Narrow Results By
Decade
- 2020s 55
- 2010s 85
- 2000s 157
- 1990s 258
- 1980s 460
- 1970s 427
- 1960s 158
- 1950s 82
- 1940s 55
- 1930s 71
- 1920s 95
- 1910s 86
- 1900s
- 1890s
- 1880s 12
- 1870s 1
- 1860s 1
- 1850s 1
- 1840s 1
- 1830s 1
- 1820s 1
- 1810s 1
- 1800s 1
- 1790s 1
- 1780s 1
- 1770s 1
- 1760s 1
- 1750s 1
- 1740s 1
- 1730s 1
- 1720s 1
- 1710s 1
- 1700s 1
- 1690s 1
- 1680s 1
- 1670s 1
- 1660s 1
- 1650s 1
- 1640s 1
- 1630s 1
- 1620s 1
- 1610s 1
- 1600s 1
Subject
- Agriculture - Fruit and Berries 2
- Arts - Drawings 2
- Arts - Paintings 1
- Building Components 1
- Buildings - Agricultural 3
- Buildings - Agricultural - Greenhouses 2
- Buildings - Commercial - Grocery Stores 1
- Buildings - Heritage 3
- Buildings - Industrial - Factories 1
- Buildings - Industrial - Saw Mills 1
- Buildings - Public - Detention Facilities 1
- Buildings - Residential 1
Creator
- Alexander, William John, 1855-1944 1
- Alymer-Small, Sidney 1
- Baldwin, Joseph, 1827-1899 1
- Burnaby Art Gallery 1
- Burnaby Village Museum 1
- Buxton, George Searby 1
- Buxton, Leopold George 1
- Cameron, J. C. (James Chalmers), 1852-1912 2
- Cary, Ferdinand Ellsworth, 1848- 1
- Cecil Croker Fox 1
- Cody, Sherwin, 1868-1959 1
- Conrad, Joseph, 1857-1924 1
H.T. Ceperley Estate 'Fairacres' Steam Plant Building
https://search.heritageburnaby.ca/link/landmark528
- Repository
- Burnaby Heritage Planning
- Description
- Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the fo…
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the foundation for the greenhouses stand adjacent. The Steam Plant Building stands as a pendant to the Root House, which is to the north of the former greenhouses.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Ceperleys operated 'Fairacres' with staff, a farm manager and workers, including Chinese, to grow produce for themselves and for sale at local markets. The Steam Plant Building illustrates the market gardening activity of the area around Deer Lake and its importance to the Ceperley family, which valued a year-round supply of fresh fruit and vegetables for the kitchen and flowers for the house. It also illustrates the cultural and aesthetic values of the Ceperleys in retaining an architect to design a functional outbuilding using an accepted and contemporary architectural style. Built in 1908, the Steam Plant Building was significantly altered in the 1960s and restored to its original design in 2000.
- Defining Elements
- Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its: - overall spatial arrangement of the Steam Plant Building in relation to the former greenhouses and the Root House - side gable roof with cedar shingle cladding. - tall brick chimney indicitive of the building's original function. - distinctive Arts and Crafts architectural features such as the shingle wall cladding with decorative shingling under window sills, deep eaves, and pebble-dashed concrete foundation walls - six-paned wooden-sash casement windows - simple functional interior features - rubble stone walls that formed the foundation for the greenhouses
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
Overlynn Mansion
https://search.heritageburnaby.ca/link/landmark520
- Repository
- Burnaby Heritage Planning
- Description
- Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone wall…
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Charles J. Peter Mansion
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Charles J. Peter Mansion
- Geographic Access
- McGill Street
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 10211
- Enactment Date
- 18/09/1995
- Description
- Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone walls and planted terraces. It is situated in the residential neighbourhood of Vancouver Heights, on a high point of land overlooking Burrard Inlet to the west and the mouth of Lynn Creek to the east. This prominent residence is now part of a large senior citizens development known as Seton Villa.
- Heritage Value
- Overlynn Mansion is valued as a superb example of the work of the noted architectural firm of Maclure and Fox. The architecture of Samuel Maclure (1860-1929) was synonymous with high quality residential design for prominent citizens in both Vancouver and Victoria. Maclure was known for his British Arts and Crafts style with meticulous attention paid to functional and beautiful interiors that utilized native wood combined with luxurious imported fittings. He was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. Maclure’s Vancouver office, in association with his partner Cecil Croker Fox (1879-1916), received some sixty residential commissions between 1909-1915 as a result of the booming local economy and subsequent development of new residential districts. Maclure’s practice in Victoria was equally prolific at the time. Overlynn Mansion is valued as one of Burnaby’s oldest upper-class estates and for its association with the development of Vancouver Heights. In 1909, C.J. Peter and his employer, G.F. and J. Galt Limited, pioneered the development of Vancouver Heights in North Burnaby, believing it to be one of the most picturesque districts in area and an alternative to the CPR’s prestigious Shaughnessy Heights development in Vancouver. Buyers were obligated to build houses worth $3,500 at a time when the average house price was $1,000. Overlynn Mansion, built in 1909 for $75,000, was one of the first houses constructed in Vancouver Heights and by far the most grandiose and impressive. Additionally, this landmark residence is significant and an intact and comprehensive representation of a grand Edwardian era estate home. The interior is notably intact, and retains many highly-refined original features, including substantive millwork of exotic woods, silver-plated and nickel-plated light fixtures, fine plasterwork, tiled fireplaces and exceptional hardware. Landscape features of Overlynn Mansion include the original layout for circulation paths, a porte-cochere, granite posts and stone walls, a sandstone and iron sundial, and mature trees and shrubbery. The house was designated by Burnaby Council in 1995 and was the first heritage building in B.C. to receive legal protection for its interior features.
- Defining Elements
- Key elements that define the heritage character of Overlynn Mansion include its: - prominent corner location on a steep sloping site in the Vancouver Heights neighbourhood - views to Burrard Inlet and the North Shore mountains - residential form, scale and massing as exemplified by its grand two-storey plus basement height and irregular plan - British Arts and Crafts elements such as the rubble-stone granite masonry on the ground floor and foundation level, and decorative half-timbering and rough-cast stucco on the upper storey - compound hipped bell-cast roof, clad with cedar shingles, with shed dormers at the rear - subtle battering of ground floor and foundation level stonework - porte-cochere with hipped roof and battered granite piers - wood-clad projecting bay extensions - irregular fenestration: double-hung 6-over-1 wooden-sash windows; multi-pane casement wooden windows with multi-pane transoms; diamond leaded casement windows; and banks of stained glass windows - five tall rubble-stone granite block stone chimneys - interior features such as the oak, cedar and Yaka (Australian mahogany) panelled walls, oak panelling and staircase walls inlaid with ebony, ivory and brass, stenciled canvas friezes, wooden dadoes and plaster walls, encaustic floor tiles, Australian gumwood floors, oak panelled doors with art glass, oak beamed ceiling with stucco panels, cast plaster vaulted hall and living room ceilings, sterling silver light fixtures including a chandelier and scones, nickel-plated newel light, brass Art Nouveau styled ceiling light, brass stair carpet poles and locks, built-in bookcases and buffet, fireplace with encaustic tiles and fire dogs, imported Medmenham fireplace tiles (the earliest known use outside of the United Kingdom), fireplace mantel with green tile and cast iron firebox, and inglenook fireplace with encaustic tiles and carved mantel and brass fireplace insert - landscape features such as the granite gate posts and iron entrance gate, granite posts and iron fence, granite garden wall, sandstone garden steps, sandstone and iron sundial, granite and concrete terraces adjacent to the house, configuration of pathways and sandstone steps including the front access road, mature deciduous and coniferous tree stock including a Monkey Puzzle Tree and pruned shrubbery throughout the site
- Historic Neighbourhood
- Vancouver Heights (Historic Neighbourhood)
- Planning Study Area
- Burnaby Heights Area
- Organization
- G.F. and J. Galt Limited
- Architect
- Samuel Maclure
- Cecil Croker Fox
- Function
- Primary Historic--Estate
- Primary Current--Multiple Dwelling
- Community
- Burnaby
- Cadastral Identifier
- 004-943-295
- Boundaries
- Overlynn Mansion is a part of a single institutional lot located at 3755 McGill Street, Burnaby.
