The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate, which was designed as a country estate with a working farm that included over 10 acres of productive berry and vegetable fields, with a large kitchen garden, a root house to store food, an orchard, and greenhouses heated by steam. The agricultural potential of the Deer Lake area made it one of the first parts of the municipality to attract settlement.
In 1909, the Ceperleys built three large greenhouses heated by an adjacent steam plant (Fairacres Steam Plant). The greenhouses featured granite foundation walls, including this one which remains intact. The Ceperleys employed a large staff to manage the estate's agricultural production, including Chinese farm labourers. Produce was grown for use at the estate, and for sale at local markets. Agricultural use of the estate continued when a Catholic order of Benedictine monks purchased the estate as part of the Priory of St. Joseph and the Seminary of Christ the King, and continued to farm the land until 1953.
Defining Elements
Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its:
- overall spatial arrangement of the Greenhouse Foundation Wall in relation to the Steam Plant Building and the Root House
- original rubble stone walls reflecting the Arts and Crafts design aesthetic of the estate buildings.
Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the fo…
Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the foundation for the greenhouses stand adjacent. The Steam Plant Building stands as a pendant to the Root House, which is to the north of the former greenhouses.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate.
The Ceperleys operated 'Fairacres' with staff, a farm manager and workers, including Chinese, to grow produce for themselves and for sale at local markets. The Steam Plant Building illustrates the market gardening activity of the area around Deer Lake and its importance to the Ceperley family, which valued a year-round supply of fresh fruit and vegetables for the kitchen and flowers for the house. It also illustrates the cultural and aesthetic values of the Ceperleys in retaining an architect to design a functional outbuilding using an accepted and contemporary architectural style. Built in 1908, the Steam Plant Building was significantly altered in the 1960s and restored to its original design in 2000.
Defining Elements
Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its:
- overall spatial arrangement of the Steam Plant Building in relation to the former greenhouses and the Root House
- side gable roof with cedar shingle cladding.
- tall brick chimney indicitive of the building's original function.
- distinctive Arts and Crafts architectural features such as the shingle wall cladding with decorative shingling under window sills, deep eaves, and pebble-dashed concrete foundation walls
- six-paned wooden-sash casement windows
- simple functional interior features
- rubble stone walls that formed the foundation for the greenhouses
Designed in a vernacular architectural style, the New Haven Barn is a large gambrel-roofed barn located on the Edwardian era McGregor Estate 'Glen-Lyon,' overlooking the rich farmland of the Fraser River floodplain and near a ravine and forested area adjacent to Marine Drive in South Burnaby.
Associated Dates
1939
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Home of the Friendless, New Haven Borstal Home for Boys and Youthful Offenders, New Haven Correction Centre
Designed in a vernacular architectural style, the New Haven Barn is a large gambrel-roofed barn located on the Edwardian era McGregor Estate 'Glen-Lyon,' overlooking the rich farmland of the Fraser River floodplain and near a ravine and forested area adjacent to Marine Drive in South Burnaby.
Heritage Value
The site is historically significant for its association with early social welfare and correctional reform. The estate was sold in 1926 to an inter-denominational religious organization called the Home of the Friendless, which used it as their B.C. headquarters. The organization was charged with several cases of abuse and neglect in 1937, after which a Royal Commission was formed that led to new legislation to regulate and license all private welfare institutions. 'Glen-Lyon' was sold to the provincial government, and was dedicated in 1939 by the Lt.-Gov. E.W. Hamber for use as the New Haven Borstal Home for Boys and Youthful Offenders (later renamed the New Haven Correction Centre). The Borstal movement originated in England in the late nineteenth century, as an alternative to sending young offenders and runaways to prisons by providing reformatories that focused on discipline and vocational skill. This site’s role as the first North American institution devoted to the Borstal School philosophy was historic, and influenced corrections programs across Canada. The New Haven Barn is a significant feature from its development in 1939 as the Borstal School, designed by Chief Provincial Architect Henry Whittaker of the Department of Public Works, and is the only remaining structure of its kind in Burnaby.
