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H.T. Ceperley Estate 'Fairacres' Mansion

https://search.heritageburnaby.ca/link/landmark526

Repository: Burnaby Heritage Planning

Description: 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.

Associated Dates: 1911

Formal Recognition: Heritage Designation, Community Heritage Register

Other Names: Henry Tracy & Grace Ceperley Estate; Burnaby Art Gallery

Street View URL: Google Maps Street View

3 images

Repository: Burnaby Heritage Planning

Other Names: Henry Tracy & Grace Ceperley Estate; Burnaby Art Gallery

Geographic Access: Deer Lake Avenue

Associated Dates: 1911

Formal Recognition: Heritage Designation, Community Heritage Register

Enactment Type: Bylaw No. 9807

Enactment Date: 23/11/1992

Description: 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.

Heritage Value: 'Fairacres' is important as a record of the early years of Burnaby, specifically the Deer Lake area, as a place of tranquility and beautiful scenery in which the wealthy and successful in the burgeoning cities of New Westminster and Vancouver chose to retire or to make their family homes. The main house, which anchors in style and setting the outbuildings on the estate, demonstrates the social, cultural, and aesthetic values of local wealthy businessmen and women of the early twentieth century - values such as appreciation of architectural elegance and grand interior spaces, leisure and recreation, formal landscaped gardens and scenic views. Also important is the association with the English-born and trained architect Robert Mackay Fripp (1858-1917), as this was one of his grandest residential commissions. Steeped in the current architectural trends in Great Britain, Fripp designed this sprawling mansion in the Arts and Crafts style, reflected in the architectural detailing and proportions. The style was common at the time and was often used for estate mansions as a symbol of affluence and good, modern taste as well as an affinity for all things British. Quality is displayed inside and out in the finishes and materials, orchestrated by prominent local contractor, James Charles Allen, including imported English materials of specific value such as imported Medmenham tiles in the fireplace surrounds, one of the earliest documented use of these tiles outside the United Kingdom. Detailed features of the interior woodwork were carved by Scottish-born master wood carver George Selkirk Gibson (1867-1942), who was best known for his many commissions for prominent British Columbia architect Samuel Maclure. The outbuildings at 'Fairacres' are an important record of the functioning of a large estate of the time. The Garage and Stables and the Chauffeur’s Cottage accommodated the use of automobiles, horses and carriages, and in concert with the estate's location near the new British Columbia Electric Railway 'Burnaby Lake' interurban line, illustrate the evolving nature of regional transportation and the growing bedroom communities and estates made possible by increasing options for transportation. Other outbuildings accommodated the agricultural activities that helped support the Ceperley estate. The estate was conceived and funded by American-born Grace E. Dixon Ceperley (1863-1917), who had achieved significant wealth through a bequest from her brother-in-law, Vancouver pioneer Arthur Ferguson. Her husband, Henry Tracy Ceperley (1850-1929), also American-born, was a successful and well-respected businessman who made a significant contribution to the development of the City of Vancouver. The construction of 'Fairacres' spawned the transformation of the Deer Lake area from a farming community into a preferred location for elite suburban homes. 'Fairacres' is significant to the City of Burnaby as its first civic heritage conservation project. Acquired in 1966 for conversion to Burnaby’s first art gallery, it was dedicated in 1967 to mark Canada’s Centennial of Confederation.

Defining Elements: Key elements that define the heritage character of the ‘Fairacres’ mansion include its: - setting in relation to the gardens, its former market garden, and the vistas to Deer Lake and other grand homes in the area - side gable roof with prominent dormers and cedar shingle cladding - verandah across the eastern (garden) facade, with its view over the landscaped gardens and the distant mountains - porte cochere with its side steps for those arriving by automobile, and central raised step for those alighting from horse-drawn carriages - rich variety of exterior elements that demonstrate the typical Arts and Crafts use of local materials such as cobble stone chimneys and foundations, wide wooden siding and half-timbering - mixture of double-hung and casement wooden-sash windows, many with multi-paned sash - lavish interior spaces, designed for entertaining on a grand scale, including a billiard room with a beamed ceiling and an inglenook fireplace, and generous living and dining rooms arranged off a central hall - quality of the interior materials such as imported Medmenham tiles in fireplace surrounds, window hardware by Hope and Sons, and leaded stained glass - interior wood work including the staircase, and carvings by George Selkirk Gibson - remaining formal Edwardian garden landscape elements, including the cross-axial plan that reflects the relationship of the mansion to its 'outdoor rooms'

Locality: Deer Lake Park

Historic Neighbourhood: Burnaby Lake (Historic Neighbourhood)

Planning Study Area: Douglas-Gilpin Area

Architect: Robert Mackay Fripp

Builder: James Charles Allen; George Selkirk Gibson

Function: Primary Current--Museum; Primary Historic--Estate

Community: Burnaby

Cadastral Identifier: P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536

Boundaries: ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.

