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Subject
- Archeological Specimen 33
- Armament 18
- Celebrations - Centennials 1
- Clothing - Footwear 1
- Clothing - Outerwear 1
- Container 13
- Container - Baskets 13
- Food Service Tools and Equipment 1
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Art 2
- Indigenous peoples - British Columbia - Baskets 4
- Indigenous peoples - Canada - , Treatment of 1
carrying basket
https://search.heritageburnaby.ca/link/museumartifact80210
- Repository
- Burnaby Village Museum
- Accession Code
- BV009.1.1
- Description
- Rectangular coiled cedar root basket with cedar slat foundation and walls that flare slightly towards rim. Decorated in beaded designs of cattail grass and black dyed cherry bark. Darker elements arranged in a butterfly design. Butterflies are said to represent everlasting life by Stó:lō and Nlaka’pamux basket makers. Overcast handles sewn to basket with leather ties. One has been repaired with string. Finished with a braided rim. Triangular shaped stitches attach base to walls of basket. Interior Salish: Stl’atl’imx?
- Object History
- Basket, ca. 1895-1910, from the collection of the L. Claude Hill family, who owned the property that became the Burnaby Village Museum. According to the Hill family, L. Claude's wife Anne Sarah Hill (nee Kendrick) traded blankets for baskets, although it is not known if this particular basket was obtained in this manner. Indigenous people travelled the trail that crossed Deer Lake Brook (Douglas Road / Canada Way).
- Measurements
- Measurements: width 24 cm and length 44 cm and depth 18 cm. All measured from top edge to outside.
- Country Made
- Canada
- Province Made
- British Columbia
- School/Style
- Coast Salish
- Culture
- Stl’atl’imx
Images
Documents
work basket
https://search.heritageburnaby.ca/link/museumartifact80211
- Repository
- Burnaby Village Museum
- Accession Code
- BV009.1.2
- Description
- Oval shaped coiled cedar root basket with cedar slat foundation. Overcast rim with remnants of a loopwork border. Decorated with vertical stripes of imbricated designs in canary grass and black dyed cherry bark. Cherry bark can be distinguished by the small eyes in the surface of the bark. If the basket maker is skilled the bark has a shiny appearance, if it has not been scraped properly it has a greyish tinge. Canary grass is differentiated from cattail and bear grass by its shiny appearance according to a Stó:lō/Stl’atl’imx elder and basket maker from Mount Currie, who was married into Upper Sḵwx̱wú7mesh.
- Object History
- Basket, ca. 1895-1910, from the collection of the L. Claude Hill family, who owned the property that became the Burnaby Village Museum. According to the Hill family, L. Claude's wife Anne Sarah Hill (nee Kendrick) traded blankets for baskets, although it is not known if this particular basket was obtained in this manner. Indigenous people travelled the trail that crossed Deer Lake Brook (Douglas Road / Canada Way).
- Measurements
- Measurements: width 31.5 cm and length 51.5 cm and depth 19.5 cm all measured from top edge to outside of basket, not including trim.
- Country Made
- Canada
- Province Made
- British Columbia
- School/Style
- Coast Salish
- Culture
- First Nations
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact84019
- Repository
- Burnaby Village Museum
- Accession Code
- BV014.9.1
- Description
- This basket is woven using the wrapped twining method and is made of swamp grass. The designs were made using aniline dyes and are badly faded; original colours still visible on the inside of lid and basket. The weave on this basket is very finely done. The basket and lid are decorated with bird motifs. Originally birds were yellow on a purple background. The lid has a drop edge that fits over a lip around the top edge of the basket. It is decorated in concentric circles with a dark spot in the centre. The spot includes black as well as the wine colour. The outside is faded to a light brown colour. Nuu-chah-nulth
- Object History
- The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nuu-Chah-Nulth
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact84020
- Repository
- Burnaby Village Museum
- Accession Code
- BV014.9.2
- Description
- Basket with red cedar bark base and warps and swamp grass wefts. The base is done in checker weave, while the walls and lid are done using wrapped twining. The base of the basket is secured with two strand twining and then the warps were split and smaller rows of two strand twining follow. The edge of the base is distinguished by one row of three strand twining, which creates a noticeable break in the pattern, before the wrapped twining begins for the walls. Designs, consisting of horizontal stripes, were made using analine dyes, which are extremely light sensitive. Colours are preserved on inside of basket, where light exposure has been much lower. Originally red and black stripes. Nuu-chah-nulth
- Object History
- The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nuu-Chah-Nulth
Images
Documents
painting
https://search.heritageburnaby.ca/link/museumartifact85825
- Repository
- Burnaby Village Museum
- Accession Code
- BV016.14.1
- Description
- Painting by Indigenous artist, Roy Hanuse titled "Thunderbird".
