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Stepping over the barrier: Expanding Diversity at the Burnaby Village Museum

https://search.heritageburnaby.ca/link/museumdescription18877

Repository: Burnaby Village Museum

Date: 22 Sep. 2022

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 1 video recording (mp4) (91 min., 5 sec.) : digital, col., sd., stereo ; 29 fps

Scope and Content: Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke with presentations and discussions by Megan Innes, Dr. Sharanjit Kaur Sandhra and Denise Fong. The webinar is titled "Stepping over the barrier: Expanding Diversity at the Burnaby Village…

1 image 1 video

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Burnaby Neighbourhood Speaker Series series

Subseries: Neighbourhood Speaker Series - Fall 2022 subseries

Description Level: Item

Physical Description: 1 video recording (mp4) (91 min., 5 sec.) : digital, col., sd., stereo ; 29 fps

Material Details: Host: Jane Lemke; Presenters: Meagan Innes; Dr. Sharanjit Kaur Sandhra; Denise Fong; Date of Presentation: Tuesday, September 22, 2022. 7:00 pm - 8:00 pm; Total Number of tracks: 1; Total Length of all tracks: 91 min., 5 sec.; Recording Device: Zoom video communication platform; Original recording of 91 min., 5 sec.was edited to 79 min., 2 sec. for viewing on Heritage Burnaby

Scope and Content: Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke with presentations and discussions by Megan Innes, Dr. Sharanjit Kaur Sandhra and Denise Fong. The webinar is titled "Stepping over the barrier: Expanding Diversity at the Burnaby Village Museum". The webinar is the fourth in a series of six webinars presented in partnership by Burnaby Village Museum and Burnaby Public Library. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online sessions. In this webinar speakers and host discuss what it takes to bring more diverse stories into the Burnaby Village Museum and explore the history of discriminatory practices and museological trends at the Burnaby Village Museum and other museums. Speakers highlight recent projects taking place at Burnaby Village Museum to ensure that other diverse stories of communities are being represented and told. Speakers each provide a ten minute presentation followed by discussions. The first speaker in the webinar is Meagan Innes. When talking about place, Meagan talks about her ancestral ties to certain places including the site where Burnaby Village Museum now stands and what it means to her Indigenous ancestors. Meagan shares stories from her grandfather John Cordocedo of the Sḵwx̱wú7mesh Nation and how her grandfather, her great grandfather and ancestors have lived, hunted, gathered and traveled on this land. Meagan talks about the work that she’s been involved with at the Burnaby Village Museum including the development of the Indigenous Learning House, the Matriarch’s Garden, the Indigenous History in Burnaby Resource Guide and development of Indigenous educational programing and projects. Meagan reflects on the collaboration and relationships that have developed during this work with Indigenous artists and Indigenous knowledge keepers. The second speaker in the webinar is Dr. Sharanjit Kaur Sandhra “Sharn”. Sharn's presentation is titled “From Orientalism and Colonialism to hope and future possibility”. Sharn speaks of her personal experience visiting the Burnaby Village Museum’s Chinese herbalist exhibit with her son and his school in 2019. Sharn expresses the racist impressions that she witnessed from the young students who visited the exhibit and her reaction re-visiting the exhibit in 2021 after the exhibit was revitalized. Sharn describes the much more positive aspects of the revitalized exhibit which transformed it from “Nostalgic Colonialism” to a place of meaningful belonging for racialized communities that includes faces and personal stories. Sharn looks forward to being a part of Burnaby’s next venture which looks at the history of Burnaby’s South Asian Canadian Community and shares some of her research while working on this project. The third speaker in the webinar is Denise Fong. Denise’s presentation is titled “Chinese Canadian History in Burnaby”. Denise provides some background regarding her work as a researcher working for the City of Burnaby. Denise takes us on a journey of her research in compiling non white experiences in Burnaby as well as uncovering personal stories from Burnaby families living and working in Burnaby. Denise points out discriminatory practices within Burnaby including the Chinese and Japanese Exclusion Bylaw in 1892 and the history of Chinese immigration to Canada including the Chinese Head Tax. Denise reflects on her own work, the work of students from UBC and volunteers from the Chinese Canadian History Advisory committee in building relationships with Chinese Canadian families within Burnaby to obtain stories and family records. Denise points out the various projects that these relationships and research have contributed to including; Heritage interpretive plaques installed at the Riverway Golf Course and in the Big Bend area of Burnaby, an award winning exhibit at Burnaby Village Museum “Across the Pacific”, new Chinese Canadian resources available on “Heritage Burnaby”, the revitalization of the Chinese Herbalist shop exhibit “Way Sang Yuen Wat Kee and Co.” at Burnaby Village Museum, the Chinese Market Garden at Burnaby Village Museum, the creation of a "Burnaby Farm Tour" map highlighting Chinese farms in the Big Bend area and a publication titled "Chinese Canadian History in Burnaby Resource Guide". Following the presentations, host Jane Lemke enters a conversation with Dr. Sharanjit Kaur Sandhra and Denise Fong. Jane intiates the conversations with questions regarding further work that is necessary for Burnaby Village Museum and other museums to move forward in readdressing the narratives beyond white colonial settler perspectives to include stories of marginalized and racialized people who are under represented and often forgotten.

History: Jane Lemke has worked in various museums in the Lower Mainland and has been the Curator at Burnaby Village Museum since 2019. Her educational background includes a Master of Arts degree in History and a Master of Museum Studies degree. Her research focus has been on trauma and memory and its role in shaping Canadian identity. She loves sharing memories and stories of Burnaby with the public. Jane sits on the Council of the BC Museums Association and is the Chair of the BC Museums Association Professional Development and Education Committee.; Meagan Innes is from Xwmélts'tstn úxwumixw (Capilano Village). She is a Sḵwx̱wú7mesh First Nation Educator and a multidisciplinary Artist. Meagan completed her Masters of Education around examining connection to place, kinship and to spén´em (plant) s7ek_w’í7tel (siblings) pén´em (plant things). She is an emerging artist who is waking up her Ancestral skills and practicing the ways of her Ancestors. She is exploring reshaping pedagogy to embody traditional ways of knowing and being, more specifically Sḵwx̱wú7mesh traditional ways of learning, knowing and being. She had recently completed the First Nations Language Program at Simon Fraser University to become a Sḵwx̱wú7mesh langauge speaker which is the language of her Ancestors.; Dr. Sharanjit Kaur Sandhra (Sharn) is Coordinator of the South Asian Studies Institute at the University of the Fraser Valley, co-curator of exhibits at the Sikh Heritage Museum, located in the National Historic Site Gur Sikh Temple in Abbotsford, BC, and a sessional faculty in the Department of History at UFV. Sharn’s PhD looks at the affective experiences of racialized museum visitors through a critical race theory lens. She’s a passionate activist, building bridges between community and academia through museum work. She is a past member of the BC Museums Association, and currently a Director with the Pacific Canada Heritage Centre - Museum of Migration.; Denise Fong is a historical researcher with the City of Burnaby and Ph.D. candidate at the University of British Columbia. Her research focuses on Chinese Canadian identity and meaning making in heritage spaces. Since 2009, Denise has coordinated a number of historical research and public history projects, including SFU’s From C to C: Chinese Canadian Stories of Migration and UBC’s Chinese Canadian Stories: Uncommon Histories from a Common Past. She co-curated two award-winning Chinese Canadian exhibitions locally — Burnaby Village Museum’s Across the Pacific exhibition and the Chinese Canadian Museum of BC/Museum of Vancouver’s A Seat at the Table exhibition. She is a UBC Public Scholar and currently serves as the research director for UBC's Initiative for Student Teaching and Research in Chinese Canadian Studies

Creator: Burnaby Village Museum

Subjects: Indigenous peoples; Indigenous peoples - British Columbia; Indigenous peoples - British Columbia - Food; Indigenous peoples - British Columbia - First contact with Europeans; Indigenous peoples - British Columbia - Social life and customs; Indigenous peoples - British Columbia - Art; Indigenous peoples - British Columbia - Languages; Indigenous peoples - Canada - , Treatment of; Plants; Persons - Chinese Canadians; Persons - South Asian Canadians; Buildings - Civic - Museums; Social Issues - Racism

Names: Burnaby Village Museum; Fong, Denise; Innes, Meagan; Sḵwx̱wú7mesh Nation; Sandhra, Sharanjit Kaur "Sharn" Dr.

Responsibility: Lemke, Jane

Accession Code: BV022.27.4

Date: 22 Sep. 2022

Media Type: Moving Images

Notes: Title based on contents of item

Images

Video

Stepping over the barrier: Expanding Diversity at the Burnaby Village Museum, 22 Sep. 2022

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2022_0027_0004_002.mp4

Interview with Sadhu Binning and Sukhwant Hundal

https://search.heritageburnaby.ca/link/museumdescription19603

Repository: Burnaby Village Museum

Date: 1967-2023 (interview content), interviewed 29 May 2023

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)

Scope and Content: Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in…

1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: Many Voices Project Interviews subseries

Description Level: Item

Physical Description: 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)

Material Details: Interviewer: James Binks Interviewee: Sadhu Binning and Sukhwant Hundal Location of Interview: Burnaby Village Museum Interview Date: May 29, 2023 Total Number of tracks: 2 Total Length of all Tracks:1:33:07 Digital master recordings (wav) were recorded onto two separate audio tracks, edited and merged together into one track and converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in Burnaby". The interview focuses on the history of "Vancouver Sath" as well as literary works created by Hundal and Binning and the Punjabi literary magazine "Watno Dur" and "Watan". 00:00 - 13:30 Interview opens with brief introductions and information on Sadhu Binning, Sukhwant Hundal and Vancouver Sath provided by the interviewer, James Binks. Interviewees Sadhu Binning and Sukhwant Hundal describe how they met and what they were focused on prior to the formation of the organization Vancouver Sath. Binning briefly describes how he became involved as a writer in the literary world and recalls how he published his first poem in an Indian literary magazine in 1972. Hundal describes how he immigrated to Canada from Punjab in 1975, the various industries that he worked in as a new immigrant and his interest in literature with a focus on social issues. Hundel describes how he developed a relationship with Sadhu Binning after his short story was published in "Watno Dur" literary magazine which in turn lead to his involvement with the Punjabi Literary Association and becoming co-editor of "Watnu Dur". 13:31 – 27:44 Hundal provides more background on his life as a South Asian immigrant, working in sawmills and completing a diploma in Power and Process Engineering and how he first became interested in literature while living in India. Binning and Hundal both share their insights into the formation of Vancouver Sath and provide details on their involvement with the Punjabi literary publication “Watnu Dur”. Binning describes how the inspiration for the formation of the Vancouver Sath organization came from India and that Binning, Hundal and some other members of the Punjabi Literary Association decided to form their own group where they could have more informal discussions around social, political and literary issues. 27:45 – 43:31 Binning describes how the political issues that were happening in Punjab between 1978 and 1983 influenced discussions in the South Asian community whereas prior to 1978 there was more focus on local issues that new immigrants were facing. Binning conveys how their work with Vancouver Sath endeavored to focus more on local issues and Hundal conveys how they made the decision to begin producing theatrical works rather than just written works to reach a wider audience. Hundal and Binning share names of the people that were involved with Vancouver Sath and describe some of the early plays that they performed. Binning describes the foundations of the organization where they worked together as a collective making decisions in producing and performing the works with Binning and Hundal taking on the responsibility for the written work. They talk about their first paid experience being invited to perform a few of their plays at the Vancouver Folk Music Festival. 43:32 – 55:17 Hundal and Binning describe how they continued to support themselves financially since they weren’t making money from Vancouver Sath. Binning and Hundal provide further details on how their collective worked with the process of writing the plays and presenting and discussing details with the Vancouver Sath community before performing to an audience. Hundal talks about the transition that the magazine “Watno Dur” took in 1986 which lead to renaming it “Watan”. Hundal and Binning discuss how in 1992 and 1993 they decided to try to get more young people involved and began publishing a magazine in English called “Ankur”. They describe the content and list some of the authors who contributed to the magazine. 55:18 – 1:20:12 Hundal and Binning provide background details on the author of “Maluka”, Sadhu Singh Dhami and describe the details that lead them to translating the book into Punjabi, touring with the author and adapting the novel into a play which Vancouver Sath performed. Binning and Hundal describe and discuss other plays that Vancouver Sath performed including some plays that were recorded and broadcast over local radio stations. 1:20:13 – 1:32:57 Binning and Hundal reflect on what lead Vancouver Sath to discontinue theatrical performances in the mid 1990’s. Binning and Hundal state how they are both still very involved in publishing literary works but no longer perform theatrical works. Binning and Hundal describe some of their literary works and projects that they’ve been involved in and also reflect on and describe the current theatre scene in the South Asian community. Hundal conveys that even though they no longer call themselves “Vancouver Sath” they continue to enjoy working as a collective discussing literary works and ideas.