Defining Elements
Key elements that define the heritage character of the New Haven Barn include its:
- gambrel-roofed barn with roof vent with finial, sliding hay loft and access doors, small multi-pane windows, and lapped wooden siding
Designed in the British Arts and Crafts style, the ‘Fairacres’ Garage and Stables is a two-storey wood frame building located on the 'Fairacres' estate, situated to the north of the Chauffeur's Cottage; at the south end of the structure is a single vehicle garage and to the north are several stable…
Designed in the British Arts and Crafts style, the ‘Fairacres’ Garage and Stables is a two-storey wood frame building located on the 'Fairacres' estate, situated to the north of the Chauffeur's Cottage; at the south end of the structure is a single vehicle garage and to the north are several stables for carriage, riding, and draught horses, a coach house, and tack room; the upper floor was originally a hay loft.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917) was retained by the Ceperleys to design several original outbuildings on their estate at the same time as the main house was constructed.
The Garage and Stables building is important as a record of its era when transportation modes were in transition and the horse-drawn carriage, while still in use, was giving way to the automobile. The relative spatial arrangements within the building are a valuable indication of the economy of space associated with the automobile, as compared to the horse. The extent of the stabling arrangements signifies not only the use of carriage horses but also the continued reliance on draught horses in farming activities in this era. As well, it is an indication of the fashionable nature of equestrianism for wealthy families during this time.
The building is important as a demonstration of the aesthetics of the Ceperley family in having an architect-designed outbuilding and obtaining craftsmanship and materials of the highest quality for each structure on their estate.
Defining Elements
Key elements that define the heritage character of the 'Fairacres' Garage and Stables include its:
- location within easy reach of the main house and in close proximity to the Chauffeur's Cottage
- floor plan with the garage at one end, close to the Chauffeur's Cottage, and stables and equine facilities at the other
- variety and complexity of the roofline, including gable wall dormers, gable-on-hip roof ends, and half-hip extensions
- Arts and Crafts architectural features of the exterior such as the shingle wall cladding articulated with a chevron-patterned course of shingles at the first floor level; casement windows; and deep eaves with additional purlins to support the overhang
- original stable doors with hand-made forged-iron door hardware
- multi-paned wooden-sash windows, some retaining original wire glass
The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the ma…
The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the main house, 'Fairacres,' this functional structure was used as a frost-free store for fruit and vegetables for the family's use.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate.
The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000.
The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
Defining Elements
The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate.
The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000.
The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
Photograph of Burnaby's Agricultural Exhibit at New Westminster. Vegetables, fruit, plants, flowers, and trees are on display inside a building. There is electric lighting. A sign on the right is shaped like an arch and reads, "Welcome to Burnaby." A mural showing Burnaby Lake is behind the dis…
Photograph of Burnaby's Agricultural Exhibit at New Westminster. Vegetables, fruit, plants, flowers, and trees are on display inside a building. There is electric lighting. A sign on the right is shaped like an arch and reads, "Welcome to Burnaby." A mural showing Burnaby Lake is behind the display.
Photograph of Burnaby's Agricultural Exhibit at New Westminster. Vegetables, fruit, preserves, flowers, and plants are on display inside a building. There is electric lighting. A sign above the display reads, "Burnaby." A sign above a container on the lower left reads, "Ginseng / Grown in Lozel…
Photograph of Burnaby's Agricultural Exhibit at New Westminster. Vegetables, fruit, preserves, flowers, and plants are on display inside a building. There is electric lighting. A sign above the display reads, "Burnaby." A sign above a container on the lower left reads, "Ginseng / Grown in Lozells District by Mr. Romer."
Photograph of Burnaby's Agricultural Exhibit at New Westminster. Tables with fruit, vegetables and flowers are displayed. Greenery and photographs (mainly of people) are on the walls, including a portrait of former Reeve Nicolai C. Schou (second portrait from right). A sign in the corner reads, …
Photograph of Burnaby's Agricultural Exhibit at New Westminster. Tables with fruit, vegetables and flowers are displayed. Greenery and photographs (mainly of people) are on the walls, including a portrait of former Reeve Nicolai C. Schou (second portrait from right). A sign in the corner reads, "Burnaby's Exhibit," and a mural hangs on the walls above the exhibit. A woman and man are standing behind a table at the back left.
Photograph of Burnaby's Agricultural Exhibit at New Westminster showing a display of vegetables, fruit, flowers, plants, and trees inside of a building.
Photograph of Burnaby's Agricultural Exhibit at New Westminster showing a display of vegetables, fruit, flowers, plants, and trees inside of a building.
