nurse. Florence Hart was born in 1898 in New Westminster, and moved to Burnaby when she was 13. Her family lived in what is now known as Hart House. Both Florence and her husband Harold Godwin were awarded life memberships from the VON (Victorian Order of Nurses) for more than half a century of service. Hear her discuss her involvement with VON during the Great Depression: https://search.heritageburnaby.ca/permalink/oralhistory13 https://search.heritageburnaby.ca/permalink/oralhistory14 https://search.heritageburnaby.ca/permalink/oralhistory15
- Category
- 08. Communication Artifacts
- Classification
- Written Communication T&E - - Writing Accessories
- Object Term
- Wax, Sealing
- Subjects
- Communication Artifacts
- Occupations - Nurses
- Organizations - Charities
- Public Services - Health Services
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact3348
- Repository
- Burnaby Village Museum
- Accession Code
- BV989.39.1
- Description
- Wedding dress, 1917. Cream silk, jacket and skirt. Sailor collar, long sleeves, loose cut with fitting, beaded brooch, pleats and button trim on both pieces. The V neck has a large square sailor style collar, with two self covered ball buttons on either side just below the collar ends. At the V point there is a beaded floral brooch with tassels. The sleeves are loose fitting, trimmed with eight buttons at the forearm and gathered to half a cuff. The centre front of the bodice has a bust dart on either side, and cuts off at the waist. Here a belt attaches around the sides, trimmed with four buttons at either side front and back. The bodice's ivory silk lining is not pleated, and it is not attached at the bottom. It closes at centre front with two slide snaps. On the back of the jacket, there is a large pleat on either side. Centre back is fully pleated, and the pleats are sewn down from the neckline to underarm level. At the waistline, there is a narrower band of fabric that joins the side belts together and holds the pleats in place. The back of the jacket extends to the hips, and the sides extend several inches further and each end in a point. The skirt, made with six gores, falls smoothly over the hips. It has a pleated ruffle at the top and a waistband reinforced with a large grosgrain ribbon on the inside. The centre back and centre front are pleated from the waist to hem, the pleats sewn down to the end of the hips. Each side is trimmed with buttons spaced evenly from the waist to hem. The skirt closes at the right side back with slide snaps and hooks and eyes on the grosgrain.
- Object History
- Photocopy of the original wedding photo is in the acquisition file. Worn by the donor's mother, Mary Edith Pearl Collum (nee Dillabough). She married Eli Wilbert Collum on June 20, 1917, in Winnipeg (she was 25 years old). They moved to Vancouver in 1936, then to Burnaby in 1938. Edith gave the dress to her son first for safe keeping, and then as an inheritance. She passed away February 1, 1989 at age 97 (born 1892).
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact4388
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.48.63
- Description
- Wedding dress, c.1900-1906. Cream lace net lined with white china silk. High collar, pouter pigeon front, puffed sleeves. Comes with a long sash and matching skirt. The collar is made of several bands of lace. The bodice is also lace, with embroidery. On the front there is a pin tucked yoke, and bordering this on the front and back are circles of lace with line embroidery inside. Below this there are more pin tucks and bands of lace. The front puffs out creating a pouter pigeon bodice, and there is a gathered flounce below the waistline. It closes with hooks and eyes at centre back. The sash, a long yellowish-cream piece of silk fabric, would go overtop of the waist. The sleeves are gathered at the cap and again at the cuff. There are bands of lace at the lower forearm, and they end with lace flounce cuffs of the same embroidered circles seen on the bodice. The skirt has a lace top layer and a white china silk lining that is attached at the small waistband. There are tiny pin tucks in the lace layer at the waistband. Halfway down, there is a band of embroidered circles, the same as those on the bodice. They are separated by two bands of lace. There are two more of the same bands of lace near the hem. The net layer has three gores, and the lining has five. There are also two ruffles at the lining hem.
