"Camping" found 121 records | Heritage Burnaby

Campsite Collection

https://search.heritageburnaby.ca/link/museumdescription4589

Repository: Burnaby Village Museum

Date: [between 1958 and 2002]

Collection/Fonds: Burnaby Girl Guides fonds

Description Level: File

Physical Description: 1 file : 33 photographs + textual records + other material

Scope and Content: File consists of photographs, an illustration, ephemera and histories about Burnaby Guiding Camps including Burnaby Chalet on Cypress Mountain, Galalina Camp at Camp Olave near Sechelt B.C., Burnaby Guide Camp at Wilson Creek and a few postcards of Camp Tsoona, Rosedale B.C. A collection of written…

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Girl Guides fonds

Series: Burnaby Girl Guides administrative records and histories series

Description Level: File

Physical Description: 1 file : 33 photographs + textual records + other material

Scope and Content: File consists of photographs, an illustration, ephemera and histories about Burnaby Guiding Camps including Burnaby Chalet on Cypress Mountain, Galalina Camp at Camp Olave near Sechelt B.C., Burnaby Guide Camp at Wilson Creek and a few postcards of Camp Tsoona, Rosedale B.C. A collection of written material provides historical background regarding the two storey cabin on Hollyburn Mountain. The cabin was purchased by Burnaby Girl Guides in 1964 and appropriately named Burnaby Chalet. A Chalet Committee was formed with representatives from each Division appointing a Chalet Manageress to handle reservations. This typical ski cabin can accomodate up to 40 people. The file also includes a "Campsite Log Book" for the Hollyburn Chalet with handwritten notes from 1981 and 1982, an embroidered triangular shaped badge "Burnaby Royal / Girl Guides / Hollyburn Chalet" and a dedication ceremony program for "Burnaby Guide Camp / June 8, 1958" (Wilson Creek).

Subjects: Organizations - Girls' Societies and Clubs; Recreational Activities - Camping; Natural Phenomena - Snow; Geographic Features - Beaches

Names: Girl Guides of Canada

Accession Code: BV015.35.161

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Date: [between 1958 and 2002]

Media Type: Photograph; Textual Record

Notes: Transcribed title

Pioneer tales of Burnaby

https://search.heritageburnaby.ca/link/museumlibrary5860

Repository: Burnaby Village Museum

Publication Date: c1987

Call Number: 971.133 SON COPY 4

1 image 1 digital book

Repository: Burnaby Village Museum

Collection: Digital Reference Collection; Reference Collection

Material Type: Book

ISBN: 096928280x

Call Number: 971.133 SON COPY 4

Contributor: Sone, Michael

Place of Publication: Burnaby, B.C.

Publisher: Corporation of the District of Burnaby

Publication Date: c1987

Physical Description: 495 p. : ill. ; 31 cm.

Inscription: "TR687 - Bryburgh" / handprinted in pencil on frontend page

Library Subject (LOC): Pioneers--British Columbia--Burnaby; Frontier and pioneer life; Biography

Object History: Early Burnaby as recalled by the settlers themselves who arrived from every corner of the world between 1888 and 1930, some witnessing incorporation of the district in 1892, all seeking a better life for themselves and especially for their children, all helping transform the wilderness into the modern municipality of today.

Notes: "Editor Michael Sone".; Includes index.; 4 copies held: copy 4

Images

Digital Books

Burnaby Girl Guides fonds

https://search.heritageburnaby.ca/link/museumdescription4614

Repository: Burnaby Village Museum

Date: 1914-2009

Collection/Fonds: Burnaby Girl Guides fonds

Description Level: Fonds

Physical Description: 22 scrapbooks : photographs + textual records + illustrations + digital files : col. (pdfs) + photographs : col. (tiffs) + col. (jpegs) + 222 photographs : b&w ; col. + 12 cm of textual records + ephemera

Scope and Content: Fonds consists of a collection of scrapbooks containing photographs, textual records, illustrations and ephemera along with individual photographs and textual records related to Burnaby Girl Guides. Records document the activities and functions of Burnaby Girl Guides through histories, journals, ne…

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Girl Guides fonds

Description Level: Fonds

Physical Description: 22 scrapbooks : photographs + textual records + illustrations + digital files : col. (pdfs) + photographs : col. (tiffs) + col. (jpegs) + 222 photographs : b&w ; col. + 12 cm of textual records + ephemera

Scope and Content: Fonds consists of a collection of scrapbooks containing photographs, textual records, illustrations and ephemera along with individual photographs and textual records related to Burnaby Girl Guides. Records document the activities and functions of Burnaby Girl Guides through histories, journals, newspaper clippings, certificates, awards, programmes, photographs, illustrations and newsletters. Scrapbooks were created by Burnaby Girl Guides and Girl Guide leaders and deposited with the Burnaby Girl Guide Archivist prior to being donated to the Burnaby Village Museum. Record descriptions are available at both item and file level. Fonds is arranged into the following series: 1) Burnaby Girl Guides scrapbooks and photographs series 2) Burnaby Girl Guides administrative records and histories series 3) Burnaby Girl Guides newsletters series 4) Burnaby Girl Guides memorabilia series