- Area
- 7912.77
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 3755 McGill Street
- Street View URL
- Google Maps Street View
Images
Duncan & Margaret McGregor Estate 'Glen-Lyon' Mansion
https://search.heritageburnaby.ca/link/landmark518
- Repository
- Burnaby Heritage Planning
- Description
- Overlooking the rich farmland of the Fraser River floodplain, 'Glen-Lyon' is an Edwardian era rural estate, with a tall, two and one-half storey plus basement wood-frame mansion, set in a pastoral and formal landscape with an associated barn and early log pond, located near a ravine and forested ar…
- Associated Dates
- 1902
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Marine Drive
- Associated Dates
- 1902
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 12183
- Enactment Date
- 11/12/2006
- Description
- Overlooking the rich farmland of the Fraser River floodplain, 'Glen-Lyon' is an Edwardian era rural estate, with a tall, two and one-half storey plus basement wood-frame mansion, set in a pastoral and formal landscape with an associated barn and early log pond, located near a ravine and forested area adjacent to Marine Drive in South Burnaby.
- Heritage Value
- ‘Glen-Lyon’ is valued as an excellent example of a privately-owned Edwardian era country estate built at the turn of the nineteenth century. The property retains significant heritage features including the Edwardian era mansion with rustic Arts and Crafts features, and elements of a working agricultural landscape. The property was originally the Royal City Mills logging camp, and in 1900 was purchased by Duncan Campbell McGregor (1853-1929) and Margaret Jane McGregor (1875-1960), who named their estate ‘Glen-Lyon’ after Duncan McGregor’s birthplace in Perthshire, Scotland. The McGregors were active in municipal affairs and social activities, and played a significant role in the early development of Burnaby. Duncan McGregor served as a city councillor from 1909 to 1912 and was elected reeve of Burnaby in 1913. Margaret McGregor was instrumental in the formation and fundraising activities of the Victoria Order of Nurses in Burnaby. Additionally, the site is historically significant for its association with early social welfare and correctional reform. The estate was sold in 1926 to an inter-denominational religious organization called the Home of the Friendless, which used it as their B.C. headquarters. The organization was charged with several cases of abuse and neglect in 1937, after which a Royal Commission was formed that led to new legislation to regulate and license all private welfare institutions. 'Glen-Lyon' was sold to the provincial government, and was dedicated in 1939 by the Lt.-Gov. E.W. Hamber for use as the New Haven Borstal Home for Boys and Youthful Offenders (later renamed the New Haven Correction Centre). The Borstal movement originated in England in the late nineteenth century, as an alternative to sending young offenders and runaways to prisons by providing reformatories that focused on discipline and vocational skill. This site’s role as the first North American institution devoted to the Borstal School philosophy was historic, and influenced corrections programs across Canada. The site retains significant features from its development in 1939 as the Borstal School, including a large gambrel-roofed barn designed by Chief Provincial Architect Henry Whittaker of the Department of Public Works that is the only remaining structure of its kind in Burnaby. Between 1941 and 1945 the mansion housed the Provincial School for the Deaf and Blind when the Borstal School was closed temporarily as a war measure during the Second World War.
- Defining Elements
- Key elements that define the heritage character of 'Glen-Lyon' Mansion include its: - location on a sloping site with expansive southern exposure, adjacent to Marine Drive - residential form, scale and massing of the house as exemplified by its two and one-half storey height, above-ground basement and rectangular plan - Arts and Crafts elements of the house such as its stone foundation, multi-gabled roof line with steep central hipped roof, symmetrical cross-gables, side shed dormers, bellcast upper walls sheathed in cedar shingles and lower walls sheathed in narrow clapboard - original exterior features of the house such as the full width front verandah with square columns, central staircase on the southern elevation, original doors and stained glass windows; and the irregular fenestration such as double-hung 1-over-1 wooden-sash windows, bay windows, and projecting windows in the gable ends - original interior features of the house such as the U-shaped main stair designed around two symmetrically placed Ionic columns, and interior trim on the main floor including boxed beams and fireplaces - gambrel-roofed barn with roof vent with finial, sliding hay loft and access doors, small multi-pane windows, and lapped wooden siding - associated landscape features such as the original garden plantings with some exotic and many native specimen trees; the original log pond and its concrete Marine Drive causeway and culvert; rockeries and a rose garden
- Historic Neighbourhood
- Fraser Arm (Historic Neighbourhood)
- Planning Study Area
- Big Bend Area
- Architect
- Henry Whittaker
- Function
- Primary Historic--Estate
- Community
- Burnaby
- Cadastral Identifier
- 003-004-661
- Boundaries
- 'Glen-Lyon' is comprised of a single residential lot located at 4250 Marine Drive, Burnaby.
- Area
- 230873.18
- Contributing Resource
- Building
- Ownership
- Private
- Names
- McGregor, Duncan C. (1853-1929)
- Whittaker, Henry
- Home of the Friendless
- Borstal School
- New Haven Correction Centre
- Subjects
- Buildings - Heritage
- Buildings - Residential - Houses
- Buildings - Public - Detention Facilities
- Buildings - Residential
- Street Address
- 4250 Marine Drive
- Street View URL
- Google Maps Street View
Images
H.T. Ceperley Estate 'Fairacres' Greenhouse Foundation Wall
https://search.heritageburnaby.ca/link/landmark862
- Repository
- Burnaby Heritage Planning
- Description
- The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 140665
- Enactment Date
- 23/11/1992
- Description
- The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate, which was designed as a country estate with a working farm that included over 10 acres of productive berry and vegetable fields, with a large kitchen garden, a root house to store food, an orchard, and greenhouses heated by steam. The agricultural potential of the Deer Lake area made it one of the first parts of the municipality to attract settlement. In 1909, the Ceperleys built three large greenhouses heated by an adjacent steam plant (Fairacres Steam Plant). The greenhouses featured granite foundation walls, including this one which remains intact. The Ceperleys employed a large staff to manage the estate's agricultural production, including Chinese farm labourers. Produce was grown for use at the estate, and for sale at local markets. Agricultural use of the estate continued when a Catholic order of Benedictine monks purchased the estate as part of the Priory of St. Joseph and the Seminary of Christ the King, and continued to farm the land until 1953.
- Defining Elements
- Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its: - overall spatial arrangement of the Greenhouse Foundation Wall in relation to the Steam Plant Building and the Root House - original rubble stone walls reflecting the Arts and Crafts design aesthetic of the estate buildings.
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Landscape Feature
- Remains
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
H.T. Ceperley Estate 'Fairacres' Root House
https://search.heritageburnaby.ca/link/landmark527
- Repository
- Burnaby Heritage Planning
- Description
- The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the ma…
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the main house, 'Fairacres,' this functional structure was used as a frost-free store for fruit and vegetables for the family's use.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000. The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
- Defining Elements
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000. The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Secondary Historic--Food Storage
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
Jesse Love House
https://search.heritageburnaby.ca/link/landmark540
- Repository
- Burnaby Heritage Planning
- Description
- The Jesse Love House is a vernacular example of a late Victorian-era wood-frame farmhouse with later Arts and Crafts alterations and additions, that has been relocated to the Burnaby Village Museum. This two-storey house has an L-shaped plan, with a compound gabled roof, overhanging eaves and a lar…
- Associated Dates
- 1893
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Jesse & Martha Love Farmhouse
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Jesse & Martha Love Farmhouse
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1893
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- The Jesse Love House is a vernacular example of a late Victorian-era wood-frame farmhouse with later Arts and Crafts alterations and additions, that has been relocated to the Burnaby Village Museum. This two-storey house has an L-shaped plan, with a compound gabled roof, overhanging eaves and a large wraparound verandah.
