More like 'Deer Lake Park pottery studio'
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Arts and crafts
https://search.heritageburnaby.ca/link/archivedescription45984
- Repository
- City of Burnaby Archives
- Date
- June 10, 1979
- Collection/Fonds
- Columbian Newspaper collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 17 x 24 cm
- Scope and Content
- Photograph of women doing arts and crafts at Edmonds House. Marion Olson and Verda Joynt are at a table glazing pottery, while May Clark sits behind them, throwing something on the wheel as Doris Albright stands, painting at an easel. This most likely the site of what is now Edmonds Centre.
- Repository
- City of Burnaby Archives
- Date
- June 10, 1979
- Collection/Fonds
- Columbian Newspaper collection
- Physical Description
- 1 photograph : b&w ; 17 x 24 cm
- Description Level
- Item
- Record No.
- 480-879
- Access Restriction
- No restrictions
- Reproduction Restriction
- Reproduce for fair dealing purposes only
- Accession Number
- 2003-02
- Scope and Content
- Photograph of women doing arts and crafts at Edmonds House. Marion Olson and Verda Joynt are at a table glazing pottery, while May Clark sits behind them, throwing something on the wheel as Doris Albright stands, painting at an easel. This most likely the site of what is now Edmonds Centre.
- Media Type
- Photograph
- Photographer
- Hodge, Craig
- Notes
- Title based on contents of photograph
- Geographic Access
- Kingsway
- Street Address
- 7282 Kingsway
- Historic Neighbourhood
- Edmonds (Historic Neighbourhood)
- Planning Study Area
- Richmond Park Area
Images
Interview with Surjeet Kaur Parmar
https://search.heritageburnaby.ca/link/museumdescription19350
- Repository
- Burnaby Village Museum
- Date
- [1905-2022] (interview content), interviewed 6 Dec. 2022
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)
- Scope and Content
- Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Museum Oral Histories series
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)
- Material Details
- Interviewer: Anushay Malik Interviewee: Surjeet Kaur Parmar Language of Interview: Urdu, Hindi and Punjabi Location of Interview: home of Surjeet Kaur Parmar in Burnaby Interview Date: December 6, 2022 Total Number of tracks: 2 Total Length of tracks: (1:15:32) Digital master recordings (wav) were edited into one recording and converted to mp3 for access on Heritage Burnaby
- Scope and Content
- Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and Canada, her personal experiences and her ancestors’ stories as South Asian immigrants, reflections on and personal experiences of racial discrimination as a South Asian immigrant, her places of residence, her employment background, her cultural practices and traditions including food, clothing and craft. The interview begins with introductions from interviewer Anushay Mailik. Surjeet Kaur Parmar imparts her own family’s migration story beginning with her very first elders that immigrated to Canada from India. A relative (unnamed) immigrated to Canada first and a few years later (around 1905) returned to India and brought back three cousins that included; Ginaya Singh (Ghania Singh Manhas) and Doman Singh . Mayo Singh (Ghania Singh’s younger brother) came in 1906 on his own to join them. Surjeet’s grandfather (Shair/Sher Singh Manhas) also wanted to immigrate at this time, but he was too young and weak to manage such a long trip. Surjeet conveys that while living in British Columbia, Mayo and Ginaya Singh worked together at saw mills. With their knowledge and understanding of mill work they ended up owning and operating a mill in Paldi near Duncan on Vancouver Island. At this time, most of the men from Surjeet’s family region in Punjab were abroad and with no men living at home. Mayo Singh’s father (Bhulla Singh) looked after her father (Lashman Singh Manhas) and paternal uncle (Kashmir Singh Manhas) back in Punjab. When Mayo’s father died, Mayo Singh adopted her paternal uncle (Kashmir Singh) and brought him to Canada in 1926. Surjeet describes her ancestors’ immigration journey from India to Canada. They all travelled by ship and if someone ran out of money en route, they could work on the ship. Surjeet explains that both Mayo and Ginaya Singh are Surjeet’s grandfather’s first cousins and her father’s second cousins. Surjeet recollects her grandfather (Shair/Sher Singh Manhas) saying “now that you’ve arrived there, take one cousin from each side with you”. Surjeet explains that the cousins were all from the same village in Punjab and her great grandfather wanted someone to go abroad, so he sent a few and had them bring more as the years went on. Surjeet says that she’s uncertain as to why they chose Canada rather than America but thinks that they did some form of research and determined that it was a good place to come to. Surjeet admits that she doesn’t know the name of her paternal grandfather or other elders since she never met them. Surjeet shares that it was a traditional practice to mark pots and pans with family names and imparts that she discovered her father’s name “Lashman Singh” written on the bottom of a glass. Surjeet expresses that she’s marked her own pots and pans with her name to identify which ones are hers when she gets together with family or does catering. Surjeet refers to a kohl bottle that she has and how she’d like to offer it to the museum. She explains how the kohl bottle is no longer in use but was used by her mother (Budhan Kaur Manhas) and daughter and her grandchildren. Surjeet describes a blanket that she made called a “phulkari”, now on display in a small museum in Coquitlam, a wedding shawl, that her daughter now owns and a silk sari with embroidery. Surjeet and Anushay discuss the possibility of donating the kohl bottle and the sari to the museum. Surjeet explains how the kohl is used and how her mother used to make kohl. She describes how you rub the kohl with your hands, put cardamom in it, one or two other ingredients and fill the kohl bottle up with water. Surjeet says that she used kohl as eyeliner when living in India. The interviewer asks Surjeet more about Ginaya Singh. Surjeet conveys that Ginaya Singh ended up leaving the mill on Vancouver Island and moved to Vancouver. After Ginaya Singh died from a heart attack (in 1953) his family moved from Vancouver to Burnaby. Surjeet recalls that following the death of Ginaya Singh’s youngest son, her family didn’t celebrate “Lohri” (a winter festival celebrating newborns and newly married people) for three years. She shares that she was very young at this time but remembers there being beautiful photographs of young children all dressed up and displayed in her family home. She expresses that dressing up for photos has changed over time and adds that suits didn’t really come into fashion until after the 1970s or 1980s. Surjeet conveys that her uncle named Kashmira Singh first worked at the mill in Paldi near Duncan then moved to Vancouver and opened up his own mill in North Vancouver. Surjeet’s father, Lashman Singh Manhas arrived in 1953. Surjeet expresses that Kapoor Singh was educated and worked as a manager at the mill on Vancouver Island. Surjeet recollects meeting Mayo Singh, his wife and eldest son in 1952 when they travelled to India for a cousin’s wedding. Surjeet remembers that Mayo Singh’s family had a very large house in India. She describes the house as a very opulent two story house with indoor plumbing for a bathtub, a kitchen with a woodstove, coloured mirrors, bejeweled curtains, a motor room to park cars, a buffalo and more. Surjeet refers to Nand Singh, a younger brother of Mayo Singh, who travelled from India to San Franciso and spent a year wandering around before deciding to return to India. She describes him as living in Bombay with his wife Vishan Kaur and having a transport business. Nand had two kids that came to Canada. Surjeet recollects the tragic death of Ganda Singh (Ginaya Singh) who died of a heart attack on someone’s doorstep, they thought that he was drunk so didn’t open the door. Surjeet conveys that Mayo Singh’s wife, Mission Kaur (Saradani Bishan Kaur) died while visiting India (in 1952) and that some of Mayo’s sons were married in Canada and one in India. Surjeet expresses that it was hard for Mayo’s sons to have one of their parents die in India and one die in Canada (Mayo Singh died in B.C. in 1955). Surjeet describes the hospital that Mayo built in the village of Paldi. She mentions that there were festivals and functions that took place there, there were many nurses and doctors. She recalls there being a school where their land was. She recalls that if they got headaches they were treated with medicine and that it didn’t cost much, only a six pence. Surjeet talks about her arranged marriage to Kalwant Singh "Nadeem" Parmar. Surjeet explains that her father and brother immigrated to British Columbia first (1953) and after a few months they brought Surjeet and her mother (Budhan Kaur Manhas). She recollects that when she was in Grade 10 and around 17 years of age, her family made plans to travel to India to attend a family wedding. During this time, her father suggested that it would be a good opportunity to take Surjeet with them to find her a husband in India to marry. After meeting and marrying Nadeem Parmar in India, Surjeet and Nadeem moved to England. Surjeet recollects that in order to immigrate to Canada, each family member had to pass a medical exam and how difficult it was. Her two sisters, mother and brother all had to take the test in Delhi. Surjeet recalls living in England with Nadeem. While living in England, Nadeem worked during the day and studied engineering at college in the evening. Surjeet expresses that she liked living in England and was sad to leave. While living there, they enjoyed a close knit Punjabi community and they all lived in the same area. Surjeet states later in her interview that living in Canada was different from living in England. In England, family and friends lived closer together whereas in Canada places were further apart. Surjeet says that while living in England she could walk to do her shopping. While living in England, after her children were a bit older, she worked as a seamstress in a shirt factory for a few years before coming to Canada. Surjeet imparts that