- This West Coast First Nations style painting was done on a manilla card stock folder and mounted on a black mat board. Painting consists of an underdrawing done in graphite and painted with red, black, green, blue and yellow gouache or tempera paint with some portions painted in a blue glossy paint.
- Handwritten title above painting reads "THUNDERBIRD"; painting is signed by the artist "ROY HANUSE".
- Object History
- Drawings were created in the early 1970s by Roy James Hanuse who was a Kwakwaka'wakw artist known for working in the traditional Kwakwaka'wakw style. Roy was born in 1943 in Bella Bella and lived at Rivers Inlet (Owikeno), British Columbia. Largely self-taught, Roy became interested in his cultural heritage while attending school in Alert Bay in the 1950s. Roy began painting in 1966 and wood carving in 1968. Some highlights of his art career included selling four paintings to the University of British Columbia which were later published in Audrey Hawthorn's "Kwakiutl Art Book" (1979) and carving a 12-foot totem for the Denver Art Museum (1972) and two totem poles that he carved for the Montreal Olympics (1976). Roy James Hanuse died in 2007.
- Category
- 08. Communication Artifacts
- Classification
- Art
- Object Term
- Painting
- Colour
- Black
- Blue
- Green
- Red
- Yellow
- Measurements
- Overall measurements: wth 39 cm by ht 45 cm
- Maker
- Roy James Hanuse
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
- School/Style
- Coast Salish
- Culture
- Kwakwaka'wakw
Images
painting
https://search.heritageburnaby.ca/link/museumartifact85826
- Repository
- Burnaby Village Museum
- Accession Code
- BV016.14.2
- Description
- Painting by Indigenous artist, Roy Hanuse titled "Killer Whale"
- This West Coast First Nations style painting was done on a manilla card stock file folder and mounted on a black mat board. Painting consists of an underdrawing done in graphite and painted with red, black and green gouache or tempera paint.
- Handwritten title above painting reads "KILLER WHALE"; painting is signed by the artist "ROY HANUSE".
- Object History
- Drawings were created in the early 1970s by Roy James Hanuse who was a Kwakwaka'wakw artist known for working in the traditional Kwakwaka'wakw style. Roy was born in 1943 in Bella Bella and lived at Rivers Inlet (Owikeno), British Columbia. Largely self-taught, Roy became interested in his cultural heritage while attending school in Alert Bay in the 1950s. Roy began painting in 1966 and wood carving in 1968. Some highlights of his art career included selling four paintings to the University of British Columbia which were later published in Audrey Hawthorn's "Kwakiutl Art Book" (1979) and carving a 12-foot totem for the Denver Art Museum (1972) and two totem poles that he carved for the Montreal Olympics (1976). Roy James Hanuse died in 2007.
- Category
- 08. Communication Artifacts
- Classification
- Art
- Object Term
- Painting
- Colour
- Black
- Green
- Red
- Measurements
- Overall measurements: wth 42.5 cm by ht 29.3 cm
- Maker
- Roy James Hanuse
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
- School/Style
- Coast Salish
- Culture
- Kwakwaka'wakw
Images
Orange garland
https://search.heritageburnaby.ca/link/museumartifact91277
- Repository
- Burnaby Village Museum
- Accession Code
- BV021.20.1
- Description
- The garland consist of several hundred small pieces of orange fabric in different patterns and shades. They are tied around the base, a thin white rope.