Area: 17,065.00

Contributing Resource: Building; Landscape Feature

Ownership: Public (local)

Other Collection: City of Burnaby, Visual Art Collection: Original rendering by R.P.S. Twizell Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Carved dining room panels by G.S. Gibson and other hardware items

Documentation: Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2

Names: Ceperley, Grace; Ceperley, H.T.; Fripp, Robert Mackay; Allen, James Charles; Gibson, George Selkirk

Subjects: Buildings - Heritage; Buildings - Residential - Houses; Buildings - Residential

Street Address: 6344 Deer Lake Avenue

Street View URL: Google Maps Street View

Images

Exterior view of ‘Fairacres’ Mansion, 2013. East elevation. thumbnail

Original rendering by R.P.S. Twizell (East elevation. Drawing). Copyright: City of Burnaby, Visual Art Collection. thumbnail

BBY-6344-Deer-Lake-Av_Mansion_1914-437-001 thumbnail

Interview with Dr. Sadhu Binning

https://search.heritageburnaby.ca/link/museumdescription19348

Repository: Burnaby Village Museum

Date: [1931-2022] (interview content), interviewed 25 Nov. 2022

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 3 sound recordings (wav) (75 min., 56 sec.) + 1 sound recording (mp3) (75 min., 57 sec.)

Scope and Content: Item consists of an oral history interview with Dr. Sadhu Binning conducted by Anushay Malik with assistance from Burnaby Village Museum Assistant Curator, Kate Petrusa. The interview opens with introductions and how the content of the interview can be drawn on by Burnaby Village Museum for future …

1 document 1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: South Asian Canadian Interviews subseries

Description Level: Item

Physical Description: 3 sound recordings (wav) (75 min., 56 sec.) + 1 sound recording (mp3) (75 min., 57 sec.)