History: The Girl Guide Movement began in England in 1909 when girls in England demanded to take part in a Boy Scouts rally at the Crystal Palace in London, organized by Chief Scout and Boy Scout founder Lord Robert Baden-Powell. Following this event, Baden Powell asked his sister, Agnes Baden-Powell to help him start a similar organization for girls and Girl Guides was formed. Girl Guides came to Canada in 1910 and the first troop in British Columbia was registered in Victoria in 1912. In 1913 Amy Leigh moved to Burnaby from England and enquired about a Guiding company in her area and was disappointed to find none. On June 11, 1914 at the age of 17 years, Amy registered the 1st Burnaby Girl Guide Company and became the captain. On April 2, 1916 the 2nd Burnaby Guide Company registered and met at Edmonds School. In this same year, the very first Burnaby Girl Guide Rally event took place at Central Park and by 1920 another took place at the Burnaby Municipal Hall (Edmonds) and was attended by both Burnaby and New Westminster Guides. The First Burnaby Brownie Pack was registered on December 1922 with Mrs. W.J. Matherson as Brown Owl. The Brownie Pack met in a West Burnaby facility. The First Burnaby Land Ranger Co. was formed on November 29, 1923 and by 1924 Burnaby became a District with four Guide companies, four Brownie Packs and the Rangers. In 1923 records show Mrs. Gavin as commissioner, Mrs. C.F. Carter in 1924 and Miss Amy Leigh between 1926 and 1928. The first District camp was held near Sechelt in 1927 on the property of Mrs. Deal and Mrs. Nixon with annual camps held here until 1930 when the Guide camp at Wilson Creek was established. In 1929 Guides and Brownies began taking part in the Annual May Day Celebrations at Central Park. In 1930 Burnaby became a Division with Mrs. C.F. Carter as Division Commissioner and Mrs. G. Peel as District Commissioner for South Burnaby and in 1931 Miss Amy Leigh became the first North Burnaby Commissioner. The 5th Burnaby Girl Guide Company in North Burnaby began publishing a bulletin in 1935. In this same year Burnaby Girl Guides attended a rally for Lord and Lady Powell who were visiting Vancouver and Burnaby Girl Guides became affiliated with Greater Vancouver Girl Guide Council. The packs and companies of North Burnaby were attached to the eastern section of Vancouver while South Burnaby and South Vancouver District became another Division. Mrs. Pochin organized the Burnaby Lake District in 1943 becoming the first District commissioner (In 1927 Mrs. Peel had guides in this area). The first training classes for Girl Guides were held in 1943 in a hall on Buller Avenue at the BCER tracks and also Phillips Hall on McKay Avenue. By 1945 a training camp was held on Mrs. Pochin’s property on Deer Lake. South Vancouver, South Burnaby and Burnaby Lake Districts took part in the training which was a change over from war time service and the return of Pioneer camping. Miss E. Perition was in charge of camp which was attended by Mrs. J. Quinnell, Mrs. J. Albertson and many guiders. In 1946 Lady Baden Powel returned for a visit to Vancouver and there was a rally at Connaught Park and Chief Scout Lord Rowallyn held a rally at Brocton Point. In 1947 Mrs. J. Albertson became Division Commissioner for South Vancouver and South Burnaby. Districts of Burnaby Lake and South Burnaby each adopted a European child and undertook to send regular parcels and by 1948 these Districts became a Burnaby Division once more under Division Commissioner Mrs. W.M. Wall. In September 1949 the first Sea Ranger Crew “S.R.S. Royal Oak” was formed under the Skipper, Miss E. Periton. The S.R.S. Royal Oak met at All Saint’s Church Hall on Royal Oak Ave. In 1950 Packs and Companies in North Burnaby organized into a District under Mrs. Hebron and in 1953 Sperling District was organized by District Commissioner Mrs. Hancock. 1953 was also the same year that South Burnaby District was divided into three Districts: Central Park District under Commissioner Miss Perition, Douglas District under Commissioner Mrs. J. McKee Wilson and Kingsway under Commissioner Mrs. J.G. Fowler. A few years later, in 1955 the guides and brownies were out in force to welcome Lady Baden Powel at a rally held in the PNE Gardens building and by March 1956 Burnaby ceased to be a part of Greater Vancouver Area and was organized under two Divisions of the Province. The Sperling, Willingdon and Vancouver Heights Districts in North Burnaby became North Burnaby Division with Mrs. H. Hebron as Division Commissioner. With rapid population growth further decentralization became necessary and South Burnaby Division was split in two, adding the new division of Central Burnaby under Commissioner Miss E. Perition. Central Burnaby was composed of three Districts: Burnaby Lake, Central Park and a new District named “Windsor” under Mrs. C. Dumfries. South Burnaby was composed of three Districts: Kingsway, Edmonds and Lakeview (the latter two also referred to as Douglas with Mrs. McGeachie and Mrs. J. Park as the first commissioners of these two Districts). In 1957 Burnaby became an Area unto itself with three Divisions, and 9 Districts under Miss Periton as the first Area Commissioner. In February 1957, Burnaby entered into a contract with Vancouver Girl Guide Council to lease a part of the Wilson Creek campsite. Under the leadership of Area Commissioner, Miss Periton, work started on the development of the site with funds raised by both the Girl Guides, local citizens and associations. A camp committee was formed with representation from each Division and a lot of help from Miss Norah Weller, the Wilson Creek camp manager. Plans were laid for the site with a dining shelter, store room and cook stove contracted for while a subcommittee of men was appointed to purchase building supplies and organize work parties to build cabins, a staff house, water pipes and sanitary facilities. The site opened in May 1958 with $6000 expended on building and equipping the camp, while an official opening took place on June 8 and by July Girl Guides began camping on the site. The Burnaby Area Committee became a member of the Burnaby Community Council and a participant in Community Chest in 1958 and on May 1, the Burnaby Area office opened. By 1959, with further participation in North Burnaby, Sperling District was split to form Sperling and Hillview Districts and by 1960 Kingsway District of South Burnaby split to form Kingsway and Royal Oak Districts. By December 1960, Burnaby Area had 3 Divisions, 11 Districts with a total membership of 2, 331.

Creator: Girl Guides of Canada

Accession Code: BV015.35; BV015.36; BV016.49

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Date: 1914-2009

Media Type: Textual Record; Photograph

Notes: Title based on contents of fonds; Some scrapbooks are only available in digital formats; Accessions that form part of this fonds include: BV015.35; BV015.36; BV016.49

Photocopy of Albert Parker album

https://search.heritageburnaby.ca/link/museumdescription9951

Repository: Burnaby Village Museum

Date: [1900-1970] (date of originals), copied 1998

Collection/Fonds: Burnaby Village Museum fonds

Description Level: File

Physical Description: 1 file of textual records (photocopies)

Scope and Content: File consists of photocopies from a photograph album owned by Albert Parker with notes that were added by Lisa Langlet as she went through the content with Albert. Photos mostly pertain to the Parker and Hughes families as well as some photos of the Love family members and the Love farmhouse includ…

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Jesse Love farmhouse series

Subseries: Love family photographs subseries

Description Level: File

Physical Description: 1 file of textual records (photocopies)

Scope and Content: File consists of photocopies from a photograph album owned by Albert Parker with notes that were added by Lisa Langlet as she went through the content with Albert. Photos mostly pertain to the Parker and Hughes families as well as some photos of the Love family members and the Love farmhouse including: Sarah (nee Love) and her husband William Parker; children of Sarah and William Parker; sister Elsie (nee Parker) Hughes and family in Ontario; Late 1920-1930 exterior photos of the Love farmhouse in the winter; Annie (nee Love) and husband Flash Whiting; tennis on the grounds of the Love farmhouse; Dot/Dorothy (nee Love) Brandrith and Minnie (nee Love) McKenzie; Hughes children and grandfather William Parker at Love farmhouse; Bill Parker and his wife May in the Air Force and BC coast; Elsie and John Hughes wedding day (1942); Jesse Love; John Hughes and family at the farmhouse at Christmas; Love children and spouses; camping with Annie (nee Love) Whiting; Henry Love; Sarah (nee Love) Parker and her sister Annie (nee Love) Whiting with infants; Albert and his sister Elsie Parker; Parker family old home on Newcombe Street in Burnaby; Love family and friends camping; Postcards from England; William Parker's death notice; Jesse Love and dog; Love family and friends in car; William and Phoebe (nee Love) Feedham and their boat FeBe; tennis court with family and friends; Ester (nee Love) Stanley and Robert Love in WWI uniform.

History: Sarah Parker (nee Love) and William Parker lived in the Jesse Love farmhouse with their children: Albert, Bill and Elsie from 1925. Elsie married John Hughes in 1942 and they had three children; Brent, Anne and John. Sarah Parker sold the Love farmhouse to her daughter Elsie and husband John Hughes in 1966. Elsie and John Hughes had four children; John Jr., Ann, Brent and Merle. They lived in the Love farmhouse with their son Brent until 1971.

