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The arts and crafts movement in the Pacific Northwest
https://search.heritageburnaby.ca/link/museumlibrary5483
- Repository
- Burnaby Village Museum
- Collection
- Reference Collection
- Material Type
- Book
- ISBN
- 9780881928495
- Call Number
- 709.795 KRE
- Place of Publication
- Portland, Or.
- Publisher
- Timber Press
- Publication Date
- 2007
- Physical Description
- 398 p. : ill. (some col.), map ; 29 cm.
- Library Subject (LOC)
- Arts, Modern--20th century
- Arts and crafts movement
- Notes
- Includes bibliographical references (p. 375-382) and index.
Overlynn Mansion
https://search.heritageburnaby.ca/link/landmark520
- Repository
- Burnaby Heritage Planning
- Description
- Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone wall…
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Charles J. Peter Mansion
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Charles J. Peter Mansion
- Geographic Access
- McGill Street
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 10211
- Enactment Date
- 18/09/1995
- Description
- Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone walls and planted terraces. It is situated in the residential neighbourhood of Vancouver Heights, on a high point of land overlooking Burrard Inlet to the west and the mouth of Lynn Creek to the east. This prominent residence is now part of a large senior citizens development known as Seton Villa.
- Heritage Value
- Overlynn Mansion is valued as a superb example of the work of the noted architectural firm of Maclure and Fox. The architecture of Samuel Maclure (1860-1929) was synonymous with high quality residential design for prominent citizens in both Vancouver and Victoria. Maclure was known for his British Arts and Crafts style with meticulous attention paid to functional and beautiful interiors that utilized native wood combined with luxurious imported fittings. He was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. Maclure’s Vancouver office, in association with his partner Cecil Croker Fox (1879-1916), received some sixty residential commissions between 1909-1915 as a result of the booming local economy and subsequent development of new residential districts. Maclure’s practice in Victoria was equally prolific at the time. Overlynn Mansion is valued as one of Burnaby’s oldest upper-class estates and for its association with the development of Vancouver Heights. In 1909, C.J. Peter and his employer, G.F. and J. Galt Limited, pioneered the development of Vancouver Heights in North Burnaby, believing it to be one of the most picturesque districts in area and an alternative to the CPR’s prestigious Shaughnessy Heights development in Vancouver. Buyers were obligated to build houses worth $3,500 at a time when the average house price was $1,000. Overlynn Mansion, built in 1909 for $75,000, was one of the first houses constructed in Vancouver Heights and by far the most grandiose and impressive. Additionally, this landmark residence is significant and an intact and comprehensive representation of a grand Edwardian era estate home. The interior is notably intact, and retains many highly-refined original features, including substantive millwork of exotic woods, silver-plated and nickel-plated light fixtures, fine plasterwork, tiled fireplaces and exceptional hardware. Landscape features of Overlynn Mansion include the original layout for circulation paths, a porte-cochere, granite posts and stone walls, a sandstone and iron sundial, and mature trees and shrubbery. The house was designated by Burnaby Council in 1995 and was the first heritage building in B.C. to receive legal protection for its interior features.
- Defining Elements
- Key elements that define the heritage character of Overlynn Mansion include its: - prominent corner location on a steep sloping site in the Vancouver Heights neighbourhood - views to Burrard Inlet and the North Shore mountains - residential form, scale and massing as exemplified by its grand two-storey plus basement height and irregular plan - British Arts and Crafts elements such as the rubble-stone granite masonry on the ground floor and foundation level, and decorative half-timbering and rough-cast stucco on the upper storey - compound hipped bell-cast roof, clad with cedar shingles, with shed dormers at the rear - subtle battering of ground floor and foundation level stonework - porte-cochere with hipped roof and battered granite piers - wood-clad projecting bay extensions - irregular fenestration: double-hung 6-over-1 wooden-sash windows; multi-pane casement wooden windows with multi-pane transoms; diamond leaded casement windows; and banks of stained glass windows - five tall rubble-stone granite block stone chimneys - interior features such as the oak, cedar and Yaka (Australian mahogany) panelled walls, oak panelling and staircase walls inlaid with ebony, ivory and brass, stenciled canvas friezes, wooden dadoes and plaster walls, encaustic floor tiles, Australian gumwood floors, oak panelled doors with art glass, oak beamed ceiling with stucco panels, cast plaster vaulted hall and living room ceilings, sterling silver light fixtures including a chandelier and scones, nickel-plated newel light, brass Art Nouveau styled ceiling light, brass stair carpet poles and locks, built-in bookcases and buffet, fireplace with encaustic tiles and fire dogs, imported Medmenham fireplace tiles (the earliest known use outside of the United Kingdom), fireplace mantel with green tile and cast iron firebox, and inglenook fireplace with encaustic tiles and carved mantel and brass fireplace insert - landscape features such as the granite gate posts and iron entrance gate, granite posts and iron fence, granite garden wall, sandstone garden steps, sandstone and iron sundial, granite and concrete terraces adjacent to the house, configuration of pathways and sandstone steps including the front access road, mature deciduous and coniferous tree stock including a Monkey Puzzle Tree and pruned shrubbery throughout the site
- Historic Neighbourhood
- Vancouver Heights (Historic Neighbourhood)
- Planning Study Area
- Burnaby Heights Area
- Organization
- G.F. and J. Galt Limited
- Architect
- Samuel Maclure
- Cecil Croker Fox
- Function
- Primary Historic--Estate
- Primary Current--Multiple Dwelling
- Community
- Burnaby
- Cadastral Identifier
- 004-943-295
- Boundaries
- Overlynn Mansion is a part of a single institutional lot located at 3755 McGill Street, Burnaby.