her father (Lashman Singh Manhas) died of a heart attack in 1970 and her mother (Budhan Kaur Manhas) died in 1998. Her father and her family first lived in North Vancouver and then her parents bought a house on Eton Street in Burnaby, near the Ocean. After her father died, her brother and mother bought a house and moved to the Capitol Hill neighbourhood in Burnaby. In 1973, Surjeet, Nadeem and their two children immigrated to Canada and moved in with her brother and mother. Surjeet includes that her paternal aunt (Koshali Kaur Manhas) and cousins also moved to Burnaby and that her aunt and some of her cousins were sponsored by her son who came earlier. Surjeet recalls that after arriving in Canada she got work sewing in a factory located on Water Street in Gastown. Surjeet recollects travelling to her job by bus. Surjeet shares that she brought saris and quilted blankets “rijai”, not household items, in her suitcase when she came to Canada from England. Surjeet explains that the “rijai” (quilted blankets) were made from cotton from her home village in India. The blankets were made by women and then brought back to her to quilt on her sewing machine. Surjeet recalls that when she returned to Canada (in 1973 with her husband and children) they first lived with her mother and brother on Capitol Hill in Burnaby before moving to a house on Fell Avenue and then to their current home in 1982. In 1981, she worked at “Canadian Window Covering” factory making window coverings. The factory was located in the Brentwood area of Burnaby. Surjeet recalls how the factory became unionized and of how she left the factory and found union work at the Labatt’s brewery (Winery and Distillery Workers Local 300). Surjeet describes the work that she did while working at Labatt’s brewery which was located next to the Royal Columbian Hospital in Burnaby. Around 1995, when the Labatt’s factory closed down in Burnaby, she got union work as a bottle sorter for BDL Brewers Distributor Limited, where bottles were gathered for distribution at Braid Station. Surjeet left this job in 2000. Surjeet talks about traditional foods like bindi, sabji, aam and karela and where she’s shopped to find traditional ingredients for South Asian cuisine. She recollects how at first she could only find traditional ingredients at stores in Gastown, Chinatown and on Main Street in Vancouver but now they are more readily available at major grocery stores. Surjeet expresses that traditional spices and dry goods have been hard to find, apart from stores like, Famous Foods and Patels when it was located on Commercial Drive. Surjeet talks about using ingredients such as green pea flour and Besan flour to make pakoras and kahdri. Surjeet states that many immigrants didn’t wear their traditional clothing until she came later. She expresses that many South Asian immigrants didn’t wear their clothes “because there were no rights, we had to try to become like them”. Surjeet conveys that even though some were able to purchase property (she provides an example of family members in Duncan who faced discrimination by the owner/seller of a piece of property they were purchasing) that they had very little rights and they were all living in fear. She expresses that she herself didn’t experience this but in the beginning when people settled here (in B.C.) that it was very difficult. Surjeet says that when she goes to the Gurdwara and to work, she wears a sari and conveys that while working at the factory, she was encouraged to wear a sari, it was accepted then. She brought printed saris to work and her co workers said that they’d wear them to parties. Surjeet reflects on her own experiences of racism and discrimination and expresses that her generation “has learned how to stand up in front, then they got scared of saying anything”. “The people who came here first were afraid because they were alone, they had to settle down here and make a home from scratch, but the ones who came after had everything already built and made”. She explains how they helped one another when they came (to British Columbia). She describes how the Gurdwara was located on 2nd Street and all of the ships went there (new immigrants?), people would gather, get water, help one another and there would be a place for all people. Surjeet shares a personal experience of helping members of her husband’s family to immigrate to Canada. She tells of the complications of some being left behind in India and that some came to Canada as refugees that she and her husband sponsored. Surjeet expresses their struggles with raising a family, working and trying to pay for their own house while also trying to assist and support family members. Surjeet describes in detail how her husband Nadeem went back to India after his mother died to help his father, sister and her family immigrate. She explains that the immigration process took about four years and his father had to apply as a refugee. Nadeem’s sister came with her children but had to return to India so Surjeet and her family had to look after Nadeem’s sister’s child/children. Surjeet expresses that during this time she continued to work at Canadian Window Coverings, working an afternoon shift and sometimes taking her son with her. She expresses that this as a very hectic time, working the whole day, making food for everyone, grocery shopping, looking after a her sister in law’s younger child at night and getting no rest. Surjeet describes the time when she was working and her children were attending the local school. She expresses the challenges of working long days and often arriving home after her children. She recollects a time when there was a snow storm and how she was worried about her children making it home and being alone while she was at work, there were no cell phones in those days but they had phone numbers of her brother and sister. Surjeet tells of how they tried to help the rest of the Nadeem’s family immigrate including his brother who was a soccer player in India. They were able to buy a house for the whole family to live but expresses after several months Nadeem’s brother decided to stay in India. Surjeet expresses the complications and frustrations of trying to bring all family members to Canada.
- History
- Interviewee biography: Surjeet Kaur Parmar was born in Punjab, India in 1942 to parents Lashman Singh Manhas (1913-1970) and Budhan Kaur Manhas (1906-1998). Surjeet’s ancestors, Ghania Singh Manhas, Doman Singh and Mayo Singh immigrated to British Columbia in 1905 and 1906. The group got work in saw mills and soon began owning and operating their own saw mills, first in Chilliwack and Rosedale districts and later in 1920 on Vancouver Island near Duncan (Paldi) (known as the Mayo Lumber Company). In 1927, Surjeet’s paternal uncle, Kashmir Singh Manhas left Paldi, Punjab at the age of 18 years with Mayo Singh Manhas and after months of travel they arrived at Paldi on Vancouver Island. In 1953, Surjeet’s father, Lashman Singh Manhas and her two brothers immigrated to Canada and soon after brought her and her mother, Budhan Kaur Manhas. After immigrating, her father began working at “Kashmir Lumber Company” in North Vancouver which was owned by his brother Kashmira Singh Manhas. Surjeet, her parents and two brothers first made their home in North Vancouver and the 1960s they moved to 3824 Eton Street in Burnaby. In 1959, Surjeet and her family returned to India for her brother’s wedding. During this time a marriage was arranged for Surjeet to marry Nadeem Parmar and they were married in 1960. Following their marriage, Surjeet and Nadeem moved to England where they began raising their two children. While living in England, Surjeet worked as seamstress at a factory. In 1973, following the death of Surjeet’s father who died in 1970, Surjeet and Nadeem decided to immigrate to British Columbia. For the first few years, Surjeet, Nadeem and their two children lived with her mother and brother in the Capitol Hill neighbourhood of Burnaby before purchasing their own home on Fell Avenue. While living in Burnaby Surjeet has worked as a seamstress for Canadian Window Covering, Labatt's Brewery and BDL Brewers Distributor Limited which she left in 2000. In 1982, Surjeet and her family moved into a new home that they had built on Woodsworth Street where they still live today. Interviewer biography: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”.
- Creator
- Burnaby Village Museum
- Subjects
- Buildings - Industrial - Saw Mills
- Clothing
- Crafts
- Employment
- Migration
- Social Issues
- Social Issues - Racism
- Occupations - Labourers
- Occupations - Millworkers
- Persons - South Asian Canadians
- Names
- Parmar, Surjeet Kaur
- Parmar, Kalwant Singh "Nadeem"
- Manhas, Ghania Singh
- Singh, Mayo
- Manhas, Kashmir Singh
- Manhas, Sher Singh
- Manhas, Budhan Kaur
- Manhas, Lashman Singh
- Accession Code
- BV022.29.5
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [1905-2022] (interview content), interviewed 6 Dec. 2022
- Media Type
- Sound Recording
- Related Material
- See also BV022.29.1 - interview with Kalwant Singh "Nadeem" Parmar
- Notes
- Title based on contents of item
- Transcription of interview translated to English from Urdu, Hindi and Punjabi to English created by Rajdeep
- Transciption available on Heritage Burnaby
- Spelling of "Ginaya Singh" found as "Ghania Singh Manhas" in obituary and death certificate
Documents
Audio Tracks
Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022
Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0005_003.mp3
Mary DeGuerre
https://search.heritageburnaby.ca/link/archivedescription46068
- Repository
- City of Burnaby Archives
- Date
- June 20, 1979
- Collection/Fonds
- Columbian Newspaper collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 24 x 17 cm
- Scope and Content
- Photograph of Mary DeGuerre sitting in a chair, smiling, and looking out the window as she does a little needlework. She grew up in Fort Battleford; in 1884, her father, Amable St. Germain, was sent by the North West Mounted Police to convince Louis Reil to turn himself in. Mary Deguerre had many p…
- Repository
- City of Burnaby Archives
- Date
- June 20, 1979
- Collection/Fonds
- Columbian Newspaper collection
- Physical Description
- 1 photograph : b&w ; 24 x 17 cm
- Description Level
- Item
- Record No.
- 480-956
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2003-02
- Scope and Content
- Photograph of Mary DeGuerre sitting in a chair, smiling, and looking out the window as she does a little needlework. She grew up in Fort Battleford; in 1884, her father, Amable St. Germain, was sent by the North West Mounted Police to convince Louis Reil to turn himself in. Mary Deguerre had many photographs of her family and was planning to return to Fort Battleford in July of 1979 to show them to her niece.
- Subjects
- Crafts
- Names
- DeGuerre, Mary
- Media Type
- Photograph
- Photographer
- King, Basil
- Notes
- Title based on contents of photograph
- Newspaper clipping attached to verso of photograph reads: "Mary DeGuerre...back to Battleford to find old friends."
Images
Burnaby Art Gallery sculpture garden
https://search.heritageburnaby.ca/link/archivedescription36278
- Repository
- City of Burnaby Archives
- Date
- June 1976
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Item
- Physical Description
- 1 photograph : col. slide ; 2.5 x 3.5 cm
- Scope and Content
- Photograph of four people installing a stone sculpture into the Burnaby Art Gallery sculpture garden. They have covered the gravel with a wooden board and are using a dolly to move the scuplture along it.
- Repository
- City of Burnaby Archives
- Date
- June 1976
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Burnaby Art Gallery subseries
- Physical Description
- 1 photograph : col. slide ; 2.5 x 3.5 cm
- Description Level
- Item
- Record No.
- 242-028
- Access Restriction
- No restrictions
- Reproduction Restriction
- Reproduce for fair dealing purposes only
- Accession Number
- BHS1990-05
- Scope and Content
- Photograph of four people installing a stone sculpture into the Burnaby Art Gallery sculpture garden. They have covered the gravel with a wooden board and are using a dolly to move the scuplture along it.
- Names
- Burnaby Art Gallery
- Media Type
- Photograph
- Notes
- Title based on contents of photograph
- Geographic Access
- Deer Lake Avenue
- Street Address
- 6344 Deer Lake Avenue
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
Images
Children's toys and crafts
https://search.heritageburnaby.ca/link/archivedescription70304
- Repository
- City of Burnaby Archives
- Date
- 1978
- Collection/Fonds
- Bill Jeffries fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w negative ; 35 mm
- Scope and Content
- Photograph of a group of people together at a vendor's blanket filled with children's toys and crafts the Lougheed Drive-in swap meet in the summer of 1978.
- Repository
- City of Burnaby Archives
- Date
- 1978
- Collection/Fonds
- Bill Jeffries fonds
- Physical Description
- 1 photograph : b&w negative ; 35 mm
- Description Level
- Item
- Record No.
- 528-023
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2011-01
- Scope and Content
- Photograph of a group of people together at a vendor's blanket filled with children's toys and crafts the Lougheed Drive-in swap meet in the summer of 1978.
- Media Type
- Photograph
- Photographer
- Jeffries, Bill
- Notes
- Title based on contents of item
- 1 b&w print (12.5 x 17.5 cm) accompanying
- Geographic Access
- Lougheed Highway
- Historic Neighbourhood
- Broadview (Historic Neighbourhood)
- Planning Study Area
- West Central Valley Area
Images
![Douglas Ladron, [197-] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/480/480-819.jpg?width=280)
Douglas Ladron
https://search.heritageburnaby.ca/link/archivedescription45925
- Repository
- City of Burnaby Archives
- Date
- [197-]
- Collection/Fonds
- Columbian Newspaper collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 11.5 x 16.5 cm
- Scope and Content
- Photograph of Burnaby artist Douglas Ladron as he works on a drawing.
- Repository
- City of Burnaby Archives
- Date
- [197-]
- Collection/Fonds
- Columbian Newspaper collection
- Physical Description
- 1 photograph : b&w ; 11.5 x 16.5 cm
- Description Level
- Item
- Record No.
- 480-819
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2003-02
- Scope and Content
- Photograph of Burnaby artist Douglas Ladron as he works on a drawing.
- Subjects
- Arts - Drawings
- Occupations - Artists
- Names
- Ladron, Douglas
- Media Type
- Photograph
- Photographer
- King, Basil
- Notes
- Title based on contents of photograph
Images
![Douglas Ladron, [197-] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/480/480-819.jpg)
Framed prints and paintings
https://search.heritageburnaby.ca/link/archivedescription70414
- Repository
- City of Burnaby Archives
- Date
- 1978
- Collection/Fonds
- Bill Jeffries fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w negative ; 35 mm
- Scope and Content
- Photograph of a wall of ornately framed prints and paintings at the Lougheed Drive-in swap meet in the summer of 1978. Two unidentified swap meet attendees are perusing the framed pieces.
- Repository
- City of Burnaby Archives
- Date
- 1978
- Collection/Fonds
- Bill Jeffries fonds
- Physical Description
- 1 photograph : b&w negative ; 35 mm
- Description Level
- Item
- Record No.
- 528-110
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2011-01
- Scope and Content
- Photograph of a wall of ornately framed prints and paintings at the Lougheed Drive-in swap meet in the summer of 1978. Two unidentified swap meet attendees are perusing the framed pieces.
- Media Type
- Photograph
- Photographer
- Jeffries, Bill
- Notes
- Title based on contents of item
- Geographic Access
- Lougheed Highway
- Historic Neighbourhood
- Broadview (Historic Neighbourhood)
- Planning Study Area
- West Central Valley Area
Images
Interview with Annie Boulanger by Rod Fowler April 9, 1990 - Track 3
https://search.heritageburnaby.ca/link/oralhistory485
- Repository
- City of Burnaby Archives
- Date Range
- 1970-1990
- Length
- 00:06:30
- Summary
- This portion of the interview is about Annie Boulanger’s membership in and work for Burnaby Writers’ Club and Burnaby Arts Council. She describes the Arts Council’s financial difficulties between 1983 and 1990, her election to President in 1985, the inadequacy of the James Cowan Theatre, and her ho…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Annie Boulanger’s membership in and work for Burnaby Writers’ Club and Burnaby Arts Council. She describes the Arts Council’s financial difficulties between 1983 and 1990, her election to President in 1985, the inadequacy of the James Cowan Theatre, and her hopes for arts facilities in the Deer Lake area.
- Date Range
- 1970-1990
- Length
- 00:06:30
- Subjects
- Persons - Volunteers
- Arts
- Interviewer
- Fowler, Rod
- Interview Date
- April 9, 1990
- Scope and Content
- Recording is of an interview with Annie Boulanger, conducted by Rod Fowler. Annie Boulanger was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Annie Boulanger’s volunteer community work in Burnaby, including initiating the teaching of french and gymnastics at Seaforth School where her children attended, doing historical research and oral histories for Burnaby Heritage Village and the SFU Archives, becoming a long term member of the Burnaby Writers’ Club, being a member and President of Burnaby Arts Council, and member of the Parks Board's Centre for the Performing Arts Committee (1987). The interview focuses attention on the Arts Council’s financial difficulties between 1985 and 1990, and the need for a comprehensive approach to supporting the arts through a municipal arts policy. Annie Boulanger also talks about her parents’ history, their home on Napier Street and her later home on Government Road, her education and teaching career, and her arts journalism. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Annie Urbanovits Boulanger’s parents emigrated from Hungary to Toronto, Louis in 1925 and Irene in 1930, where they married. Louis and Irene Boulanger moved to Vancouver where Louis worked in the Vancouver Shipyards during WWII and then for Nichols Chemical Company in Barnet for 15 years. While the Urbanovits family lived in Cloverdale, Louis commuted to Kask’s Camp in Barnet, until they moved to Burnaby in 1951 to an old farm purchased on Napier Street. Between 1951 and 1956 Annie completed her BA degree, majoring in chemistry and english with a minor in physical education, and obtained her teaching diploma at UBC. She taught for 4 years in various locations in BC before marrying and moving to Manitoba and Ottawa. She and her husband and five children (two more children to come later) returned to Burnaby in 1964 to a home on Government Street to be close to family. Annie Boulanger became involved in the community first through her children’s school, initiating and teaching french classes in Seaforth School in 1969, and supporting the development of gymnastics in school and as a municipal program. Her interest in Archives lead to doing oral histories for John Adams, curator of Heritage Village [Burnaby Heritage Village], and for SFU Archives. She became a long time member of the Burnaby Writers’ Club in the 1970s, taking a course in writing non-fiction from Chris Potter. In 1983 Annie Boulanger joined the Burnaby Arts Council, becoming President in 1985. She was involved in lobbying the municipality for better monetary support and facilities for the arts and for the creation of a Municipal Arts Policy. She has continued to promote the arts in Burnaby through her appointment to Burnaby’s Visual Arts Advisory Board in 1997, her arts journalism, writing regular book and theatre reviews for the local newspaper, and other activities. She was a member of the Burnaby Centennial Committee and was one of the editors of the book “Burnaby Centennial Anthology”.