Accession Code: BV018.41.203

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Date: [1900-1970] (date of originals), copied 1998

Media Type: Textual Record

Notes: Title based on content of file

Dr. Sadhu Binning fonds

https://search.heritageburnaby.ca/link/museumdescription19279

Repository: Burnaby Village Museum

Date: [1984]

Collection/Fonds: Dr. Sadhu Binning fonds

Description Level: Fonds

Physical Description: 2 photographs : col.

Scope and Content: Fonds consists of two photographs of actors from Vancouver Sath performing in the play "Maluka" at Sexsmith Elementary School.

Repository: Burnaby Village Museum

Collection/Fonds: Dr. Sadhu Binning fonds

Description Level: Fonds

Physical Description: 2 photographs : col.

Scope and Content: Fonds consists of two photographs of actors from Vancouver Sath performing in the play "Maluka" at Sexsmith Elementary School.

History: Dr. Sadhu Binning was born on May 10, 1947 to mother Gurmej Kaur and father Jeet Singh Binning. Due to lack of proper records management in India at the time of his birth, it is believed that he was actually born sometime in December of 1947. He grew up alongside two brothers and one sister in a village located in Kapurthala, Punjab. Dr. Binning attended secondary school in the nearby city of Phagwara, Punjab although he did not complete his education here. Throughout his childhood, he enjoyed reading both Punjabi and Hindi novels and learned how to read Urdu as well. Dr. Binning’s uncle, Dhana Singh immigrated to Canada in 1933 and returned to India in 1953. When Dhana Singh returned to Canada in 1957, he sponsored Dr. Binning’s father, Jeet Singh Binning to immigrate. Dhana Singh co-owned a few saw mills in British Columbia and also worked in the truck driving industry. Dr. Binning remembers that some people who had lived in Canada would visit their village and that they appeared to be strong and healthy and looked happy. He also noticed that they would eat meat, so whenever they would visit there would be meat available. In 1967, when he was nineteen and a half years old, Dr. Binning immigrated Canada to join his father. He recalls his father and uncle and a friend arriving at the airport to pick him up. During his first few days, Dr. Binning made the decision to remove his turban and beard upon receiving advice from his uncle. Dr. Binning first obtained work on a farm in Abbotsford, working alongside his mother. While working, Dr. Binning also attended English classes in Vancouver. Dr. Binning’s Uncle Dhana Singh worked in a Vancouver saw mill and tried to help find work for his nephew but was unsuccessful. Dr. Binning soon found work at a saw mill in Avola and worked there until the end of the summer until a friend helped find him work in a saw mill in North Vancouver. During his free time, he enjoyed camping with friends. In 1970, Dr. Binning left the saw mill after obtaining a job at the post office. The post office offered lower wages than working at the mill but Dr. Binning believed that he would become more educated working here. While working as a postman, Dr. Binning recalls facing a lot of discrimination and racism and was often referred to as a ‘Paki’ multiple times a day. In 1973, Dr. Binning married Jagish Sihota. Sadhu and Jagdish originated from nearby villages in India and met each other in Canada. Dr. Binning’s wife, Jagdish worked at the Royal Bank of Canada for thirty years until her retirement. While working, she also looked after the household and their son and daughter. Jagdish also handwrote a magazine, “Watno Dur’ (English translation: ‘away from homeland’) which was distributed in the community. In 1976, Dr. Binning became the editor of the magazine and the name was later changed to “Watan’ as they had accepted their new homeland of Canada. While working at the post office, Dr. Binning also attended night school starting in eighth grade. After receiving his high school diploma, he was accepted to Simon Fraser University and earned a Bachelor of Arts degree with a double major in Anthropology and Sociology and in 1986 he obtained a Masters degree from Simon Fraser University. While attending university, Dr. Binning was very active within the community and wanted to work to improve society. He first thought that he would return to India to contribute and improve rights in his homeland but upon seeing the prevalence of the movements in Canada, he realized that work needed to be done here too. In 1983, Dr. Binning became a founding member and contributor to a theatrical collective known as “Vancouver Sath”. The theatrical group produced plays that represented societal issues and were invited to perform at multiple conferences throughout British Columbia and Canada. The group focused and acknowledged the many issues in Punjab and in Canada. One of the plays that the group produced focused on the exploitation of Punjabi women who worked on farms in Canada. Dr. Binning continued to be involved as an integral member of Vancouver Sath until 1995. Over the years, Dr. Binning has strongly lobbied for Punjabi language education and between 1988 and 2008 he worked as Punjabi instructor at the University of British Columbia. He first worked as a teaching assistant at UBC under Dr. Harjot Oberoi and due to low wages, he simultaneously worked at the Post Office. In 2019, Dr. Binning received an Honorary Doctor of Letters from UBC in recognition of his work. Since 1973, Dr. Binning has lived in Burnaby and has resided in the same home that he and his wife purchased in 1987. In his free time, he enjoys cycling, watercolour painting, travelling abroad and going on road trips.

Creator: Binning, Dr. Sadhu

Accession Code: BV023.7

Date: [1984]

Media Type: Photograph

Related Material: See also artifacts descriptions for related materials re: Vancouver Sath and Watan magazine: BV023.7.1 to BV023.7.16

Notes: Title based on contents of fonds

Interview with Dr. Sadhu Binning

https://search.heritageburnaby.ca/link/museumdescription19348

Repository: Burnaby Village Museum

Date: [1931-2022] (interview content), interviewed 25 Nov. 2022

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 3 sound recordings (wav) (75 min., 56 sec.) + 1 sound recording (mp3) (75 min., 57 sec.)

Scope and Content: Item consists of an oral history interview with Dr. Sadhu Binning conducted by Anushay Malik with assistance from Burnaby Village Museum Assistant Curator, Kate Petrusa. The interview opens with introductions and how the content of the interview can be drawn on by Burnaby Village Museum for future …

1 document 1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: South Asian Canadian Interviews subseries

Description Level: Item

Physical Description: 3 sound recordings (wav) (75 min., 56 sec.) + 1 sound recording (mp3) (75 min., 57 sec.)

Material Details: Interviewer: Anushay Malik Co Interviewer and technical support: Kate Petrusa Interviewee: Dr. Sadhu Binning Location of Interview: Love farmhouse at Burnaby Village Museum Interview Date: November 25, 2022 Total Number of tracks: 3 Total Length of all Tracks: (1:15:57) Digital master recordings (wav) were recorded onto three separate audio tracks, edited and merged together and converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of an oral history interview with Dr. Sadhu Binning conducted by Anushay Malik with assistance from Burnaby Village Museum Assistant Curator, Kate Petrusa. The interview opens with introductions and how the content of the interview can be drawn on by Burnaby Village Museum for future exhibits and for researchers to learn more about the history of the South Asian community in Burnaby. During the interview, Dr. Binning shares his ancestral background along with his relatives' and his own personal experiences as a South Asian immigrant living and working in British Columbia and Burnaby. Dr. Binning conveys that he’s a Burnaby resident who’s lived in Burnaby since 1973 and that his children were born here. Binning shares his ancestral heritage beginning with his uncle Dhana Singh who emigrated from Punjab to British Columbia in 1931 and began working in the forest industry. He explains how Dhana Singh and another partner owned, operated and worked in small sawmills in the vicinity of Kamloops, Williams Lake and also on Vancouver Island. Binning conveys that in the beginning Dhana Singh and many other South Asian immigrants were not legal residents until 1938. In 1938, about 350 South Asian immigrants (mainly Punjabi) gathered resources to hire a lawyer to obtain permanent residency. Binning mentions that one of the notable South Asians in the group who was also a close friend of his uncle, was Darshan Singh Sangha, a trade unionist who was a founding member of the International Woodworkers of America (IWA) union and an active member of the Communist Party of Canada. Binning conveys how Darshan Singh Sangha returned to India in 1947 to be a part of the revolution, how he was very active in the communist movement in India. While in India, Darshan Singh Sangha, was known as Canadian and thereby adopted “Canadian” as his surname, becoming “Darshan Singh Canadian”. Binning further explains that his uncle Dhana Singh Sangha returned to India in 1951, married and came back to B.C. in 1957 bringing with him, his wife and children. In 1960, with the support of his uncle, Binning’s father, Jit Singh Binning immigrated to British Columbia and began working in sawmills in the lower mainland, Kamloops, Quesnel and on Vancouver Island. Binning clarifies that his uncle, Dhana Singh was able to immigrate to Canada with the support of his cousins from the Tarker Singh Bains family. Binning further describes Darshan Singh Sangha’s involvement with the Communist party and the IWA and how the majority of the members were from the forest industry. As an active and prominent member of the labour movement, Darshan Singh Sangha fought for the rights of South Asians and Chinese who working in the industry and facing racism, unfair wages and discriminatory practices. Binning describes how Darshan Singh Sangha wrote a book in English in 1943, titled “Rise of the New Asia”. Binning conveys how immigrants of Chinese and South Asian decent didn’t have the right to vote in British Columbia and how Darshan Singh Sangha was instrumental in obtaining the right to vote in British Columbia, although he was never given the credit. Binning describes his uncle Dhana Singh as a likeable guy with many friends, first living in Kamloops before moving to Vancouver. Binning imparts how the sport of wrestling is a popular Punjabi sport along with Punjabi kabaddi. He conveys that his uncle became involved in wrestling while working in sawmills. South Asian immigrants had to do physical labour working in sawmills, the work could be tough and could often lead to physical fights. A number of South Asian immigrants working in the mills already had experience as wrestlers from back home. Dhana Singh later left the lumber industry to work in the agriculture sector. Binning explains how immigration rules changed in the 1960s which lead to larger numbers of South Asians immigrating to Canada. Many of these new immigrants were educated and politically conscious. All of these new immigrants faced racism but being politically conscious from an independent India and with the ability to speak English they organized themselves to fight for their rights. Binning imagines the items that his uncle and his father may have brought with them in their suitcase when immigrating to Canada. Binning describes three items, including a rajai (a blanket with cotton inside that is sewn together), a bistra (small attaché case or trunk) and a piece of cloth to lie on. Binning further describes the roles in Indian society as caste divisions and that it was usually women’s work in making the rajais. Binning recollects the locations that his father and his family lived after coming to Vancouver. Binning explains that a few years after living together in Vancouver, he and his family moved to Burnaby in 1973 to be closer to his Dr. Binning’s wife, Jagdish Binning’s family. Dr. Binning and family lived in a house in Burnaby located on Irmin Street near Royal Oak between 1973 and 1987. While living at this house their children attended McPherson Park Junior High School and later Burnaby South Secondary School. Binning reflects on some of the racism that he and his family have faced while living in Burnaby which led him to write a poem that he published in 1994 titled “No More Watno Dur”. Binning explains the meaning of the title “Watan” meaning “country and everybody” “a country far way from the motherland”. Binning explains the origins of the magazine “Watan” that was started by a friend in 1973. The magazine got its roots in Vancouver in 1973 from an organization called the “Punjabi Literary Association”. Binning became the editor of the magazine in 1976 and his friend joined him as assistant editor in 1978. Binning continued to work as editor until 1983 or 1984 when he returned to school to complete his Bachelor’s degree and Master’s degree. Binning describes the origins of the “Vancouver Sath” that was formed by a small group of South Asians around 1982. Binning was a founding member of the organization and held meetings and rehearsals at his house in Burnaby. Vancouver Sath first started out as an informal discussion forum by a group of politically conscious Punjabi writers and activists. Binning talks about issues and problems that Vancouver Sath addressed including; racism as well as domestic violence in the South Asian community. Binning explains how he and Sukhwant Hundal wrote articles on these issues and others that were happening in the South Asian community in Canada. Binning talks about how in 1983, the group was inspired to begin performing theatrical works after consulting with Gursharan Singh who was from a well known theatrical group from Punjab who were performing in Vancouver. In the beginning the Vancouver Sath’s plays were focused on the problems in Punjab but they soon decided to address social issues in their own South Asian community here in Canada. Binning summarizes and draws attention to, some of the plays that Vancouver Sath has written and performed including; “Picket Line”, about Punjabi women farmworkers’ rights; “Lattan de Bhoot”, about domestic abuse; “A Crop of Poison”; “Kihda Viah” (English translation- “Whose Marriage”) about arranged marriage and others about social issues in the South Asian community. The plays were performed in public schools and community centres in Vancouver and Richmond, Simon Fraser University and some were also performed in Toronto, Calgary and Williams Lake. Binning mentions some of the traditional foods that he likes to eat and where he and his family have shopped to find ingredients. He recalls how his mother, Gurmaje Kaur Binning did all of the cooking and was often cooking all day long. In the sixties, the Binning family address on 13th Avenue in Vancouver was also used as a postal address for many friends and family who’d recently immigrated. When these friends dropped by to pick up their mail, his mother often provided them with tea and food. After Binning and his wife, Jagdish moved to their own home in 1973, he shared in some of the shopping and cooking but his wife did the majority of the work due to his busy schedule. The interview closes with Binning providing an explanation of how “Watno Dur” magazine changed it’s name to “Watan” magazine. Binning reflects on how this came to be, when he made the decision to get an education in Canada and to stay here, not just as a “Canadian” but as a “Punjabi Canadian.