- Heritage Value
- The value of the Jesse Love House lies in its comprehensive representation of an early Burnaby farmhouse, and the typical additive growth of a home as the resident family prospered. Jesse Love (1849-1928) and his wife Martha Love (1858-1920) moved to Burnaby in 1893 with their family to start a fruit ranch and market garden on Cumberland Road in the East Burnaby district. Jesse Love was actively involved in community affairs, serving on the Burnaby School Board and also as a District Councillor in 1901 and from 1904-07. The original house was constructed by local builder George Salt and consisted of an entrance hall, dining room, lean-to kitchen, master bedroom and several rooms upstairs. As the family grew and prospered, additions were made to the house including a parlour, more bedrooms upstairs, and a large permanent kitchen. Jesse Love was actively involved in community affairs, and the kitchen became a local gathering spot for political discussion and civic organizations. The verandah, exterior shingle cladding, large windows, running water and electricity were eventually added as well. The heritage value for this house also lies in its interpretive value within the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The house was moved to the Burnaby Village Museum in 1988 and both the interior and exterior were restored and interpreted to their 1925 period, including reproduction wallpaper.
- Defining Elements
- The character defining features of the Jesse Love House include its: - irregular form and massing - compound gable roof with cedar shingle cladding - Craftsman-style exterior features such as a shingled exterior and triangular eave brackets - multi-paned double-hung 2-over-2 wooden-sash windows; casement window assemblies with transoms in the Living Room - large wrap-around verandah - interior features such as pressed tin ceilings, original wallpapers and cedar panelled kitchen - reproduction Arts and Crafts parlour document wallpaper and border
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Organization
- Burnaby Village Museum
- Builder
- George Salt
- Function
- Primary Current--Museum
- Primary Historic--Single Dwelling
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 011-030-356 Legal Description: Parcel 1, District Lot 79 and District Lot 85, Group 1, New Westminster District, Reference Plan 77594
- Boundaries
- Burnaby Village Museum is comprised of a single municipally-owned property located at 6501 Deer Lake Avenue, Burnaby.
- Area
- 38,488.63
- Contributing Resource
- Building
- Landscape Feature
- Structure
- Ownership
- Public (local)
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6501 Deer Lake Avenue
- Street View URL
- Google Maps Street View
Images
John Houston Residence
https://search.heritageburnaby.ca/link/landmark610
- Repository
- Burnaby Heritage Planning
- Description
- Residential building.
- Associated Dates
- c.1908
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Burris Street
- Associated Dates
- c.1908
- Description
- Residential building.
- Heritage Value
- The original resident of this house was John Houston, listed in the 1909 City Directory as a ‘rancher’, but is known as the long-time home of barrister Wrathman Sheridan Turner (1889-1974) and his wife Gertrude Helena (née Whealhouse) Turner. Stucco now covers the original exterior siding, though the house maintains its wide, overhanging eaves with exposed rafter tails and triangular eave brackets, indicative of the influence of the newly-emerging Arts and Crafts style.
- Locality
- Burnaby Lake
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Area
- 1312.47
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 7668 Burris Street
- Street View URL
- Google Maps Street View
Images
Joseph & Jane Wintemute House
https://search.heritageburnaby.ca/link/landmark523
- Repository
- Burnaby Heritage Planning
- Description
- The Wintemute House is a large two-storey wood-frame Victorian era country farm house with Victorian Italianate detailing. Designed in a symmetrical Foursquare form, it features a low-pitched hipped roof with deep eaves. Later additions to the rear of the house, and the extensive wraparound veranda…
- Associated Dates
- 1891
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Burnett House
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Burnett House
- Geographic Access
- Berkley Street
- Associated Dates
- 1891
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 6889
- Enactment Date
- 07/03/1977
- Description
- The Wintemute House is a large two-storey wood-frame Victorian era country farm house with Victorian Italianate detailing. Designed in a symmetrical Foursquare form, it features a low-pitched hipped roof with deep eaves. Later additions to the rear of the house, and the extensive wraparound verandah and porte-cochere, were Edwardian era additions. It is located on its original site, in the modern subdivision of Buckingham Heights in southeast Burnaby. The Burnett House is one of the oldest surviving houses in Burnaby.
- Heritage Value
- Built circa 1891, the Joseph and Jane Wintemute House is valued as a representation of the early history of Burnaby and its agricultural origins. Built prior to the civic incorporation of Burnaby in 1892, the house was situated to face Douglas Road (now Canada Way), one of the first roads built to connect the rural farmlands of Burnaby to New Westminster. The original large property has been extensively subdivided and the house is now isolated in a modern subdivision. Designated in 1977, the Wintemute House is also significant as Burnaby's first protected municipal heritage site. The house is valued for its association with Joseph S. Wintemute (1832-1911) and Jane Wintemute (1832-1910), who came to British Columbia from Port Stanley, Ontario in 1865, traveling via the Isthmus of Panama. Joseph Wintemute, a skilled carpenter and contractor by trade, operated the Wintemute Furniture Factory in New Westminster, the first furniture plant established on the mainland of British Columbia. In 1891, he acquired this property, where he set up a cord wood sawmill to supply his factory. Wintemute was likely responsible for the design and construction of this commodious structure, as it was built in an Eastern Canadian style he would have been familiar with. After the lands were cleared of timber, the Wintemutes developed the property into a typical small-scale 'market garden,’ involved in the production of vegetables and fruits, such as strawberries, for sale at the New Westminster City Market. The Wintemute House is additionally significant for its association with the speculative land boom that occurred prior to the First World War, and ongoing suburban subdivision. Charles Gordon, a real estate agent, acquired the Wintemute farm and subdivided the acreage, which he marketed through the People’s Trust Company as 'Montrelynview' and offered this house as a draw prize to lot purchasers. With the collapse of the land boom, the house remained in Gordon’s possession until 1929 when it was purchased by his brother-in-law, Geoffrey Burnett, a local surveyor responsible for many of the original land surveys of Burnaby. David Burnett, Geoffrey's son, requested designation of the house when the family decided to subdivide the remaining 1.4 hectares of property in 1977. Furthermore, the Wintemute House is valued as an excellent example of a Victorian era country farm house, based loosely on the traditional farmhouses seen commonly in nineteenth century Ontario. Designed in a vernacular version of the Victorian Italianate style, the house displays restrained detailing, including several original multi-paned windows notable for their vertical proportions. The house retains many original exterior features, and the original interior layout, although modernized during the Edwardian era, is substantially intact, including finely crafted maple and cedar interior millwork that was produced by the Wintemute Furniture Factory. From 1904 to 1910, Charles Gordon, the second owner, made a number of alterations to the house including the addition of the wrap-around verandah, a porte-cochere and a 7.6 metre by 9 metre billiard room in the Arts and Crafts style, beamed and panelled in Douglas Fir. These later additions and alterations have value in demonstrating the evolution of the house and property and changing tastes at the turn of the nineteenth century.
- Defining Elements
- Key elements that define the heritage character of the Wintemute House include its: - picturesque original setting with views to the North Shore - residential form, scale and massing as expressed by its symmetrical cubic form and two-storey height, with later additions to the rear - Victorian Italianate architectural features such as the vertically-proportioned original windows with vestigial window hoods, low-pitched hipped roof and Classical Revival details such as the corner boards articulated as pilasters - hipped roof with deep boxed eaves - horizontal lapped narrow wooden siding - second storey balcony over front entry - wide wraparound columned verandah with porte-cochere, with square trimmed columns - irregular fenestration: original Victorian era double-hung 6-over-6 wood-sash windows with vertical proportions and segmental arched tops; Edwardian era double-hung 1-over-1 wooden-sash windows; and Edwardian era wooden-sash casement window assemblies with leaded transoms - central front entry with sidelights and transom - multi-paned French doors opening out to verandah - interior features such as its 3.7 metre ceiling height on the main and second floors; the coal grate fireplace with elaborate woodwork and glazed tile surround in the front parlour; five other fireplaces throughout the house; maple and cedar interior millwork; and the Douglas Fir panelled and beamed billiard room with hidden doors, seven-panelled doors, original light fixtures and mouldings - internal red brick chimneys with corbelled caps
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Function
- Primary Historic--Single Dwelling
- Primary Current--Single Dwelling
- Community
- Burnaby
- Cadastral Identifier
- 003-297-152
- Boundaries
- The Wintemute House is comprised of a single residential lot located at 7640 Berkley Street, Burnaby.
- Area
- 1566.73
- Contributing Resource
- Building
- Ownership
- Private
- Names
- Wintemute, Joseph
- Street Address
- 7640 Berkley Street
- Street View URL
- Google Maps Street View
Images
St. John the Divine Anglican Church
https://search.heritageburnaby.ca/link/landmark514
- Repository
- Burnaby Heritage Planning
- Description
- St. John the Divine Anglican Church is a landmark wood-frame Gothic Revival church, with Gothic windows and spire. It is located on Kingsway, one of Burnaby’s main commercial thoroughfares, near the SkyTrain transit line and across the street from Central Park.