Photograph of Burnaby's Agricultural Exhibit at New Westminster. Fruits, vegetables and flowers are displayed on tables. Greenery and photographs (mainly of people) are on the walls, including a portrait of former Reeve Nicolai C. Schou (second portrait from right). A sign in the corner reads, "…
Photograph of Burnaby's Agricultural Exhibit at New Westminster. Fruits, vegetables and flowers are displayed on tables. Greenery and photographs (mainly of people) are on the walls, including a portrait of former Reeve Nicolai C. Schou (second portrait from right). A sign in the corner reads, "Burnaby's Exhibit," and a mural hangs on the walls above the exhibit. Two men are standing behind a table in the centre.
Photograph of the South Burnaby Horticultural Exhibit at Hastings Park, Vancouver. Flowers, plants and trees are displayed inside a building. A banner reads, "Burnaby. / Beautiful - Bountiful."
Photograph of the South Burnaby Horticultural Exhibit at Hastings Park, Vancouver. Flowers, plants and trees are displayed inside a building. A banner reads, "Burnaby. / Beautiful - Bountiful."
Photograph of various flower displays with signs that indicate the prize they earned at the 14th Annual Central Park Agricultural Association and Farmers's Institute Exhibition. There are at least three First Prize flower displays in view and one Special Prize. This is most likely at the 14th An…
Photograph of various flower displays with signs that indicate the prize they earned at the 14th Annual Central Park Agricultural Association and Farmers's Institute Exhibition. There are at least three First Prize flower displays in view and one Special Prize. This is most likely at the 14th Annual Exhibition of the Central Park Agricultural Association and Farmers' Institute that took place from the 17th to 19th of September, 1914. An earlier catalogue record from 1988 notes that the pictures hanging from the backwall are probably children's school work from Kingsway West School. It also adds the agricultural fair was held between 1902 to 1921 in the Central Park Agricultural Hall built in 1902 in Central Park on Kingsway and the B.C.E.R. tracks.
Collected by editorial for use in an April 2002 issue of the Burnaby NewsLeader
Caption from metadata for 535-2329-1: "Norbert Wuensche checks one of the many varieties of rhododendron growing around his home in North Burnaby. He's been an avid hobbyist of the flower for more than 20 years, and many of the hybrids in his garden are his own creation."
Caption from metadata for 535-2329-2: "Norbert Wuensche checks the stigma of one of his rhododendron blossoms. By cutting back the petals to discourage bees from cross-pollenating his flowers, then carefully collecting the pollen and mixing it with pollen from other varieties, he's able to create his own rhododendron hybrids."
Caption from metadata for 535-2329-3: "Young plants that are the result of his breeding efforts are raised in his tiny greenhouse until they're strong enough to be planted outdoors."
Caption from metadata for 535-2329-4: "Norbert Wuensche stands in his back garden, which he's built into a showcase for many varieties of rhododendron, some of which he's developed himself."
Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Assistant Curator, Kate Petrusa. The webinar is titled "Weaving and Learning through Art" and is presented by Nicole Preissl, Explorative Designer of Sḵwx̱wú7mesh and Stó:lō decent. The Zoom webinar is the f…
Date of Presentation: Tuesday, May 11, 7:00 pm - 8:15 pm
Total Number of tracks: 1
Total Length of all tracks: min., sec.
Recording Device: Zoom video communication platform
Recording Note: Film was edited from it's original recorded version (90 min., 05 sec.) to edited version (76 min., 47 sec.) for public viewing on Heritage Burnaby.
Scope and Content
Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Assistant Curator, Kate Petrusa. The webinar is titled "Weaving and Learning through Art" and is presented by Nicole Preissl, Explorative Designer of Sḵwx̱wú7mesh and Stó:lō decent. The Zoom webinar is the fifth in a series of six "Neighbourhood Speaker series" webinars exploring a range of topics shared by Indigenous speakers and knowledge keepers that were presented and made available to the public between April 27 and May 12, 2021. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online session. Nicole supports her presentation with slides and provides a hands on demonstration on weaving. Prior to the webinar, participants were offered materials that were prepared and made available from Burnaby Village Museum.