History: Interviewee biography: Dr. Sadhu Binning was born on May 10, 1947 to mother Gurmej Kaur and father Jeet Singh Binning. Due to lack of proper records management in India at the time of his birth, it is believed that he was actually born sometime in December of 1947. He grew up alongside two brothers and one sister in a village located in Kapurthala, Punjab. Dr. Binning attended secondary school in the nearby city of Phagwara, Punjab although he did not complete his education here. Throughout his childhood, he enjoyed reading both Punjabi and Hindi novels and learned how to read Urdu as well. Dr. Binning’s uncle, Dhana Singh immigrated to Canada in 1933 and returned to India in 1953. When Dhana Singh returned to Canada in 1957, he sponsored Dr. Binning’s father, Jeet Singh Binning to immigrate. Dhana Singh co-owned a few saw mills in British Columbia and also worked in the truck driving industry. Dr. Binning remembers that some people who had lived in Canada would visit their village and that they appeared to be strong and healthy and looked happy. He also noticed that they would eat meat, so whenever they would visit there would be meat available. In 1967, when he was nineteen and a half years old, Dr. Binning immigrated Canada to join his father. He recalls his father and uncle and a friend arriving at the airport to pick him up. During his first few days, Dr. Binning made the decision to remove his turban and beard upon receiving advice from his uncle. Dr. Binning first obtained work on a farm in Abbotsford, working alongside his mother. While working, Dr. Binning also attended English classes in Vancouver. Dr. Binning’s Uncle Dhana Singh worked in a Vancouver saw mill and tried to help find work for his nephew but was unsuccessful. Dr. Binning soon found work at a saw mill in Avola and worked there until the end of the summer until a friend helped find him work in a saw mill in North Vancouver. During his free time, he enjoyed camping with friends. In 1970, Dr. Binning left the saw mill after obtaining a job at the post office. The post office offered lower wages than working at the mill but Dr. Binning believed that he would become more educated working here. While working as a postman, Dr. Binning recalls facing a lot of discrimination and racism and was often referred to as a ‘Paki’ multiple times a day. In 1973, Dr. Binning married Jagish Sihota. Sadhu and Jagdish originated from nearby villages in India and met each other in Canada. Dr. Binning’s wife, Jagdish worked at the Royal Bank of Canada for thirty years until her retirement. While working, she also looked after the household and their son and daughter. Jagdish also handwrote a magazine, “Watno Dur’ (English translation: ‘away from homeland’) which was distributed in the community. In 1976, Dr. Binning became the editor of the magazine and the name was later changed to “Watan’ as they had accepted their new homeland of Canada. While working at the post office, Dr. Binning also attended night school starting in eighth grade. After receiving his high school diploma, he was accepted to Simon Fraser University and earned a Bachelor of Arts degree with a double major in Anthropology and Sociology and in 1986 he obtained a Masters degree from Simon Fraser University. While attending university, Dr. Binning was very active within the community and wanted to work to improve society. He first thought that he would return to India to contribute and improve rights in his homeland but upon seeing the prevalence of the movements in Canada, he realized that work needed to be done here too. In 1983, Dr. Binning became a founding member and contributor to a theatrical collective known as “Vancouver Sath”. The theatrical group produced plays that represented societal issues and were invited to perform at multiple conferences throughout British Columbia and Canada. The group focused and acknowledged the many issues in Punjab and in Canada. One of the plays that the group produced focused on the exploitation of Punjabi women who worked on farms in Canada. Dr. Binning continued to be involved as an integral member of Vancouver Sath until 1995. Over the years, Dr. Binning has strongly lobbied for Punjabi language education and between 1988 and 2008 he worked as Punjabi instructor at the University of British Columbia. He first worked as a teaching assistant at UBC under Dr. Harjot Oberoi and due to low wages, he simultaneously worked at the Post Office. In 2019, Dr. Binning received an Honorary Doctor of Letters from UBC in recognition of his work. Since 1973, Dr. Binning has lived in Burnaby and has resided in the same home that he and his wife Jagdish purchased in 1987. In his free time, he enjoys cycling, watercolour painting, travelling abroad and going on road trips. Interviewer biography: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”.

Creator: Burnaby Village Museum

Subjects: Industries - Logging/lumber; Industries - Forestry; Foods; Migration; Organizations - Societies and Clubs; Organizations - Unions; Persons - South Asian Canadians; Performances; Performances - Dramatic Performances; Social Issues; Social Issues - Racism

Names: Binning, Dr. Sadhu; Binning, Gurmaje Kaur; Binning, Jit Singh; Binning, Jagdish; Sangha, Darshan Singh; Canadian Farmworkers Union; Hundal, Sukhwant; Sangra, Harjinder; Singh, Dhana; Vancouver Sath

Responsibility: Petrusa, Kate; Malik, Anushay

Accession Code: BV022.29.3

Access Restriction: No restrictions

Reproduction Restriction: No known restrictions

Date: [1931-2022] (interview content), interviewed 25 Nov. 2022

Media Type: Sound Recording

Notes: Title based on contents of item; Transcription available on Heritage Burnaby

Documents

2022_0029_0003_005

Audio Tracks

Interview with Dr. Sadhu Binning, [1931-2022] (interview content), interviewed 25 Nov. 2022

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0003_004.mp3

Interview with Sadhu Binning and Sukhwant Hundal

https://search.heritageburnaby.ca/link/museumdescription19603

Repository: Burnaby Village Museum

Date: 1967-2023 (interview content), interviewed 29 May 2023

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)

Scope and Content: Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in…

1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: Many Voices Project Interviews subseries

Description Level: Item

Physical Description: 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)

Material Details: Interviewer: James Binks Interviewee: Sadhu Binning and Sukhwant Hundal Location of Interview: Burnaby Village Museum Interview Date: May 29, 2023 Total Number of tracks: 2 Total Length of all Tracks:1:33:07 Digital master recordings (wav) were recorded onto two separate audio tracks, edited and merged together into one track and converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in Burnaby". The interview focuses on the history of "Vancouver Sath" as well as literary works created by Hundal and Binning and the Punjabi literary magazine "Watno Dur" and "Watan". 00:00 - 13:30 Interview opens with brief introductions and information on Sadhu Binning, Sukhwant Hundal and Vancouver Sath provided by the interviewer, James Binks. Interviewees Sadhu Binning and Sukhwant Hundal describe how they met and what they were focused on prior to the formation of the organization Vancouver Sath. Binning briefly describes how he became involved as a writer in the literary world and recalls how he published his first poem in an Indian literary magazine in 1972. Hundal describes how he immigrated to Canada from Punjab in 1975, the various industries that he worked in as a new immigrant and his interest in literature with a focus on social issues. Hundel describes how he developed a relationship with Sadhu Binning after his short story was published in "Watno Dur" literary magazine which in turn lead to his involvement with the Punjabi Literary Association and becoming co-editor of "Watnu Dur". 13:31 – 27:44 Hundal provides more background on his life as a South Asian immigrant, working in sawmills and completing a diploma in Power and Process Engineering and how he first became interested in literature while living in India. Binning and Hundal both share their insights into the formation of Vancouver Sath and provide details on their involvement with the Punjabi literary publication “Watnu Dur”. Binning describes how the inspiration for the formation of the Vancouver Sath organization came from India and that Binning, Hundal and some other members of the Punjabi Literary Association decided to form their own group where they could have more informal discussions around social, political and literary issues. 27:45 – 43:31 Binning describes how the political issues that were happening in Punjab between 1978 and 1983 influenced discussions in the South Asian community whereas prior to 1978 there was more focus on local issues that new immigrants were facing. Binning conveys how their work with Vancouver Sath endeavored to focus more on local issues and Hundal conveys how they made the decision to begin producing theatrical works rather than just written works to reach a wider audience. Hundal and Binning share names of the people that were involved with Vancouver Sath and describe some of the early plays that they performed. Binning describes the foundations of the organization where they worked together as a collective making decisions in producing and performing the works with Binning and Hundal taking on the responsibility for the written work. They talk about their first paid experience being invited to perform a few of their plays at the Vancouver Folk Music Festival. 43:32 – 55:17 Hundal and Binning describe how they continued to support themselves financially since they weren’t making money from Vancouver Sath. Binning and Hundal provide further details on how their collective worked with the process of writing the plays and presenting and discussing details with the Vancouver Sath community before performing to an audience. Hundal talks about the transition that the magazine “Watno Dur” took in 1986 which lead to renaming it “Watan”. Hundal and Binning discuss how in 1992 and 1993 they decided to try to get more young people involved and began publishing a magazine in English called “Ankur”. They describe the content and list some of the authors who contributed to the magazine. 55:18 – 1:20:12 Hundal and Binning provide background details on the author of “Maluka”, Sadhu Singh Dhami and describe the details that lead them to translating the book into Punjabi, touring with the author and adapting the novel into a play which Vancouver Sath performed. Binning and Hundal describe and discuss other plays that Vancouver Sath performed including some plays that were recorded and broadcast over local radio stations. 1:20:13 – 1:32:57 Binning and Hundal reflect on what lead Vancouver Sath to discontinue theatrical performances in the mid 1990’s. Binning and Hundal state how they are both still very involved in publishing literary works but no longer perform theatrical works. Binning and Hundal describe some of their literary works and projects that they’ve been involved in and also reflect on and describe the current theatre scene in the South Asian community. Hundal conveys that even though they no longer call themselves “Vancouver Sath” they continue to enjoy working as a collective discussing literary works and ideas.