- Associated Dates
- 1905
- Formal Recognition
- Community Heritage Register
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Kingsway
- Associated Dates
- 1905
- Formal Recognition
- Community Heritage Register
- Enactment Type
- Council Resolution
- Enactment Date
- 09/06/2003
- Description
- St. John the Divine Anglican Church is a landmark wood-frame Gothic Revival church, with Gothic windows and spire. It is located on Kingsway, one of Burnaby’s main commercial thoroughfares, near the SkyTrain transit line and across the street from Central Park.
- Heritage Value
- St. John the Divine Anglican Church is valued as a symbol of the traditions of early Burnaby pioneers and as the oldest surviving church building in the city. Established in 1899, St. John was the first church in the community and was located at a prominent intersection of the old Vancouver-Westminster Road (now Kingsway) and the British Columbia Electric Railway’s interurban station at Central Park. This prominent intersection of the road and rail developed as the town centre of the Central Park district. The first St. John church was destroyed by fire, and was rebuilt at the same location in 1904-05. This church is additionally significant for its association with prominent local architect Joseph Henry Bowman (1864-1943) who emigrated from England in 1888. Bowman was a member of the parish, and designed both the first church and its subsequent replacement. Bowman’s prolific career embraced many stylistic changes and technological advances, and this church is a surviving example of one of his rare religious commissions. The design of the new church's nave and vestry was based on the Gothic Revival style of Christ Church Anglican in Surrey, B.C., which had been the former church of St. John’s incumbent Rev. William Bell. Evolving over time as the congregation grew, the church received a number of early additions, and in 1953 was substantially renovated and enlarged through a new design by Vancouver architect Ross Lort. The original church nave was separated from the tower and turned to allow for a large addition. The congregation relocated to a new church in 1998, and at that time removed the church's memorial windows, leaving behind a number of the original art glass windows installed in the 1920s. The church building was renovated in 2004-05, and surviving original elements were retained and restored, including of the original church tower and interior chancel ceiling. A valued feature of the building is the original cast iron church bell that remains in the tower. It was purchased by the children of the congregation in 1912, and in 1924 was rededicated on Armistice Day as a memorial to Burnaby resident Lt. James Donald McRae Reid, who died in the First World War.
- Defining Elements
- Key elements that define the heritage character of St. John the Divine Anglican Church include its: - location on the north side of Kingsway, opposite Central Park - ecclesiastical form, scale and massing as expressed by the offset tower and tall, gabled roof - tower with its original horizontal wooden drop siding, bellcast square roof with octagonal drum above and bellcast octagonal spire - cedar shingle roof cladding - metal cross at peak of spire - Gothic Revival details such as: Gothic lancet windows with leaded stained glass panels; Gothic entrance door at the base of the tower; pointed-arch louvers in the tower; and exterior gable end scissor-trusses - interior features such as wooden scissor-trusses with diagonal fir tongue and groove panelling on the ceiling above, fir tongue-and-groove panelling on the wall of the nave, and original cedar and fir pews and altar rails - cast iron bell in tower
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
- Planning Study Area
- Garden Village Area
- Architect
- Joesph Henry Bowman
- Function
- Primary Historic--Place of Worship
- Primary Current--Place of Worship
- Community
- Burnaby
- Cadastral Identifier
- 003-398-871
- Boundaries
- St. John the Divine Anglican Church is comprised of a single institutional lot located at 3891 Kingway, Burnaby.
- Area
- 3486.66
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 3891 Kingsway
- Street View URL
- Google Maps Street View
Images
Speech given by Florence Hart Godwin May 28, 1973 - Track 5
https://search.heritageburnaby.ca/link/oralhistory282
- Repository
- City of Burnaby Archives
- Date Range
- 1898-1917
- Length
- 0:05:22
- Summary
- This portion of the recording pertains to Florence (Hart) Godwin's description of her family's stories of the New Westminster fire. She also mentions B.R. Hill and his three sons, Claude, Frank and Minard Hill.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the recording pertains to Florence (Hart) Godwin's description of her family's stories of the New Westminster fire. She also mentions B.R. Hill and his three sons, Claude, Frank and Minard Hill.
- Date Range
- 1898-1917
- Photo Info
- Arthur Morrow, Kingsley Hart, Florence Hart (later Godwin), and Katherine Maude "Kitty" Hill (later Peers) in the woods at the south side of Deer Lake photographed by W.T. Cooksley [1908]. Item no. HV976.139.3
- Length
- 0:05:22
- Subjects
- Natural Phenomena - Fires
- Interviewer
- Burnaby Arts Council
- Interview Date
- May 28, 1973
- Scope and Content
- Recording is of a speech given by Florence Hart Godwin at a Burnaby Arts Council meeting held May 28, 1973. Major themes discussed are: pioneer families and early residences in the Burnaby Lake District.
- Biographical Notes
- Florence Hart was born in 1898 in New Westminster. Florence first saw Burnaby in April of 1905 on a trip made by horse and buggy from the family home in New Westminster where her father worked as a real estate agent. By 1911, he had built a permanent home for his family in Burnaby, building what is now known as the Hart house and is currently owned by the municipality. Frederick John “Fred” Hart married Alice Chapman in Yale BC on August 13, 1895. They had four children together; Kingsley Chapman born May 27, 1897, Florence Elizabeth born October 23, 1898, and ten years later, Edwyna and Jack. They followed their family nurse, Miss Maude Woodward to Burnaby and purchased thirteen acres of land at Deer Lake to build a summer cottage. Mrs Hill and the children spent the summer months there while Frederick continued working in New Westminster, joining his family on the weekends. Florence Hart attended Douglas Road School before boarding at Crofton House in Vancouver. Kingsley Hart had enlisted in the army on March 23, 1915 when he was only seventeen years old. He was killed in action on September 26, 1916. The Hart family then moved to Kerrisdale, Vancouver. Florence worked at the Carnegie Library. On August 7, 1922 Florence Hart married Harold “Hal” Godwin and moved back to Edmonds in Burnaby where they remained for their entire married lives. In 1929, Florence and Harold’s daughter, Elizabeth Godwin was born. Alice (Chapman) Hart died May 24, 1935 at the age of sixty-eight. Frederick John Hart died August 29, 1945 at the age of seventy-seven. Florence Hart Godwin was named Good Citizen of Burnaby in 1971 and received a life membership to the IODE (Imperial Order Daughters of the Empire) for her long tenure. Both Florence and her husband Harold were awarded life memberships from the VON (Victorian Order of Nurses) for more than half a century of service. Harold Ward Godwin died December 12, 1962 at the age of sixty-six.
- Total Tracks
- 5
- Total Length
- 0:33:50
- Interviewee Name
- Godwin, Florence Hart
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Transcript Available
- None
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Images
Audio Tracks
Track five of speech given by Florence Hart Godwin
Track five of speech given by Florence Hart Godwin
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS137-005-1/MSS137-005-1_Track_5.mp3![Andrew M. Johnson, [1900] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/205/244-002.jpg?width=280)
Andrew M. Johnson
https://search.heritageburnaby.ca/link/archivedescription36318
- Repository
- City of Burnaby Archives
- Date
- [1900]
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Item
- Physical Description
- 1 drawing : graphite and chalk pastel on heavy-weight paper ; 43 x 33 cm
- Scope and Content
- Drawing of Andrew M. Johnson wearing a three-piece suit. He was married to Margaret Sloane Johnson.
- Repository
- City of Burnaby Archives
- Date
- [1900]
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Andrew Johnson subseries
- Physical Description
- 1 drawing : graphite and chalk pastel on heavy-weight paper ; 43 x 33 cm
- Description Level
- Item
- Record No.
- 244-002
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Accession Number
- BHS1990-10
- Scope and Content
- Drawing of Andrew M. Johnson wearing a three-piece suit. He was married to Margaret Sloane Johnson.