- Area
- 7912.77
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 3755 McGill Street
- Street View URL
- Google Maps Street View
Images
H.T. Ceperley Estate 'Fairacres' Steam Plant Building
https://search.heritageburnaby.ca/link/landmark528
- Repository
- Burnaby Heritage Planning
- Description
- Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the fo…
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the foundation for the greenhouses stand adjacent. The Steam Plant Building stands as a pendant to the Root House, which is to the north of the former greenhouses.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Ceperleys operated 'Fairacres' with staff, a farm manager and workers, including Chinese, to grow produce for themselves and for sale at local markets. The Steam Plant Building illustrates the market gardening activity of the area around Deer Lake and its importance to the Ceperley family, which valued a year-round supply of fresh fruit and vegetables for the kitchen and flowers for the house. It also illustrates the cultural and aesthetic values of the Ceperleys in retaining an architect to design a functional outbuilding using an accepted and contemporary architectural style. Built in 1908, the Steam Plant Building was significantly altered in the 1960s and restored to its original design in 2000.
- Defining Elements
- Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its: - overall spatial arrangement of the Steam Plant Building in relation to the former greenhouses and the Root House - side gable roof with cedar shingle cladding. - tall brick chimney indicitive of the building's original function. - distinctive Arts and Crafts architectural features such as the shingle wall cladding with decorative shingling under window sills, deep eaves, and pebble-dashed concrete foundation walls - six-paned wooden-sash casement windows - simple functional interior features - rubble stone walls that formed the foundation for the greenhouses
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
Duncan & Margaret McGregor Estate 'Glen-Lyon' Mansion
https://search.heritageburnaby.ca/link/landmark518
- Repository
- Burnaby Heritage Planning
- Description
- Overlooking the rich farmland of the Fraser River floodplain, 'Glen-Lyon' is an Edwardian era rural estate, with a tall, two and one-half storey plus basement wood-frame mansion, set in a pastoral and formal landscape with an associated barn and early log pond, located near a ravine and forested ar…
- Associated Dates
- 1902
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Marine Drive
- Associated Dates
- 1902
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 12183
- Enactment Date
- 11/12/2006
- Description
- Overlooking the rich farmland of the Fraser River floodplain, 'Glen-Lyon' is an Edwardian era rural estate, with a tall, two and one-half storey plus basement wood-frame mansion, set in a pastoral and formal landscape with an associated barn and early log pond, located near a ravine and forested area adjacent to Marine Drive in South Burnaby.
- Heritage Value
- ‘Glen-Lyon’ is valued as an excellent example of a privately-owned Edwardian era country estate built at the turn of the nineteenth century. The property retains significant heritage features including the Edwardian era mansion with rustic Arts and Crafts features, and elements of a working agricultural landscape. The property was originally the Royal City Mills logging camp, and in 1900 was purchased by Duncan Campbell McGregor (1853-1929) and Margaret Jane McGregor (1875-1960), who named their estate ‘Glen-Lyon’ after Duncan McGregor’s birthplace in Perthshire, Scotland. The McGregors were active in municipal affairs and social activities, and played a significant role in the early development of Burnaby. Duncan McGregor served as a city councillor from 1909 to 1912 and was elected reeve of Burnaby in 1913. Margaret McGregor was instrumental in the formation and fundraising activities of the Victoria Order of Nurses in Burnaby. Additionally, the site is historically significant for its association with early social welfare and correctional reform. The estate was sold in 1926 to an inter-denominational religious organization called the Home of the Friendless, which used it as their B.C. headquarters. The organization was charged with several cases of abuse and neglect in 1937, after which a Royal Commission was formed that led to new legislation to regulate and license all private welfare institutions. 'Glen-Lyon' was sold to the provincial government, and was dedicated in 1939 by the Lt.-Gov. E.W. Hamber for use as the New Haven Borstal Home for Boys and Youthful Offenders (later renamed the New Haven Correction Centre). The Borstal movement originated in England in the late nineteenth century, as an alternative to sending young offenders and runaways to prisons by providing reformatories that focused on discipline and vocational skill. This site’s role as the first North American institution devoted to the Borstal School philosophy was historic, and influenced corrections programs across Canada. The site retains significant features from its development in 1939 as the Borstal School, including a large gambrel-roofed barn designed by Chief Provincial Architect Henry Whittaker of the Department of Public Works that is the only remaining structure of its kind in Burnaby. Between 1941 and 1945 the mansion housed the Provincial School for the Deaf and Blind when the Borstal School was closed temporarily as a war measure during the Second World War.
- Defining Elements
- Key elements that define the heritage character of 'Glen-Lyon' Mansion include its: - location on a sloping site with expansive southern exposure, adjacent to Marine Drive - residential form, scale and massing of the house as exemplified by its two and one-half storey height, above-ground basement and rectangular plan - Arts and Crafts elements of the house such as its stone foundation, multi-gabled roof line with steep central hipped roof, symmetrical cross-gables, side shed dormers, bellcast upper walls sheathed in cedar shingles and lower walls sheathed in narrow clapboard - original exterior features of the house such as the full width front verandah with square columns, central staircase on the southern elevation, original doors and stained glass windows; and the irregular fenestration such as double-hung 1-over-1 wooden-sash windows, bay windows, and projecting windows in the gable ends - original interior features of the house such as the U-shaped main stair designed around two symmetrically placed Ionic columns, and interior trim on the main floor including boxed beams and fireplaces - gambrel-roofed barn with roof vent with finial, sliding hay loft and access doors, small multi-pane windows, and lapped wooden siding - associated landscape features such as the original garden plantings with some exotic and many native specimen trees; the original log pond and its concrete Marine Drive causeway and culvert; rockeries and a rose garden
- Historic Neighbourhood
- Fraser Arm (Historic Neighbourhood)
- Planning Study Area
- Big Bend Area
- Architect
- Henry Whittaker
- Function
- Primary Historic--Estate
- Community
- Burnaby
- Cadastral Identifier
- 003-004-661
- Boundaries
- 'Glen-Lyon' is comprised of a single residential lot located at 4250 Marine Drive, Burnaby.
