Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
Photograph of an Indigenous peoples gathered in a circle with non-indigenous people inside Brentwood Mall. Indigenous peoples are dressed in traditional clothing. A large group of people have gathered around to watch.
Photograph of an Indigenous peoples gathered in a circle with non-indigenous people inside Brentwood Mall. Indigenous peoples are dressed in traditional clothing. A large group of people have gathered around to watch.
Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum's Kate Petrusa. The webinar is titled "Thoughts on Decolonizing Heritage" and is presented by Kamala Todd - Indigenous Community Planner, Filmmaker, and Adjunct Professor SFU. The zoom webinar is the second i…
Date of Presentation: October 1, 7:00 pm - 8:30 pm
Total Number of tracks: 1
Total Length of all tracks: 88 min., 3 sec.
Recording Device: Zoom video communication platform
Scope and Content
Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum's Kate Petrusa. The webinar is titled "Thoughts on Decolonizing Heritage" and is presented by Kamala Todd - Indigenous Community Planner, Filmmaker, and Adjunct Professor SFU. The zoom webinar is the second in a collection of seven "Neighbourhood Speaker series" webinars that were presented and made available to the public between September 29 and October 27, 2020. The live webinar and recording was also made available on the Burnaby Village Museum's facebook page.
In this webinar, Kamala Todd speaks about how narratives and sense of place shape our connection to the lands we live upon. Kamala highlights how dominant colonial narratives are embedded into the built environment, place names, heritage landscapes, and the very planning of our cities contributing to exclusion and erasure of the hən̓q̓əmin̓əm and Sḵwx̱wú7mesh speaking people, who have lived on their unceded territories since time immemorial.Todd provides her perspectives by asking the questions; How has “Heritage” contributed to colonial harms and erasures? And what will it take to decolonize and re-Indigenize the stories, landscapes, and understandings of the places we call home? The presentation is supported with contemporary and historic photographs. Kamala takes questions from webinar participants and reads from writings of different authors including Stó:lō author, Lee Maracle and Salish poet, Will George.
This basket is woven using the wrapped twining method and is made of swamp grass. The designs were made using aniline dyes and are badly faded; original colours still visible on the inside of lid and basket. The weave on this basket is very finely done. The basket and lid are decorated with bird motifs. Originally birds were yellow on a purple background. The lid has a drop edge that fits over a lip around the top edge of the basket. It is decorated in concentric circles with a dark spot in the centre. The spot includes black as well as the wine colour. The outside is faded to a light brown colour.
Nuu-chah-nulth
Object History
The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
Basket with red cedar bark base and warps and swamp grass wefts. The base is done in checker weave, while the walls and lid are done using wrapped twining. The base of the basket is secured with two strand twining and then the warps were split and smaller rows of two strand twining follow. The edge of the base is distinguished by one row of three strand twining, which creates a noticeable break in the pattern, before the wrapped twining begins for the walls. Designs, consisting of horizontal stripes, were made using analine dyes, which are extremely light sensitive. Colours are preserved on inside of basket, where light exposure has been much lower. Originally red and black stripes.
Nuu-chah-nulth
Object History
The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
Rectangular coiled cedar root basket with cedar slat foundation and walls that flare slightly towards rim. Decorated in beaded designs of cattail grass and black dyed cherry bark. Darker elements arranged in a butterfly design. Butterflies are said to represent everlasting life by Stó:lō and Nlaka’pamux basket makers. Overcast handles sewn to basket with leather ties. One has been repaired with string. Finished with a braided rim. Triangular shaped stitches attach base to walls of basket.
Interior Salish: Stl’atl’imx?
Object History
Basket, ca. 1895-1910, from the collection of the L. Claude Hill family, who owned the property that became the Burnaby Village Museum. According to the Hill family, L. Claude's wife Anne Sarah Hill (nee Kendrick) traded blankets for baskets, although it is not known if this particular basket was obtained in this manner. Indigenous people travelled the trail that crossed Deer Lake Brook (Douglas Road / Canada Way).
Measurements
Measurements: width 24 cm and length 44 cm and depth 18 cm. All measured from top edge to outside.
Painting by Indigenous artist, Roy Hanuse titled "Thunderbird".
This West Coast First Nations style painting was done on a manilla card stock folder and mounted on a black mat board. Painting consists of an underdrawing done in graphite and painted with red, black, green, blue and yellow gouache or tempera paint with some portions painted in a blue glossy paint.
Handwritten title above painting reads "THUNDERBIRD"; painting is signed by the artist "ROY HANUSE".
Object History
Drawings were created in the early 1970s by Roy James Hanuse who was a Kwakwaka'wakw artist known for working in the traditional Kwakwaka'wakw style. Roy was born in 1943 in Bella Bella and lived at Rivers Inlet (Owikeno), British Columbia. Largely self-taught, Roy became interested in his cultural heritage while attending school in Alert Bay in the 1950s. Roy began painting in 1966 and wood carving in 1968. Some highlights of his art career included selling four paintings to the University of British Columbia which were later published in Audrey Hawthorn's "Kwakiutl Art Book" (1979) and carving a 12-foot totem for the Denver Art Museum (1972) and two totem poles that he carved for the Montreal Olympics (1976). Roy James Hanuse died in 2007.