- Object History
- Donor acquired object in 1951 from the estate of her mother-in-law, Flora Isabell (McArthur) McOuat.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact4503
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.71.1
- Description
- Wedding dress, c.1909-1910. White cotton crepe with hand embroidery. Short bodice with pin tucks, slight pouf, and three quarter sleeves. Pleated ankle length column skirt. The bodice has a small lace edged V neck, and three pin tucks on each shoulder. Two of the pin tucks angle inwards and continue to the waistline. Between the tucks the bodice is covered with hand worked floral and ribbon themed embroidery. It is gathered at the waistband, creating a slight puff reminiscent of the recently out of fashion pouter pigeon bodice. The back of the bodice has three vertical pin tucks that extend from the shoulder to the waistband on either side of the centre back button closure, with thread covered buttons. There is a slight gather between the pin tucks and side back seams, from the panel under each arm. The sleeves are three quarters in length. They have turned up cuffs topped with embroidery and edged with the same lace as seen on the collar. The skirt has a sailor front opening with six thread covered buttons on either side of a centre front panel. Just past hip level, there are two accordion pleats on either side of the panel. There is a gore on each side and one on the back that flare out slightly; each has the floral and ribbon embroidery. On the back gore, there is a pleat on either side at calf level. The hem is ankle length.
- Object History
- From donor: "This was the wedding dress of my sister-in-law's mother, worn about 1905. They came from Maine. Made of cotton, hand embroidery, a typical "country-type" wedding gown of the period. It was given to me by my sister-in-law and I am only too glad to have it find such a welcoming spot in B.C.!"
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact6267
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.18.1
- Description
- Wedding dress, c.1907. Converted to day dress. Cream and white pouter pigeon bodice with lace and high collar. Full skirt and separate cumberbund. The shape of this dress is exemplary of the Edwardian pouter pigeon front, with a tiny waist to match. In museum records, there is a copy of the original wedding photo; on the back is written "shows dress before alteration to current state as day dress." The only readily noticeable differences are the absences of lace trim in the cuff and on the china silk bodice rosettes.
- Object History
- Made by Pattie Adelina Pearson, for her marriage to Charles James Mitchell in Gravesend, Kent, England on September 26, 1907. After, they travelled immediately to Canada, living in the provinces of Saskatchewan and Alberta, her daughter and son being born in the latter province. Pattie moved to Vancouver in 1918, where with the exception of the period when she lived in Victoria, she lived until her death in October 1981 at the age of 101 years. She would have been 27 years old when she wore the dress.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact11483
- Repository
- Burnaby Village Museum
- Accession Code
- HV977.32.2
- Description
- Wedding dress, c.1911. Made entirely of white alencon lace. High collar with celluloid stays, floor length full skirt, and three quarter length raglan sleeves. The high collar with three celluloid stays is topped with a ruffled butterfly lace. Below this, the regular pattern for the rest of the bodice is used: two types of floral, and rows of tiny pin tucks. This continues horizontally through the triangular yoke in front and back; two panels on the front and two on the back angle from the shoulders to the waist, where they overlap and form part of the closure on the back. The hook and eye closure begins at the top of the collar and continues to just below the hips, with extra closures to hold the cross-over lace in place. The sleeves are raglan, cut in one piece with the bodice. At the cuffs, there is an insertion of vertically pin tucked lace net, bordered by the same lace that tops the collar. That lace also forms the waistband in two rows. Below it the skirt of lace net is heavily gathered in three rows of shirring. It flares out from there, and at about knee level it ends with three more rows of shirring. The lace below this returns to the type seen on the bodice, without the pin tucks. It is gathered to the net layer, and a band of the butterfly lace hangs over the gathers.