- Area
- 230873.18
- Contributing Resource
- Building
- Ownership
- Private
- Names
- McGregor, Duncan C. (1853-1929)
- Whittaker, Henry
- Home of the Friendless
- Borstal School
- New Haven Correction Centre
- Subjects
- Buildings - Heritage
- Buildings - Residential - Houses
- Buildings - Public - Detention Facilities
- Buildings - Residential
- Street Address
- 4250 Marine Drive
- Street View URL
- Google Maps Street View
Images
H.T. Ceperley Estate 'Fairacres' Greenhouse Foundation Wall
https://search.heritageburnaby.ca/link/landmark862
- Repository
- Burnaby Heritage Planning
- Description
- The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 140665
- Enactment Date
- 23/11/1992
- Description
- The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate, which was designed as a country estate with a working farm that included over 10 acres of productive berry and vegetable fields, with a large kitchen garden, a root house to store food, an orchard, and greenhouses heated by steam. The agricultural potential of the Deer Lake area made it one of the first parts of the municipality to attract settlement. In 1909, the Ceperleys built three large greenhouses heated by an adjacent steam plant (Fairacres Steam Plant). The greenhouses featured granite foundation walls, including this one which remains intact. The Ceperleys employed a large staff to manage the estate's agricultural production, including Chinese farm labourers. Produce was grown for use at the estate, and for sale at local markets. Agricultural use of the estate continued when a Catholic order of Benedictine monks purchased the estate as part of the Priory of St. Joseph and the Seminary of Christ the King, and continued to farm the land until 1953.
- Defining Elements
- Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its: - overall spatial arrangement of the Greenhouse Foundation Wall in relation to the Steam Plant Building and the Root House - original rubble stone walls reflecting the Arts and Crafts design aesthetic of the estate buildings.
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Landscape Feature
- Remains
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
H.T. Ceperley Estate 'Fairacres' Root House
https://search.heritageburnaby.ca/link/landmark527
- Repository
- Burnaby Heritage Planning
- Description
- The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the ma…
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the main house, 'Fairacres,' this functional structure was used as a frost-free store for fruit and vegetables for the family's use.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000. The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
- Defining Elements
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000. The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Secondary Historic--Food Storage
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
John Houston Residence
https://search.heritageburnaby.ca/link/landmark610
- Repository
- Burnaby Heritage Planning
- Description
- Residential building.
- Associated Dates
- c.1908
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Burris Street
- Associated Dates
- c.1908
- Description
- Residential building.
- Heritage Value
- The original resident of this house was John Houston, listed in the 1909 City Directory as a ‘rancher’, but is known as the long-time home of barrister Wrathman Sheridan Turner (1889-1974) and his wife Gertrude Helena (née Whealhouse) Turner. Stucco now covers the original exterior siding, though the house maintains its wide, overhanging eaves with exposed rafter tails and triangular eave brackets, indicative of the influence of the newly-emerging Arts and Crafts style.
- Locality
- Burnaby Lake
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Area
- 1312.47
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 7668 Burris Street
- Street View URL
- Google Maps Street View
Images
![Birdhouse workshop at Old Orchard Shopping Centre, [2001] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2265.jpg?width=280)
Birdhouse workshop at Old Orchard Shopping Centre
https://search.heritageburnaby.ca/link/archivedescription96643
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of Sara Mirhashemi painting a birdhouse built during a workshop at the Old Orchard Shopping Centre.
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-2265
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of Sara Mirhashemi painting a birdhouse built during a workshop at the Old Orchard Shopping Centre.
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a May 2001 issue of the Burnaby NewsLeader
- Caption from metadata: "Sara Mirhashemi, 10, paints the bird house she built at a bird house workshop at the Old Orchard Shopping Centre."
- Geographic Access
- Kingsway
- Street Address
- 4469 Kingsway
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
- Planning Study Area
- Maywood Area
Images
![Birdhouse workshop at Old Orchard Shopping Centre, [2001] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2265.jpg)
![Bowls for Hunger, [2001] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2257.jpg?width=280)
Bowls for Hunger
https://search.heritageburnaby.ca/link/archivedescription96635
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of Jay MacLennan, the ceramic technician at the Shadbolt Centre, holding up a ceramic bowl created as part of the Bowls For Hunger fundraising event.
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-2257
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of Jay MacLennan, the ceramic technician at the Shadbolt Centre, holding up a ceramic bowl created as part of the Bowls For Hunger fundraising event.
- Subjects
- Crafts
- Events - Fundraising
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in an April 2001 issue of the Burnaby NewsLeader
- Caption from metadata: "Jay MacLennan, the ceramic technician at the Shadbolt Centre, checks his handiwork as he kiln fires 500 bowls in time for Thursday's Bowls For Hunger fundraiser."
- Geographic Access
- Deer Lake Avenue
- Street Address
- 6450 Deer Lake Avenue
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
Images
![Bowls for Hunger, [2001] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2257.jpg)
![Burnaby Empty Bowls project, [2001] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2217-1.jpg?width=280)
Burnaby Empty Bowls project
https://search.heritageburnaby.ca/link/archivedescription96595
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- File
- Physical Description
- 2 photographs (tiff) : col.
- Scope and Content
- File contains photographs of the Burnaby Empty Bowls project fundraising event. Photographs depict potter Sarah Coote in the midst of throwing a bowl on a pottery wheel next to a stack of extra clay, and volunteer Marta Balahutrak stacking bowls created by potters during the event.
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 2 photographs (tiff) : col.
- Description Level
- File
- Record No.
- 535-2217
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- File contains photographs of the Burnaby Empty Bowls project fundraising event. Photographs depict potter Sarah Coote in the midst of throwing a bowl on a pottery wheel next to a stack of extra clay, and volunteer Marta Balahutrak stacking bowls created by potters during the event.