Painting by Indigenous artist, Roy Hanuse titled "Killer Whale"
This West Coast First Nations style painting was done on a manilla card stock file folder and mounted on a black mat board. Painting consists of an underdrawing done in graphite and painted with red, black and green gouache or tempera paint.
Handwritten title above painting reads "KILLER WHALE"; painting is signed by the artist "ROY HANUSE".
Object History
Drawings were created in the early 1970s by Roy James Hanuse who was a Kwakwaka'wakw artist known for working in the traditional Kwakwaka'wakw style. Roy was born in 1943 in Bella Bella and lived at Rivers Inlet (Owikeno), British Columbia. Largely self-taught, Roy became interested in his cultural heritage while attending school in Alert Bay in the 1950s. Roy began painting in 1966 and wood carving in 1968. Some highlights of his art career included selling four paintings to the University of British Columbia which were later published in Audrey Hawthorn's "Kwakiutl Art Book" (1979) and carving a 12-foot totem for the Denver Art Museum (1972) and two totem poles that he carved for the Montreal Olympics (1976). Roy James Hanuse died in 2007.
Oval shaped coiled cedar root basket with cedar slat foundation. Overcast rim with remnants of a loopwork border. Decorated with vertical stripes of imbricated designs in canary grass and black dyed cherry bark. Cherry bark can be distinguished by the small eyes in the surface of the bark. If the basket maker is skilled the bark has a shiny appearance, if it has not been scraped properly it has a greyish tinge. Canary grass is differentiated from cattail and bear grass by its shiny appearance according to a Stó:lō/Stl’atl’imx elder and basket maker from Mount Currie, who was married into Upper Sḵwx̱wú7mesh.
Object History
Basket, ca. 1895-1910, from the collection of the L. Claude Hill family, who owned the property that became the Burnaby Village Museum. According to the Hill family, L. Claude's wife Anne Sarah Hill (nee Kendrick) traded blankets for baskets, although it is not known if this particular basket was obtained in this manner. Indigenous people travelled the trail that crossed Deer Lake Brook (Douglas Road / Canada Way).
Measurements
Measurements: width 31.5 cm and length 51.5 cm and depth 19.5 cm all measured from top edge to outside of basket, not including trim.
Photograph of dignitaries at opening of Heritage Village (now Burnaby Village Museum) on November 19, 1971. Mrs. Alice Burritt, Mrs. Centennial of Canada, 1967 (dressed in traditional indigenous clothing) greets Governor-General Roland Michener (in black suit) with a kiss on the cheek. Mayor Bob Pr…
Photograph of dignitaries at opening of Heritage Village (now Burnaby Village Museum) on November 19, 1971. Mrs. Alice Burritt, Mrs. Centennial of Canada, 1967 (dressed in traditional indigenous clothing) greets Governor-General Roland Michener (in black suit) with a kiss on the cheek. Mayor Bob Prittie (right) and members of the Burnaby Centennial '71 Committee and guests are standing behind.
Description information gathered from page 42 of The Province newspaper Nov. 20, 1971. Newpaper article by Helen Bateson, headline reads "In the 'heavenly dew'"
Photograph of Mrs. Alice Burritt, Mrs. Centennial of Canada, 1967 (dressed in traditional indigenous clothing) greeting Governor-General Roland Michener with a handshake at the official opening of Heritage Village. Mayor Bob Prittie (right) and members of the Burnaby Centennial '71 Committee and gu…
Photograph of Mrs. Alice Burritt, Mrs. Centennial of Canada, 1967 (dressed in traditional indigenous clothing) greeting Governor-General Roland Michener with a handshake at the official opening of Heritage Village. Mayor Bob Prittie (right) and members of the Burnaby Centennial '71 Committee and guests are standing behind.
Description information gathered from page 42 of The Province newspaper Nov. 20, 1971. Newpaper article by Helen Bateson, headline reads "In the 'heavenly dew'"
"All good wishes to Colin / and many thanks for contributing / an enjoyable segment to the / 1992 B.C. Historical Federation / Convention. / Pixie McGeachie / May 20/92", written in ink on cover page.
"Dear Colin - / Thank you again for giving up / your Saturday morning in order / to give B.C.H.F. delegates an / interesting & informative bus tour / commentary. Your contribution to / the convention is much appreciated. / Sincerely, / Pixie", hand-written note in ink inserted into book.
Photograph of costumed people gathered outside of "The Buggy Shop" during opening day ceremonies for Heritage Village (now Burnaby Village Museum). Mrs. Alice Burritt, Mrs. Centennial of Canada, 1967 is dressed in traditional indigenous clothing and standing next to three young women that are weari…
Photograph of costumed people gathered outside of "The Buggy Shop" during opening day ceremonies for Heritage Village (now Burnaby Village Museum). Mrs. Alice Burritt, Mrs. Centennial of Canada, 1967 is dressed in traditional indigenous clothing and standing next to three young women that are wearing full length dresses, crowns and banners which read "Miss B.C. Centennial" next to an unidentified man dressed in tales and a top hat.