- Object History
- These items were collected as part of the Museum's response to the news of 215 unmarked children's graves found at the Kamloops Residential School in June 2021. These items came from engagement activities the public were invited to take part in for several weeks and consider the impact of the discovery in their own lives.
- This garland was built by members of the public tying an orange piece of fabric to a string. These garlands lined the Cedar Grove in the Village.
- There were a number of other elements to the commemorative display at the Museum. At the Church, there was a display of children's shoes and poetry. Visitors were invited to reflect and write a message to the children, the families or anyone connected to this tragic finding. Visitors were invited to write a message on an orange index card.
- Category
- 08. Communication Artifacts
- Classification
- Ceremonial Artifacts
- Object Term
- Garland
- Colour
- Orange
- Measurements
- height: 362 cm width: 10 cm depth: 1cm
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
Images
hand maul
https://search.heritageburnaby.ca/link/museumartifact3392
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.6.1
- Description
- Flat topped stone maul.
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact3393
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.6.2
- Description
- Flat topped stone maul, broken
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
storage basket
https://search.heritageburnaby.ca/link/museumartifact12639
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.4184.1
- Description
- Tub shaped coiled cedar root basket with cedar root foundation and overcast rim. Walls of basket flare slightly towards rim. Imbricated with designs in red cherry bark and grass. Design is known as cluster of flies. The foot on the bottom of the basket, made from two extra rows of coiling, is a feature that protects the base of the basket from wear and tear. White beading on the foot. Interior Salish: Nlaka’pamux: Spuzzum possibly
- Object History
- White beading on the foot of the basket is said to be a feature typical of Spuzzum. This was reported by basket makers from that community during collections research conducted at MOA to Sharon Fortney and Bill Mclennan.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nlaka'pamux
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact15555
- Repository
- Burnaby Village Museum
- Accession Code
- HV983.32.13
- Description
- Nipple topped stone maul. Nipple topped stone maul. It has a crack through the entire shaft and the two halves look of different colour and stone type. There is a large chip missing along the crack.
- Object History
- The donor was of European decent and was given this maul by an unidentified person. In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- First Nations
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
stone anchor
https://search.heritageburnaby.ca/link/museumartifact15961
- Repository
- Burnaby Village Museum
- Accession Code
- HV983.60.1
- Description
- Smooth gray stone with a irregularly shaped hole on the narrower end of the stone.
- Object History
- Anchor used to secure a house post, or post supporting a wall. Large stone with hole through center,
Images
Documents
paddle
https://search.heritageburnaby.ca/link/museumartifact16839
- Repository
- Burnaby Village Museum
- Accession Code
- HV980.2.131
- Description
- Men’s paddle carved from cedar wood. The shaft is flattened with a "T" style grip mortised at top The blade is flat with one side of the tip missing. There are other cracks in the blade.
- Object History
- Style of blade indicates it is a man’s paddle, for everyday use (see Barnett 1955:116). Anthropologist Homer Barnett notes: “Paddles were made of yellow cedar, yew, and maple. Those of maple and cedar were painted, the man’s being black and the woman’s red. A smoky pitch fire and oil gave an impenetrable black (116). Men’s paddles had a crutch or crosspiece handle – either one piece or doweled on. There were different shapes of paddles for women, steering, sealing and night hunting.
- Marks/Labels
- "Yale" written on tag.
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Yale
- School/Style
- Coast Salish
Images
Documents
hunting bow
https://search.heritageburnaby.ca/link/museumartifact16840
- Repository
- Burnaby Village Museum
- Accession Code
- HV980.2.132
- Description
- Small maple hunting bow. A leather thong is tied to one end of the bow. It is loose at the other end, although, there is a knot that could slip over the bow. There are traces of green paint on the wood. Interior Salish: Nlaka’pamux: Spuzzum First Nation
- Object History
- Homer Barnett writes about Coast Salish bows: “the main hunting bow did not differ from the one used in fighting. It was made of yellow cedar root when this wood could be obtained from the mountains. The trunk wood was also used. An alternative was yew. Inferior bows for ducks and other birds were made from hardhack. Bows were about three or four feet long/ The were rather flat and were about the breadth of three fingers at the widest parts on either side of the grip, which was constricted and slightly thicker. They tapered from the centre towards both ends. The ends were curved away from the holder for a better string purchase (1955:100)
- Plant fibres were seldom made into bow strings. More common were two-ply cords of sinew or gut. Atypically, a skin thong was used (1955:101).