Material Details: Interviewer: Anushay Malik Co Interviewer and technical support: Kate Petrusa Interviewee: Dr. Sadhu Binning Location of Interview: Love farmhouse at Burnaby Village Museum Interview Date: November 25, 2022 Total Number of tracks: 3 Total Length of all Tracks: (1:15:57) Digital master recordings (wav) were recorded onto three separate audio tracks, edited and merged together and converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of an oral history interview with Dr. Sadhu Binning conducted by Anushay Malik with assistance from Burnaby Village Museum Assistant Curator, Kate Petrusa. The interview opens with introductions and how the content of the interview can be drawn on by Burnaby Village Museum for future exhibits and for researchers to learn more about the history of the South Asian community in Burnaby. During the interview, Dr. Binning shares his ancestral background along with his relatives' and his own personal experiences as a South Asian immigrant living and working in British Columbia and Burnaby. Dr. Binning conveys that he’s a Burnaby resident who’s lived in Burnaby since 1973 and that his children were born here. Binning shares his ancestral heritage beginning with his uncle Dhana Singh who emigrated from Punjab to British Columbia in 1931 and began working in the forest industry. He explains how Dhana Singh and another partner owned, operated and worked in small sawmills in the vicinity of Kamloops, Williams Lake and also on Vancouver Island. Binning conveys that in the beginning Dhana Singh and many other South Asian immigrants were not legal residents until 1938. In 1938, about 350 South Asian immigrants (mainly Punjabi) gathered resources to hire a lawyer to obtain permanent residency. Binning mentions that one of the notable South Asians in the group who was also a close friend of his uncle, was Darshan Singh Sangha, a trade unionist who was a founding member of the International Woodworkers of America (IWA) union and an active member of the Communist Party of Canada. Binning conveys how Darshan Singh Sangha returned to India in 1947 to be a part of the revolution, how he was very active in the communist movement in India. While in India, Darshan Singh Sangha, was known as Canadian and thereby adopted “Canadian” as his surname, becoming “Darshan Singh Canadian”. Binning further explains that his uncle Dhana Singh Sangha returned to India in 1951, married and came back to B.C. in 1957 bringing with him, his wife and children. In 1960, with the support of his uncle, Binning’s father, Jit Singh Binning immigrated to British Columbia and began working in sawmills in the lower mainland, Kamloops, Quesnel and on Vancouver Island. Binning clarifies that his uncle, Dhana Singh was able to immigrate to Canada with the support of his cousins from the Tarker Singh Bains family. Binning further describes Darshan Singh Sangha’s involvement with the Communist party and the IWA and how the majority of the members were from the forest industry. As an active and prominent member of the labour movement, Darshan Singh Sangha fought for the rights of South Asians and Chinese who working in the industry and facing racism, unfair wages and discriminatory practices. Binning describes how Darshan Singh Sangha wrote a book in English in 1943, titled “Rise of the New Asia”. Binning conveys how immigrants of Chinese and South Asian decent didn’t have the right to vote in British Columbia and how Darshan Singh Sangha was instrumental in obtaining the right to vote in British Columbia, although he was never given the credit. Binning describes his uncle Dhana Singh as a likeable guy with many friends, first living in Kamloops before moving to Vancouver. Binning imparts how the sport of wrestling is a popular Punjabi sport along with Punjabi kabaddi. He conveys that his uncle became involved in wrestling while working in sawmills. South Asian immigrants had to do physical labour working in sawmills, the work could be tough and could often lead to physical fights. A number of South Asian immigrants working in the mills already had experience as wrestlers from back home. Dhana Singh later left the lumber industry to work in the agriculture sector. Binning explains how immigration rules changed in the 1960s which lead to larger numbers of South Asians immigrating to Canada. Many of these new immigrants were educated and politically conscious. All of these new immigrants faced racism but being politically conscious from an independent India and with the ability to speak English they organized themselves to fight for their rights. Binning imagines the items that his uncle and his father may have brought with them in their suitcase when immigrating to Canada. Binning describes three items, including a rajai (a blanket with cotton inside that is sewn together), a bistra (small attaché case or trunk) and a piece of cloth to lie on. Binning further describes the roles in Indian society as caste divisions and that it was usually women’s work in making the rajais. Binning recollects the locations that his father and his family lived after coming to Vancouver. Binning explains that a few years after living together in Vancouver, he and his family moved to Burnaby in 1973 to be closer to his Dr. Binning’s wife, Jagdish Binning’s family. Dr. Binning and family lived in a house in Burnaby located on Irmin Street near Royal Oak between 1973 and 1987. While living at this house their children attended McPherson Park Junior High School and later Burnaby South Secondary School. Binning reflects on some of the racism that he and his family have faced while living in Burnaby which led him to write a poem that he published in 1994 titled “No More Watno Dur”. Binning explains the meaning of the title “Watan” meaning “country and everybody” “a country far way from the motherland”. Binning explains the origins of the magazine “Watan” that was started by a friend in 1973. The magazine got its roots in Vancouver in 1973 from an organization called the “Punjabi Literary Association”. Binning became the editor of the magazine in 1976 and his friend joined him as assistant editor in 1978. Binning continued to work as editor until 1983 or 1984 when he returned to school to complete his Bachelor’s degree and Master’s degree. Binning describes the origins of the “Vancouver Sath” that was formed by a small group of South Asians around 1982. Binning was a founding member of the organization and held meetings and rehearsals at his house in Burnaby. Vancouver Sath first started out as an informal discussion forum by a group of politically conscious Punjabi writers and activists. Binning talks about issues and problems that Vancouver Sath addressed including; racism as well as domestic violence in the South Asian community. Binning explains how he and Sukhwant Hundal wrote articles on these issues and others that were happening in the South Asian community in Canada. Binning talks about how in 1983, the group was inspired to begin performing theatrical works after consulting with Gursharan Singh who was from a well known theatrical group from Punjab who were performing in Vancouver. In the beginning the Vancouver Sath’s plays were focused on the problems in Punjab but they soon decided to address social issues in their own South Asian community here in Canada. Binning summarizes and draws attention to, some of the plays that Vancouver Sath has written and performed including; “Picket Line”, about Punjabi women farmworkers’ rights; “Lattan de Bhoot”, about domestic abuse; “A Crop of Poison”; “Kihda Viah” (English translation- “Whose Marriage”) about arranged marriage and others about social issues in the South Asian community. The plays were performed in public schools and community centres in Vancouver and Richmond, Simon Fraser University and some were also performed in Toronto, Calgary and Williams Lake. Binning mentions some of the traditional foods that he likes to eat and where he and his family have shopped to find ingredients. He recalls how his mother, Gurmaje Kaur Binning did all of the cooking and was often cooking all day long. In the sixties, the Binning family address on 13th Avenue in Vancouver was also used as a postal address for many friends and family who’d recently immigrated. When these friends dropped by to pick up their mail, his mother often provided them with tea and food. After Binning and his wife, Jagdish moved to their own home in 1973, he shared in some of the shopping and cooking but his wife did the majority of the work due to his busy schedule. The interview closes with Binning providing an explanation of how “Watno Dur” magazine changed it’s name to “Watan” magazine. Binning reflects on how this came to be, when he made the decision to get an education in Canada and to stay here, not just as a “Canadian” but as a “Punjabi Canadian.

