Photograph of the construction of the Fairacres' Mansion at the framing stage. Large bundles of wood shingles are grouped in loose piles along the front of the house.
Photograph of the construction of the Fairacres' Mansion at the framing stage. Large bundles of wood shingles are grouped in loose piles along the front of the house.
Photograph of Fairacres Mansion, which later became the site of the Burnaby Art Gallery. The mansion was built in 1911 by Grace and Henry T. Ceperley as their retirement home. Three generations of the Ceperley family can be seen on the lawn; H.T. Ceperley, Grace Ceperley and their daughter Ethelwy…
Photograph of Fairacres Mansion, which later became the site of the Burnaby Art Gallery. The mansion was built in 1911 by Grace and Henry T. Ceperley as their retirement home. Three generations of the Ceperley family can be seen on the lawn; H.T. Ceperley, Grace Ceperley and their daughter Ethelwyn standing and Ethelwyn's three children; Edith Ceperley (standing), James Edward "Junior" (sitting) and Florence Renn (in carriage).The man seen seated on the left in the photograph could be James Edward Hall (Ethelwyn's husband).
Photograph of "Father Joseph" one of the monks of the Order of St. Benedict. He is riding a tractor on the front lawn of Fairacres. The Benedictines purchased and occupied Fairacres from 1939 to 1954.
Photograph of "Father Joseph" one of the monks of the Order of St. Benedict. He is riding a tractor on the front lawn of Fairacres. The Benedictines purchased and occupied Fairacres from 1939 to 1954.
Photograph of the front door of the Burnaby Art Gallery. The door is made of dark wood and there are pieces of decorative glass on either side, framing the doorway.
Photograph of the front door of the Burnaby Art Gallery. The door is made of dark wood and there are pieces of decorative glass on either side, framing the doorway.
Collected by editorial for use in a September 2002 issue of the Burnaby NewsLeader
Caption from metadata: "Marissa Murdocco, of the Ceperley House Gallery, takes in one of the works on display at the Gallery's latest show, The Gesher Project. The project is comprised of artwork and writings produced by Holocaust survivors and their children."
Newspaper clipping attached to verso of photograph reads: "Burnaby Art Gallery staffer Gloria Burdick studies model of the proposed $400,000 extension of Burnaby Art Gallery facilities. A fund drive has already started to raise $150,000 locally towards the project, which is scheduled for completion in the late summer of 1976."
Photograph of Henry and Grace Ceperley standing outside the Fairacres Mansion, with a man and a woman standing on either side of them. The man is on the left, smoking a pipe, and the Ceperley's dog is standing just in front of him.
Photograph of Henry and Grace Ceperley standing outside the Fairacres Mansion, with a man and a woman standing on either side of them. The man is on the left, smoking a pipe, and the Ceperley's dog is standing just in front of him.
Photograph of Henry and Grace Ceperley standing next to each other. Grace has her hand on her hip, and standing on her other side is a woman who is making their dog stand on his hind legs. On her right is another woman, smiling. A man stands to the left of the group with a pipe in his hand.
Photograph of Henry and Grace Ceperley standing next to each other. Grace has her hand on her hip, and standing on her other side is a woman who is making their dog stand on his hind legs. On her right is another woman, smiling. A man stands to the left of the group with a pipe in his hand.
Photograph of Ilza Bebris, the education programmer at the Burnaby Art Gallery, with an accordion book by Ann Vicente that is part of an exhibition on artists' books, curated by Bebris.
Photograph of Ilza Bebris, the education programmer at the Burnaby Art Gallery, with an accordion book by Ann Vicente that is part of an exhibition on artists' books, curated by Bebris.
Collected by editorial for use in a January 2002 issue of the Burnaby NewsLeader
Caption from metadata: "Ilza Bebris, the education programmer at Ceperley House Gallery, and the curator of the Volumes exhibition, lines up an accordian book by Ann Vincente. The show explores artists' interpretations of books."
Photograph of Ilze Bebris, the education programmer at the Burnaby Art Gallery, posing with the painting "Iran Eslami" by Terence Johnson. The three paintings in the photograph are part of the Gallery's "On the Breakwater" exhibition.
Photograph of Ilze Bebris, the education programmer at the Burnaby Art Gallery, posing with the painting "Iran Eslami" by Terence Johnson. The three paintings in the photograph are part of the Gallery's "On the Breakwater" exhibition.
Collected by editorial for use in a June 2001 issue of the Burnaby NewsLeader
Caption from metadata: "Ilze Bebris, the education programmer at Ceperley Gallery, admires Terence Johnson's "Iran Eslami," part of the gallery's current exhibit, "On the Breakwater," documenting shipyards and working boats."