- Subjects
- Arts - Drawings
- Media Type
- Photograph
- Notes
- Title based on contents of photograph
Images
![Andrew M. Johnson, [1900] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/205/244-002.jpg)
![Margaret Sloane Johnson, [1900] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/205/244-003.jpg?width=280)
Margaret Sloane Johnson
https://search.heritageburnaby.ca/link/archivedescription36319
- Repository
- City of Burnaby Archives
- Date
- [1900]
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Item
- Physical Description
- 1 drawing : graphite and chalk pastel on heavy-weight paper ; 43 x 33 cm
- Scope and Content
- Drawing of Margaret Sloane Johnson wearing a high-collared top with puff sleeves. She was married to Andrew M. Johnson.
- Repository
- City of Burnaby Archives
- Date
- [1900]
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Andrew Johnson subseries
- Physical Description
- 1 drawing : graphite and chalk pastel on heavy-weight paper ; 43 x 33 cm
- Description Level
- Item
- Record No.
- 244-003
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Accession Number
- BHS1990-10
- Scope and Content
- Drawing of Margaret Sloane Johnson wearing a high-collared top with puff sleeves. She was married to Andrew M. Johnson.
- Subjects
- Arts - Drawings
- Names
- Johnson, Margaret Sloane
- Media Type
- Photograph
- Notes
- Title based on contents of photograph
Images
![Margaret Sloane Johnson, [1900] thumbnail](/media/hpo/_Data/_Archives_Images/_Unrestricted/205/244-003.jpg)
Patterson Family Home
https://search.heritageburnaby.ca/link/archivedescription35208
- Repository
- City of Burnaby Archives
- Date
- 1908 (date of original), copied 1986
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 12.7 x 17.8 cm print
- Scope and Content
- Photograph of a 1908 watercolour of the original Patterson homestead built in 1894 on Patterson Trail, now Patterson Avenue. A woman feeding chickens can be seen by the front steps.
- Repository
- City of Burnaby Archives
- Date
- 1908 (date of original), copied 1986
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Pioneer Tales subseries
- Physical Description
- 1 photograph : b&w ; 12.7 x 17.8 cm print
- Description Level
- Item
- Record No.
- 204-065
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Accession Number
- BHS1988-03
- Scope and Content
- Photograph of a 1908 watercolour of the original Patterson homestead built in 1894 on Patterson Trail, now Patterson Avenue. A woman feeding chickens can be seen by the front steps.
- Subjects
- Arts - Paintings
- Media Type
- Photograph
- Notes
- Title based on contents of photograph
- Geographic Access
- Patterson Avenue
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
Images
The happy home : a library of entertainment, instruction and amusement.
https://search.heritageburnaby.ca/link/museumlibrary2189
- Repository
- Burnaby Village Museum
- Collection
- Special Collection
- Material Type
- Book
- Accession Code
- HV978.71.4
- Call Number
- 808.8 SKU
- Contributor
- Howard-Smith, Logan
- Place of Publication
- Philadelphia
- Publisher
- G. A. Parker
- Publication Date
- c1909
- Physical Description
- xxiv, 35-544 p. : ill. plates
- Inscription
- Inscribed "William Ormrod" [Hand written in pencil on front leaf, top, centre]
- Library Subject (LOC)
- Homemaking
- Domestic arts
- Etiquette
- Notes
- "Seven Instruction Books in One Volume"Tp.
- "Copyright, 1909 By W.E. Scull" Tp. Verso
- Edited by Logan Howard-Smith
Home mechanics for amateurs
https://search.heritageburnaby.ca/link/museumlibrary4963
- Repository
- Burnaby Village Museum
- Collection
- Special Collection
- Material Type
- Book
- Accession Code
- BV006.24.51
- Call Number
- 507.8 HOP
- Place of Publication
- London
- Publisher
- Sampson Low, Marston & Co.
- Publication Date
- 1903
- Physical Description
- 370 p. : ill. ; 22 cm.
- Library Subject (LOC)
- Industrial arts
- Woodwork
- Metal-work
- Woodworking tools--Amateurs' manuals
- Electricity--Experiments
- Steam-engines
- Notes
- Includes index.
- Author's full name and dates : Hopkins, George M. (George Milton), 1842-1902.
Interview with Kalwant Singh "Nadeem" Parmar
https://search.heritageburnaby.ca/link/museumdescription19346
- Repository
- Burnaby Village Museum
- Date
- [1600-2022] (interview content), interviewed 7 Oct. 2022
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (111 min., 51 sec.) + 1 sound recording (mp3) (111 min., 51 sec.)
- Scope and Content
- Item consists of a recording of an oral history interview with Kalwant Singh "Nadeem" Parmar conducted by interviewers, Anushay Malik and Rajdeep with assistance from Burnaby Village Museum Assistant Curator, Kate Petrusa. During the interview Kalwant Singh "Nadeem" Parmar discusses and provides in…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Museum Oral Histories series
- Description Level
- Item
- Physical Description
- 2 sound recordings (wav) (111 min., 51 sec.) + 1 sound recording (mp3) (111 min., 51 sec.)
- Material Details
- Interviewers: Anushay Malik, Rajdeep Co Interviewer and technical support: Kate Petrusa Interviewee: Nadeem Parmar Location of Interview: Residence of Nadeem Parmar in Burnaby Interview Date: October 7, 2022 Total Number of tracks: 2 Total Length of all Tracks: 01:51:51 min Digital master recordings (wav) were recorded onto two separate audio tracks, edited and merged together and converted to mp3 for access on Heritage Burnaby
- Scope and Content
- Item consists of a recording of an oral history interview with Kalwant Singh "Nadeem" Parmar conducted by interviewers, Anushay Malik and Rajdeep with assistance from Burnaby Village Museum Assistant Curator, Kate Petrusa. During the interview Kalwant Singh "Nadeem" Parmar discusses and provides information on; his ancestral background, his education, his employment background, his experiences of racial discrimmination as a South Asian immigrant, saw mills established by South Asian relations in Paldi (Vancouver Island), in North Vancouver and Burnaby, family relations in the South Asian Canadian community and in regions in Punjab, the caste system, his literary works, locations of family homes in Burnaby, the architectural design of his house, personal stories and anecdotal information as a South Asian Canadian living and working in Canada. 00:00 – 01:45 The framework and purpose of the interview is explained to interviewee Nadeem Parmar by interviewers Rajdeep and Anushay Malik. The interviewers explain how the information from this interview can be drawn on for Burnaby Village Museum’s future exhibits and also how researchers will learn more about the history of the South Asian community in Burnaby through residents’ stories. Interview begins with Nadeem providing his full name "Kulwant Singh Parmar". He clarifies that his name was given to him by his grandfather who was a civil engineer and that his father also worked as a civil engineer. Nadeem expresses that he was born with a “silver spoon in his mouth” as a descendent of his maternal grandfather who was a successful landlord. Nadeem explains that when the Partition of India came into effect, (1947) he was 11 years old. He and his family left the partitioned side, his native village was located in Punjab and his forefathers were located in Rajasthan. 3:20 – 4:57 Nadeem explains further about his forefathers who came from Rajasthan. He shares information about his ancestor on his father’s side, named Vijay Singh who was friends with Emperor Jahangir. When fighting began against Jahangir he left the area to head to the middle of central India, then to the Punjab area with small states. As a clan, as a Parmar, he conveys there were about eleven or twelve villages with the same name. Interviewer, Anushay helps Nadeem to clarify the time period of this information. Nadeem refers to the time period being similar to the epic historical film “Moghal-e-Azam” and Anushay confirms the time period being the 1600s when they left Rajasthan. 4:58 – 10:59 Interviewer Anushay asks Nadeem to about his migration to Canada. Nadeem conveys that his first ancestor on his in-laws side of the family migrated around 1889. Further discussion ensues about reading Punjabi and how interviewer Rajdeep can read Punjabi and that she comes from the village of "Lakhpur" in Punjab. Rajdeep notes that “Lakhpur” is near "Phagwara". Nadeem clarifies that his village is "Panchat" and this family used to live in "Phagwara". and Nadeem and Rajdeep compare their familiarity and memories of the area. Nadeem conveys some of his comments in Punjabi and then changes to English. Nadeem recollects when the Japanese bombarded Shillong, he was around seven years old and attended missionary school. The only languages that were taught were English and Persian. Nadeem conveys that his mother had hopes of Nadeem becoming an army officer and moving up the ranks but Nadeem wasn’t interested. Nadeem attended college, graduated with a Bachelor of Science, BSC with Physics and Chemistry, followed by another Bachelor’s Degree in Political Science and finally a degree in his favourite subject in the language of Urdu. He completed these degrees in Punjab in Doaba College, Jalandher. Nadeem recollects how he started teaching but wasn’t getting paid very well. When he was at college, with encouragement from his professor, Veer Pankalia [sic] he began writing poetry and short plays. His professor also introduced him to a famous poet of Punjab, Mila Ram Offa [sic] and he gave him the name of Nadeem. Nadeem explains the meaning of the name “Nadeem” “…the one who know about it, inside out…” even though we generally think of the meaning being “friend” it’s not just about friend. 