History: Interviewees' biographies: Dr. Sadhu Binning was born on May 10, 1947 to mother Gurmej Kaur and father Jeet Singh Binning. Due to lack of proper records management in India at the time of his birth, it is believed that he was actually born sometime in December of 1947. He grew up alongside two brothers and one sister in a village located in Kapurthala, Punjab. Dr. Binning attended secondary school in the nearby city of Phagwara, Punjab although he did not complete his education here. Throughout his childhood, he enjoyed reading both Punjabi and Hindi novels and learned how to read Urdu as well. Dr. Binning’s uncle, Dhana Singh immigrated to Canada in 1933 and returned to India in 1953. When Dhana Singh returned to Canada in 1957, he sponsored Dr. Binning’s father, Jeet Singh Binning to immigrate. Dhana Singh co-owned a few saw mills in British Columbia and also worked in the truck driving industry. Dr. Binning remembers that some people who had lived in Canada would visit their village and that they appeared to be strong and healthy and looked happy. He also noticed that they would eat meat, so whenever they would visit there would be meat available. In 1967, when he was nineteen and a half years old, Dr. Binning immigrated Canada to join his father. He recalls his father and uncle and a friend arriving at the airport to pick him up. During his first few days, Dr. Binning made the decision to remove his turban and beard upon receiving advice from his uncle. Dr. Binning first obtained work on a farm in Abbotsford, working alongside his mother. While working, Dr. Binning also attended English classes in Vancouver. Dr. Binning’s Uncle Dhana Singh worked in a Vancouver saw mill and tried to help find work for his nephew but was unsuccessful. Dr. Binning soon found work at a saw mill in Avola and worked there until the end of the summer until a friend helped find him work in a saw mill in North Vancouver. During his free time, he enjoyed camping with friends. In 1970, Dr. Binning left the saw mill after obtaining a job at the post office. The post office offered lower wages than working at the mill but Dr. Binning believed that he would become more educated working here. While working as a postman, Dr. Binning recalls facing a lot of discrimination and racism and was often referred to as a ‘Paki’ multiple times a day. In 1973, Dr. Binning married Jagish Sihota. Sadhu and Jagdish originated from nearby villages in India and met each other in Canada. Dr. Binning’s wife, Jagdish worked at the Royal Bank of Canada for thirty years until her retirement. While working, she also looked after the household and their son and daughter. Jagdish also handwrote a magazine, “Watno Dur" (English translation: ‘away from homeland’) which was distributed in the community. In 1976, Dr. Binning became the editor of the magazine and the name was later changed to “Watan’ as they had accepted their new homeland of Canada. While working at the post office, Dr. Binning also attended night school starting in eighth grade. After receiving his high school diploma, he was accepted to Simon Fraser University and earned a Bachelor of Arts degree with a double major in Anthropology and Sociology and in 1986 he obtained a Masters degree from Simon Fraser University. While attending university, Dr. Binning was very active within the community and wanted to work to improve society. He first thought that he would return to India to contribute and improve rights in his homeland but upon seeing the prevalence of the movements in Canada, he realized that work needed to be done here too. In 1983, Dr. Binning became a founding member and contributor to a theatrical collective known as “Vancouver Sath”. The theatrical group produced plays that represented societal issues and were invited to perform at multiple conferences throughout British Columbia and Canada. The group focused and acknowledged the many issues in Punjab and in Canada. One of the plays that the group produced focused on the exploitation of Punjabi women who worked on farms in Canada. Dr. Binning continued to be involved as an integral member of Vancouver Sath until 1995. Over the years, Dr. Binning has strongly lobbied for Punjabi language education and between 1988 and 2008 he worked as Punjabi instructor at the University of British Columbia. He first worked as a teaching assistant at UBC under Dr. Harjot Oberoi and due to low wages, he simultaneously worked at the Post Office. In 2019, Dr. Binning received an Honorary Doctor of Letters from UBC in recognition of his work. Since 1973, Dr. Binning has lived in Burnaby and has resided in the same home that he and his wife purchased in 1987. In his free time, he enjoys cycling, watercolour painting, travelling abroad and going on road trips. Suhkwant Hundal is a founding member in the group known as Vancouver Sath and has spent a lot of time in Burnaby rehearsing and writing plays. Sadhu Binning and Sukhwant Hundal co-wrote the Vancouver Sath's first play, "Picket-Line" and many others. This play was staged in November 1984. He's authored and edited pieces for the various newsletters and magazines including "Watno Dur" and "Watan". Through the 1980's and early 1990's Hundal has been active in South Asian advocacy in Burnaby and the Lower Mainland. In his retirement years, Hundal has been a lecturer on Punjabi language at the University of British Columbia in the Department of Asian Studies. Interviewer biography: James Binks has lived in the Lower Mainland since 2009 after relocating from Ontario. James holds a Bachelor of Arts in Anthropology from the University of British Columbia, where he conducted researched on heritage, environment, and globalization in India, Nepal, and Italy. At Burnaby Village Museum, James contributed to the exhibit “Truths Not Often Told: Being South Asian in Burnaby”.