- Marks/Labels
- There is writing inscribed on the inside of the bow, which reads: “1925" "Made for me by Spuzzum chief.”
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Spuzzum
- School/Style
- Coast Salish
- Culture
- Nlaka'pamux
Images
Documents
storage basket
https://search.heritageburnaby.ca/link/museumartifact17680
- Repository
- Burnaby Village Museum
- Accession Code
- HV978.2.12
- Description
- Rectangular coiled cedar root basket with cedar slat foundation. Parallel slat construction for lid, which is covered in beaded designs. Overcast handles attach to the front and back of basket at both ends. Conoid lid fits overtop of the basket, rather than lying flat. Basket body is completely imbricated with canary grass, black-dyed and red cherry bark. This amount of decoration more common on older pieces and was used to protect the surface of the basket. Leather hinges attach lid to body of basket and there are leather ties at front on lid and body of basket. Possible ladder design. Interior Salish: Nlaka’pamux
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nlaka'pamux
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact17681
- Repository
- Burnaby Village Museum
- Accession Code
- HV978.2.13
- Description
- Nut-shaped, coiled cedar root basket with cedar root foundation and watch-spring base and lid construction. Hinged lid is attached with leather ties. Covered in beading, where in the decorative elements are laid flat on surface, rather than folded into cedar root stitches as is done with imbrication. Designs are in red and black dyed cherry bark. Interior Salish: Nlaka’pamux
- Object History
- Nut-shaped baskets are identified as one of the oldest types by Haeberlin and Teit (1928: 202-3). They were used for storing berries and were also common work baskets for women, used to hold small tools – awls, thread, shells, trinkets and other odds and ends (202).
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nlaka'pamux
Images
Documents
projectile point
https://search.heritageburnaby.ca/link/museumartifact19193
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.6
- Description
- Projectile point, stone; rounded end. Bifacially flaked – stone removed on both sides of the point; basalt and lead shaped
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Culture Phase: Possibly Locarno Beach phase (3520 -2200 Before Present)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
projectile point
https://search.heritageburnaby.ca/link/museumartifact19194
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.7
- Description
- Projectile point, stone; indented on one side. Triangular stemmed projectile point
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Culture Phase: Possibly Locarno Beach phase (3520 -2200 Before Present)
- Geographic Access
- Deer Lake Avenue
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Burnaby Lake Area
Images
Documents
projectile point
https://search.heritageburnaby.ca/link/museumartifact19195
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.8
- Description
- Projectile point, stone. Lancelot, parallel stemmed – stem has straight sides (squared off appearance).
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Longer points like this were used on spears; sometimes in combination with a tool called an atl atl (spear thrower).
- Culture Phase: Possibly Locarno Beach phase (3520 -2200 Before Present)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
berry basket
https://search.heritageburnaby.ca/link/museumartifact27527
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.119.1
- Description
- Trapezoidal shaped, coiled cedar root basket with cedar slat foundation. Finished with an overcast rim with root foundation. Design elements missing from one side of the basket, which is uncommon but has been seen on cradles from the Mount Currie area (Interior Salish: Lil'wat). It was perhaps the side that rests on the wearer's back. Steeply angled sides.
- Coast Salish: Sḵwx̱wú7mesh? Interior Salish: Stl’atl’imx: Lil’wat?
- Object History
- The donor reported that the baskets were traded in the early 1920s for clothes by the donor's mother, who lived in North Vancouver. Her mother told her the "Capilano Indians" used to go door to door with their baskets in North Vancouver.
- Design elements missing from one side of the basket – possibly the side that would have rested against the owner’s back.
- Steeply angled sides keep berries from crushing those at bottom of basket. Work baskets have sides that are more rounded.
- Baskets like these were used with a woven tumpline (wool strap) that was worn against the forehead, while basket was carried on back.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Stl’atl’imx
Images