11:00 -24:48 Nadeem provides background information on how he ended up marrying his future wife who was born in India and immigrated to Canada with her family. Nadeem explains how the marriage was arranged through family relations that were already established in Punjab over a century ago. One of his wife’s ancestors, head of the family called “baniye” (traders) immigrated to Canada in [1899]. This relation returned to Punjab where he had nephews, the youngest of the nephews was Nadeem’s father (Lashman Singh Manhas) in law’s father (Sher Singh Manhas). He expresses that his wife’s ancestor couldn’t bring Nadeem’s father in law’s father since he was only 12 or 13 years old but he brought three of the nephews back to Canada with him. The nephews were named, Pola Singh, Ginaya Singh and Doman Singh (also named Dolmans). He describes how the group left India but it took them two to three years before they arrived in Canada. The group travelled to Burma, Indonesia and Hong Kong before landing in San Francisco. From San Francisco they walked and worked on the rail line before entering Canada and arriving in Grand Forks. The men got work on the construction of the Canadian Pacific Railway (CPR) and eventually made their way to the lower mainland. Nadeem conveys that the younger brother of Ginaya Singh, Maya Singh joined the others in Canada taking the same route, arriving in Bridal Falls where they were working at a saw mill and in CP rail construction. He describes Maya Singh as business minded and since he was too young to work in the mill, he began working as a cook and then began growing potatoes on land that he leased from a Dutch land owner. The local mill at Bridal Falls was facing bankruptcy and Maya Singh arranged to lease the mill, eventually buying it. From there the group moved their business to Strawberry Hill in Surrey and when the sale of logs declined, they moved over to Vancouver Island and established a sawmill with Doman Singh in the community of Paldi (originally known as Mayo Lumber) near Duncan. He explains further how the South Asian community helped each other like they did back home. He clarifies that his father in law’s father is the youngest cousin of Ginaya and Doman Singh and when he died, his father in law’s younger brother started Kashmir Lumber. Eventually his father in law (Lashman Singh Manhas) and the rest of the whole family including cousins and nephews were sponsored by their relations and immigrated to Canada. Nadeem explains how in 1959, his brother in law returned home to Punjab to get married, bringing his family with him. He tells of how during this time period, a marriage was arranged by his parents for him to marry his future wife. Nadeem recollects how this came to be. Nadeem and his wife Surjeet married in Punjab in December 1960, Nadeem was 24 years old and his wife was 18 years old. 24:49 – 39:42 Nadeem describes how he obtained his teaching degree from Ramgarhia College in Phagwara (located in the Kapurhtala district of Punjab) and after a disagreement with a teacher at home, he decided to go to England. He explains how he joined his brother who had moved to England and was working as a labourer. Nadeem tells of the difficulties he faced applying for a teaching job in England and how he had to go back to school to help with his English pronunciation. Nadeem explains that after taking this course, he got work teaching Grade two students which he felt was below his qualifications (he mentions that while living in Punjab, he was a Secondary School teacher) and the pay was very low. He discovered that his brother was making more money working as a labourer so Nadeem became discouraged and quit. When Nadeem couldn’t find work as a labourer, his brother advised him to shave off his beard. Nadeem conveys how difficult it was for him to shave off his beard and how once he was clean shaven he got work as a sweeper in a factory. He shares his experience of working in the factory and of how with his former education he got himself promoted to a more technical position. With encouragement from his employer, Nadeem enrolled in technical courses which lead to him obtaining an HNC Engineering Degree. He completed the course work in two years, obtaining skills in microwave communication becoming the senior test engineer at the factory. While working in this position, Nadeem shares how he suffered discrimination when he was passed over for a senior chief engineer position at the factory by a less educated and experienced employee. 39:43 – 53:38 Nadeem recollects how things changed for him in the 1970s. It began with his father in law (Lashman Singh Manhas) passing away in 1970 while he and his family were living on 18th Street in Burnaby. His father in law had been working at the saw mill, Kashmir Lumber Company in North Vancouver that was owned by his father in law’s younger brother (Kashmir Singh Manhas). The mill had burnt down and many of the workers lost everything. Nadeem confides that during this time, his wife was suffering from depression and wanted to be with her mother back in Canada now that her father had passed away. Nadeem emphasizes how his wife’s family (over 300 relatives) in Canada often get together every year on July 1st in Paldi near Duncan. In 1972, Nadeem arrived in Canada on his own to find work but was unsuccessful so he and his wife made plans to move to Uganda where he was offered a job. In 1973, when his visa didn’t come through for Uganda, Nadeem, his wife and two children decided to come to Canada. Nadeem describes that after several unsuccessful experiences to find skilled work in Canada, he eventually found work at Canadian National Telecommunications. During this time, Nadeem and his family lived with his father in law’s family at 5216 Pandora Street in Burnaby and in 1974, Nadeem purchased a house at 131 Fell Avenue in Burnaby. Nadeem provides further details of when the families lived at these different addresses and how in 1983 he had a house built on Woodsworth Street where he is still living now. He conveys some of the history of the lot where his current house resides including details on the lot subdivision, lot ownership and the cost of building his new house. Nadeem tells of how he designed his home with help from his son who was working as an apprentice with architect Arthur Erikson at the time. He describes the architectural interior as an open concept design, in an “L” shape in honour of his father “Lakhmir Singh”. Nadeem shares information on his mother’s name which was Jamna (prior to her marriage) and became Davinder Kaur after she was married. (Note: Jamna was her name before marriage. Traditionally after a woman is married, her husband’s family changes her first name because she is now considered a part of a new family). 53:39 – 58:56 Nadeem provides information on his career working as CNCP technician working with CPIC systems and how he was promoted to a new position. Nadeem inserts a quote from a Punjabi poem which he translates to English as “Somebody asked the blind people. What do you need? He said, do you need two eyes?, he said, what else do I need?”. Nadeem conveys how in 1986 his mother passed away so he went back home to the village of Lakhpur where his father and younger brother were living. His father and younger brother were on their own and in 1986 they decided to demolish the family home. He explains that there’s a college there now and that a library was built at this location in the name of his grandfather. 58:57 – 1:04:38 Nadeem shares how he suffered a heart attack in 1990 during the marriage ceremony of his son in Williams Lake. Nadeem talks about the complicated relations of the South Asian families and the saw mill owners in Paldi and comments on the problems with the caste system that provokes discrimination within the South Asian community. Nadeem refers to disputes that arose amongst mill owners and investors that included Kapoor Singh Siddoo, Mayo Singh, Gurdial Singh Teja and Ginaya Singh which caused problems amongst his family and also lead to Kapoor Singh selling his portion of the mill. Nadeem spells “Ginaya” Singh’s name and explains that this name is the nickname for “Krishna”. Nadeem provides his insight into the joint ownership of the saw mills located in Paldi and how the the joint ownership was dissolved in 1952. Nadeem clarifies that Ginaya Singh also left Paldi and that Ginaya Singh’s wife is his mother in law’s aunt and that he also moved to Burnaby. Nadeem explains the proper name spelling of mill owner “Mayo Singh” and that the correct spelling is actually “Mayan Singh” but he changed it to “Mayo” when it was mis-pronounced. Nadeem also comments on the problems that he encountered in 1970 on the pronunciation of his own name while living in England and at one point his employer referred to him as “Paul”. 