- Subjects
- Events - Fundraising
- Crafts
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a March 2001 issue of the Burnaby NewsLeader
- Caption from metadata for 535-2217-1: "With a stockpile of clay balls at the ready, potter Sarah Coote throws as many pots as she can in a half hour at the kick-off for the Burnaby Empty Bowls project."
- Caption from metadata for 535-2217-2: "Marta Balahutrak, a volunteer at the Burnaby Empty Bowls project, stacks bowls created by potters for the launch of the charity fund-raiser. Potters had to throw as many bowls as they could in the alloted time."
Images
![Burnaby Empty Bowls project, [2001] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2217-1.jpg)
Chanel Lapierre with "Stream of Dreams" fish
https://search.heritageburnaby.ca/link/archivedescription97268
- Repository
- City of Burnaby Archives
- Date
- [2000]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of Chanel Lapierre in the Eastburn Community Centre, displaying a painted wooden fish that she painted for the "Stream of Dreams" fence mural. A table with paints and other painted fish are visible behind her.
- Repository
- City of Burnaby Archives
- Date
- [2000]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-2673
- Access Restriction
- No restrictions
- Reproduction Restriction
- Reproduce for fair dealing purposes only
- Accession Number
- 2018-12
- Scope and Content
- Photograph of Chanel Lapierre in the Eastburn Community Centre, displaying a painted wooden fish that she painted for the "Stream of Dreams" fence mural. A table with paints and other painted fish are visible behind her.
- Subjects
- Persons - Children
- Arts - Paintings
- Arts
- Crafts
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a September 2000 issue of the Burnaby NewsLeader
- Caption from metadata: "Chanel Lapierre, 10, shows off the colorful wooden fish she created at Eastburn Community Centre. Her fish will join 4,999 others on a "Stream of Dreams" fence mural around the empty lot at Kingsway and Edmonds. The mural is being built to celebrate BC Rivers Day and the painted fish represent the 5,000 fish reportedly killed two years ago when a toxic substance entered Byrne Creek through a storm drain."
- Geographic Access
- Edmonds Street
- Street Address
- 7435 Edmonds Street
- Historic Neighbourhood
- Edmonds (Historic Neighbourhood)
- Planning Study Area
- Richmond Park Area
Images
![Children's Mini-Fest at the Nikkei National Museum & Cultural Centre, [2002] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2306.jpg?width=280)
Children's Mini-Fest at the Nikkei National Museum & Cultural Centre
https://search.heritageburnaby.ca/link/archivedescription96684
- Repository
- City of Burnaby Archives
- Date
- [2002]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of Ling Chung and her son, Kevin, creating origami at the Children's Mini-Fest at the Nikkei National Museum & Cultural Centre.
- Repository
- City of Burnaby Archives
- Date
- [2002]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-2306
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of Ling Chung and her son, Kevin, creating origami at the Children's Mini-Fest at the Nikkei National Museum & Cultural Centre.
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a March 2002 issue of the Burnaby NewsLeader
- Caption from metadata: "Ling Chung and her son, Kevin, 4, create origami at a workshop at the Children's Mini-fest, at the National Nikkei Heritage Centre in Burnaby on Saturday."
- Geographic Access
- Southoaks Crescent
- Street Address
- 6688 Southoaks Crescent
- Historic Neighbourhood
- Edmonds (Historic Neighbourhood)
- Planning Study Area
- Kingsway-Beresford Area
Images
![Children's Mini-Fest at the Nikkei National Museum & Cultural Centre, [2002] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2306.jpg)
Child with "Stream of Dreams" fish
https://search.heritageburnaby.ca/link/archivedescription97298
- Repository
- City of Burnaby Archives
- Date
- [2000]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of an unidentified child showing a painted fish for the "Stream of Dreams" mural. Other children are seated on the floor of a classroom and painting their own fish in the background.
- Repository
- City of Burnaby Archives
- Date
- [2000]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-2695
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of an unidentified child showing a painted fish for the "Stream of Dreams" mural. Other children are seated on the floor of a classroom and painting their own fish in the background.
- Subjects
- Persons - Children
- Arts - Paintings
- Arts
- Crafts
- Media Type
- Photograph
- Notes
- Title based on contents of photograph
- Collected by editorial for use in a September 2000 issue of the Burnaby NewsLeader
Images
![Deer Lake Park pottery studio, [2004] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-1765.jpg?width=280)
Deer Lake Park pottery studio
https://search.heritageburnaby.ca/link/archivedescription96014
- Repository
- City of Burnaby Archives
- Date
- [2004]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of Rob Dainow working on a clay pot in the pottery studio at Deer Lake Park.
- Repository
- City of Burnaby Archives
- Date
- [2004]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-1765
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of Rob Dainow working on a clay pot in the pottery studio at Deer Lake Park.
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a January 2004 issue of the Burnaby NewsLeader
- Caption from metadata: "Rob Dainow works on a clay pot at the pottery studio at Burnaby's Deer Lake Park. He says he started working with clay 40 years ago, but he's just getting back to it after a 20 year absence. The studio is open for drop-in workshops every Monday, Wednesday and Sunday."
- Geographic Access
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
Images
![Deer Lake Park pottery studio, [2004] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-1765.jpg)
![Empty Bowls Project event, [2003] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2291-1.jpg?width=280)
Empty Bowls Project event
https://search.heritageburnaby.ca/link/archivedescription96669
- Repository
- City of Burnaby Archives
- Date
- [2003]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- File
- Physical Description
- 4 photographs (tiff) : col.
- Scope and Content
- File contains photographs of the Burnaby Empty Bowls Project fundraising event at the Shadbolt Centre. Photographs depict potter David Lloyd at work creating ceramic bowls and children Michael Oliver, Susan Oliver, and Jennifer Tan making their own creations from potter Bob Kingsmill's scraps.