History: Interviewees' biographies: Dr. Sadhu Binning was born on May 10, 1947 to mother Gurmej Kaur and father Jeet Singh Binning. Due to lack of proper records management in India at the time of his birth, it is believed that he was actually born sometime in December of 1947. He grew up alongside two brothers and one sister in a village located in Kapurthala, Punjab. Dr. Binning attended secondary school in the nearby city of Phagwara, Punjab although he did not complete his education here. Throughout his childhood, he enjoyed reading both Punjabi and Hindi novels and learned how to read Urdu as well. Dr. Binning’s uncle, Dhana Singh immigrated to Canada in 1933 and returned to India in 1953. When Dhana Singh returned to Canada in 1957, he sponsored Dr. Binning’s father, Jeet Singh Binning to immigrate. Dhana Singh co-owned a few saw mills in British Columbia and also worked in the truck driving industry. Dr. Binning remembers that some people who had lived in Canada would visit their village and that they appeared to be strong and healthy and looked happy. He also noticed that they would eat meat, so whenever they would visit there would be meat available. In 1967, when he was nineteen and a half years old, Dr. Binning immigrated Canada to join his father. He recalls his father and uncle and a friend arriving at the airport to pick him up. During his first few days, Dr. Binning made the decision to remove his turban and beard upon receiving advice from his uncle. Dr. Binning first obtained work on a farm in Abbotsford, working alongside his mother. While working, Dr. Binning also attended English classes in Vancouver. Dr. Binning’s Uncle Dhana Singh worked in a Vancouver saw mill and tried to help find work for his nephew but was unsuccessful. Dr. Binning soon found work at a saw mill in Avola and worked there until the end of the summer until a friend helped find him work in a saw mill in North Vancouver. During his free time, he enjoyed camping with friends. In 1970, Dr. Binning left the saw mill after obtaining a job at the post office. The post office offered lower wages than working at the mill but Dr. Binning believed that he would become more educated working here. While working as a postman, Dr. Binning recalls facing a lot of discrimination and racism and was often referred to as a ‘Paki’ multiple times a day. In 1973, Dr. Binning married Jagish Sihota. Sadhu and Jagdish originated from nearby villages in India and met each other in Canada. Dr. Binning’s wife, Jagdish worked at the Royal Bank of Canada for thirty years until her retirement. While working, she also looked after the household and their son and daughter. Jagdish also handwrote a magazine, “Watno Dur" (English translation: ‘away from homeland’) which was distributed in the community. In 1976, Dr. Binning became the editor of the magazine and the name was later changed to “Watan’ as they had accepted their new homeland of Canada. While working at the post office, Dr. Binning also attended night school starting in eighth grade. After receiving his high school diploma, he was accepted to Simon Fraser University and earned a Bachelor of Arts degree with a double major in Anthropology and Sociology and in 1986 he obtained a Masters degree from Simon Fraser University. While attending university, Dr. Binning was very active within the community and wanted to work to improve society. He first thought that he would return to India to contribute and improve rights in his homeland but upon seeing the prevalence of the movements in Canada, he realized that work needed to be done here too. In 1983, Dr. Binning became a founding member and contributor to a theatrical collective known as “Vancouver Sath”. The theatrical group produced plays that represented societal issues and were invited to perform at multiple conferences throughout British Columbia and Canada. The group focused and acknowledged the many issues in Punjab and in Canada. One of the plays that the group produced focused on the exploitation of Punjabi women who worked on farms in Canada. Dr. Binning continued to be involved as an integral member of Vancouver Sath until 1995. Over the years, Dr. Binning has strongly lobbied for Punjabi language education and between 1988 and 2008 he worked as Punjabi instructor at the University of British Columbia. He first worked as a teaching assistant at UBC under Dr. Harjot Oberoi and due to low wages, he simultaneously worked at the Post Office. In 2019, Dr. Binning received an Honorary Doctor of Letters from UBC in recognition of his work. Since 1973, Dr. Binning has lived in Burnaby and has resided in the same home that he and his wife purchased in 1987. In his free time, he enjoys cycling, watercolour painting, travelling abroad and going on road trips. Suhkwant Hundal is a founding member in the group known as Vancouver Sath and has spent a lot of time in Burnaby rehearsing and writing plays. Sadhu Binning and Sukhwant Hundal co-wrote the Vancouver Sath's first play, "Picket-Line" and many others. This play was staged in November 1984. He's authored and edited pieces for the various newsletters and magazines including "Watno Dur" and "Watan". Through the 1980's and early 1990's Hundal has been active in South Asian advocacy in Burnaby and the Lower Mainland. In his retirement years, Hundal has been a lecturer on Punjabi language at the University of British Columbia in the Department of Asian Studies. Interviewer biography: James Binks has lived in the Lower Mainland since 2009 after relocating from Ontario. James holds a Bachelor of Arts in Anthropology from the University of British Columbia, where he conducted researched on heritage, environment, and globalization in India, Nepal, and Italy. At Burnaby Village Museum, James contributed to the exhibit “Truths Not Often Told: Being South Asian in Burnaby”.