- Total Tracks
- 8
- Total Length
- 0:41:53
- Interviewee Name
- Boulanger, Annie
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track three of interview with Annie Boulanger
Track three of interview with Annie Boulanger
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-022/MSS187-022_Track_3.mp3Interview with Annie Boulanger by Rod Fowler April 9, 1990 - Track 7
https://search.heritageburnaby.ca/link/oralhistory489
- Repository
- City of Burnaby Archives
- Date Range
- 1960-1990
- Length
- 00:02:20
- Summary
- This portion of the interview is about Annie Boulanger’s involvement in the Burnaby Writers’ Club, and its history and founding members Eileen Kernaghan and Chris Potter and other well known writers who were members of the club
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Annie Boulanger’s involvement in the Burnaby Writers’ Club, and its history and founding members Eileen Kernaghan and Chris Potter and other well known writers who were members of the club
- Date Range
- 1960-1990
- Length
- 00:02:20
- Subjects
- Arts
- Persons - Volunteers
- Interviewer
- Fowler, Rod
- Interview Date
- April 9, 1990
- Scope and Content
- Recording is of an interview with Annie Boulanger, conducted by Rod Fowler. Annie Boulanger was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Annie Boulanger’s volunteer community work in Burnaby, including initiating the teaching of french and gymnastics at Seaforth School where her children attended, doing historical research and oral histories for Burnaby Heritage Village and the SFU Archives, becoming a long term member of the Burnaby Writers’ Club, being a member and President of Burnaby Arts Council, and member of the Parks Board's Centre for the Performing Arts Committee (1987). The interview focuses attention on the Arts Council’s financial difficulties between 1985 and 1990, and the need for a comprehensive approach to supporting the arts through a municipal arts policy. Annie Boulanger also talks about her parents’ history, their home on Napier Street and her later home on Government Road, her education and teaching career, and her arts journalism. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Annie Urbanovits Boulanger’s parents emigrated from Hungary to Toronto, Louis in 1925 and Irene in 1930, where they married. Louis and Irene Boulanger moved to Vancouver where Louis worked in the Vancouver Shipyards during WWII and then for Nichols Chemical Company in Barnet for 15 years. While the Urbanovits family lived in Cloverdale, Louis commuted to Kask’s Camp in Barnet, until they moved to Burnaby in 1951 to an old farm purchased on Napier Street. Between 1951 and 1956 Annie completed her BA degree, majoring in chemistry and english with a minor in physical education, and obtained her teaching diploma at UBC. She taught for 4 years in various locations in BC before marrying and moving to Manitoba and Ottawa. She and her husband and five children (two more children to come later) returned to Burnaby in 1964 to a home on Government Street to be close to family. Annie Boulanger became involved in the community first through her children’s school, initiating and teaching french classes in Seaforth School in 1969, and supporting the development of gymnastics in school and as a municipal program. Her interest in Archives lead to doing oral histories for John Adams, curator of Heritage Village [Burnaby Heritage Village], and for SFU Archives. She became a long time member of the Burnaby Writers’ Club in the 1970s, taking a course in writing non-fiction from Chris Potter. In 1983 Annie Boulanger joined the Burnaby Arts Council, becoming President in 1985. She was involved in lobbying the municipality for better monetary support and facilities for the arts and for the creation of a Municipal Arts Policy. She has continued to promote the arts in Burnaby through her appointment to Burnaby’s Visual Arts Advisory Board in 1997, her arts journalism, writing regular book and theatre reviews for the local newspaper, and other activities. She was a member of the Burnaby Centennial Committee and was one of the editors of the book “Burnaby Centennial Anthology”.
- Total Tracks
- 8
- Total Length
- 0:41:53
- Interviewee Name
- Boulanger, Annie
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track seven of interview with Annie Boulanger
Track seven of interview with Annie Boulanger
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-022/MSS187-022_Track_7.mp3
Interview with Eileen Kernaghan by Rod Fowler April 10, 1990 - Track 1
https://search.heritageburnaby.ca/link/oralhistory491
- Repository
- City of Burnaby Archives
- Date Range
- 1967-1972
- Length
- 00:05:55
- Summary
- This portion of the interview is about how Eileen Kernaghan became involved with the Burnaby Writers’ Society and, as a representative of this club, a member of the Burnaby Arts Council in Canada’s Centennial Year 1967. She describes how the structure of the Arts Council changed, and its focus on t…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about how Eileen Kernaghan became involved with the Burnaby Writers’ Society and, as a representative of this club, a member of the Burnaby Arts Council in Canada’s Centennial Year 1967. She describes how the structure of the Arts Council changed, and its focus on the newly acquired Art Centre buildings at Deer Lake
- Date Range
- 1967-1972
- Photo Info
- Eileen Kernaghan standing in front of four poets at the Poetry Pocket Cafe in New Westminster, October 15, 1995. Item no. 535-0014
- Length
- 00:05:55
- Subjects
- Arts
- Persons - Volunteers
- Interviewer
- Fowler, Rod
- Interview Date
- April 10, 1990
- Scope and Content
- Recording is of an interview with Eileen Kernaghan, conducted by Rod Fowler. Eileen Kernaghan was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Eileen Kernaghan’s activities with the Burnaby Writers’ Society and the Burnaby Arts Council, describing the history of these organizations between 1967 and 1990. She describes the financial and other challenges facing the arts community, the various programs initiated by the Arts Council, and the development of the Burnaby Arts Centre facilities at Deer Lake. She also talks about her education, writing career, the Neville Street neighbourhood, and her and her husband’s bookstore business. Ghosts believed to inhabit some of the Arts Centre's heritage buildings are also a topic of conversation. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Eileen Kernaghan was born January 6, 1939, to William Alfred Monk (1910-2003) and Belinda Maude Monk (1908-1996), and grew up on a dairy farm near Grindrod in the North Okanagan. She attended a two room school in Grindrod, completed Junior and Senior High School in Enderby, and at age 17 in 1956, left home to attend UBC. She taught school in the North Okanagan area in the late 1950s, during which time she married her husband Patrick Kernaghan. They moved to Vancouver in 1961, Burnaby in 1963, and settled on Neville Street in the South Slope area in 1966 with their three children. Pat Kernaghan worked at Oakalla Prison as a correctional officer until his retirement in 1988. Eileen and Patrick Kernaghan owned and operated a bookstore on Neville Street from 1987 to 1999. They later moved to New Westminster. Eileen Kernaghan began her writing career at twelve years old with a story published in the Vancouver Sun. After her youngest child began school, with more free time, she started writing again and has become an award winning author of fantasy and science fiction novels. She helped found the Burnaby Writers’ Society in 1967, taught writing workshops, and wrote its popular Newsletter for many years. In 1971 the Society put together a small handbook for BC writers, a venture that was expanded and published by Douglas MacIntyre in 1975 as “The Upper Left-Hand Corner: a writer’s handbook for the Northwest”. The book became a Canadian best-seller. During this same period Eileen Kernaghan began her successful “Grey Isles” trilogy. In 1967 she joined the Burnaby Arts Council, worked as its Coordinator from 1973 to 1984, and was a determined advocate for municipal government support for the arts in Burnaby.