- Repository
- City of Burnaby Archives
- Date
- [2003]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 4 photographs (tiff) : col.
- Description Level
- File
- Record No.
- 535-2291
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- File contains photographs of the Burnaby Empty Bowls Project fundraising event at the Shadbolt Centre. Photographs depict potter David Lloyd at work creating ceramic bowls and children Michael Oliver, Susan Oliver, and Jennifer Tan making their own creations from potter Bob Kingsmill's scraps.
- Subjects
- Crafts
- Events - Fundraising
- Persons - Children
- Media Type
- Photograph
- Photographer
- Flanagan, Colleen
- Notes
- Title based on caption
- Collected by editorial for use in a March 2003 issue of the Burnaby NewsLeader
- Caption from metadata for 535-2291-1: "Children, Michael Oliver, 7, left, Susan Oliver, 5, centre, and Jennifer Tang, 7, work on their own creations from the scraps of Bob Kingsmill, potter, left, during the Burnaby Empty Bowls competition Saturday afternoon at the Shadbolt Centre."
- Caption from metadata for 535-2291-2: "David Lloyd, potter, works hard and fast during the Burnaby Empty Bowls Project Saturday afternoon at the Shadbolt Centre. Potters spent the day creating their own distinctive ceramic bowls which will eventually be painted and auctioned off to raise money for the Empty Bowls Project."
- Caption from metadata for 535-2291-3: "Scraps litter the floor where potter, David Lloyd, has been making his distinctive ceramic bowls all afternoon Saturday for the Burnaby Empty Bowls Project at the Shadbolt Centre in Deer Lake Park.
- Caption from metadata for 535-2291-4: "Michael Oliver, 7, left, Susan Oliver, 5, centre, and Jennifer Tang, 7, work on their own creations from the scraps of Bob Kingsmill, potter, left, during the Burnaby Empty Bowls competition Saturday afternoon at the Shadbolt Centre."
- Geographic Access
- Deer Lake Avenue
- Street Address
- 6450 Deer Lake Avenue
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
Images
![Empty Bowls Project event, [2003] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2291-1.jpg)
![Heritage Christmas Craft Fair, [2000] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-1668-1.jpg?width=280)
Heritage Christmas Craft Fair
https://search.heritageburnaby.ca/link/archivedescription95868
- Repository
- City of Burnaby Archives
- Date
- [2000]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- File
- Physical Description
- 2 photographs (tiff) : col.
- Scope and Content
- File contains photographs from the Heritage Christmas Craft Fair at the Shadbolt Centre. Photographs show artisans posing with their crafts that are for sale at the fair.
- Repository
- City of Burnaby Archives
- Date
- [2000]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 2 photographs (tiff) : col.
- Description Level
- File
- Record No.
- 535-1668
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- File contains photographs from the Heritage Christmas Craft Fair at the Shadbolt Centre. Photographs show artisans posing with their crafts that are for sale at the fair.
- Subjects
- Holidays - Christmas
- Crafts
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a November 2000 issue of the Burnaby NewsLeader
- Caption from metadata for 535-1668-1: "Sue Clarke, of Burnaby, is about to be chomped by the "Loch Ness Monster Grabber," one of the traditional wooden toys she's selling at Burnaby's annual Heritage Christmas Craft Fair, at the Shadbolt Centre."
- Caption from metadata for 535-1668-2: "Muriel Rogan, of Burnaby, sets up her crocheted angels, at the annual Heritage Christmas Craft Fair, at Shadbolt Centre. Each angel takes two weeks to complete."
- Geographic Access
- Deer Lake Avenue
- Street Address
- 6450 Deer Lake Avenue
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
Images
![Heritage Christmas Craft Fair, [2000] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-1668-1.jpg)
![Heritage Christmas Craft Fair, [2002] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-3005-3.jpg?width=280)
Heritage Christmas Craft Fair
https://search.heritageburnaby.ca/link/archivedescription97731
- Repository
- City of Burnaby Archives
- Date
- [2002]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- File
- Physical Description
- 4 photographs (tiff) : col.
- Scope and Content
- File contains photographs of the annual Heritage Christmas Craft Fair at the Shadbolt Centre. Photographs depict Jo Ann Hall with her crafts for sale and display, and shoppers and vendors during the fair.
- Repository
- City of Burnaby Archives
- Date
- [2002]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 4 photographs (tiff) : col.
- Description Level
- File
- Record No.
- 535-3005
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- File contains photographs of the annual Heritage Christmas Craft Fair at the Shadbolt Centre. Photographs depict Jo Ann Hall with her crafts for sale and display, and shoppers and vendors during the fair.
- Subjects
- Crafts
- Holidays - Christmas
- Events
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a November 2002 issue of the Burnaby NewsLeader
- Caption from metadata for 535-3005-1: "Jo Ann Hall may not have an angel on her shoulder, but she does have one of the floppy Santa dolls she makes and sells every holiday season at craft fairs across the Lower Mainland."
- Caption from metadata for 535-3005-2: "Jo Ann Hall puts the final touches on her display at the annual Christmas Craft Fair at Burnaby's Shadbolt Centre. For her, Christmas is almost a year-round venture, as she begins to prepare for the craft fair season in February."
- Caption from metadata for 535-3005-3: "Burnaby's Heritage Christmas Craft Fair, at the Shadbolt Centre, is one of the larger ones in the area."
- Caption from metadata for 535-3005-4: "Jo Ann Hall packs her entire display onto a single dolly as she prepares for another busy weekend of selling her crafts at Burnaby's Heritage Craft Fair, at the Shadbolt Centre."