1:04:39 – 1:18:50 Nadeem relays that when he emigrated from India and to Canada that he carried his personal possessions in a small suitcase made from cardboard since the weight limit on the airplane was just three pounds. He conveys that many of his relations have all suffered from heart problems including Ginaya Singh and his children. Nadeem shares that Ginaya Singh’s three sons all lived in Burnaby. Nadeem conveys that many South Asians lived in Burnaby and many worked at saw mills in North Vancouver and in the L&K sawmill near Pemberton. Nadeem explains further about the how the disagreements came to be between Mayo Singh and Kapoor Singh. He describes how each had a different business strategy in harvesting lumber and that there were feuds amongst the families. Nadeem provides further details on the root of the family feuds. Nadeem provides definitions for certain Punjabi terms that he’s using including “Mehta”(meaning lowest class of farmers, foreigner as well head as a title given to people of a clan living in the area) and ‘Panchat”, the name of his family village that was built and founded by five brothers and one nephew (Panj- meaning five and the sound “cht” meaning six). Nadeem explains that these terms were given to people from his own clan living in the area because it was small. Nadeem explains further about status that is based on money and the Punjabi terms “Parsu”, “Parsa” and “Pasaram” that are often used to describe a person. When you are poor the term “Parsu” is used and when you become rich the term “Pasaram” is used. Nadeem refers to Mayo Singh as a Pasaram as the second most successful millner in British Columbia, second to Frederick John Hart. Nadeem mentions that Ginaya Singh, elder brother to Mayo Singh helped provide the finances to start the mill and when there was a disagreement, Ginaya Singh left the mill business, moved his family to Burnaby and began working in insurance. Nadeem shares the sad story of Ginaya Singh’s sudden death (in 1953). Nadeem states that many of the people who left the mills at Paldi went to work at the Kapoor Mill in Burnaby and some relocated to the Interior of British Columbia. Nadeem mentions that his father in law (Lashman Singh Manhas) was able to purchase a house on 18th Street in along with other residences that he bought with his hard earned money working in the farms and mills, 16 hours per day, seven days a week. 1:18:51 – 1:32:04 Nadeem explains why he thinks that most South Asian people worked in the mills in the earlier days. Nadeem conveys that since Sikh men wore beards and turbans they encountered discrimination and were unable to get work in the business community. Nadeem shares his own personal experiences of wearing a turban and the discrimination he’s encountered while living in Scotland and Canada. Nadeem mentions that a defense committee was formed to protect the Gurdwaras and people’s homes from being vandalized due to racial discrimination. Nadeem describes some of the troubles that he’s encountered in his own neighbourhood when he had to call the police. Nadeem shares a personal experience just after 9/11 where he was the target of racial discrimination in the parking lot of Burnaby Lake. Nadeem emphasizes that he has experienced many incidents of racial discrimination, especially in the workplace and that this was not unusual for him. 1:32:05 – 1:36:19 Nadeem talks about his interest in writing and his many literary works including 12 novels that he’s written in Punjabi. Nadeem highlights a few books that he’s written including a book titled “Rape” and another one titled “Sponsorship” which conveys the complex nature of people immigrating to Canada. Nadeem mentions a particular book about AIDS, titled “Wide Net” that he’s been trying to get published. Nadeem speaks to the challenges and high costs of trying to get his works published. Nadeem provides a brief synopsis of his book “Wide Net”. Nadeem relays that this is a personal account of a gay couple that he knew where one of the partners died of AIDS and that the couple gave Nadeem permission to tell their tragic story. 1:36:20 – 1:51:51 Nadeem talks about his children and compares their experiences to his own as a South Asian immigrant. Nadeems talks about the accomplishments of his son, his daughter and grandchildren including their education and careers. Nadeem says that his children are well educated and well established in their careers. Nadeem’s children attended Capitol Hill Elementary School and North Burnaby High School in Burnaby. Nadeem shares specifics of his son’s career history. Nadeem expresses that he still considers Canada to be the best country for opportunities and that he prefers to live in Burnaby rather than Surrey and shares some personal anecdotes. Nadeem lists some local places that he’s shopped for South Asian groceries and spices rather than travelling to Surrey. He mentions shopping at Kelly Douglas, stores in Chinatown, small grocers on Capitol Hill, Patel’s on Commercial Drive and Main Street. As an aside Nadeem mentions that he worked as a security guard and the wages that he earned. Nadeem comments that he has been awarded various certificates and certifications from his education and career over the years, including a Bachelor of Science. The interviewers further express their interest in seeing the cardboard case that Nadeem brought with him when immigrating to Canada. In closing Nadeem states that his favourite food from back home was kheer (rice pudding).
- History
- Interviewee biography: Kalwant Singh "Nadeem" Parmar was born June 9, 1936, Chuck 138 in Lyalpur (India before 1947) to parents Lakhmir Singh Parmar and Davinder Kaur Jamana Parmar. Nadeem grew up in the village of Panchat in the northern region of Punjab, India. Nadeem married his wife Surjeet in Punjab in 1960. After marrying the couple immigrated to England where Nadeem was already working. While living in England, Nadeem and Surjeet had two children. After Surjeet's father died in Canada in 1972, Nadeem, Surjeet and their two children immgrated to Canada, joining Surjeet's family who were living in Burnaby. After Nadeem immigrated to Burnaby in 1973 he worked various jobs before working with CN/CP Telecommunications. Nadeem holds a Bachelor of Arts, Bachelor of Teaching from Punjab University and a diploma from the London Board of Education (L.B.E.) and a P.Eng. from Lancaster. He has seven books published in Punjabi, three in Urdu and is published in eight anthologies. He is fluent in Punjabi, Urdu, and Hindi. Interviewers' biographies: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”. Rajdeep was born and raised in the Lower Mainland and is of Punjabi (South Asian) descent. She has an Associate of Arts degree in Asian Studies from Kwantlen Polytechnic University, a Bachelor of Arts (Hons.) in Anthropology from the University of British Columbia. She is a student in the Restoration of Natural Systems program at the University of Victoria. Rajdeep works at Simon Fraser University as a Program Assistant and as a researcher with the City of Burnaby. At Burnaby Village Museum, Rajdeep contributed to the exhibit “Truths Not Often Told: Being South Asian in Burnaby”.
- Creator
- Burnaby Village Museum
- Subjects
- Buildings - Commercial - Grocery Stores
- Buildings - Industrial - Saw Mills
- Buildings - Industrial - Factories
- Education
- Employment
- Industries - Logging/lumber
- Migration
- Occupations - Engineers
- Occupations - Millworkers
- Occupations - Teachers
- Occupations - Writers
- Persons - South Asian Canadians
- Social Issues
- Social Issues - Racism
- Names
- Parmar, Kalwant Singh "Nadeem"
- Kapoor Sawmills Limited
- Siddoo, Kapoor Singh
- Teja, Gurdial Singh
- Parmar, Surjeet Kaur
- Manhas, Ghania Singh
- Singh, Mayo
- Manhas, Kashmir Singh
- Manhas, Sher Singh
- Manhas, Budhan Kaur
- Manhas, Lashman Singh
- Responsibility
- Malik, Anushay
- Rajdeep
- Geographic Access
- Woodsworth Street
- Accession Code
- BV022.29.1
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [1600-2022] (interview content), interviewed 7 Oct. 2022
- Media Type
- Sound Recording
- Historic Neighbourhood
- Capitol Hill (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Capitol Hill Area
- Related Material
- See also BV022.29.5 - Interview with Surjeet Kaur Parmar
- Notes
- Title based on contents of item
- Spelling of "Ginaya Singh" found as "Ghania Singh Manhas" in obituary and death certificate
- Interview is conducted in English with various segments of discussion in Punjabi
- Transcript of interview available upon request
Audio Tracks
Interview with Kalwant Singh
Interview with Kalwant Singh
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0001_003.mp3Gladys Killip subseries
https://search.heritageburnaby.ca/link/archivedescription58418
- Repository
- City of Burnaby Archives
- Date
- 1904-1998
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Subseries
- Physical Description
- Textual records and graphic material
- Scope and Content
- Subseries consists of papers pertaining to the Killip family, primarily Gladys Killip's personal activism in the municipality of Burnaby and the causes she supported. Subseries also includes photographs of the Burnaby Council of Women taken during Gladys Killip's time as Publicity Co-Chairwoman du…
- Repository
- City of Burnaby Archives
- Date
- 1904-1998
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Gladys Killip subseries
- Physical Description
- Textual records and graphic material
- Description Level
- Subseries
- Accession Number
- BHS1996-12
- BHS1998-11
- BHS2000-02
- BHS2007-04
- Scope and Content
- Subseries consists of papers pertaining to the Killip family, primarily Gladys Killip's personal activism in the municipality of Burnaby and the causes she supported. Subseries also includes photographs of the Burnaby Council of Women taken during Gladys Killip's time as Publicity Co-Chairwoman during the 1967 Centennial Celebration festivity "100 Years of Progress in Women's Activities, Arts and Crafts" .