In this interactive webinar, Nicole Preissl, explores the importance of plants within Coast Salish culture and demonstrates the traditional technique of rope-making. In the first part of her presentation, Nicole provides examples of indigenous plants and trees that grow in British Columbia and shares information on thier historical and cultural significance, medicinal and edible properties and how to identify them. Nicole also shares her own experiences and appreciation for natural materials and provides examples of her artwork. In the second half of Nicole's presentation participants are invited to join her demonstration in learning basic weaving techniques. Nicole provides two hands-on demonstrations to follow, one with yarn and one with iris leaves.
During and follwing the presentation, Nicole Preissl takes questions from the audience that are moderated by the host, Kate Petrusa.
History
Nicole Preissl is an explorative designer who uses natural materials to influence her work. From both Sḵwx̱wú7mesh and Stó:lō decent, she began introducing traditional artistic customs into her practice as a means of connecting to her culture. In her art practice she uses natural fibres and materials to create textile based designs. Her areas of interest are natural plant dyes, weaving Coast Salish style garments and using raw hide to create thought provoking design pieces.
Photographs copied from various photograph albums including; Albert Paker, George Love, Gordon Love and Esther (Love) Stanley. Content includes: Love family in front of the piano inside parlour; Love family members with musical instruments inside parlour; Ben Brandrith and Robert Love in uniforms; …
Photographs copied from various photograph albums including; Albert Paker, George Love, Gordon Love and Esther (Love) Stanley. Content includes: Love family in front of the piano inside parlour; Love family members with musical instruments inside parlour; Ben Brandrith and Robert Love in uniforms; unidentified Asian man in field with hoe and young trees behind him; wedding cake from Frank Charles Stanley and Esther Love's wedding; land clearing for Love farmhouse; Jesse Love feeding chickens; Jesse and Hannah (Girlie) Love in hats outside on Love farm; large picnic on grass; four generations of Love family members; gatherings of Love family members outside; Love family posed in a car inside a studio (Will, Sarah, George, Phoebe and Martha); Leonard Love dressed as a boy scout; Martha (Dot) with children; Love family members celebrate centennial; Jesse Love and Martha (Dot) Love outside Love farmhouse; Love farmhouse with porch and garden; swing at Love farmhouse; Parker family in living room and view of the Love farmhouse from the front.
Photograph of Louise Irwin standing on a limb of a cherry tree in the yard of the Irwin family home on the site of the Barnet Lumber Mill. The cherry tree is in full bloom with cherry blossoms.
Photograph of Louise Irwin standing on a limb of a cherry tree in the yard of the Irwin family home on the site of the Barnet Lumber Mill. The cherry tree is in full bloom with cherry blossoms.
Photograph of Louise Irwin standing under a cherry tree that is in full bloom with cherry blossoms. The tree is in the yard of the Irwin family home on the site of the Barnet Lumber Mill.
Photograph of Louise Irwin standing under a cherry tree that is in full bloom with cherry blossoms. The tree is in the yard of the Irwin family home on the site of the Barnet Lumber Mill.
Postcard: colour photo of pink rhododendron flowers; horizontal; on reverse in navy, "No. 6" "RHODODENDRON" "The official flower of Burnaby, B.C." "This beautiful plant..."; illustration at left of R.C.M.P. officer; at bottom, "Photo by Dr. Edward Chan" "B.R. & S.F. Show" "S-2739"; row of large dots over line of print "Photo by Peter Scurr"; navy bar up centre "PUB. BY NATURAL COLOR PRODUCTIONS, LTD., VANCOUVER, B.C."; at bottom, "MADE IN CANADA" "GRANT-MANN", logo; at upper right, illustration of mounted R.C.M.P. officer, "POST CARD" "ADDRESS", rectangle with "USE CANADIAN POSTAGE"; unused
Postcard: colour photo of pink rhododendron flowers; horizontal; on reverse in navy, "No. 7" "RHODODENDRON" "The official flower of Burnaby, B.C." "This beautiful plant..."; illustration at left of R.C.M.P. officer; at bottom "Photo by Peter Scurr" "B.R. & S.F. Show" "S-2740"; a series of large dots covers line "Photo by D.R. Edward Chan"?, slightly off; navy bar up centre with "PUB. BY NATURAL COLOR PRODUCTIONS, LTD., VANCOUVER, B.C."; at bottom, "MADE IN CANADA" "GRANT-MANN", logo; at upper right, illustration of mounted R.C.M.P. officer, "POST CARD" "ADDRESS", rectangle with "USE CANADIAN POSTAGE"; unused