A brief manual directions for curing herring, cod, and salmon : taken from R.J. Duthie's "The art of fish-curing", published by the Rosemont Press, Aberdeen, Scotland, Bulletin no. 2
Located atop a hill on the southern shore of picturesque Deer Lake, the Alfred and Ruth MacLeod Cottage is a one and one-half storey, wood-frame, rustic Arts and Crafts-style bungalow. The cottage is well-maintained, but has been altered through the enclosure of much of its original wraparound vera…
Located atop a hill on the southern shore of picturesque Deer Lake, the Alfred and Ruth MacLeod Cottage is a one and one-half storey, wood-frame, rustic Arts and Crafts-style bungalow. The cottage is well-maintained, but has been altered through the enclosure of much of its original wraparound verandah. Its sits on the brow of a steep slope, with panoramic views north to Deer Lake.
Heritage Value
The Alfred and Ruth MacLeod Cottage is valued as a significant example of the early development of summer estates in Burnaby, specifically in the Deer Lake neighbourhood, that attracted residents from the burgeoning cities of New Westminster and Vancouver. Access to the area was facilitated by the construction of the Burnaby Lake Interurban tramline, which opened in June 1911. This modest, rustic cottage illustrates the desire for a simple country lifestyle and retreat into nature of those who settled on the south shore of Deer Lake. While the grand mansions on the north shore of Deer Lake are set in formally landscaped gardens, the informality of this cottage demonstrates reverence for its natural, wooded surroundings, oriented towards views of Deer Lake.
The Alfred and Ruth MacLeod Cottage is important for its connection with prominent New Westminster insurance and real estate broker, Alfred W. MacLeod, and his wife, Ruth. The MacLeods had recently constructed a large city home, and built this cottage as a summer residence in 1913. In 2005, the Alfred and Ruth MacLeod Cottage was purchased by the City of Burnaby and today constitutes part of the Deer Lake Park Heritage Precinct, which is Burnaby's most significant collection of historic sites.
Defining Elements
Key elements that define the heritage character of the Alfred and Ruth MacLeod Cottage include its:
- secluded setting on the brow of a steep hill on the southern shore of Deer Lake, with expansive views of Deer Lake to the north
- residential form, scale and massing as expressed by its one and one-half storey rectangular plan, side-gabled roof, hipped roof over original verandah and two shed dormers
- associated landscape features such as mature coniferous and deciduous trees surrounding the property
The Andy Johnson House is a large, one and one-half storey plus above-ground basement wood-frame mansion on a rubble-stone granite foundation with a red terra cotta pantile roof and an octagonal corner turret. The building stands in a prominent location on a corner lot on Kingsway, one of Burnaby’s…
The Andy Johnson House is a large, one and one-half storey plus above-ground basement wood-frame mansion on a rubble-stone granite foundation with a red terra cotta pantile roof and an octagonal corner turret. The building stands in a prominent location on a corner lot on Kingsway, one of Burnaby’s main transportation and commercial corridors, and stands adjacent to the Burlington Square Development.
Heritage Value
The Andy Johnson House 'Glenedward' is a valued representation of a prominent upper middle-class family dwelling from the pre-First World War era. Andrew M. Johnson (1861-1934), an early Vancouver pioneer, and his wife Margaret built this house in 1912, in an imposing style favoured by the newly wealthy of the prewar boom period. Born in Norway, Andrew Johnson arrived in Vancouver just months after the Great Fire of 1886 and went into partnership with J. (Ollie) Atkins in a transportation company that became the Mainland Transfer Company, eventually the largest of its kind in Vancouver. Johnson also operated Burnaby's historic Royal Oak Hotel, once located on the opposite corner from his estate.
Additionally, the Andy Johnson House is significant for the high-quality design and construction of both the house and its landscaped setting. Designed in the British Arts and Crafts style, the house exhibits a rare degree of opulence in building materials, including imported terra cotta roof tiles, oak and walnut interior millwork, and stained glass manufactured by the Royal City Glass Company. The rubble-stone foundations and perimeter walls were obtained from two massive granite glacial erratic boulders found on the property. The house has been relocated closer to the corner, but the encircling stone walls, the gate posts and gates manufactured by the Westminster Iron Works and some of the original plantings have been retained. A grouping of three giant Sequoias, other mature deciduous trees and massings of shrubbery indicate the type of landscape setting considered appropriate for an estate house in the early years of the twentieth century.
