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Interview with W.H. O'Brien July / August 1975 - Track 8
https://search.heritageburnaby.ca/link/oralhistory25
- Repository
- City of Burnaby Archives
- Date Range
- [1932]-1936
- Length
- 0:11:12
- Summary
- This portion of the interview pertains to W.H. "Harry" O'Brien's involvement with the formation of the Army of the Common Good Credit Union (now the South Burnaby Credit Union).
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview pertains to W.H. "Harry" O'Brien's involvement with the formation of the Army of the Common Good Credit Union (now the South Burnaby Credit Union).
- Date Range
- [1932]-1936
- Photo Info
- Harry and Gertrude (Sutherland) O'Brien on their wedding day, October 12, 1940. Item no. 315-005
- Length
- 0:11:12
- Subjects
- Organizations
- Interviewer
- Bradbury, Dr. Bettina
- Interview Date
- July / August 1975
- Scope and Content
- Recording is a taped interview with W.H. "Harry" O'Brien by SFU (Simon Fraser University) graduate student Bettina Bradbury. Major themes discussed are: the Army of the Common Good, the Union of the Unemployed and the Common Good Credit Union (now the South Burnaby Credit Union). To view "Narrow By" terms for each track expand this description and see "Notes".
- Biographical Notes
- W.H. “Harry” O’Brien was born in the coal mining town of Nanaimo, British Columbia on October 20, 1914. He came to Burnaby with his parents and five siblings in 1927. Harry’s mother, a school teacher, wanted her children to live closer to school in order to obtain a better education, so the O’Brien family settled at Inman Avenue, Burnaby. Harry's mother, Mary Anne Crossan, was Gilmore Avenue School's first teacher. Harry left school in June of 1929. Harry’s father worked as the caretaker at Central Park around this time and Harry helped him to clear brush, plant trees and enforce the land clearing and wood cutting permit regulations held by men who were on script. Although too young to vote by just over a week, Harry O'Brien worked as a scrutineer for the Co-operative Commonwealth Federation (CCF) during the 1935 Federal Election. On October 12, 1940 Harry O'Brien married Gertrude Sutherland at St. John the Divine in Burnaby. The Sutherland family came to Burnaby from Winnipeg in 1933 and settled at Nelson Avenue. Harry began his involvement with the Unemployment Organization in Burnaby by participating in an organised protest against the municipality for homeowner evictions brought on by unpaid taxes. The South Burnaby Union of the Unemployed organised in order to protest rules around receiving Relief. Harry became involved, eventually becoming one of the spearheads of the organization, taking over as secretary by 1936. Harry was an original member of the Army of the Common Good, helping to produce over one hundred and twenty-five tons of vegetables from its own gardens to feed Burnaby citizens suffering from the lack of resources during the Depression years. The members of the Army of the Common Good who cut wood for consumption or worked in the gardens were given credit for their work through LU (Labour Units) which they could then use to buy groceries and that at the Army's Cooperative stores, one of which was at McKay Avenue, where Harry began working as Manager of Groceries in 1937. The Credit Union movement of British Columbia was also organized by Harry O'Brien and his fellow Army of the Common Good members. W.H. "Harry" O'Brien died July 1, 1992.
- Total Tracks
- 9
- Total Length
- 1:17:56
- Interviewee Name
- O'Brien, Harry
- Interviewer Bio
- Bettina Bradbury teaches history and women's studies at York University. She is the author of Wife to Widow. Lives, Laws and Politics in Nineteenth-century Montreal. (Vancouver: University of British Columbia Press, June 2011), 520p; Working Families. Age, Gender and Daily Survival in Industrializing Montreal. (Toronto: Canadian Social History Series, McClelland and Stewart, 1993); (Republished Toronto: Oxford University Press, 1996) (3rd edition, Toronto: University of Toronto Press, 2007). These interviews were undertaken after she completed her MA at Simon Fraser University in 1975 with the support of an LIP grant.
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Transcript Available
- None
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Images
Audio Tracks
Track eight of interview with W.H.
Track eight of interview with W.H.