History: Interviewee biography: Dr. Sadhu Binning was born on May 10, 1947 to mother Gurmej Kaur and father Jeet Singh Binning. Due to lack of proper records management in India at the time of his birth, it is believed that he was actually born sometime in December of 1947. He grew up alongside two brothers and one sister in a village located in Kapurthala, Punjab. Dr. Binning attended secondary school in the nearby city of Phagwara, Punjab although he did not complete his education here. Throughout his childhood, he enjoyed reading both Punjabi and Hindi novels and learned how to read Urdu as well. Dr. Binning’s uncle, Dhana Singh immigrated to Canada in 1933 and returned to India in 1953. When Dhana Singh returned to Canada in 1957, he sponsored Dr. Binning’s father, Jeet Singh Binning to immigrate. Dhana Singh co-owned a few saw mills in British Columbia and also worked in the truck driving industry. Dr. Binning remembers that some people who had lived in Canada would visit their village and that they appeared to be strong and healthy and looked happy. He also noticed that they would eat meat, so whenever they would visit there would be meat available. In 1967, when he was nineteen and a half years old, Dr. Binning immigrated Canada to join his father. He recalls his father and uncle and a friend arriving at the airport to pick him up. During his first few days, Dr. Binning made the decision to remove his turban and beard upon receiving advice from his uncle. Dr. Binning first obtained work on a farm in Abbotsford, working alongside his mother. While working, Dr. Binning also attended English classes in Vancouver. Dr. Binning’s Uncle Dhana Singh worked in a Vancouver saw mill and tried to help find work for his nephew but was unsuccessful. Dr. Binning soon found work at a saw mill in Avola and worked there until the end of the summer until a friend helped find him work in a saw mill in North Vancouver. During his free time, he enjoyed camping with friends. In 1970, Dr. Binning left the saw mill after obtaining a job at the post office. The post office offered lower wages than working at the mill but Dr. Binning believed that he would become more educated working here. While working as a postman, Dr. Binning recalls facing a lot of discrimination and racism and was often referred to as a ‘Paki’ multiple times a day. In 1973, Dr. Binning married Jagish Sihota. Sadhu and Jagdish originated from nearby villages in India and met each other in Canada. Dr. Binning’s wife, Jagdish worked at the Royal Bank of Canada for thirty years until her retirement. While working, she also looked after the household and their son and daughter. Jagdish also handwrote a magazine, “Watno Dur’ (English translation: ‘away from homeland’) which was distributed in the community. In 1976, Dr. Binning became the editor of the magazine and the name was later changed to “Watan’ as they had accepted their new homeland of Canada. While working at the post office, Dr. Binning also attended night school starting in eighth grade. After receiving his high school diploma, he was accepted to Simon Fraser University and earned a Bachelor of Arts degree with a double major in Anthropology and Sociology and in 1986 he obtained a Masters degree from Simon Fraser University. While attending university, Dr. Binning was very active within the community and wanted to work to improve society. He first thought that he would return to India to contribute and improve rights in his homeland but upon seeing the prevalence of the movements in Canada, he realized that work needed to be done here too. In 1983, Dr. Binning became a founding member and contributor to a theatrical collective known as “Vancouver Sath”. The theatrical group produced plays that represented societal issues and were invited to perform at multiple conferences throughout British Columbia and Canada. The group focused and acknowledged the many issues in Punjab and in Canada. One of the plays that the group produced focused on the exploitation of Punjabi women who worked on farms in Canada. Dr. Binning continued to be involved as an integral member of Vancouver Sath until 1995. Over the years, Dr. Binning has strongly lobbied for Punjabi language education and between 1988 and 2008 he worked as Punjabi instructor at the University of British Columbia. He first worked as a teaching assistant at UBC under Dr. Harjot Oberoi and due to low wages, he simultaneously worked at the Post Office. In 2019, Dr. Binning received an Honorary Doctor of Letters from UBC in recognition of his work. Since 1973, Dr. Binning has lived in Burnaby and has resided in the same home that he and his wife Jagdish purchased in 1987. In his free time, he enjoys cycling, watercolour painting, travelling abroad and going on road trips. Interviewer biography: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”.