- Geographic Access
- Deer Lake Park
- Deer Lake Avenue
- Street Address
- 6450 Deer Lake Avenue
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
Images
![Heritage Christmas Craft Fair, [2002] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-3005-3.jpg)
Interview with Surjeet Kaur Parmar
https://search.heritageburnaby.ca/link/museumdescription19350
- Repository
- Burnaby Village Museum
- Date
- [1905-2022] (interview content), interviewed 6 Dec. 2022
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)
- Scope and Content
- Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Museum Oral Histories series
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)
- Material Details
- Interviewer: Anushay Malik Interviewee: Surjeet Kaur Parmar Language of Interview: Urdu, Hindi and Punjabi Location of Interview: home of Surjeet Kaur Parmar in Burnaby Interview Date: December 6, 2022 Total Number of tracks: 2 Total Length of tracks: (1:15:32) Digital master recordings (wav) were edited into one recording and converted to mp3 for access on Heritage Burnaby
- Scope and Content
- Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and Canada, her personal experiences and her ancestors’ stories as South Asian immigrants, reflections on and personal experiences of racial discrimination as a South Asian immigrant, her places of residence, her employment background, her cultural practices and traditions including food, clothing and craft. The interview begins with introductions from interviewer Anushay Mailik. Surjeet Kaur Parmar imparts her own family’s migration story beginning with her very first elders that immigrated to Canada from India. A relative (unnamed) immigrated to Canada first and a few years later (around 1905) returned to India and brought back three cousins that included; Ginaya Singh (Ghania Singh Manhas) and Doman Singh . Mayo Singh (Ghania Singh’s younger brother) came in 1906 on his own to join them. Surjeet’s grandfather (Shair/Sher Singh Manhas) also wanted to immigrate at this time, but he was too young and weak to manage such a long trip. Surjeet conveys that while living in British Columbia, Mayo and Ginaya Singh worked together at saw mills. With their knowledge and understanding of mill work they ended up owning and operating a mill in Paldi near Duncan on Vancouver Island. At this time, most of the men from Surjeet’s family region in Punjab were abroad and with no men living at home. Mayo Singh’s father (Bhulla Singh) looked after her father (Lashman Singh Manhas) and paternal uncle (Kashmir Singh Manhas) back in Punjab. When Mayo’s father died, Mayo Singh adopted her paternal uncle (Kashmir Singh) and brought him to Canada in 1926. Surjeet describes her ancestors’ immigration journey from India to Canada. They all travelled by ship and if someone ran out of money en route, they could work on the ship. Surjeet explains that both Mayo and Ginaya Singh are Surjeet’s grandfather’s first cousins and her father’s second cousins. Surjeet recollects her grandfather (Shair/Sher Singh Manhas) saying “now that you’ve arrived there, take one cousin from each side with you”. Surjeet explains that the cousins were all from the same village in Punjab and her great grandfather wanted someone to go abroad, so he sent a few and had them bring more as the years went on. Surjeet says that she’s uncertain as to why they chose Canada rather than America but thinks that they did some form of research and determined that it was a good place to come to. Surjeet admits that she doesn’t know the name of her paternal grandfather or other elders since she never met them. Surjeet shares that it was a traditional practice to mark pots and pans with family names and imparts that she discovered her father’s name “Lashman Singh” written on the bottom of a glass. Surjeet expresses that she’s marked her own pots and pans with her name to identify which ones are hers when she gets together with family or does catering. Surjeet refers to a kohl bottle that she has and how she’d like to offer it to the museum. She explains how the kohl bottle is no longer in use but was used by her mother (Budhan Kaur Manhas) and daughter and her grandchildren. Surjeet describes a blanket that she made called a “phulkari”, now on display in a small museum in Coquitlam, a wedding shawl, that her daughter now owns and a silk sari with embroidery. Surjeet and Anushay discuss the possibility of donating the kohl bottle and the sari to the museum. Surjeet explains how the kohl is used and how her mother used to make kohl. She describes how you rub the kohl with your hands, put cardamom in it, one or two other ingredients and fill the kohl bottle up with water. Surjeet says that she used kohl as eyeliner when living in India. The interviewer asks Surjeet more about Ginaya Singh. Surjeet conveys that Ginaya Singh ended up leaving the mill on Vancouver Island and moved to Vancouver. After Ginaya Singh died from a heart attack (in 1953) his family moved from Vancouver to Burnaby. Surjeet recalls that following the death of Ginaya Singh’s youngest son, her family didn’t celebrate “Lohri” (a winter festival celebrating newborns and newly married people) for three years. She shares that she was very young at this time but remembers there being beautiful photographs of young children all dressed up and displayed in her family home. She expresses that dressing up for photos has changed over time and adds that suits didn’t really come into fashion until after the 1970s or 1980s. Surjeet conveys that her uncle named Kashmira Singh first worked at the mill in Paldi near Duncan then moved to Vancouver and opened up his own mill in North Vancouver. Surjeet’s father, Lashman Singh Manhas arrived in 1953. Surjeet expresses that Kapoor Singh was educated and worked as a manager at the mill on Vancouver Island. Surjeet recollects meeting Mayo Singh, his wife and eldest son in 1952 when they travelled to India for a cousin’s wedding. Surjeet remembers that Mayo Singh’s family had a very large house in India. She describes the house as a very opulent two story house with indoor plumbing for a bathtub, a kitchen with a woodstove, coloured mirrors, bejeweled curtains, a motor room to park cars, a buffalo and more. Surjeet refers to Nand Singh, a younger brother of Mayo Singh, who travelled from India to San Franciso and spent a year wandering around before deciding to return to India. She describes him as living in Bombay with his wife Vishan Kaur and having a transport business. Nand had two kids that came to Canada. Surjeet recollects the tragic death of Ganda Singh (Ginaya Singh) who died of a heart attack on someone’s doorstep, they thought that he was drunk so didn’t open the door. Surjeet conveys that Mayo Singh’s wife, Mission Kaur (Saradani Bishan Kaur) died while visiting India (in 1952) and that some of Mayo’s sons were married in Canada and one in India. Surjeet expresses that it was hard for Mayo’s sons to have one of their parents die in India and one die in Canada (Mayo Singh died in B.C. in 1955). Surjeet describes the hospital that Mayo built in the village of Paldi. She mentions that there were festivals and functions that took place there, there were many nurses and doctors. She recalls there being a school where their land was. She recalls that if they got headaches they were treated with medicine and that it didn’t cost much, only a six pence. Surjeet talks about her arranged marriage to Kalwant Singh "Nadeem" Parmar. Surjeet explains that her father and brother immigrated to British Columbia first (1953) and after a few months they brought