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/100-13-25/100-13-25_Track_8.mp3hand maul
https://search.heritageburnaby.ca/link/museumartifact3392
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.6.1
- Description
- Flat topped stone maul.
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact3393
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.6.2
- Description
- Flat topped stone maul, broken
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
storage basket
https://search.heritageburnaby.ca/link/museumartifact12639
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.4184.1
- Description
- Tub shaped coiled cedar root basket with cedar root foundation and overcast rim. Walls of basket flare slightly towards rim. Imbricated with designs in red cherry bark and grass. Design is known as cluster of flies. The foot on the bottom of the basket, made from two extra rows of coiling, is a feature that protects the base of the basket from wear and tear. White beading on the foot. Interior Salish: Nlaka’pamux: Spuzzum possibly
- Object History
- White beading on the foot of the basket is said to be a feature typical of Spuzzum. This was reported by basket makers from that community during collections research conducted at MOA to Sharon Fortney and Bill Mclennan.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nlaka'pamux
Images
Documents
pamphlet
https://search.heritageburnaby.ca/link/museumartifact14657
- Repository
- Burnaby Village Museum
- Accession Code
- HV984.35.1
- Description
- Beautiful Burnaby - Pamphlet -- [1925]. Pamphlet providing updates on the status of Burnaby, current Reeve and Councillors, government spending, population, tax rate, as well as general information. There are advertisements from local businesses and photographs of Burnaby. The front cover of the pamphlet has the title "Beautiful Burnaby British Columbia". There is a photograph of Burnaby with a green tint. There are also various stamps and writing on the pamphlet.
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact15555
- Repository
- Burnaby Village Museum
- Accession Code
- HV983.32.13
- Description
- Nipple topped stone maul. Nipple topped stone maul. It has a crack through the entire shaft and the two halves look of different colour and stone type. There is a large chip missing along the crack.
- Object History
- The donor was of European decent and was given this maul by an unidentified person. In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- First Nations
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
stone anchor
https://search.heritageburnaby.ca/link/museumartifact15961
- Repository
- Burnaby Village Museum
- Accession Code
- HV983.60.1
- Description
- Smooth gray stone with a irregularly shaped hole on the narrower end of the stone.
- Object History
- Anchor used to secure a house post, or post supporting a wall. Large stone with hole through center,
Images
Documents
paddle
https://search.heritageburnaby.ca/link/museumartifact16839
- Repository
- Burnaby Village Museum
- Accession Code
- HV980.2.131
- Description
- Men’s paddle carved from cedar wood. The shaft is flattened with a "T" style grip mortised at top The blade is flat with one side of the tip missing. There are other cracks in the blade.
- Object History
- Style of blade indicates it is a man’s paddle, for everyday use (see Barnett 1955:116). Anthropologist Homer Barnett notes: “Paddles were made of yellow cedar, yew, and maple. Those of maple and cedar were painted, the man’s being black and the woman’s red. A smoky pitch fire and oil gave an impenetrable black (116). Men’s paddles had a crutch or crosspiece handle – either one piece or doweled on. There were different shapes of paddles for women, steering, sealing and night hunting.
- Marks/Labels
- "Yale" written on tag.
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Yale
- School/Style
- Coast Salish
Images
Documents
hunting bow
https://search.heritageburnaby.ca/link/museumartifact16840
- Repository
- Burnaby Village Museum
- Accession Code
- HV980.2.132
- Description
- Small maple hunting bow. A leather thong is tied to one end of the bow. It is loose at the other end, although, there is a knot that could slip over the bow. There are traces of green paint on the wood. Interior Salish: Nlaka’pamux: Spuzzum First Nation
- Object History
- Homer Barnett writes about Coast Salish bows: “the main hunting bow did not differ from the one used in fighting. It was made of yellow cedar root when this wood could be obtained from the mountains. The trunk wood was also used. An alternative was yew. Inferior bows for ducks and other birds were made from hardhack. Bows were about three or four feet long/ The were rather flat and were about the breadth of three fingers at the widest parts on either side of the grip, which was constricted and slightly thicker. They tapered from the centre towards both ends. The ends were curved away from the holder for a better string purchase (1955:100)
- Plant fibres were seldom made into bow strings. More common were two-ply cords of sinew or gut. Atypically, a skin thong was used (1955:101).
