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H.T. Ceperley Estate 'Fairacres' Mansion
https://search.heritageburnaby.ca/link/landmark526
- Repository
- Burnaby Heritage Planning
- Description
- 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
- Associated Dates
- 1911
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Henry Tracy & Grace Ceperley Estate
- Burnaby Art Gallery
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Henry Tracy & Grace Ceperley Estate
- Burnaby Art Gallery
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1911
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
- Heritage Value
- 'Fairacres' is important as a record of the early years of Burnaby, specifically the Deer Lake area, as a place of tranquility and beautiful scenery in which the wealthy and successful in the burgeoning cities of New Westminster and Vancouver chose to retire or to make their family homes. The main house, which anchors in style and setting the outbuildings on the estate, demonstrates the social, cultural, and aesthetic values of local wealthy businessmen and women of the early twentieth century - values such as appreciation of architectural elegance and grand interior spaces, leisure and recreation, formal landscaped gardens and scenic views. Also important is the association with the English-born and trained architect Robert Mackay Fripp (1858-1917), as this was one of his grandest residential commissions. Steeped in the current architectural trends in Great Britain, Fripp designed this sprawling mansion in the Arts and Crafts style, reflected in the architectural detailing and proportions. The style was common at the time and was often used for estate mansions as a symbol of affluence and good, modern taste as well as an affinity for all things British. Quality is displayed inside and out in the finishes and materials, orchestrated by prominent local contractor, James Charles Allen, including imported English materials of specific value such as imported Medmenham tiles in the fireplace surrounds, one of the earliest documented use of these tiles outside the United Kingdom. Detailed features of the interior woodwork were carved by Scottish-born master wood carver George Selkirk Gibson (1867-1942), who was best known for his many commissions for prominent British Columbia architect Samuel Maclure. The outbuildings at 'Fairacres' are an important record of the functioning of a large estate of the time. The Garage and Stables and the Chauffeur’s Cottage accommodated the use of automobiles, horses and carriages, and in concert with the estate's location near the new British Columbia Electric Railway 'Burnaby Lake' interurban line, illustrate the evolving nature of regional transportation and the growing bedroom communities and estates made possible by increasing options for transportation. Other outbuildings accommodated the agricultural activities that helped support the Ceperley estate. The estate was conceived and funded by American-born Grace E. Dixon Ceperley (1863-1917), who had achieved significant wealth through a bequest from her brother-in-law, Vancouver pioneer Arthur Ferguson. Her husband, Henry Tracy Ceperley (1850-1929), also American-born, was a successful and well-respected businessman who made a significant contribution to the development of the City of Vancouver. The construction of 'Fairacres' spawned the transformation of the Deer Lake area from a farming community into a preferred location for elite suburban homes. 'Fairacres' is significant to the City of Burnaby as its first civic heritage conservation project. Acquired in 1966 for conversion to Burnaby’s first art gallery, it was dedicated in 1967 to mark Canada’s Centennial of Confederation.
- Defining Elements
- Key elements that define the heritage character of the ‘Fairacres’ mansion include its: - setting in relation to the gardens, its former market garden, and the vistas to Deer Lake and other grand homes in the area - side gable roof with prominent dormers and cedar shingle cladding - verandah across the eastern (garden) facade, with its view over the landscaped gardens and the distant mountains - porte cochere with its side steps for those arriving by automobile, and central raised step for those alighting from horse-drawn carriages - rich variety of exterior elements that demonstrate the typical Arts and Crafts use of local materials such as cobble stone chimneys and foundations, wide wooden siding and half-timbering - mixture of double-hung and casement wooden-sash windows, many with multi-paned sash - lavish interior spaces, designed for entertaining on a grand scale, including a billiard room with a beamed ceiling and an inglenook fireplace, and generous living and dining rooms arranged off a central hall - quality of the interior materials such as imported Medmenham tiles in fireplace surrounds, window hardware by Hope and Sons, and leaded stained glass - interior wood work including the staircase, and carvings by George Selkirk Gibson - remaining formal Edwardian garden landscape elements, including the cross-axial plan that reflects the relationship of the mansion to its 'outdoor rooms'
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Current--Museum
- Primary Historic--Estate
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- City of Burnaby, Visual Art Collection: Original rendering by R.P.S. Twizell Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Carved dining room panels by G.S. Gibson and other hardware items
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Names
- Ceperley, Grace
- Ceperley, H.T.