Defining Elements
Key elements that define the heritage character of the Andy Johnson House include its:
- corner location on Kingsway at Royal Oak Avenue
- residential form, scale and massing as expressed by the one and one-half storey height, above-ground basement, octagonal corner turret and rectangular plan
- British Arts and Crafts details such as the use of natural indigenous materials, half-timbering in the gables and dormers, picturesque roofline, cedar shingle siding, extended eaves, native granite rubble-stone foundation with red-coloured mortar, and granite piers and chimneys
- additional exterior features such as the central front entrance, elaborate wrap-around verandah, porte-cochere and balcony at second storey lighted with original cast iron electric lanterns
- red terra cotta pantile roof cladding
- fenestration, such as double-hung 1-over-1 wooden-sash windows with stained glass and leaded lights in the upper sash
- original interior features such as fireplaces, wainscoting finished with oak and walnut millwork, and three-quarter sawn oak flooring
- associated landscape features including three giant Sequoias. granite walls, granite gate posts and wrought iron gates
Photograph of artist Anne Ramsden sitting in front of her Caroline Herrera style dollhouse. Her work was on display at Burnaby Art Gallery's show "Interventions".
Photograph of artist Anne Ramsden sitting in front of her Caroline Herrera style dollhouse. Her work was on display at Burnaby Art Gallery's show "Interventions".
Subseries consists of photographs of the opening of the Burnaby Historical Society Archives' Fraser Wilson Room on November 15, 1990.
History
Annie Urbanovits Boulanger’s parents emigrated from Hungary to Toronto: Louis in 1925 and Irene in 1930. The couple married in Toronto and later moved to Vancouver. During WWII, Louis worked in the Vancouver Shipyards, followed by Nichols Chemical Company in Barnet for 15 years. While the Urbanovits family lived in Cloverdale, Louis commuted to Kask’s Camp in Barnet until they moved to Burnaby in 1951 to an old farm on Napier Street.
Between 1951 and 1956 Annie completed her BA degree, majoring in chemistry and english with a minor in physical education, and obtained her teaching diploma at UBC. She taught for four years in various locations in BC before marrying and moving to Manitoba and Ottawa. She and her husband and five children returned to Burnaby in 1964 to a home on Government Street to be close to family. The couple later had another two children.
Annie Boulanger became involved in the community first through her children’s school, initiating and teaching french classes in Seaforth School in 1969, and supporting the development of gymnastics in school and as a municipal program. Her interest in Archives lead to doing oral histories for John Adams, curator of Heritage Village (later Burnaby Village Museum), and for SFU Archives. She became a long time member of the Burnaby Writers’ Club in the 1970s, taking a course in writing non-fiction from Chris Potter.
In 1983 Annie Boulanger joined the Burnaby Arts Council, becoming President in 1985. She was involved in lobbying the municipality for better monetary support and facilities for the arts and for the creation of a Municipal Arts Policy. She continued to promote the arts in Burnaby through her appointment to Burnaby’s Visual Arts Advisory Board in 1997, her arts journalism, writing regular book and theatre reviews for the local newspaper, and other activities. She was a member of the Burnaby Centennial Committee and was one of the editors of the book “Burnaby Centennial Anthology”. She is also the author of "A Carousel is Magic: The Saving of Parker # 119".
Photograph of an unidentified person holding and viewing two paintings, in a room filled with paintings propped up against the windows and on the floor.
Photograph of an unidentified person holding and viewing two paintings, in a room filled with paintings propped up against the windows and on the floor.
Arthur Long, of the Water Rights Office of Victoria, purchased this land from neighbour Henry Ramsay, and built this beautiful Arts and Crafts styled home. The house appears to have many similarities to the neighbouring Ramsay House, which was designed by Vancouver architect R. Mackay Fripp. The house has retained its original complex gabled roof, triangular eave brackets and horizontal siding.
Combined reprint, including original title pages, of the editions published Chicago : Popular Mechanics Co., 1911 in the series Popular mechanics handbooks.
"Atkinson" sign painting up to now : a complete manual of the art of sign painting, contains ninty [sic] six designs or layouts and accompanying color notes, seventy five alphabets embracing all standard styles, their modifications and alternates, comprehensive text covering all practical phases of the art, for every day reference in the shop