This memorial granite drinking fountain is a monument to Burnaby’s municipal employees who lost their lives in the First World War. It has been relocated from its original setting to a shaded arterial pathway within the Burnaby Village Museum.
This memorial granite drinking fountain is a monument to Burnaby’s municipal employees who lost their lives in the First World War. It has been relocated from its original setting to a shaded arterial pathway within the Burnaby Village Museum.
Heritage Value
The fountain is an early civic monument with superior massing and detail, constructed of local materials by local stonemason William Williamson. It was erected by the Burnaby Civic Employees Union (now CUPE Local 23) in 1923, on Burnaby’s original Municipal Hall grounds located at Kingsway and Edmonds Street, to honour their members who lost their lives in the First World War, commemorated by an engraved memorial at the top of the fountain. It signifies an important connection with the early strength and prominence of the civic labour union in Burnaby, as this was a memorial erected by the union members themselves, rather than by the civic government.
Many war memorials were constructed across Canada after the end of the First World War, however, most are static, inviting passive contemplation. This memorial is unusual in its combination of functions; its use as a drinking fountain invites active participation. The memorial also includes a stone drinking bowl for dogs at the bottom left of the memorial, further illustrating the daily functional use of the fountain.
The heritage value for this fountain also lies in its interpretive value within the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The fountain was moved to the Burnaby Village Museum in 1974.
Defining Elements
The character defining features of the Burnaby Civic Employees Union Memorial Fountain include its:
- distinctive form with central water fountain
- construction of rough-dressed local B.C. granite
- engraved memorial at the top
- carved emblematic maple leaf
- drinking fountain function
- dog drinking bowl
Development in the Broadview area slowed during World War Two, but after the war, the area became home to a number of industrial sites. The first major plant to be built here was the Dominion Bridge Company which opened in 1930.
After a lull in construction during the World War I period, East Burnaby Neighbourhood's growth resumed during the 1920s when many homes and businesses were constructed. The post-World War Two period also saw rapid construction and the creation of new housing developments in response to a population boom. The neighbourhood remained a primarily single-family residential area.
The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
Heritage Value
The E.W. Bateman House was constructed in the Deer Lake Crescent subdivision, that was originally promoted in 1911 as an upper class suburban neighbourhood. It represents one of the first residential developments in the City of Burnaby that required buildings to be of a specific value, thus demonstrating the desire for exclusivity among the successful businessmen who chose to settle in the area.
The house and grounds illustrate the reduced scale of upper-class residential construction at a time of modest returning prosperity that followed the end of the First World War, and the social, cultural, lifestyle and leisure sensibilities of the owners in the Deer Lake Crescent subdivision: such values as social aspiration, racial exclusivity, demonstration of architectural taste, and importance of a landscaped garden.
The heritage value of the E.W. Bateman House is its comprehensive representation of an upper middle-class suburban residence of the early 1920s. It was built for retired CPR executive Edwin Wettenhall Bateman (1859-1957) and his wife, Mary (Dale) Bateman (1865-1935), by contractor William Dodson in 1922. The Bateman House was designed by English-born and trained architect Enoch Evans (1862-1939) of E. Evans and Son, and is an important surviving residential design by Evans, and a typical example of the eclectic Period Revival influences that were common to domestic architecture in the post-First World War era. The symmetry of the imposing front verandah, supported by exaggerated Ionic columns, gives the relatively-modest house an image of grandeur and formality. Named after Edwin Bateman’s birthplace in Cheshire, England, ‘Elworth’ also symbolizes allegiance to England and the patriotic tenor of the time.
The heritage value for this house also lies in its interpretive value within the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The E.W. Bateman House was purchased by Burnaby in 1970 and became the focal point for the development of the Museum. Both the interior and exterior of the house have been restored and interpreted to the date of original construction, including recreated room interiors and period furnishings.