Creator: Burnaby Village Museum

Subjects: Occupations - Writers; Organizations; Organizations - Unions; Migration; Persons - South Asian Canadians; Performances - Dramatic Performances; Social Issues; Social Issues - Discrimination; Social Issues - Racism

Names: Vancouver Sath; Binning, Dr. Sadhu; Hundal, Sukhwant; Dhami, Sadhu Singh; Pritam, Amrita; Rampuri, Gurcharan; Tut, Mukhan; Thobani, Sunera; Hoss Mushroom Farm; Deol, Jeevan; Dulai, Phinder; Dhillon, Sital; Bhangoo, Bhavna; Rai, Gurmail; Punjabi Lekhak Manch; Di Awaz, Samay; Johal, Balinder; Sara, Amanpal; United Farm Workers Union; Canadian Farmworkers Union

Responsibility: Binks, James

Accession Code: BV023.16.7

Access Restriction: No restrictions

Reproduction Restriction: No known restrictions

Date: 1967-2023 (interview content), interviewed 29 May 2023

Media Type: Sound Recording

Notes: Title based on contents of item; Transcription available on request

Audio Tracks

Interview with Sadhu Binning and Sukhwant Hundal, 1967-2023 (interview content), interviewed 29 May 2023

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2023_0016_0007_003.mp3

John and Lillian Yanko album

https://search.heritageburnaby.ca/link/archivedescription74509

Repository: City of Burnaby Archives

Date: 1940-2010

Collection/Fonds: Yanko family fonds

Description Level: Item

Physical Description: 1 scrapbook : 31 x 34 cm, 41 p.

Scope and Content: Item is a scrapbook documenting the lives of husband and wife John Ivan Yanko and Leida Doria "Lillian Doris" (Carman) Yanko. The scrapbook consists of ca. 250 black and white photographs from the family, with captions that identify the subjects and locations of the photographs. Also included in th…

Repository: City of Burnaby Archives

Date: 1940-2010

Collection/Fonds: Yanko family fonds

Physical Description: 1 scrapbook : 31 x 34 cm, 41 p.

Material Details: Hardcover scrapbook album with clear plastic page covers and a metal binding. Three-dimensional scrapbooking embellishments are affixed to some of the pages.

Description Level: Item

Record No.: MSS170-007

Access Restriction: No restrictions

Reproduction Restriction: No known restrictions

Accession Number: 2012-09

Scope and Content: Item is a scrapbook documenting the lives of husband and wife John Ivan Yanko and Leida Doria "Lillian Doris" (Carman) Yanko. The scrapbook consists of ca. 250 black and white photographs from the family, with captions that identify the subjects and locations of the photographs. Also included in the album are plastic sleeves housing textual records including: a tile setters union agreement; dues books and receipts; tax forms; payroll stubs; picture ID; correspondence; a newspaper clipping; and insurance policies.

Names: Yanko, Leida Doria "Lillian Doris" Carman; Yanko, John Ivan

Media Type: Textual Record; Photograph

Notes: Title based on contents of item; Printed in green writing on front cover of photographic album: "J & L Yanko"; Photographs are dated 1940-1982; textual records included in album are dated 1948-2010; Envelope pasted into scrapbook titled "5 September 1949 / Dupelicates [sic] : Lemon Creek Camping" contains 7 additional prints.

Post review documentation

https://search.heritageburnaby.ca/link/museumdescription16672

Repository: Burnaby Village Museum

Date: [1980]

Collection/Fonds: Oakalla Prison collection

Description Level: File

Physical Description: 5 cm of textual records (2 folders)

Scope and Content: File consists of copies of information regarding correctional services, centres and camps including information statistics, organizational charts; correspondence and post review documentation compiled by H.B. Bjarnson and titled "Post Review Documentation". Content within is organized by subject he…

Repository: Burnaby Village Museum

Collection/Fonds: Oakalla Prison collection

Series: Oakalla correctional facility records series

Description Level: File

Physical Description: 5 cm of textual records (2 folders)

Scope and Content: File consists of copies of information regarding correctional services, centres and camps including information statistics, organizational charts; correspondence and post review documentation compiled by H.B. Bjarnson and titled "Post Review Documentation". Content within is organized by subject heading tabs in the following order: "Hutda Lake Camp"; "Support Services"; "Island Region"; "Lakeview Camp"; Snowdown W.R.U."; "V.I.R.C.C." (Vancouver Island Regional Correctional Centre) ; "C.C.C. #1" (Victoria Correctional Centre); "Jordan River Camp"; "J.D.H." (Juvenile Detention Home); "Metchosin Camp"; "Vancouver Region"; "Burnaby C.C.C."; "Marpole C.C.C."; "Lydan Williams C.C.C."; "Y.D.C. Vancouver" (Youth Dention Centre Vancouver); "Lakeside (OWCC)" ; "Central Control"; "Central Services"; "Hospital"; "Director's Office"; "Westgate B"; "South Wing"; "East Wing"; "West Wing"; "South Fraser Region"; "Support Services "Surrey C.R.C."; "Chilliwack C.C.C."; "Mount Thurston Camp"; "Ford Mountain Camp"; "Security Unit"; "Centre Creek Camp"; "Pierce Creek Camp"; "N. Fraser Region"; "Support Services"; "New Haven"; "Twin Maples"; "Pine Ridge Camp"; "Boulder Bay Camp"; "Stave Lake Camp"; "A.R.C.C." (Alouette River Correctional Centre; "Interior Region"; "Rayleigh Camp"; "Bear Creek Camp"; "Kamloops C.C.C." (Correctional Centre); "Northern Region"; "Terrace C.C.C."; "P.G.R.C.C." (Prince George Regional Correctional Centre).

Creator: Bjarnson, H.B.

Subjects: Public Services - Correctional; Public Services - Policing

Names: Oakalla Prison Farm; Lower Mainland Regional Correctional Centre

Accession Code: BV991.45.177

Access Restriction: Restricted access

Reproduction Restriction: May be restricted by third party rights

Date: [1980]

Media Type: Textual Record

Notes: Transcribed title

Scouting activities

https://search.heritageburnaby.ca/link/archivedescription98032

Repository: City of Burnaby Archives

Date: [between 1960 and 1980]

Collection/Fonds: Burnaby Historical Society fonds

Description Level: File

Physical Description: 22 photographs : b&w ; 9 cm x 11 cm and smaller

Scope and Content: Photographs of various Scouting activities and trips. Activities include forgaging, hiking, flag raising, races, and badge presentations; trips include Penticton BC, Jones Creek, Brandywine Mountain, and Mount Brew.

1 image

Repository: City of Burnaby Archives

Date: [between 1960 and 1980]

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Burnaby Scouts subseries

Physical Description: 22 photographs : b&w ; 9 cm x 11 cm and smaller

Description Level: File

Record No.: 631-029

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Accession Number: BHS1994-05

Scope and Content: Photographs of various Scouting activities and trips. Activities include forgaging, hiking, flag raising, races, and badge presentations; trips include Penticton BC, Jones Creek, Brandywine Mountain, and Mount Brew.