- Total Tracks
- 11
- Total Length
- 1:26:27
- Interviewee Name
- Kernaghan, Eileen
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Images
Audio Tracks
Track one of interview with Eileen Kernaghan
Track one of interview with Eileen Kernaghan
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-021/MSS187-021_Track%201.mp3
Interview with Eileen Kernaghan by Rod Fowler April 10, 1990 - Track 2
https://search.heritageburnaby.ca/link/oralhistory492
- Repository
- City of Burnaby Archives
- Date Range
- 1967-1972
- Length
- 00:04:48
- Summary
- This portion of the interview is about how the Arts Council equipped the James Cowan Theatre, with a grand opening in 1971; hired staff, including Directors Byron Johnstad followed by LLoyd Barry, and Coordinators Phyllis Webb followed by Louise Holst; and developed programming and projects such as…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about how the Arts Council equipped the James Cowan Theatre, with a grand opening in 1971; hired staff, including Directors Byron Johnstad followed by LLoyd Barry, and Coordinators Phyllis Webb followed by Louise Holst; and developed programming and projects such as the Sculpture Garden
- Date Range
- 1967-1972
- Photo Info
- Eileen Kernaghan standing in front of four poets at the Poetry Pocket Cafe in New Westminster, October 15, 1995. Item no. 535-0014
- Length
- 00:04:48
- Subjects
- Arts
- Persons - Volunteers
- Interviewer
- Fowler, Rod
- Interview Date
- April 10, 1990
- Scope and Content
- Recording is of an interview with Eileen Kernaghan, conducted by Rod Fowler. Eileen Kernaghan was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Eileen Kernaghan’s activities with the Burnaby Writers’ Society and the Burnaby Arts Council, describing the history of these organizations between 1967 and 1990. She describes the financial and other challenges facing the arts community, the various programs initiated by the Arts Council, and the development of the Burnaby Arts Centre facilities at Deer Lake. She also talks about her education, writing career, the Neville Street neighbourhood, and her and her husband’s bookstore business. Ghosts believed to inhabit some of the Arts Centre's heritage buildings are also a topic of conversation. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Eileen Kernaghan was born January 6, 1939, to William Alfred Monk (1910-2003) and Belinda Maude Monk (1908-1996), and grew up on a dairy farm near Grindrod in the North Okanagan. She attended a two room school in Grindrod, completed Junior and Senior High School in Enderby, and at age 17 in 1956, left home to attend UBC. She taught school in the North Okanagan area in the late 1950s, during which time she married her husband Patrick Kernaghan. They moved to Vancouver in 1961, Burnaby in 1963, and settled on Neville Street in the South Slope area in 1966 with their three children. Pat Kernaghan worked at Oakalla Prison as a correctional officer until his retirement in 1988. Eileen and Patrick Kernaghan owned and operated a bookstore on Neville Street from 1987 to 1999. They later moved to New Westminster. Eileen Kernaghan began her writing career at twelve years old with a story published in the Vancouver Sun. After her youngest child began school, with more free time, she started writing again and has become an award winning author of fantasy and science fiction novels. She helped found the Burnaby Writers’ Society in 1967, taught writing workshops, and wrote its popular Newsletter for many years. In 1971 the Society put together a small handbook for BC writers, a venture that was expanded and published by Douglas MacIntyre in 1975 as “The Upper Left-Hand Corner: a writer’s handbook for the Northwest”. The book became a Canadian best-seller. During this same period Eileen Kernaghan began her successful “Grey Isles” trilogy. In 1967 she joined the Burnaby Arts Council, worked as its Coordinator from 1973 to 1984, and was a determined advocate for municipal government support for the arts in Burnaby.
- Total Tracks
- 11
- Total Length
- 1:26:27
- Interviewee Name
- Kernaghan, Eileen
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Images
Audio Tracks
Track two of interview with Eileen Kernaghan
Track two of interview with Eileen Kernaghan
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-021/MSS187-021_Track%202.mp3
Interview with Eileen Kernaghan by Rod Fowler April 10, 1990 - Track 3
https://search.heritageburnaby.ca/link/oralhistory493
- Repository
- City of Burnaby Archives
- Date Range
- 1971-1990
- Length
- 00:05:54
- Summary
- This portion of the interview is Eileen Kernaghan’s description of the Arts Council’s development of the Sunday crafts festival in the park, starting in 1971 or ’72 and continuing for about 20 years, with speculations as to why interest decreased.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is Eileen Kernaghan’s description of the Arts Council’s development of the Sunday crafts festival in the park, starting in 1971 or ’72 and continuing for about 20 years, with speculations as to why interest decreased.
- Date Range
- 1971-1990
- Photo Info
- Eileen Kernaghan standing in front of four poets at the Poetry Pocket Cafe in New Westminster, October 15, 1995. Item no. 535-0014
- Length
- 00:05:54
- Names
- Burnaby Arts Council
- Subjects
- Arts
- Persons - Volunteers
- Interviewer
- Fowler, Rod
- Interview Date
- April 10, 1990
- Scope and Content
- Recording is of an interview with Eileen Kernaghan, conducted by Rod Fowler. Eileen Kernaghan was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Eileen Kernaghan’s activities with the Burnaby Writers’ Society and the Burnaby Arts Council, describing the history of these organizations between 1967 and 1990. She describes the financial and other challenges facing the arts community, the various programs initiated by the Arts Council, and the development of the Burnaby Arts Centre facilities at Deer Lake. She also talks about her education, writing career, the Neville Street neighbourhood, and her and her husband’s bookstore business. Ghosts believed to inhabit some of the Arts Centre's heritage buildings are also a topic of conversation. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Eileen Kernaghan was born January 6, 1939, to William Alfred Monk (1910-2003) and Belinda Maude Monk (1908-1996), and grew up on a dairy farm near Grindrod in the North Okanagan. She attended a two room school in Grindrod, completed Junior and Senior High School in Enderby, and at age 17 in 1956, left home to attend UBC. She taught school in the North Okanagan area in the late 1950s, during which time she married her husband Patrick Kernaghan. They moved to Vancouver in 1961, Burnaby in 1963, and settled on Neville Street in the South Slope area in 1966 with their three children. Pat Kernaghan worked at Oakalla Prison as a correctional officer until his retirement in 1988. Eileen and Patrick Kernaghan owned and operated a bookstore on Neville Street from 1987 to 1999. They later moved to New Westminster. Eileen Kernaghan began her writing career at twelve years old with a story published in the Vancouver Sun. After her youngest child began school, with more free time, she started writing again and has become an award winning author of fantasy and science fiction novels. She helped found the Burnaby Writers’ Society in 1967, taught writing workshops, and wrote its popular Newsletter for many years. In 1971 the Society put together a small handbook for BC writers, a venture that was expanded and published by Douglas MacIntyre in 1975 as “The Upper Left-Hand Corner: a writer’s handbook for the Northwest”. The book became a Canadian best-seller. During this same period Eileen Kernaghan began her successful “Grey Isles” trilogy. In 1967 she joined the Burnaby Arts Council, worked as its Coordinator from 1973 to 1984, and was a determined advocate for municipal government support for the arts in Burnaby.
- Total Tracks
- 11
- Total Length
- 1:26:27
- Interviewee Name
- Kernaghan, Eileen
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Images
Audio Tracks
Track three of interview with Eileen Kernaghan
Track three of interview with Eileen Kernaghan
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-021/MSS187-021_Track%203.mp3
Interview with Eileen Kernaghan by Rod Fowler April 10, 1990 - Track 4
https://search.heritageburnaby.ca/link/oralhistory494
- Repository
- City of Burnaby Archives
- Date Range
- 1971-1990
- Length
- 00:04:58
- Summary
- This portion of the interview is about Eileen Kernaghan taking on the job of Coordinator for the Arts Council from 1979 to 1984, the start of Burnaby Summer Theatre, Playground Theatre, and a newsletter, and the choice to do less risky programming due to the 1980’s recession.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Eileen Kernaghan taking on the job of Coordinator for the Arts Council from 1979 to 1984, the start of Burnaby Summer Theatre, Playground Theatre, and a newsletter, and the choice to do less risky programming due to the 1980’s recession.
- Date Range
- 1971-1990
- Photo Info
- Eileen Kernaghan standing in front of four poets at the Poetry Pocket Cafe in New Westminster, October 15, 1995. Item no. 535-0014
- Length
- 00:04:58
- Names
- Burnaby Arts Council
- Subjects
- Arts
- Persons - Volunteers
- Interviewer
- Fowler, Rod
- Interview Date
- April 10, 1990
- Scope and Content
- Recording is of an interview with Eileen Kernaghan, conducted by Rod Fowler. Eileen Kernaghan was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Eileen Kernaghan’s activities with the Burnaby Writers’ Society and the Burnaby Arts Council, describing the history of these organizations between 1967 and 1990. She describes the financial and other challenges facing the arts community, the various programs initiated by the Arts Council, and the development of the Burnaby Arts Centre facilities at Deer Lake. She also talks about her education, writing career, the Neville Street neighbourhood, and her and her husband’s bookstore business. Ghosts believed to inhabit some of the Arts Centre's heritage buildings are also a topic of conversation. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Eileen Kernaghan was born January 6, 1939, to William Alfred Monk (1910-2003) and Belinda Maude Monk (1908-1996), and grew up on a dairy farm near Grindrod in the North Okanagan. She attended a two room school in Grindrod, completed Junior and Senior High School in Enderby, and at age 17 in 1956, left home to attend UBC. She taught school in the North Okanagan area in the late 1950s, during which time she married her husband Patrick Kernaghan. They moved to Vancouver in 1961, Burnaby in 1963, and settled on Neville Street in the South Slope area in 1966 with their three children. Pat Kernaghan worked at Oakalla Prison as a correctional officer until his retirement in 1988. Eileen and Patrick Kernaghan owned and operated a bookstore on Neville Street from 1987 to 1999. They later moved to New Westminster. Eileen Kernaghan began her writing career at twelve years old with a story published in the Vancouver Sun. After her youngest child began school, with more free time, she started writing again and has become an award winning author of fantasy and science fiction novels. She helped found the Burnaby Writers’ Society in 1967, taught writing workshops, and wrote its popular Newsletter for many years. In 1971 the Society put together a small handbook for BC writers, a venture that was expanded and published by Douglas MacIntyre in 1975 as “The Upper Left-Hand Corner: a writer’s handbook for the Northwest”. The book became a Canadian best-seller. During this same period Eileen Kernaghan began her successful “Grey Isles” trilogy. In 1967 she joined the Burnaby Arts Council, worked as its Coordinator from 1973 to 1984, and was a determined advocate for municipal government support for the arts in Burnaby.
- Total Tracks
- 11
- Total Length
- 1:26:27
- Interviewee Name
- Kernaghan, Eileen
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Images
Audio Tracks
Track four of interview with Eileen Kernaghan
Track four of interview with Eileen Kernaghan
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-021/MSS187-021_Track%204.mp3
Interview with Eileen Kernaghan by Rod Fowler April 10, 1990 - Track 5
https://search.heritageburnaby.ca/link/oralhistory495
- Repository
- City of Burnaby Archives
- Date Range
- 1967-1990
- Length
- 00:06:19
- Summary
- This portion of the interview is about Eileen Kernaghan’s involvement with the Burnaby Writers’ Society, serving variously as newsletter editor, President and Treasurer. She describes the club’s diverse membership, its role, and how it functions
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Eileen Kernaghan’s involvement with the Burnaby Writers’ Society, serving variously as newsletter editor, President and Treasurer. She describes the club’s diverse membership, its role, and how it functions
- Date Range
- 1967-1990
- Photo Info
- Eileen Kernaghan standing in front of four poets at the Poetry Pocket Cafe in New Westminster, October 15, 1995. Item no. 535-0014
- Length
- 00:06:19
- Names
- Burnaby Writers' Club
- Subjects
- Arts
- Persons - Volunteers
- Interviewer
- Fowler, Rod
- Interview Date
- April 10, 1990
- Scope and Content
- Recording is of an interview with Eileen Kernaghan, conducted by Rod Fowler. Eileen Kernaghan was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Eileen Kernaghan’s activities with the Burnaby Writers’ Society and the Burnaby Arts Council, describing the history of these organizations between 1967 and 1990. She describes the financial and other challenges facing the arts community, the various programs initiated by the Arts Council, and the development of the Burnaby Arts Centre facilities at Deer Lake. She also talks about her education, writing career, the Neville Street neighbourhood, and her and her husband’s bookstore business. Ghosts believed to inhabit some of the Arts Centre's heritage buildings are also a topic of conversation. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Eileen Kernaghan was born January 6, 1939, to William Alfred Monk (1910-2003) and Belinda Maude Monk (1908-1996), and grew up on a dairy farm near Grindrod in the North Okanagan. She attended a two room school in Grindrod, completed Junior and Senior High School in Enderby, and at age 17 in 1956, left home to attend UBC. She taught school in the North Okanagan area in the late 1950s, during which time she married her husband Patrick Kernaghan. They moved to Vancouver in 1961, Burnaby in 1963, and settled on Neville Street in the South Slope area in 1966 with their three children. Pat Kernaghan worked at Oakalla Prison as a correctional officer until his retirement in 1988. Eileen and Patrick Kernaghan owned and operated a bookstore on Neville Street from 1987 to 1999. They later moved to New Westminster. Eileen Kernaghan began her writing career at twelve years old with a story published in the Vancouver Sun. After her youngest child began school, with more free time, she started writing again and has become an award winning author of fantasy and science fiction novels. She helped found the Burnaby Writers’ Society in 1967, taught writing workshops, and wrote its popular Newsletter for many years. In 1971 the Society put together a small handbook for BC writers, a venture that was expanded and published by Douglas MacIntyre in 1975 as “The Upper Left-Hand Corner: a writer’s handbook for the Northwest”. The book became a Canadian best-seller. During this same period Eileen Kernaghan began her successful “Grey Isles” trilogy. In 1967 she joined the Burnaby Arts Council, worked as its Coordinator from 1973 to 1984, and was a determined advocate for municipal government support for the arts in Burnaby.
- Total Tracks
- 11
- Total Length
- 1:26:27
- Interviewee Name
- Kernaghan, Eileen
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Images
Audio Tracks
Track five of interview with Eileen Kernaghan
Track five of interview with Eileen Kernaghan
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-021/MSS187-021_Track%205.mp3
Interview with Eileen Kernaghan by Rod Fowler April 10, 1990 - Track 8
https://search.heritageburnaby.ca/link/oralhistory498
- Repository
- City of Burnaby Archives
- Date Range
- 1970-1990
- Length
- 00:04:35
- Summary
- This portion of the interview is about the arts community in Burnaby, who is involved, and the pros and cons for a central location for the Arts Centre
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about the arts community in Burnaby, who is involved, and the pros and cons for a central location for the Arts Centre
- Date Range
- 1970-1990
- Photo Info
- Eileen Kernaghan standing in front of four poets at the Poetry Pocket Cafe in New Westminster, October 15, 1995. Item no. 535-0014
- Length
- 00:04:35
- Names
- Burnaby Arts Centre
- Subjects
- Arts
- Interviewer
- Fowler, Rod
- Interview Date
- April 10, 1990
- Scope and Content
- Recording is of an interview with Eileen Kernaghan, conducted by Rod Fowler. Eileen Kernaghan was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Eileen Kernaghan’s activities with the Burnaby Writers’ Society and the Burnaby Arts Council, describing the history of these organizations between 1967 and 1990. She describes the financial and other challenges facing the arts community, the various programs initiated by the Arts Council, and the development of the Burnaby Arts Centre facilities at Deer Lake. She also talks about her education, writing career, the Neville Street neighbourhood, and her and her husband’s bookstore business. Ghosts believed to inhabit some of the Arts Centre's heritage buildings are also a topic of conversation. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Eileen Kernaghan was born January 6, 1939, to William Alfred Monk (1910-2003) and Belinda Maude Monk (1908-1996), and grew up on a dairy farm near Grindrod in the North Okanagan. She attended a two room school in Grindrod, completed Junior and Senior High School in Enderby, and at age 17 in 1956, left home to attend UBC. She taught school in the North Okanagan area in the late 1950s, during which time she married her husband Patrick Kernaghan. They moved to Vancouver in 1961, Burnaby in 1963, and settled on Neville Street in the South Slope area in 1966 with their three children. Pat Kernaghan worked at Oakalla Prison as a correctional officer until his retirement in 1988. Eileen and Patrick Kernaghan owned and operated a bookstore on Neville Street from 1987 to 1999. They later moved to New Westminster. Eileen Kernaghan began her writing career at twelve years old with a story published in the Vancouver Sun. After her youngest child began school, with more free time, she started writing again and has become an award winning author of fantasy and science fiction novels. She helped found the Burnaby Writers’ Society in 1967, taught writing workshops, and wrote its popular Newsletter for many years. In 1971 the Society put together a small handbook for BC writers, a venture that was expanded and published by Douglas MacIntyre in 1975 as “The Upper Left-Hand Corner: a writer’s handbook for the Northwest”. The book became a Canadian best-seller. During this same period Eileen Kernaghan began her successful “Grey Isles” trilogy. In 1967 she joined the Burnaby Arts Council, worked as its Coordinator from 1973 to 1984, and was a determined advocate for municipal government support for the arts in Burnaby.
- Total Tracks
- 11
- Total Length
- 1:26:27
- Interviewee Name
- Kernaghan, Eileen
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Images
Audio Tracks
Track eight of interview with Eileen Kernaghan
Track eight of interview with Eileen Kernaghan
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-021/MSS187-021_Track%208.mp3
Interview with Eileen Kernaghan by Rod Fowler April 10, 1990 - Track 9
https://search.heritageburnaby.ca/link/oralhistory499
- Repository
- City of Burnaby Archives
- Date Range
- 1970-1990
- Length
- 00:12:18
- Summary
- This portion of the interview is about Eileen Kernaghan’s decreased involvement with the Arts Council, and a discussion about the lack of political support for the arts and speculations as to why sports seems to have more funding through the Parks and Recreation Commission. She talks about the cont…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Eileen Kernaghan’s decreased involvement with the Arts Council, and a discussion about the lack of political support for the arts and speculations as to why sports seems to have more funding through the Parks and Recreation Commission. She talks about the controversy about the proposed Metrotown theatre, the unique characteristics of arts groups in Burnaby, and the difficulty of recruiting volunteers
- Date Range
- 1970-1990
- Photo Info
- Eileen Kernaghan standing in front of four poets at the Poetry Pocket Cafe in New Westminster, October 15, 1995. Item no. 535-0014
- Length
- 00:12:18
- Names
- Burnaby Arts Council
- Subjects
- Arts
- Interviewer
- Fowler, Rod
- Interview Date
- April 10, 1990
- Scope and Content
- Recording is of an interview with Eileen Kernaghan, conducted by Rod Fowler. Eileen Kernaghan was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Eileen Kernaghan’s activities with the Burnaby Writers’ Society and the Burnaby Arts Council, describing the history of these organizations between 1967 and 1990. She describes the financial and other challenges facing the arts community, the various programs initiated by the Arts Council, and the development of the Burnaby Arts Centre facilities at Deer Lake. She also talks about her education, writing career, the Neville Street neighbourhood, and her and her husband’s bookstore business. Ghosts believed to inhabit some of the Arts Centre's heritage buildings are also a topic of conversation. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Eileen Kernaghan was born January 6, 1939, to William Alfred Monk (1910-2003) and Belinda Maude Monk (1908-1996), and grew up on a dairy farm near Grindrod in the North Okanagan. She attended a two room school in Grindrod, completed Junior and Senior High School in Enderby, and at age 17 in 1956, left home to attend UBC. She taught school in the North Okanagan area in the late 1950s, during which time she married her husband Patrick Kernaghan. They moved to Vancouver in 1961, Burnaby in 1963, and settled on Neville Street in the South Slope area in 1966 with their three children. Pat Kernaghan worked at Oakalla Prison as a correctional officer until his retirement in 1988. Eileen and Patrick Kernaghan owned and operated a bookstore on Neville Street from 1987 to 1999. They later moved to New Westminster. Eileen Kernaghan began her writing career at twelve years old with a story published in the Vancouver Sun. After her youngest child began school, with more free time, she started writing again and has become an award winning author of fantasy and science fiction novels. She helped found the Burnaby Writers’ Society in 1967, taught writing workshops, and wrote its popular Newsletter for many years. In 1971 the Society put together a small handbook for BC writers, a venture that was expanded and published by Douglas MacIntyre in 1975 as “The Upper Left-Hand Corner: a writer’s handbook for the Northwest”. The book became a Canadian best-seller. During this same period Eileen Kernaghan began her successful “Grey Isles” trilogy. In 1967 she joined the Burnaby Arts Council, worked as its Coordinator from 1973 to 1984, and was a determined advocate for municipal government support for the arts in Burnaby.
- Total Tracks
- 11
- Total Length
- 1:26:27
- Interviewee Name
- Kernaghan, Eileen
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Images
Audio Tracks
Track nine of interview with Eileen Kernaghan
Track nine of interview with Eileen Kernaghan
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-021/MSS187-021_Track%209.mp3
Interview with Eileen Kernaghan by Rod Fowler April 10, 1990 - Track 10
https://search.heritageburnaby.ca/link/oralhistory500
- Repository
- City of Burnaby Archives
- Date Range
- 1966-1990
- Length
- 00:08:22
- Summary
- This portion of the interview is Eileen Kernaghan’s observations about the changes on Neville Street, the mix in ethnic and cultural groups, and the nature of multicultural activity in the arts community
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is Eileen Kernaghan’s observations about the changes on Neville Street, the mix in ethnic and cultural groups, and the nature of multicultural activity in the arts community
- Date Range
- 1966-1990
- Photo Info
- Eileen Kernaghan standing in front of four poets at the Poetry Pocket Cafe in New Westminster, October 15, 1995. Item no. 535-0014
- Length
- 00:08:22
- Subjects
- Arts
- Historic Neighbourhood
- Alta-Vista (Historic Neighbourhood)
- Planning Study Area
- Clinton-Glenwood Area
- Interviewer
- Fowler, Rod
- Interview Date
- April 10, 1990
- Scope and Content
- Recording is of an interview with Eileen Kernaghan, conducted by Rod Fowler. Eileen Kernaghan was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about Eileen Kernaghan’s activities with the Burnaby Writers’ Society and the Burnaby Arts Council, describing the history of these organizations between 1967 and 1990. She describes the financial and other challenges facing the arts community, the various programs initiated by the Arts Council, and the development of the Burnaby Arts Centre facilities at Deer Lake. She also talks about her education, writing career, the Neville Street neighbourhood, and her and her husband’s bookstore business. Ghosts believed to inhabit some of the Arts Centre's heritage buildings are also a topic of conversation. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Eileen Kernaghan was born January 6, 1939, to William Alfred Monk (1910-2003) and Belinda Maude Monk (1908-1996), and grew up on a dairy farm near Grindrod in the North Okanagan. She attended a two room school in Grindrod, completed Junior and Senior High School in Enderby, and at age 17 in 1956, left home to attend UBC. She taught school in the North Okanagan area in the late 1950s, during which time she married her husband Patrick Kernaghan. They moved to Vancouver in 1961, Burnaby in 1963, and settled on Neville Street in the South Slope area in 1966 with their three children. Pat Kernaghan worked at Oakalla Prison as a correctional officer until his retirement in 1988. Eileen and Patrick Kernaghan owned and operated a bookstore on Neville Street from 1987 to 1999. They later moved to New Westminster. Eileen Kernaghan began her writing career at twelve years old with a story published in the Vancouver Sun. After her youngest child began school, with more free time, she started writing again and has become an award winning author of fantasy and science fiction novels. She helped found the Burnaby Writers’ Society in 1967, taught writing workshops, and wrote its popular Newsletter for many years. In 1971 the Society put together a small handbook for BC writers, a venture that was expanded and published by Douglas MacIntyre in 1975 as “The Upper Left-Hand Corner: a writer’s handbook for the Northwest”. The book became a Canadian best-seller. During this same period Eileen Kernaghan began her successful “Grey Isles” trilogy. In 1967 she joined the Burnaby Arts Council, worked as its Coordinator from 1973 to 1984, and was a determined advocate for municipal government support for the arts in Burnaby.
- Total Tracks
- 11
- Total Length
- 1:26:27
- Interviewee Name
- Kernaghan, Eileen
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Images
Audio Tracks
Track ten of interview with Eileen Kernaghan
Track ten of interview with Eileen Kernaghan
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-021/MSS187-021_Track%2010.mp3![Ingeborg (Weigler) (Haacke) Raymer in an evening gown, [196-]. Item no. 549-061. thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/540/549-061.jpg?width=280)
Interview with Ingeborg Raymer by Eric Damer November 21, 2012 - Track 3
https://search.heritageburnaby.ca/link/oralhistory396
- Repository
- City of Burnaby Archives
- Date Range
- 1960-2012
- Length
- 0:08:03
- Summary
- This portion of the recording pertains mainly to Ingeborg ((Weigler) (Haacke) Raymer's memories of music and art. She describes her children first learning to play the piano and her own career as an art teacher and artist. She begins to tell the story of forming the Burnaby Artist's Guild.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the recording pertains mainly to Ingeborg ((Weigler) (Haacke) Raymer's memories of music and art. She describes her children first learning to play the piano and her own career as an art teacher and artist. She begins to tell the story of forming the Burnaby Artist's Guild.
- Date Range
- 1960-2012
- Photo Info
- Ingeborg (Weigler) (Haacke) Raymer in an evening gown, [196-]. Item no. 549-061.
- Length
- 0:08:03
- Interviewer
- Damer, Eric
- Interview Date
- November 21, 2012
- Scope and Content
- Recording is an interview with Ingeborg (Weigler) (Haacke) Raymer conducted by Burnaby Village Museum employee Eric Damer, November 21, 2012. Major theme discussed: rise of fine arts in Burnaby.