- Marks/Labels
- There is writing inscribed on the inside of the bow, which reads: “1925" "Made for me by Spuzzum chief.”
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Spuzzum
- School/Style
- Coast Salish
- Culture
- Nlaka'pamux
Images
Documents
booklet
https://search.heritageburnaby.ca/link/museumartifact17357
- Repository
- Burnaby Village Museum
- Accession Code
- HV979.42.7
- Description
- Museum & Art Notes - Booklet -- [1949]. The Art Historical and Scientific Association publication of Museum & Art Notes. This is Volume 1, Number 1 of the Second Series, September 1949. The front cover features a picture of the Dimorphodon Macronyx model made by Madam Erna C. von Engel-Baiersdorf. This issue has articles on: The Method of Reconstructiong Human and Animal Remains in Sculpture and in Paintings Early History of the Burnaby Family Indian Native Art Sundews The Aleuts of Attu The Trumpeter Swan Achatina Fulica, The Great African Snail Some Field Work of the Curator Palomar's Giant Eye, the Hale Telescope The Directors, Life and Honorary Members of the Art, Historical and Scientific Association.
- Subjects
- Documentary Artifacts
- Documentary Artifacts - Booklets
- Organizations
- Organizations - Art Societies
- Organizations - Historical Societies
- Organizations - Science Societies
Images
Documents
booklet
https://search.heritageburnaby.ca/link/museumartifact17361
- Repository
- Burnaby Village Museum
- Accession Code
- HV979.42.11
- Description
- Two Radio Broadcasts - Booklet -- [1951]. Incidental Papers, Two Radio Broadcasts by Mrs. J. S. Laurie. The front cover features a picture of The Dimorphodon Macronyx reconstructed by Erna C. von Engel-Baiersdorf. The booklet was printed in April 1951.
Images
Documents
storage basket
https://search.heritageburnaby.ca/link/museumartifact17680
- Repository
- Burnaby Village Museum
- Accession Code
- HV978.2.12
- Description
- Rectangular coiled cedar root basket with cedar slat foundation. Parallel slat construction for lid, which is covered in beaded designs. Overcast handles attach to the front and back of basket at both ends. Conoid lid fits overtop of the basket, rather than lying flat. Basket body is completely imbricated with canary grass, black-dyed and red cherry bark. This amount of decoration more common on older pieces and was used to protect the surface of the basket. Leather hinges attach lid to body of basket and there are leather ties at front on lid and body of basket. Possible ladder design. Interior Salish: Nlaka’pamux
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nlaka'pamux
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact17681
- Repository
- Burnaby Village Museum
- Accession Code
- HV978.2.13
- Description
- Nut-shaped, coiled cedar root basket with cedar root foundation and watch-spring base and lid construction. Hinged lid is attached with leather ties. Covered in beading, where in the decorative elements are laid flat on surface, rather than folded into cedar root stitches as is done with imbrication. Designs are in red and black dyed cherry bark. Interior Salish: Nlaka’pamux
- Object History
- Nut-shaped baskets are identified as one of the oldest types by Haeberlin and Teit (1928: 202-3). They were used for storing berries and were also common work baskets for women, used to hold small tools – awls, thread, shells, trinkets and other odds and ends (202).
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nlaka'pamux
Images
Documents
projectile point
https://search.heritageburnaby.ca/link/museumartifact19193
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.6
- Description
- Projectile point, stone; rounded end. Bifacially flaked – stone removed on both sides of the point; basalt and lead shaped
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Culture Phase: Possibly Locarno Beach phase (3520 -2200 Before Present)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
projectile point
https://search.heritageburnaby.ca/link/museumartifact19194
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.7
- Description
- Projectile point, stone; indented on one side. Triangular stemmed projectile point
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Culture Phase: Possibly Locarno Beach phase (3520 -2200 Before Present)
- Geographic Access
- Deer Lake Avenue
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Burnaby Lake Area
Images
Documents
projectile point
https://search.heritageburnaby.ca/link/museumartifact19195
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.8
- Description
- Projectile point, stone. Lancelot, parallel stemmed – stem has straight sides (squared off appearance).