Subjects: Organizations - Boys' Societies and Clubs

Names: Boy Scouts of Canada

Media Type: Photograph

Notes: Title based on content of photographs; Album note for photograph 631-029-1 read: "Bill O'Doherty Geo L."; Album note for photograph 631-029-2 read: "Geo Lydiard"; Album note for photograph 631-029-4 read: "Pat Connell and George Couteriar"; Note in blue ink on verso of photograph 631-029-5 reads: "Dave Fowler Bob Maurice 6th Ctr."; Album note for photograph 631-029-6 read: 'Back Row Left to Right: ? , Bob Nisley, Jerry Balcuk, JOhn Cullen, Alan Dawson, Gerald Derwoon, Dave Nosella, Glen [illegible]; Album note for photograph 631-029-8 read: "White Hats Burrard". Note in blue ink on verso of photograph reads: "Camp Sweat Brandy Wine Mtn."; Note in blue ink on verso of photograph 631-029-9 reads: "Camp Sweat Brandy Wine Mtn."; Album note for photographs 631-029-10 and -11 read: "Dave Fisher says this is Mt. Brew looking across at the Chimney of Black Tusk." Note in blue ink on verso of photograph 631-029-10 and -11 reads: "Camp Sweat Brandy Wine Mtn."; Note in pencil on verso of photograph 631-029-12 reads: "Venturers 1966"; Album note for photograph 631-029-13 read: "Hamish Bullen". Note in pencil on verso of photograph reads: "Pentiction Apr '66".; Album note for photograph 631-029-15 read: "Hugh Martin at bus door Jones Creek?"; Album note for photograph 631-029-17 read: "Geo Lydiard"

Images

Scouting activities, [between 1960 and 1980] thumbnail

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 3

https://search.heritageburnaby.ca/link/oralhistory518

Repository: City of Burnaby Archives

Date Range: 1969-1990

Length: 00:04:54

Summary: This portion of the interview is about Toki Miyashita and her family’s move to Burnaby in 1969 to an apartment near Brentwood Mall. She tells about continuing to demonstrate origami in schools and teach Ikebana in the community.

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita and her family’s move to Burnaby in 1969 to an apartment near Brentwood Mall. She tells about continuing to demonstrate origami in schools and teach Ikebana in the community.

Date Range: 1969-1990

Length: 00:04:54

Subjects: Persons - Volunteers; Arts

Historic Neighbourhood: Vancouver Heights (Historic Neighbourhood)

Planning Study Area: Brentwood Area

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track three of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_3.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 4

https://search.heritageburnaby.ca/link/oralhistory519

Repository: City of Burnaby Archives

Date Range: 1969-1990

Length: 00:07:26

Summary: This portion of the interview is about Toki Miyashita’s explanation about the practice and art of Japanese flower-arranging (Ikebana) and her specific school or discipline Ikebana Sogetsu. She talks about the meanings of the material used.

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s explanation about the practice and art of Japanese flower-arranging (Ikebana) and her specific school or discipline Ikebana Sogetsu. She talks about the meanings of the material used.

Date Range: 1969-1990

Length: 00:07:26

Subjects: Arts

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track four of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_4.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 5

https://search.heritageburnaby.ca/link/oralhistory520

Repository: City of Burnaby Archives

Date Range: 1969-1990

Length: 00:07:05

Summary: This portion of the interview is about Toki Miyashita’s involvement in the Multicultural Society, flower-arranging groups, and her own practice and willingness to respond to requests for presentations. She describes how traditional rules govern doll-making, Ikebana and the wearing of the kimono.

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s involvement in the Multicultural Society, flower-arranging groups, and her own practice and willingness to respond to requests for presentations. She describes how traditional rules govern doll-making, Ikebana and the wearing of the kimono.

Date Range: 1969-1990

Length: 00:07:05

Subjects: Arts; Education

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track five of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_5.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 6

https://search.heritageburnaby.ca/link/oralhistory521

Repository: City of Burnaby Archives

Date Range: 1976-1990

Length: 00:07:36

Summary: This portion of the interview is about Toki Miyashita’s trips to Japan in 1976 and 1980, visiting family in Myagi Prefecture, their response to her and her daughter, and her impression of Japan

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s trips to Japan in 1976 and 1980, visiting family in Myagi Prefecture, their response to her and her daughter, and her impression of Japan

Date Range: 1976-1990

Length: 00:07:36

Subjects: Travel

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track six of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_6.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 7

https://search.heritageburnaby.ca/link/oralhistory522

Repository: City of Burnaby Archives

Date Range: 1930-1990

Length: 00:13:56

Summary: This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and dis…

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and distrust in her family. She also talks about visiting Hiroshima on her trip to Japan in 1980

Date Range: 1930-1990

Length: 00:13:56

Subjects: Wars - World War, 1939-1945; Persons - Japanese Canadians

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track seven of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_7.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 8

https://search.heritageburnaby.ca/link/oralhistory523

Repository: City of Burnaby Archives

Date Range: 1984-1990

Length: 00:04:47

Summary: This portion of the interview is about Toki Miyashita’s six years service on Burnaby’s Family Court. She talks about what the Court does and the need for better services for battered women. She also relates that when Municipal officials receive visitors from Japan she is often asked to help.

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s six years service on Burnaby’s Family Court. She talks about what the Court does and the need for better services for battered women. She also relates that when Municipal officials receive visitors from Japan she is often asked to help.

Date Range: 1984-1990

Length: 00:04:47

Subjects: Persons - Volunteers; Legal System; Industries - Tourism

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track eight of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_8.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 9

https://search.heritageburnaby.ca/link/oralhistory524

Repository: City of Burnaby Archives

Date Range: 1980-1990

Length: 00:19:08

Summary: This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby…

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby’s sister-city Kushiro’s gift of Toko’s sculptures to Burnaby for the Centennial. She also describes Toko’s appreciation of the Haida totems and the native people of BC, and his gift of a set of carving tools to Chief Saul Terry

Date Range: 1980-1990

Length: 00:19:08

Names: Burnaby Mountain Centennial Park; Burnaby Mountain Park; Kamui Mintara

Subjects: Celebrations - Centennial; Indigenous wood-carving - Totem poles; Woodworking Tools and Equipment

Geographic Access: Burnaby Mountain Conservation Area

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track nine of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_9.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 10

https://search.heritageburnaby.ca/link/oralhistory525

Repository: City of Burnaby Archives

Date Range: 1989-1990

Length: 00:06:41

Summary: This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics

Date Range: 1989-1990

Length: 00:06:41

Names: Burnaby Mountain Centennial Park; Burnaby Mountain Park; Kamui Mintara

Subjects: Celebrations - Centennial; Ceremonial Artifacts - Totem Poles; Woodworking Tools and Equipment

Geographic Access: Burnaby Mountain Conservation Area

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track ten of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_10.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 11

https://search.heritageburnaby.ca/link/oralhistory526

Repository: City of Burnaby Archives

Date Range: 1969-1990

Length: 00:07:33

Summary: This portion of the interview is about the lessons Toki Miyashita learned from visiting Ikebana teachers, especially care for and skill using their tools, and mindfulness in choosing material for arrangements. She notes that flower arranging is used as a way to relax and feel calm.

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about the lessons Toki Miyashita learned from visiting Ikebana teachers, especially care for and skill using their tools, and mindfulness in choosing material for arrangements. She notes that flower arranging is used as a way to relax and feel calm.

Date Range: 1969-1990

Length: 00:07:33

Subjects: Arts

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.