- Object History
- Belonged to the mother of Mrs.F.Nimo (donor), Mrs.W.Ford. She married July 6th 1911 in Nut Mountain, Saskatoon. They moved out to live in the Burnaby area, Marine & Royal Oak.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact11635
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3523.1
- Description
- wedding dress, c.1902-1908. White china silk. Pouter pigeon bodice with half length sleeves and cumberbund. Skirt is shirred at waist and flares out at lower half. This Edwardian wedding dress is made almost entirely of china silk. Usually a lining fabric, the Edwardians often used it for special occasions such as weddings to achieve a floating, puffed up silhouette without any bulk at the waist. The bodice has three layers of ruffles at the high round neckline. The bodice front has two layers to hide its hook and eye closures. The back of the bodice has two panels four pin tucks for shaping. At the shoulders, there are rows of shirring that continue into the sleeve. The sleeves are gathered again into a cuff at their ends. The cumberbund is shirred at each end, as well as in the centre with three rows of shirring. There are three stays at the centre and one at each end; it closes with hooks and eyes which are covered by bows. The skirt has multiple rows of shirring at the waist. It has three gores, including one at the centre front that extends from the waistband without any shirring. There are two godets at the back seam and one at each of the side seams that begin at hip level and continue until about calf level. Then there is a new band of silk shirred onto the skirt, with three horizontal tucks at the bottom; the last tuck forms the hem. It is self lined under the bottom shirred section, with an un-gathered lining.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact30794
- Repository
- Burnaby Village Museum
- Accession Code
- HV972.5.4
- Description
- Wedding dress, c.1913. The fabric is an ivory silk chiffon, lined in white satin silk. The skirt extends mid-calf, the sleeves three-quarter length, and there is white beaded decoration on the bottom front of the skirt, as well as the front of the bodice. The silhouette of this dress shows the then fashionable shape of a raised waistline, as well as the poufed blouse front that was still popular. The fabric is light, flowy, and airy, but the cut has straight lines in features such as the bodice panels and large skirt pin tucks. The bodice closes via a panel that hangs down the front, attaches to the waist, and extends down the bodice back. There is an additional panel that attaches on each side front neck, forming a collar, and hangs down the back in a triangular shape. The front panel closes on the left side at the waist and at the left shoulder with snaps. There are two beaded floral starburst patterns, one each on the left and right side of the front bodice panel, connected with three curved lines. There is also a single line of white beads along the edges of the front bodice panel, and both back panels, including the front and side neck. The sleeves connect to the dress lining under the bodice panels. Each has a hanging panel around the elbow line which looks like four triangle shapes that point upwards, tacked above the elbow line. The cuffs are narrowed with a dart and two pin tucks, with a hook and eye closure on a bound placket. Around the waist, there is a belt that connects to itself with snaps, and is tacked to the waistline in the centre back. There are two snaps on the left side waist that may have once been used to secure the belt, but the belt no longer has any corresponding snaps. The skirt is somewhat gathered at the waist, more in the back than the front, and consists of three slightly flared gores. The front gore is plain except for a white beaded floral starburst motif near the bottom front. Three beaded tendril lines extend from either side, spanning the width of the front gore. The other two gores each extend from the side fronts to the centre back; they each have two three inch pin tucks, just above knee level and one below, that hang downwards and extend to centre back. The lining is attached at the waist, and hangs freely under the skirt. It has a front and back gore, as well as two triangular gores on each side starting at knee level. In the bodice it is attached at the neck and shoulders, where it attaches to the unlined sleeves. It closes on the left front with hooks and eyes. Inside the lining, the waist is reinforced with three inch cotton grosgrain ribbon which closes at centre front with hooks and eyes. The dress is sewn mainly by machine with french seams, although the four inch hem is hand sewn with a whip stitch. The sleeve pin tucks are also hand sewn. The length of the skirt lining was reduced just above its hem with a one inch hand stitched tuck.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact30795
- Repository
- Burnaby Village Museum
- Accession Code
- HV972.5.5
- Description