- History
- Gladys M. Yeomans married Alfred Charles “Charlie” Killip in St. Andrew’s Wesley United Church in Vancouver on August 16, 1947. They spent their honeymoon together at the Sunset Inn at Qualicum Beach. The Killips lived in the same house in South Burnaby for the greater part of their married lives. Their address began as 729 Marshall, changed to 729 Hazelmere Street in 1951 (due to bylaw 3133) and again to 7763 Hazelmere Street (due to 1958/1959 street re-numbering). The Killips were activists within Burnaby, writing letters to their member of Council when they felt that the citizens of Burnaby were not being treated fairly. An example of this is when they led the protest against Pacific Stage Lines for reducing its service on the Grandview Highway by making fewer stops and by changing its route. Gladys led their delegation to Council in June of 1964. Gladys was also involved in the activities of the Valley View Players and in Burnaby Little Theatre activities. She was part of the cast of “Crime at Blossoms” in 1951 and held a membership card from 1952 to 1959 for the Valley View Players Club. Among other roles, she was one of the principle actors in “You Can’t Take it With You” and “In the Shadow of the Glen” both performed in 1957. Gladys was the Burnaby Council of Women Publicity Co-Chairwoman. In this capacity she helped to organize such events as the "100 Years of Progress in Women's Activities, Arts and Crafts" for the Centennial Celebration in 1967 (the Burnaby Diamond Jubilee). She was also a founding member of the Century Park Museum Association, which created under the auspices of the Burnaby Centennial '71 Committee, to administer Burnaby's Centennial '71 Commemorative Project, Heritage Village. Both Gladys and Charles Killip were active members of the Monarchist League of Canada. Gladys’ hobby started with a small silver spoon commemorating King George VI taking the throne in 1936. Her collection includes items commemorating every Royal from Prince Edward, Queen Victoria's father, to a cup commemorating one of Prince Williams recent birthdays. Gladys opened the Silver Spoon collectors shop in Burnaby in 1974 and operated it until 1980 when she and her husband Charlie retired to Qualicum Beach and opened Chilham Village Antiques and Collectables in 1984. The Killips earned a Silver Badge of Service from the Monarchist League of Canada in 1992 for their significant contribution to the League’s work. As of November 2010, Ms. Gladys Yeomans’ collection of British Royal family memorabilia has grown so large, that she has countless of mugs, spoons, plates, t-shirts and pieces of poetry, filling a room in her basement and upstairs in her home in Vancouver Island, British Columbia.
- Media Type
- Textual Record
- Photograph
- Notes
- Title based on contents of subseries
- PC497, MSS125, MSS081, MSS085
Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 1
https://search.heritageburnaby.ca/link/oralhistory516
- Repository
- City of Burnaby Archives
- Date Range
- 1900-1946
- Length
- 00:07:05
- Summary
- This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver,…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver, but managed to find a place to live outside the camp where her grandmother grew a large garden from seeds brought in the seams of her clothing. She notes that the Lion Islands were named Oikawa-shima by the Japanese settlers.
- Date Range
- 1900-1946
- Length
- 00:07:05
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track one of interview with Toki Miyashita
Track one of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_1.mp3Lord Jim : a romance
https://search.heritageburnaby.ca/link/museumlibrary1831
- Repository
- Burnaby Village Museum
- Author
- Conrad, Joseph, 1857-1924
- Publication Date
- 1922
- c1900
- Call Number
- 823.9 CON
- Repository
- Burnaby Village Museum
- Collection
- Special Collection
- Material Type
- Book
- Accession Code
- HV983.76.6
- Call Number
- 823.9 CON
- Author
- Conrad, Joseph, 1857-1924
- Place of Publication
- Garden City, N.Y.
- Toronto
- Publisher
- Doubleday, Page & Co.
- Publication Date
- 1922
- c1900
- Printer
- Country Life Press
- Physical Description
- xxi, 392 p. ; 19 cm.
- Inscription
- "Jean Auld Arts '48 U. B. C." [handwritten in pencil on page opposing front pastedown] "Jean Auld U. B. C. Arts '48" [handwritten in blue ink on prepages] "$2.75" [handwritten in pencil on prepages] "1 Manhattan Transfer 2 Winesburg Ohio" [handwritten in pencil on prepages] Owner's notations throughout book
- Library Subject (LOC)
- Fiction--20th century
Burnaby Art Gallery subseries
https://search.heritageburnaby.ca/link/archivedescription14
- Repository
- City of Burnaby Archives
- Date
- 1890 (date of original)-1983
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Subseries
- Physical Description
- Photographs and textual records
- Scope and Content
- Subseries consists of photographs of and publications related to the Burnaby Art Gallery and Fairacres property.
- Repository
- City of Burnaby Archives
- Date
- 1890 (date of original)-1983
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Burnaby Art Gallery subseries
- Physical Description
- Photographs and textual records
- Description Level
- Subseries
- Accession Number
- BHS1996-12
- BHS1990-05
- Scope and Content
- Subseries consists of photographs of and publications related to the Burnaby Art Gallery and Fairacres property.
- History
- The Burnaby Art Gallery association was founded in 1967. The purpose of the association was to present a historical and contemporary art program by local, regional, national, and international artists; facilitate the development of emerging artists; provide diverse art educational programming; acquire culturally significant works on paper. The City of Burnaby assumed management of the gallery, its collection, staff and governance in 1998, with the art gallery then taking on the added responsibility of caring for and managing the City of Burnaby’s permanent art collection. The Gallery, along with the Shadbolt Centre for the Arts and the Burnaby Village Museum in Deer Lake Park, are part of the Parks, Recreation and Cultural Services Department of the City of Burnaby. The Burnaby Art Gallery is located inside the historic Ceperley House, built by Henry and Grace Ceperley. The couple purchased a strawbery farm on the north shore of Deer Lake from George Clayton in 1909 and built their home, also known as "Fairacres", on the property in 1911. The house was designed by the English architect, R.P.S. Twizell and with its river rock veranda, beautiful hand-crafted woodwork, stained-glass and tile, remains one of the finest examples of Edwardian architecture in the Lower Mainland. Grace and Hentry Ceperley had one daughter named Ethelwyn who married James Edward Hall. Ethelwyn and James Edward Hall had three children: Edith Ceperley, James Edward "Junior," and Florence Renn. In 1917, Grace Ceperley died and left Fairacres to her husband with the stipulation that when the home was sold the proceeds would be used to build a playground for the children of Vancouver in Stanley Park. In 1939, the local Catholic Diocese funded a group of five Benedictine monks from Mount Angel, Oregon to establish a priory in the province. The monks purchased the Ceperley House for their monastery. They also built a large gymnasium on the property. After serving as a monastery, the house was used as a fraternity for some of the first students attending Simon Fraser University, and then became home to the art gallery in the 1960s. The City of Burnaby acquired the property in 1966 and the house was designated a heritage building in 1992. In 1998 the City began restoring exterior of the house and upgraded the building for improved public use. The renovations were completed in 2000, and transformed the house back to its appearance of 1911. The gymnasium built by the Benedictine monks was converted into into the James Cowan Theatre. There are two main galleries, a lounge gallery with a fireplace and easy chairs and The Shopping Bag, a gallery shop run by volunteers. The goals of the gallery are to: provide access to contemporary Canadian art, present works from the permanent collection; collect contemporary works on paper; and offer challenging and educational exhibition related programming.
- Media Type
- Textual Record
- Photograph
- Creator
- Burnaby Art Gallery
- Notes
- Title based on contents of subseries
- PC241, PC242, MSS066