Surjeet and her mother (Budhan Kaur Manhas). She recollects that when she was in Grade 10 and around 17 years of age, her family made plans to travel to India to attend a family wedding. During this time, her father suggested that it would be a good opportunity to take Surjeet with them to find her a husband in India to marry. After meeting and marrying Nadeem Parmar in India, Surjeet and Nadeem moved to England. Surjeet recollects that in order to immigrate to Canada, each family member had to pass a medical exam and how difficult it was. Her two sisters, mother and brother all had to take the test in Delhi. Surjeet recalls living in England with Nadeem. While living in England, Nadeem worked during the day and studied engineering at college in the evening. Surjeet expresses that she liked living in England and was sad to leave. While living there, they enjoyed a close knit Punjabi community and they all lived in the same area. Surjeet states later in her interview that living in Canada was different from living in England. In England, family and friends lived closer together whereas in Canada places were further apart. Surjeet says that while living in England she could walk to do her shopping. While living in England, after her children were a bit older, she worked as a seamstress in a shirt factory for a few years before coming to Canada. Surjeet imparts that her father (Lashman Singh Manhas) died of a heart attack in 1970 and her mother (Budhan Kaur Manhas) died in 1998. Her father and her family first lived in North Vancouver and then her parents bought a house on Eton Street in Burnaby, near the Ocean. After her father died, her brother and mother bought a house and moved to the Capitol Hill neighbourhood in Burnaby. In 1973, Surjeet, Nadeem and their two children immigrated to Canada and moved in with her brother and mother. Surjeet includes that her paternal aunt (Koshali Kaur Manhas) and cousins also moved to Burnaby and that her aunt and some of her cousins were sponsored by her son who came earlier. Surjeet recalls that after arriving in Canada she got work sewing in a factory located on Water Street in Gastown. Surjeet recollects travelling to her job by bus. Surjeet shares that she brought saris and quilted blankets “rijai”, not household items, in her suitcase when she came to Canada from England. Surjeet explains that the “rijai” (quilted blankets) were made from cotton from her home village in India. The blankets were made by women and then brought back to her to quilt on her sewing machine. Surjeet recalls that when she returned to Canada (in 1973 with her husband and children) they first lived with her mother and brother on Capitol Hill in Burnaby before moving to a house on Fell Avenue and then to their current home in 1982. In 1981, she worked at “Canadian Window Covering” factory making window coverings. The factory was located in the Brentwood area of Burnaby. Surjeet recalls how the factory became unionized and of how she left the factory and found union work at the Labatt’s brewery (Winery and Distillery Workers Local 300). Surjeet describes the work that she did while working at Labatt’s brewery which was located next to the Royal Columbian Hospital in Burnaby. Around 1995, when the Labatt’s factory closed down in Burnaby, she got union work as a bottle sorter for BDL Brewers Distributor Limited, where bottles were gathered for distribution at Braid Station. Surjeet left this job in 2000. Surjeet talks about traditional foods like bindi, sabji, aam and karela and where she’s shopped to find traditional ingredients for South Asian cuisine. She recollects how at first she could only find traditional ingredients at stores in Gastown, Chinatown and on Main Street in Vancouver but now they are more readily available at major grocery stores. Surjeet expresses that traditional spices and dry goods have been hard to find, apart from stores like, Famous Foods and Patels when it was located on Commercial Drive. Surjeet talks about using ingredients such as green pea flour and Besan flour to make pakoras and kahdri. Surjeet states that many immigrants didn’t wear their traditional clothing until she came later. She expresses that many South Asian immigrants didn’t wear their clothes “because there were no rights, we had to try to become like them”. Surjeet conveys that even though some were able to purchase property (she provides an example of family members in Duncan who faced discrimination by the owner/seller of a piece of property they were purchasing) that they had very little rights and they were all living in fear. She expresses that she herself didn’t experience this but in the beginning when people settled here (in B.C.) that it was very difficult. Surjeet says that when she goes to the Gurdwara and to work, she wears a sari and conveys that while working at the factory, she was encouraged to wear a sari, it was accepted then. She brought printed saris to work and her co workers said that they’d wear them to parties. Surjeet reflects on her own experiences of racism and discrimination and expresses that her generation “has learned how to stand up in front, then they got scared of saying anything”. “The people who came here first were afraid because they were alone, they had to settle down here and make a home from scratch, but the ones who came after had everything already built and made”. She explains how they helped one another when they came (to British Columbia). She describes how the Gurdwara was located on 2nd Street and all of the ships went there (new immigrants?), people would gather, get water, help one another and there would be a place for all people. Surjeet shares a personal experience of helping members of her husband’s family to immigrate to Canada. She tells of the complications of some being left behind in India and that some came to Canada as refugees that she and her husband sponsored. Surjeet expresses their struggles with raising a family, working and trying to pay for their own house while also trying to assist and support family members. Surjeet describes in detail how her husband Nadeem went back to India after his mother died to help his father, sister and her family immigrate. She explains that the immigration process took about four years and his father had to apply as a refugee. Nadeem’s sister came with her children but had to return to India so Surjeet and her family had to look after Nadeem’s sister’s child/children. Surjeet expresses that during this time she continued to work at Canadian Window Coverings, working an afternoon shift and sometimes taking her son with her. She expresses that this as a very hectic time, working the whole day, making food for everyone, grocery shopping, looking after a her sister in law’s younger child at night and getting no rest. Surjeet describes the time when she was working and her children were attending the local school. She expresses the challenges of working long days and often arriving home after her children. She recollects a time when there was a snow storm and how she was worried about her children making it home and being alone while she was at work, there were no cell phones in those days but they had phone numbers of her brother and sister. Surjeet tells of how they tried to help the rest of the Nadeem’s family immigrate including his brother who was a soccer player in India. They were able to buy a house for the whole family to live but expresses after several months Nadeem’s brother decided to stay in India. Surjeet expresses the complications and frustrations of trying to bring all family members to Canada.