- Wedding dress or perhaps a regular dress once worn as a wedding dress, c.1910. Made from a heavyweight beige cotton. Embroidered net collar and yoke, and embroidered front panel. Princess seams and pin tucks form a flared, pleated skirt. Long sleeves, and pink edging on some seams. The fabric is a heavy, somewhat glossy cotton that makes the dress seem more like an item to be for everyday activities instead of as a wedding dress. Its silhouette is distinctive of the late Edwardian period, with its higher waist, close natural shaping, and somewhat flared ankle length skirt. In the bodice, two pleats on each side front create fullness. The collar and yoke are made of netting, lined with white silk, edged with pink ribbon, and embroidered in an undulating pattern of lines. There are two small brown buttons (previously covered in pink fabric) on either side of the net yoke. Two pin tucks run the length of either side of the back bodice. The sleeves are full length, with gathered caps and nine 1cm pin tucks down the length of each. There are two false previously pink buttons on each cuff, which are also edged in pink. A two inch waistband extends from the centre front panel to the back. There is a previously pink button on each front corner, and the whole band is edged in ribbon. The top left button is missing. It has a pink lining on the inside. The skirt is made up of six gores, not including the centre front panel. The left and right side of the skirt each have eight pleats, released halfway down with pin tucks. On the centre back, a pin tuck on either side of the closure released a large inverted box pleat. A false hem is hand sewn at the bottom, and machine sewn at its top. The dress closes with hooks and eyes along the centre back, from the top of the collar to a third of the way down the skirt. On the centre front, there is a panel that extends from the shoulders to the hem, using princess seaming. It is edged along its seams with pink ribbon. It is covered in in a hand-applied ribbon of couched thread, as well as some embroidered french knot flowers down the centre front line. The dress is mainly machine sewn. Seams are finished by whip-stitching the seam allowances together when the selvedge is not used.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress bodice
https://search.heritageburnaby.ca/link/museumartifact16553
- Repository
- Burnaby Village Museum
- Accession Code
- HV982.20.1
- Description
- Wedding dress bodice, c.1906. Ivory china silk with glass beads. Long sleeves and small round neckline. Matches skirt HV982.20.2, also in AB106-S27-3E. Under the small high neckline, there is a yoke covered in tiny pin tucks. It is in an oval shape on the front bodice and triangular in the back, and it is edged with a pattern of white and clear beads. The bodice back is plain below this, but the front has two layers. On the first, under layer, there is a centre front closure with hooks and eyes. On the left, the yoke is edged in beading and the rest is plain. On the right, the yoke is not edged with beads; it also angles further down towards the centre front. Below the yoke, the lining fabric is half exposed (on the side furthest from centre). On the fabric-covered side, there is a small patch pocket. The second, top layer is made of the same ivory silk. It is attached at the right shoulder, armhole, and side seam. This panel lays flat at the bottom of the yoke, edged with beads. It attaches with a hook and eye at the lower left corner of the yoke, and the panel was originally tacked together in pleats on the left side. The bottom is edged in beading, and would have hung in a curved shape. Under the top panel, the bodice shape is produced with twelve bones on: one large back panel, small back panel on either side, and one front panel on either side. The sleeves are long yet small leg o' muttons, gathered at the sleeve cap and narrowing to the wrist. At the cuff, there is the same white and clear beading pattern. Among the right sleeve's beading there is a single blue bead, perhaps for the bride's 'something blue.'
- Object History
- Worn by Anna Laura Gilbert when she married Walter Campbell Lauder in Ontario, July 1906. Donated by Annis M. Underwood, the second daughter of Anna. Annis was living in New Wesminster at the time of donation.
Images
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wedding dress bodice
https://search.heritageburnaby.ca/link/museumartifact27496
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.116.1
- Description
- Wedding dress bodice, c.1900. Green silk taffeta. Trimmed with black lace and green bows. Standing collar, leg o' mutton sleeves, small puff at front, shirring at waist. The bodice has a standing collar covered in black lace, and a flounce of the same lace going down each side front. The shoulders are shirred with a self fabric bow at the front of each shoulder. The sleeves are heavily gathered at the armscye to create a puff at the shoulders, which tapers down to a fitted width at the wrist. There is no cuff, but there is a small slit so that the wearer's hand can fit through. The bodice has a box pleat at either side of centre front and one at centre back; each connects to the shirring at waist level, which extends as far as the pleats on both front and back. Beneath this, the bodice flares out as a peplum and ends at the hips. Inside, the bodice is lined in brown cotton. An inner lining closes at centre front with hooks and eyes, and the front of the bodice (which is lined itself) closes with hooks and thread eyes at the left side. This continues up to the shoulder, and the collar closes at centre back.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress bodice and skirt
https://search.heritageburnaby.ca/link/museumartifact26060
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.127.1
- Description
- Wedding dress bodice and skirt, 1888. White lace. Bodice has three quarter length sleeves with ruffled cuff, round neck line, scalloped hem. Skirt is missing.