Defining Elements
The elements that define the heritage character of the E.W. Bateman House include its:
- rectangular form and massing with central entry on long side
- side gable roof with front shed dormer with cedar shingle cladding
- symmetry of front facade
- full open front verandah inset under the roofline, supported with Ionic columns
- cedar shingle siding
- multi-paned double-hung wooden-sash windows, mixture of 6-over-1 and 8-over-1
- symmetrical disposition of fenestration, with double-assembly units on the ground floor
- exterior shutters
- two flanking brick chimneys on the side elevations
- interior room layouts and original interior features such as quality millwork and original hardware
- original garage at the rear of the house
The Mortimer-Lamb House is a one and one half-storey, Arts and Crafts-style residence with a steeply pitched, side-gabled roof. The original cottage form has been enlarged with a later addition on the west side of the house. Located next to the Burnaby Lake Regional Park Wildlife Rescue Care Centre…
The Mortimer-Lamb House is a one and one half-storey, Arts and Crafts-style residence with a steeply pitched, side-gabled roof. The original cottage form has been enlarged with a later addition on the west side of the house. Located next to the Burnaby Lake Regional Park Wildlife Rescue Care Centre, the house has picturesque views of Burnaby Lake.
Heritage Value
Built circa 1922, the Mortimer-Lamb House is valued for its association with first owners, Harold Mortimer-Lamb (1872-1970), and his wife, Katherine Mary Mortimer-Lamb (1873-1939). Born in Leatherhead, Surrey, England, Harold Mortimer-Lamb immigrated to Canada in 1889. Seven years later in Vancouver, he married Katherine Mary Lindsay, a native of Winnipeg. Mortimer-Lamb was a key figure in the B.C. mining industry, serving as Secretary of the Mining Association of B.C. between 1900 and 1945, and also as the Secretary of the Canadian Institute of Mining and Metallurgy. In addition to his professional life, Mortimer-Lamb was a pioneer art photographer and was among Canada's leading art critics, and this house served as a central gathering place for renowned Canadian artists of the day. Mortimer-Lamb’s daughter, Molly Lamb Bobak (born 1922), became a renowned watercolourist, and was the only woman ever hired as an official Canadian war artist.
The Mortimer-Lamb House is a significant example of the work of noted architect, Samuel Maclure (1860-1929) and his partner, Ross Lort (1889-1969). Maclure, who was a close friend of the Mortimer-Lamb family, was British Columbia's leading residential architect, and was renowned for his high quality designs for prominent citizens in both Vancouver and Victoria. Maclure was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. The Mortimer-Lamb House was designed at the time when Maclure was in partnership with Ross Lort. In 1907, Lort began working for Maclure's firm as a draftsman, and by 1920 was in charge of Maclure's Vancouver office. Lort's architectural career spanned some sixty-years, and he designed some of the province's most familiar houses, apartments, institutions and places of worship.
The Mortimer-Lamb House is also a significant local example of the Arts and Crafts style, and incorporates elements such as board-and-batten siding on the ground floor, shingled gables and leaded casement windows. It is a testament to the domestic architecture built outside of established suburbs during the post-First World War era, typically modest in scale and representative of middle-class residential ideals.
Defining Elements
Key elements that define the heritage character of the Mortimer-Lamb House include its:
- treed setting with views of Burnaby Lake
- residential form, scale and massing as expressed by its one and one-half storey height, rectangular plan and steeply pitched side-gabled roof
- wood-frame construction
- Arts and Crafts elements such as board-and-batten siding on the ground floor, cedar shingles in the gables and open soffits
- original straight-leaded casement windows in single and multiple-assembly
- internal red-brick chimney with corbelled cap
The Second Street School was originally established at this location as a two-room schoolhouse in 1913 to relieve the overcrowding of Edmonds School during the pre-First World War building boom. The old school was converted into an auditorium when this handsome school building was constructed in 1928. The new school, built by local contractors Ward-Leverington Ltd., included four classrooms, a library, a room for the principal, and a room for the teachers. The original brick façade has been retained although it has been painted; other intact original features include the bellcast octagonal roof ventilator and the protruding front entrance. The Burnaby School Board architect at this time was the talented firm of McCarter & Nairne, who also designed the Douglas Road School. John Y. McCarter (1886-1981) and George Nairne (1884-1953) formed their partnership in 1921 after serving overseas during the First World War. The partners began designing houses and small apartment buildings, and larger commissions soon followed, including Vancouver’s first skyscraper, the Marine Building (1928-30).
Built after the end of the First World War, this house features an eclectic blend of Arts and Crafts elements. Constructed for A.E. Brown and a full two storeys in height, it has a front jerkin-headed roof with a jerkin-headed side projection, and a corner wraparound verandah with tapered columns. The house has been maintained in near original condition, with original lapped wooden siding, multi-paned windows and square balusters.