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Longer points like this were used on spears; sometimes in combination with a tool called an atl atl (spear thrower).
- Culture Phase: Possibly Locarno Beach phase (3520 -2200 Before Present)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
berry basket
https://search.heritageburnaby.ca/link/museumartifact27527
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.119.1
- Description
- Trapezoidal shaped, coiled cedar root basket with cedar slat foundation. Finished with an overcast rim with root foundation. Design elements missing from one side of the basket, which is uncommon but has been seen on cradles from the Mount Currie area (Interior Salish: Lil'wat). It was perhaps the side that rests on the wearer's back. Steeply angled sides.
- Coast Salish: Sḵwx̱wú7mesh? Interior Salish: Stl’atl’imx: Lil’wat?
- Object History
- The donor reported that the baskets were traded in the early 1920s for clothes by the donor's mother, who lived in North Vancouver. Her mother told her the "Capilano Indians" used to go door to door with their baskets in North Vancouver.
- Design elements missing from one side of the basket – possibly the side that would have rested against the owner’s back.
- Steeply angled sides keep berries from crushing those at bottom of basket. Work baskets have sides that are more rounded.
- Baskets like these were used with a woven tumpline (wool strap) that was worn against the forehead, while basket was carried on back.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Stl’atl’imx
Images
Documents
work basket
https://search.heritageburnaby.ca/link/museumartifact27528
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.119.2
- Description
- Rectangular coiled cedar root basket with cedar slat foundation and remnants of a loopwork rim. The shiny appearance of this grass suggests it is canary grass. Black dyed and red cherry bark are used for the zigzag designs. Coast Salish: Sḵwx̱wú7mesh?
- Object History
- The donor reported that the baskets were traded in the early 1920s for clothes by the donor's mother, who lived in North Vancouver. Her mother told her the "Capilano Indians" used to go door to door with their baskets in North Vancouver.
- Zig zags are sometimes referred to as lightening or snake tracks.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Sḵwx̱wú7mesh
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact27529
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.119.3
- Description
- Rectangular coiled cedar root basket with cedar slat foundation, lid has parallel slat construction and is covered with beaded designs edged by imbrication in canary grass. Basket has a flat lid that is hinged to body with leather ties. A mistake was made in how the design was applied to one end of this basket. This is not common as many weavers would correct this mistake. Completely imbricated walls, beaded design on lid. Coast Salish: Sḵwx̱wú7mesh?
- Object History
- The donor reported that the baskets were traded in the early 1920s for clothes by the donor's mother, who lived in North Vancouver. Her mother told her the "Capilano Indians" used to go door to door with their baskets in North Vancouver.
- Diamonds are considered a star pattern and are common to Sḵwx̱wú7mesh and Nlaka’pamux basketry. The main design resembles a ladder or fence and is uncommon.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Sḵwx̱wú7mesh
Images
Documents
comb basket
https://search.heritageburnaby.ca/link/museumartifact29797
- Repository
- Burnaby Village Museum
- Accession Code
- HV973.69.4
- Description
- Rectangular shaped coiled cedar root basket with cedar slat foundations and triangular shaped posterior wall that is higher than the other three. There is a small opening at the top of this wall to allow the basket to be hung.
- Designs are done in black dyed cherry bark. Beaded designs are made by laying decorative materials flat over the surface of the coils, and securing them in place with alternating stitches of the cedar root.
- Coast Salish: Tsleil-Waututh?
- Object History
- A comb basket that was created for sale or trade. The chevron shaped designs are associated with flying geese, and are also used for knitting and weavings. The designs at the top of the basket, above the opening, are called cluster of flies. These designs are common amongst the Coast Salish. There are spaces where the foundation materials show, rows are not even width, the beaded designs are irregular. These are often traits associated with learning.
- Measurements
- Wth. 3 1/2 inches X Lth. 8 1/4 inches
- Country Made
- Canada
- Province Made
- British Columbia
- School/Style
- Coast Salish
- Culture
- Tsleil-Waututh