- Biographical Notes
- Born in 1922 in Dresden and trained as a pianist, Ingeborg (Weigler) Haacke came to Vancouver in 1952 with her husband, eldest daughter, and son. Ingeborg found work in Burnaby but her husband did not wish to stay. By 1953 they were divorced, with Ingeborg keeping the children in Burnaby. In 1955 Ingeborg (Weigler) Haacke married her second husband Roy Raymer. The first auto court in British Columbia, the Oasis, was originally owned and operated by Roy Raymer's parents. Roy was responsible for running the Oasis gas station and he and Ingeborg also built an attached drive-in restaurant on the property. During this time, Ingeborg and Roy had two sons together. After the auto court was sold in 1964, Ingeborg followed Roy on a job to Banff where she began sketching and painting. Over the course of her art career, Ingeborg has studied at Douglas College, Emily Carr College of Art, and Capilano College, earned an Associate of Arts Degree and an honorary Degree from the Accademia Internazionale Greci Marino. Ingeborg also founded the Burnaby Artists' Guild in 1970 of which she is an honorary Lifetime Member. She currently teaches private art classes out of her studio.
- Total Tracks
- 5
- Total Length
- 0:44:18
- Interviewee Name
- Raymer, Ingeborg Weigler Haacke
- Interview Location
- Burnaby Village Museum
- Interviewer Bio
- Eric Damer is a lifelong British Columbian born in Victoria, raised in Kamloops, and currently residing in Burnaby. After studying philosophy at the University of Victoria, he became interested in the educational forces that had shaped his own life. He completed master’s and doctoral degrees in educational studies at the University of British Columbia with a particular interest in the history of adult and higher education in the province. In 2012, Eric worked for the City of Burnaby as a field researcher and writer, conducting interviews for the City Archives and Museum Oral History Program.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Transcript Available
- None
- Media Type
- Sound Recording
Images
![Ingeborg (Weigler) (Haacke) Raymer in an evening gown, [196-]. Item no. 549-061. thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/540/549-061.jpg)
Audio Tracks
Track three of recording of interview with Ingeborg Raymer
Track three of recording of interview with Ingeborg Raymer
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS171-023/MSS171-023_Track_3.mp3
Interview with Ingeborg Raymer by Eric Damer November 21, 2012 - Track 4
https://search.heritageburnaby.ca/link/oralhistory397
- Repository
- City of Burnaby Archives
- Date Range
- 1970-2012
- Length
- 0:09:20
- Summary
- This portion of the recording pertains mainly to Ingeborg ((Weigler) (Haacke) Raymer's memories of her involvement in the arts. Ingeborg continues to tell the story of how the Burnaby Artist's Guild was formed.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the recording pertains mainly to Ingeborg ((Weigler) (Haacke) Raymer's memories of her involvement in the arts. Ingeborg continues to tell the story of how the Burnaby Artist's Guild was formed.
- Date Range
- 1970-2012
- Photo Info
- Ingeborg (Weigler) (Haacke) Raymer in an evening gown, [196-]. Item no. 549-061.
- Length
- 0:09:20
- Subjects
- Arts
- Interviewer
- Damer, Eric
- Interview Date
- November 21, 2012
- Scope and Content
- Recording is an interview with Ingeborg (Weigler) (Haacke) Raymer conducted by Burnaby Village Museum employee Eric Damer, November 21, 2012. Major theme discussed: rise of fine arts in Burnaby.
- Biographical Notes
- Born in 1922 in Dresden and trained as a pianist, Ingeborg (Weigler) Haacke came to Vancouver in 1952 with her husband, eldest daughter, and son. Ingeborg found work in Burnaby but her husband did not wish to stay. By 1953 they were divorced, with Ingeborg keeping the children in Burnaby. In 1955 Ingeborg (Weigler) Haacke married her second husband Roy Raymer. The first auto court in British Columbia, the Oasis, was originally owned and operated by Roy Raymer's parents. Roy was responsible for running the Oasis gas station and he and Ingeborg also built an attached drive-in restaurant on the property. During this time, Ingeborg and Roy had two sons together. After the auto court was sold in 1964, Ingeborg followed Roy on a job to Banff where she began sketching and painting. Over the course of her art career, Ingeborg has studied at Douglas College, Emily Carr College of Art, and Capilano College, earned an Associate of Arts Degree and an honorary Degree from the Accademia Internazionale Greci Marino. Ingeborg also founded the Burnaby Artists' Guild in 1970 of which she is an honorary Lifetime Member. She currently teaches private art classes out of her studio.
- Total Tracks
- 5
- Total Length
- 0:44:18
- Interviewee Name
- Raymer, Ingeborg Weigler Haacke
- Interview Location
- Burnaby Village Museum
- Interviewer Bio
- Eric Damer is a lifelong British Columbian born in Victoria, raised in Kamloops, and currently residing in Burnaby. After studying philosophy at the University of Victoria, he became interested in the educational forces that had shaped his own life. He completed master’s and doctoral degrees in educational studies at the University of British Columbia with a particular interest in the history of adult and higher education in the province. In 2012, Eric worked for the City of Burnaby as a field researcher and writer, conducting interviews for the City Archives and Museum Oral History Program.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Transcript Available
- None
- Media Type
- Sound Recording
Images
Audio Tracks
Track four of recording of interview with Ingeborg Raymer
Track four of recording of interview with Ingeborg Raymer
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS171-023/MSS171-023_Track_4.mp3
Interview with Ingeborg Raymer by Eric Damer November 21, 2012 - Track 5
https://search.heritageburnaby.ca/link/oralhistory398
- Repository
- City of Burnaby Archives
- Date Range
- 1970-2012
- Length
- 0:10:03
- Summary
- This portion of the recording pertains mainly to Ingeborg ((Weigler) (Haacke) Raymer's memories of her involvement in the arts. Ingeborg discusses Jack Shadbolt, as well as what it takes to be an artist.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the recording pertains mainly to Ingeborg ((Weigler) (Haacke) Raymer's memories of her involvement in the arts. Ingeborg discusses Jack Shadbolt, as well as what it takes to be an artist.
- Date Range
- 1970-2012
- Photo Info
- Ingeborg (Weigler) (Haacke) Raymer in an evening gown, [196-]. Item no. 549-061.
- Length
- 0:10:03
- Subjects
- Arts
- Interviewer
- Damer, Eric
- Interview Date
- November 21, 2012
- Scope and Content
- Recording is an interview with Ingeborg (Weigler) (Haacke) Raymer conducted by Burnaby Village Museum employee Eric Damer, November 21, 2012. Major theme discussed: rise of fine arts in Burnaby.
- Biographical Notes
- Born in 1922 in Dresden and trained as a pianist, Ingeborg (Weigler) Haacke came to Vancouver in 1952 with her husband, eldest daughter, and son. Ingeborg found work in Burnaby but her husband did not wish to stay. By 1953 they were divorced, with Ingeborg keeping the children in Burnaby. In 1955 Ingeborg (Weigler) Haacke married her second husband Roy Raymer. The first auto court in British Columbia, the Oasis, was originally owned and operated by Roy Raymer's parents. Roy was responsible for running the Oasis gas station and he and Ingeborg also built an attached drive-in restaurant on the property. During this time, Ingeborg and Roy had two sons together. After the auto court was sold in 1964, Ingeborg followed Roy on a job to Banff where she began sketching and painting. Over the course of her art career, Ingeborg has studied at Douglas College, Emily Carr College of Art, and Capilano College, earned an Associate of Arts Degree and an honorary Degree from the Accademia Internazionale Greci Marino. Ingeborg also founded the Burnaby Artists' Guild in 1970 of which she is an honorary Lifetime Member. She currently teaches private art classes out of her studio.
- Total Tracks
- 5
- Total Length
- 0:44:18
- Interviewee Name
- Raymer, Ingeborg Weigler Haacke
- Interview Location
- Burnaby Village Museum
- Interviewer Bio
- Eric Damer is a lifelong British Columbian born in Victoria, raised in Kamloops, and currently residing in Burnaby. After studying philosophy at the University of Victoria, he became interested in the educational forces that had shaped his own life. He completed master’s and doctoral degrees in educational studies at the University of British Columbia with a particular interest in the history of adult and higher education in the province. In 2012, Eric worked for the City of Burnaby as a field researcher and writer, conducting interviews for the City Archives and Museum Oral History Program.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Transcript Available
- None
- Media Type
- Sound Recording
Images
Audio Tracks
Track five of recording of interview with Ingeborg Raymer
Track five of recording of interview with Ingeborg Raymer
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS171-023/MSS171-023_Track_5.mp3