- Object History
- Dress was worn by Rachel Mills when she married George Davies in Winnipeg in September,1888. The couple soon moved west, renting a home in New Westminster for a short period before moving to a home at 6th Street and 3rd Avenue (now 12th Avenue) in Burnaby. For a short time they lived at a home that had previously belonged to George's brother, Richard, before moving to their own home next door on Lot 11. George and Rachel Davies raised four children in their home, two boys and two girls. Daughter Lillian May Davies wore the dress when she was a bridesmaid for Elizabeth Lewis when she married Henry Love circa 1907.
Images
wedding dress skirt
https://search.heritageburnaby.ca/link/museumartifact5274
- Repository
- Burnaby Village Museum
- Accession Code
- BV987.31.8
- Description
- Wedding dress skirt, c.1898-1906. Two cream skirts in cotton and silk, in a set consisting of beige lace overskirt with lace-trimmed beige underskirt. The overskirt is cut as a circle skirt from one piece of cotton alencon lace. It is gathered in the back. The only seam is at centre back, extending from the opening at the waistband with hooks and eyes to the hem. There is a small train. The underskirt is made from cotton and silk crepe. It has four un-gathered gores, arranged as two centre front panels and two side and back gores. At the centre back, it has an opening with hooks and eyes and snaps. At the centre back seam, the fabric comes together on the bias. The fabric is decorated with diagonal pin tucks that have been aligned to create chevrons down the centre front and horizontal lines along the back. There are also cut out lace inserts forming three lines down centre front (separating the two front gores) and in two rings that circle the skirt and angle upwards at the back. At the bottom of the skirt, there are two rows of scalloped tucks. Underneath, there is a separate cotton lining that is tacked to the main skirt. At the back of the underskirt, there is also a small train.
- Subjects
- Clothing
- Clothing - Costumes
Images
weight
https://search.heritageburnaby.ca/link/museumartifact44855
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.3
- Description
- Net weight, round, stone, doughnut-shaped with hole in the middle.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Weights and Measurements Tools and Equipment
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
weight
https://search.heritageburnaby.ca/link/museumartifact44856
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.4
- Description
- Net weight, round, stone, doughnut-shaped with hole in the middle. Made of volcanic stone.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Weights and Measurements Tools and Equipment
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
weights and box
https://search.heritageburnaby.ca/link/museumartifact9125
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.1549.1
- Description
- weights and storage box; rectangular wood box with hinged lid. Faded green velvet insert. Brass weights in graduated sizes: 50 g, 30 g , 20 g, 10 g, 5 g, 3 g, 2 g, and 1 g.
- Classification
- Weights and Measurements Tools and Equipment - Scales
Images
whetstone with box
https://search.heritageburnaby.ca/link/museumartifact89823
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.29
- Description
- whetstone with box; arkansas oilstone; rectangular stone; wooden box with hinged lid; logo on box lid is unreadable.
- Measurements
- Box: L: 20.7 cm W: 7.5 cm H: 5.0 cm
- Stone: L: 17.3 cm W: 5.0 cm H: 1.4 cm
Images
whetstone with box
https://search.heritageburnaby.ca/link/museumartifact89832
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.30
- Description
- whetstone with box; arkansas oilstone; rectangular stone; wooden box with hinged lid.
- Measurements
- Box: L: 20.7 cm W: 7.5 cm H: 5.0 cm
- Stone: L: 17.3 cm W: 5.0 cm H: 1.4 cm
Images