- History
- Interviewee biography: Surjeet Kaur Parmar was born in Punjab, India in 1942 to parents Lashman Singh Manhas (1913-1970) and Budhan Kaur Manhas (1906-1998). Surjeet’s ancestors, Ghania Singh Manhas, Doman Singh and Mayo Singh immigrated to British Columbia in 1905 and 1906. The group got work in saw mills and soon began owning and operating their own saw mills, first in Chilliwack and Rosedale districts and later in 1920 on Vancouver Island near Duncan (Paldi) (known as the Mayo Lumber Company). In 1927, Surjeet’s paternal uncle, Kashmir Singh Manhas left Paldi, Punjab at the age of 18 years with Mayo Singh Manhas and after months of travel they arrived at Paldi on Vancouver Island. In 1953, Surjeet’s father, Lashman Singh Manhas and her two brothers immigrated to Canada and soon after brought her and her mother, Budhan Kaur Manhas. After immigrating, her father began working at “Kashmir Lumber Company” in North Vancouver which was owned by his brother Kashmira Singh Manhas. Surjeet, her parents and two brothers first made their home in North Vancouver and the 1960s they moved to 3824 Eton Street in Burnaby. In 1959, Surjeet and her family returned to India for her brother’s wedding. During this time a marriage was arranged for Surjeet to marry Nadeem Parmar and they were married in 1960. Following their marriage, Surjeet and Nadeem moved to England where they began raising their two children. While living in England, Surjeet worked as seamstress at a factory. In 1973, following the death of Surjeet’s father who died in 1970, Surjeet and Nadeem decided to immigrate to British Columbia. For the first few years, Surjeet, Nadeem and their two children lived with her mother and brother in the Capitol Hill neighbourhood of Burnaby before purchasing their own home on Fell Avenue. While living in Burnaby Surjeet has worked as a seamstress for Canadian Window Covering, Labatt's Brewery and BDL Brewers Distributor Limited which she left in 2000. In 1982, Surjeet and her family moved into a new home that they had built on Woodsworth Street where they still live today. Interviewer biography: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”.
- Creator
- Burnaby Village Museum
- Subjects
- Buildings - Industrial - Saw Mills
- Clothing
- Crafts
- Employment
- Migration
- Social Issues
- Social Issues - Racism
- Occupations - Labourers
- Occupations - Millworkers
- Persons - South Asian Canadians
- Names
- Parmar, Surjeet Kaur
- Parmar, Kalwant Singh "Nadeem"
- Manhas, Ghania Singh
- Singh, Mayo
- Manhas, Kashmir Singh
- Manhas, Sher Singh
- Manhas, Budhan Kaur
- Manhas, Lashman Singh
- Accession Code
- BV022.29.5
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [1905-2022] (interview content), interviewed 6 Dec. 2022
- Media Type
- Sound Recording
- Related Material
- See also BV022.29.1 - interview with Kalwant Singh "Nadeem" Parmar
- Notes
- Title based on contents of item
- Transcription of interview translated to English from Urdu, Hindi and Punjabi to English created by Rajdeep
- Transciption available on Heritage Burnaby
- Spelling of "Ginaya Singh" found as "Ghania Singh Manhas" in obituary and death certificate
Documents
Audio Tracks
Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022
Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0005_003.mp3![Lisa Janzen, [2001] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2951.jpg?width=280)
Lisa Janzen
https://search.heritageburnaby.ca/link/archivedescription97655
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of Lisa Janzen modelling a hat.
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-2951
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of Lisa Janzen modelling a hat.
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a November 2001 issue of the Burnaby NewsLeader
- Caption from metadata: "Lisa Janzen models one of the "critter caps" she was selling at the annual Burnaby Heritage Christmas Craft Fair at the Shadbolt Centre over the weekend."
Images
![Lisa Janzen, [2001] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2951.jpg)
![North Burnaby Art Walk festival, [2000] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2394.jpg?width=280)
North Burnaby Art Walk festival
https://search.heritageburnaby.ca/link/archivedescription96836
- Repository
- City of Burnaby Archives
- Date
- [2000]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of Margaret Jerome displaying a swan she created with Chinese knotting, as part of a demonstration at the Art Walk festival on Hastings Street in North Burnaby.
- Repository
- City of Burnaby Archives
- Date
- [2000]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-2394
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of Margaret Jerome displaying a swan she created with Chinese knotting, as part of a demonstration at the Art Walk festival on Hastings Street in North Burnaby.
- Subjects
- Crafts
- Events - Festivals
- Persons - Seniors
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a May 2000 issue of the Burnaby NewsLeader
- Caption from metadata: "Margaret Jerome shows off a swan she created with Chinese knotting. She was demonstrating her craft as part of the Art Walk festival on Hastings St. in North Burnaby."
- Geographic Access
- Hastings Street
- Historic Neighbourhood
- Vancouver Heights (Historic Neighbourhood)
- Planning Study Area
- Burnaby Heights Area
Images
![North Burnaby Art Walk festival, [2000] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/535/535-2394.jpg)