- Fripp, Robert Mackay
- Allen, James Charles
- Gibson, George Selkirk
- Street Address
- 6344 Deer Lake Avenue
- Street View URL
- Google Maps Street View
Images
Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 9
https://search.heritageburnaby.ca/link/oralhistory524
- Repository
- City of Burnaby Archives
- Date Range
- 1980-1990
- Length
- 00:19:08
- Summary
- This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby’s sister-city Kushiro’s gift of Toko’s sculptures to Burnaby for the Centennial. She also describes Toko’s appreciation of the Haida totems and the native people of BC, and his gift of a set of carving tools to Chief Saul Terry
- Date Range
- 1980-1990
- Length
- 00:19:08
- Subjects
- Celebrations - Centennial
- Indigenous wood-carving - Totem poles
- Woodworking Tools and Equipment
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track nine of interview with Toki Miyashita
Track nine of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_9.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 10
https://search.heritageburnaby.ca/link/oralhistory525
- Repository
- City of Burnaby Archives
- Date Range
- 1989-1990
- Length
- 00:06:41
- Summary
- This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics
- Date Range
- 1989-1990
- Length
- 00:06:41
- Subjects
- Celebrations - Centennial
- Ceremonial Artifacts - Totem Poles
- Woodworking Tools and Equipment
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track ten of interview with Toki Miyashita
Track ten of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_10.mp3poster
https://search.heritageburnaby.ca/link/museumartifact91034
- Repository
- Burnaby Village Museum
- Accession Code
- BV020.5.1683
- Description
- Poster; brown ink printed on beige paper; printed text reads, from top to bottom: "PROGRAMME / A Burnaby celebration marking the official opening of / BRITISH COLUMBIA SPRING FESTIVAL '75, / a programme of the Community Recreation Branch, Department of Travel Industry / CENTURY PARK / Thursday, May 15, 11 am - 4 pm / Hosted by His Worship, Mayor Tom Constable and the Corporation of the District of Burnaby / Organized by the Burnaby Arts Council, the Burnaby Art Gallery, Heritage Village Directorate, Burnaby Parks and Recreation / Department and their affiliate member organizations in conjunction with the British Columbia Festival..."; text below lists events taking place at various locations including: Heritage Village, James Cowan Theatre, Burnaby Art Gallery, Outdoor Stage, Sports Demonstrations, Deer Lake and Upper Field Near Art Gallery; a series of ten rectangular icons along the bottom edge of the Poster depict: sporting events, singing, music and crafts; text underneath reads: "printed at Heritage Village"; image of Heritage Village bandstand in top left corner.
- Object History
- Part of the Century Park Museum Association and Heritage Village (Burnaby Village Museum) ephemera collection. Heritage Village/Burnaby Village Museum was under the governance of CPMA from 1971 to 1989. Printed in Heritage Village print shop.
- Category
- 08. Communication Artifacts
- Classification
- Advertising Media
- Object Term
- Poster
- Colour
- Brown
- Beige
- Measurements
- 43.5 cm x 28 cm
- Maker
- Heritage Village
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
- Subjects
- Documentary Artifacts - Posters
Images
poster
https://search.heritageburnaby.ca/link/museumartifact91030
- Repository
- Burnaby Village Museum
- Accession Code
- BV020.5.1677
- Description
- Poster; blue ink printed on orange cardstock; printed text reads, from top to bottom: "FIRST / SUNDAY / IN BURNABY / A Continuing Programme of / Exhibits, Special Events, Tours / Activities and Craft Market / on the Afternoon of the First Sunday of Each Month / CENTURY PARK / Burnaby Arts Centre_Burnaby Art Gallery / Heritage Village / CANADA WAY AND GILPIN / printed at Heritage Village_Burnaby. B.C."; historical illustration in centre of Poster depicts a man tipping his hat to two women in long dresses, both the women and the man have spoked wheels strapped to their legs like roller skates.
- Object History
- Part of the Century Park Museum Association and Heritage Village (Burnaby Village Museum) ephemera collection. Heritage Village/Burnaby Village Museum was under the governance of CPMA from 1971 to 1989. Printed in Heritage Village print shop.
- Category
- 08. Communication Artifacts
- Classification
- Advertising Media
- Object Term
- Poster
- Colour
- Orange
- Blue
- Measurements
- 45.5 cm x 30.3 cm
- Maker
- Heritage Village
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
- Subjects
- Documentary Artifacts - Posters
Images
program
https://search.heritageburnaby.ca/link/museumartifact91038
- Repository
- Burnaby Village Museum
- Accession Code
- BV020.5.1686
- Description
- Program; black ink on orange paper; text in black reads: "LABOUR DAY / Programme / 11:30-12:00 DELLA CHARTERS PLAYING PIANO / 12:00-2:00 ARRIVAL OF STUDEBAKER CAR CLUB / 12:00-4:00 CORN ON THE COB FEAST / 1:00-4:00 CRAFT DISPLAY BY CONFEDERATION / VILLAGERS OUTREACH GROUP / 1:00-3:00 SPIKE DRIVING, CROSS CUT SAW / 1:00-3:00 GREASED POLE CLIMBING / 2:00-3:00 DELLA CHARTERS PLAYING PIANO / 2:00-4:00 HORSE SHOE PITCHING / Heritage Village, Burnaby, B.C."
- Object History
- Programme was created by Heritage Village Print Shop and used at Heritage Village in the 1979.
- Category
- 08. Communication Artifacts
- Classification
- Documentary Artifacts - - Other Documents
- Object Term
- Program
- Colour
- Orange
- Black
- Measurements
- 28 cm x 21.5 cm
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby