More like 'hand maul'
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hand maul
https://search.heritageburnaby.ca/link/museumartifact3392
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.6.1
- Description
- Flat topped stone maul.
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact3393
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.6.2
- Description
- Flat topped stone maul, broken
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact34041
- Repository
- Burnaby Village Museum
- Accession Code
- BV991.26.1
- Description
- Conical topped stone maul; damaged area on one side; broken area at bottom edge.
- Object History
- Maul was found in the late 1920s by Joseph Theodore Dorman on his property on Cliff Avenue, between Halifax and Broadway. In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).
- Country Made
- Canada
- Province Made
- British Columbia
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact34042
- Repository
- Burnaby Village Museum
- Accession Code
- BV991.26.2
- Description
- Nipple topped stone maul. There is a damaged area on one side and the bottom edge is badly chipped. There are blackish oily stains on the side of the maul.
- Object History
- Was found in the late 1920s by Joseph Theodore Dorman on his property on Cliff Avenue, between Halifax and Broadway.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- First Nations
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact44533
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.37.6
- Description
- Hand maul, stone; fragment, no top.
- Object History
- Donor's father found the maul in 1946-1947 when excavating a lot at 4203 Norfolk Street. The lot was kitty corner to Schou Street School.
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
- Archeological Specimen
- Geographic Access
- Norfolk Street
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact44853
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.1
- Description
- Nipple topped stone maul. It has a pointed tip and a slight indentation on side of base. There is adhesive residue on bottom of base.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum). In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact44854
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.2
- Description
- Conical topped stone maul; damaged by a plow.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Flat and conical topped hand mauls are identified as Gulf of Georgia Culture (400 AD - 1800).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
chisel
https://search.heritageburnaby.ca/link/museumartifact38885
- Repository
- Burnaby Village Museum
- Accession Code
- BV998.11.1
- Description
- Chisel shaped tool, wedge-shaped; mainly green with white and brown fissures throughout. One side has elevated edge, possibly for attaching to handle.
- Object History
- The stone chisel was found by Archie Card, ca 1930 in the yard of the Card family home at 329 Richmond Street (later renamed Elwell) in Burnaby.
Images
Documents
Mountain Goat Horn Spoon
https://search.heritageburnaby.ca/link/museumartifact30018
- Repository
- Burnaby Village Museum
- Accession Code
- HV973.73.177
- Description
- Horn spoon with fine carving on the narrow handle. Material is very dark.
- Object History
- Along the Northwest Coast, in general, undecorated spoons of wood and horn were used in everyday life, while more elaborately carved versions were used on special occasions. Horn spoons were often passed down in families as heirlooms, such spoons are generally darker in colour than those of recent manufacture. The bowls of these spoons are too large to place in the mouth, so food is sipped from the sides or the end.
- The bowl of the mountain goat horn spoon is made from the larger part of the horn, at the base. The handle is made from the tip. It is straightened out by steaming in a wooden mould and then scored out inside as part of the shaping process
- Country Made
- Canada
- Province Made
- British Columbia
- School/Style
- Coast Salish
- Culture
- Haida
Images
Documents
weight
https://search.heritageburnaby.ca/link/museumartifact44855
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.3
- Description
- Net weight, round, stone, doughnut-shaped with hole in the middle.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Weights and Measurements Tools and Equipment
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
weight
https://search.heritageburnaby.ca/link/museumartifact44856
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.4
- Description
- Net weight, round, stone, doughnut-shaped with hole in the middle. Made of volcanic stone.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Weights and Measurements Tools and Equipment
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact84019
- Repository
- Burnaby Village Museum
- Accession Code
- BV014.9.1
- Description
- This basket is woven using the wrapped twining method and is made of swamp grass. The designs were made using aniline dyes and are badly faded; original colours still visible on the inside of lid and basket. The weave on this basket is very finely done. The basket and lid are decorated with bird motifs. Originally birds were yellow on a purple background. The lid has a drop edge that fits over a lip around the top edge of the basket. It is decorated in concentric circles with a dark spot in the centre. The spot includes black as well as the wine colour. The outside is faded to a light brown colour. Nuu-chah-nulth
- Object History
- The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nuu-Chah-Nulth
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact84020
- Repository
- Burnaby Village Museum
- Accession Code
- BV014.9.2
- Description
- Basket with red cedar bark base and warps and swamp grass wefts. The base is done in checker weave, while the walls and lid are done using wrapped twining. The base of the basket is secured with two strand twining and then the warps were split and smaller rows of two strand twining follow. The edge of the base is distinguished by one row of three strand twining, which creates a noticeable break in the pattern, before the wrapped twining begins for the walls. Designs, consisting of horizontal stripes, were made using analine dyes, which are extremely light sensitive. Colours are preserved on inside of basket, where light exposure has been much lower. Originally red and black stripes. Nuu-chah-nulth
- Object History
- The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nuu-Chah-Nulth
Images
Documents
carrying basket
https://search.heritageburnaby.ca/link/museumartifact80210
- Repository
- Burnaby Village Museum
- Accession Code
- BV009.1.1
- Description
- Rectangular coiled cedar root basket with cedar slat foundation and walls that flare slightly towards rim. Decorated in beaded designs of cattail grass and black dyed cherry bark. Darker elements arranged in a butterfly design. Butterflies are said to represent everlasting life by Stó:lō and Nlaka’pamux basket makers. Overcast handles sewn to basket with leather ties. One has been repaired with string. Finished with a braided rim. Triangular shaped stitches attach base to walls of basket. Interior Salish: Stl’atl’imx?
- Object History
- Basket, ca. 1895-1910, from the collection of the L. Claude Hill family, who owned the property that became the Burnaby Village Museum. According to the Hill family, L. Claude's wife Anne Sarah Hill (nee Kendrick) traded blankets for baskets, although it is not known if this particular basket was obtained in this manner. Indigenous people travelled the trail that crossed Deer Lake Brook (Douglas Road / Canada Way).
- Measurements
- Measurements: width 24 cm and length 44 cm and depth 18 cm. All measured from top edge to outside.
- Country Made
- Canada
- Province Made
- British Columbia
- School/Style
- Coast Salish
- Culture
- Stl’atl’imx
Images
Documents
painting
https://search.heritageburnaby.ca/link/museumartifact85825
- Repository
- Burnaby Village Museum
- Accession Code
- BV016.14.1
- Description
- Painting by Indigenous artist, Roy Hanuse titled "Thunderbird".
- This West Coast First Nations style painting was done on a manilla card stock folder and mounted on a black mat board. Painting consists of an underdrawing done in graphite and painted with red, black, green, blue and yellow gouache or tempera paint with some portions painted in a blue glossy paint.
- Handwritten title above painting reads "THUNDERBIRD"; painting is signed by the artist "ROY HANUSE".
- Object History
- Drawings were created in the early 1970s by Roy James Hanuse who was a Kwakwaka'wakw artist known for working in the traditional Kwakwaka'wakw style. Roy was born in 1943 in Bella Bella and lived at Rivers Inlet (Owikeno), British Columbia. Largely self-taught, Roy became interested in his cultural heritage while attending school in Alert Bay in the 1950s. Roy began painting in 1966 and wood carving in 1968. Some highlights of his art career included selling four paintings to the University of British Columbia which were later published in Audrey Hawthorn's "Kwakiutl Art Book" (1979) and carving a 12-foot totem for the Denver Art Museum (1972) and two totem poles that he carved for the Montreal Olympics (1976). Roy James Hanuse died in 2007.
- Category
- 08. Communication Artifacts
- Classification
- Art
- Object Term
- Painting
- Colour
- Black
- Blue
- Green
- Red
- Yellow
- Measurements
- Overall measurements: wth 39 cm by ht 45 cm
- Maker
- Roy James Hanuse
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
- School/Style
- Coast Salish
- Culture
- Kwakwaka'wakw
Images
painting
https://search.heritageburnaby.ca/link/museumartifact85826
- Repository
- Burnaby Village Museum
- Accession Code
- BV016.14.2
- Description
- Painting by Indigenous artist, Roy Hanuse titled "Killer Whale"
- This West Coast First Nations style painting was done on a manilla card stock file folder and mounted on a black mat board. Painting consists of an underdrawing done in graphite and painted with red, black and green gouache or tempera paint.
- Handwritten title above painting reads "KILLER WHALE"; painting is signed by the artist "ROY HANUSE".
- Object History
- Drawings were created in the early 1970s by Roy James Hanuse who was a Kwakwaka'wakw artist known for working in the traditional Kwakwaka'wakw style. Roy was born in 1943 in Bella Bella and lived at Rivers Inlet (Owikeno), British Columbia. Largely self-taught, Roy became interested in his cultural heritage while attending school in Alert Bay in the 1950s. Roy began painting in 1966 and wood carving in 1968. Some highlights of his art career included selling four paintings to the University of British Columbia which were later published in Audrey Hawthorn's "Kwakiutl Art Book" (1979) and carving a 12-foot totem for the Denver Art Museum (1972) and two totem poles that he carved for the Montreal Olympics (1976). Roy James Hanuse died in 2007.
- Category
- 08. Communication Artifacts
- Classification
- Art
- Object Term
- Painting
- Colour
- Black
- Green
- Red
- Measurements
- Overall measurements: wth 42.5 cm by ht 29.3 cm
- Maker
- Roy James Hanuse
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
- School/Style
- Coast Salish
- Culture
- Kwakwaka'wakw
Images
work basket
https://search.heritageburnaby.ca/link/museumartifact80211
- Repository
- Burnaby Village Museum
- Accession Code
- BV009.1.2
- Description
- Oval shaped coiled cedar root basket with cedar slat foundation. Overcast rim with remnants of a loopwork border. Decorated with vertical stripes of imbricated designs in canary grass and black dyed cherry bark. Cherry bark can be distinguished by the small eyes in the surface of the bark. If the basket maker is skilled the bark has a shiny appearance, if it has not been scraped properly it has a greyish tinge. Canary grass is differentiated from cattail and bear grass by its shiny appearance according to a Stó:lō/Stl’atl’imx elder and basket maker from Mount Currie, who was married into Upper Sḵwx̱wú7mesh.
- Object History
- Basket, ca. 1895-1910, from the collection of the L. Claude Hill family, who owned the property that became the Burnaby Village Museum. According to the Hill family, L. Claude's wife Anne Sarah Hill (nee Kendrick) traded blankets for baskets, although it is not known if this particular basket was obtained in this manner. Indigenous people travelled the trail that crossed Deer Lake Brook (Douglas Road / Canada Way).
- Measurements
- Measurements: width 31.5 cm and length 51.5 cm and depth 19.5 cm all measured from top edge to outside of basket, not including trim.
- Country Made
- Canada
- Province Made
- British Columbia
- School/Style
- Coast Salish
- Culture
- First Nations
Images
Documents
Orange garland
https://search.heritageburnaby.ca/link/museumartifact91277
- Repository
- Burnaby Village Museum
- Accession Code
- BV021.20.1
- Description
- The garland consist of several hundred small pieces of orange fabric in different patterns and shades. They are tied around the base, a thin white rope.
- Object History
- These items were collected as part of the Museum's response to the news of 215 unmarked children's graves found at the Kamloops Residential School in June 2021. These items came from engagement activities the public were invited to take part in for several weeks and consider the impact of the discovery in their own lives.
- This garland was built by members of the public tying an orange piece of fabric to a string. These garlands lined the Cedar Grove in the Village.
- There were a number of other elements to the commemorative display at the Museum. At the Church, there was a display of children's shoes and poetry. Visitors were invited to reflect and write a message to the children, the families or anyone connected to this tragic finding. Visitors were invited to write a message on an orange index card.
- Category
- 08. Communication Artifacts
- Classification
- Ceremonial Artifacts
- Object Term
- Garland
- Colour
- Orange
- Measurements
- height: 362 cm width: 10 cm depth: 1cm
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
Images
adze blade
https://search.heritageburnaby.ca/link/museumartifact44868
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.19
- Description
- Nephrite adze blade; chipped on one end; rectangular shaped.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Nephrite is found in the Fraser Canyon
- Culture Phase: Possibly Locarno Beach phase (3520-2200 Before Present) or Marpole (400BC - 400AD)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
adze blade
https://search.heritageburnaby.ca/link/museumartifact44870
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.21
- Description
- Chisel, adze or axe blade made of serpentine; black; ends broken off; tapered rectangle shape.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Culture Phase: Locarno Beach (3520-2200 Before Present) or Marpole (400BC - 400AD)
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
