414 records – page 1 of 21.

Thomas Irvine House

https://search.heritageburnaby.ca/link/landmark536
Repository
Burnaby Heritage Planning
Description
The Thomas Irvine House is a very small, two room wood frame cottage, originally located on Laurel Street in Central Burnaby (now the site of the Burnaby Lake Sports Complex - West), and now relocated to the Burnaby Village Museum.
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Tommy Irvine House
Repository
Burnaby Heritage Planning
Other Names
Tommy Irvine House
Geographic Access
Deer Lake Avenue
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
The Thomas Irvine House is a very small, two room wood frame cottage, originally located on Laurel Street in Central Burnaby (now the site of the Burnaby Lake Sports Complex - West), and now relocated to the Burnaby Village Museum.
Heritage Value
The Thomas Irvine House is representative of an extremely modest, vernacular working-class cottage of the early twentieth century, once common but mostly now demolished. Irish-born Thomas Irvine (1864-1964) and his friend, Robert Moore, constructed the house in 1911 to suit the simple needs of a bachelor. Irvine worked on the construction of the British Columbia Electric Railway Burnaby Lake Interurban Line and was a pile driver by trade. The house consists of two rooms, a living room/kitchen and a bedroom. There were some improvements made throughout the fifty years Irvine lived there, such as running water in 1929, and electricity in the 1950s, but the essential character and form of the house remained intact. Irvine was a well-known local character and pioneer of Burnaby. The heritage value for this house also lies in its interpretive value within the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The Thomas Irvine House was moved to the Burnaby Village Museum in 1975 and was restored to its 1920s appearance.
Defining Elements
The character defining elements of the Thomas Irvine House include its: - rectangular form and simple massing - bellcast hipped form with cedar shingle cladding - cedar shingle cladding stained dark brown - double-hung 1-over-1 wooden-sash window on front facade; simple double wooden-sash casement on west facade - interior layout of the house with 2 rooms, a living room/kitchen and bedroom - V-joint tongue-and-groove wood interior paneling
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Morley-Buckingham Area
Organization
British Columbia Electric Railway
Burnaby Village Museum
Builder
Thomas Irvine (Owner)
Robert Moore
Function
Primary Current--Museum
Primary Historic--Single Dwelling
Community
Burnaby
Cadastral Identifier
P.I.D. No. 011-030-356 Legal Description: Parcel 1, District Lot 79 and District Lot 85, Group 1, New Westminster District, Reference Plan 77594
Boundaries
Burnaby Village Museum is comprised of a single municipally-owned property located at 6501 Deer Lake Avenue, Burnaby.
Area
38,488.63
Contributing Resource
Building
Landscape Feature
Structure
Ownership
Public (local)
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Irvine, Tom
Street Address
6501 Deer Lake Avenue
Images
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Vorce Station

https://search.heritageburnaby.ca/link/landmark664
Repository
Burnaby Heritage Planning
Description
The Vorce Station is a modest utilitarian passenger tram shelter, originally constructed at the foot of Nursery Street as part of the British Columbia Electric Railway Company’s Burnaby Lake Interurban Line. In 1953, it was moved to a local farm by the Lubbock family, and in 1977 it was relocated t…
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Repository
Burnaby Heritage Planning
Geographic Access
Deer Lake Avenue
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
The Vorce Station is a modest utilitarian passenger tram shelter, originally constructed at the foot of Nursery Street as part of the British Columbia Electric Railway Company’s Burnaby Lake Interurban Line. In 1953, it was moved to a local farm by the Lubbock family, and in 1977 it was relocated to Burnaby Village Museum. The wood-frame structure has a rectangular plan and hipped roof. It is enclosed on three sides, with an open side for access to the train platform and a single long built-in bench across the back of the station.
Heritage Value
The heritage value of the Vorce Station is as the last remaining interurban station in Burnaby and one of the few extant structures left in the Greater Vancouver region that were once part of the extensive British Columbia Electric Railway (BCER) interurban system. The Vorce Station was designed and built by the BCER, and is typical of the small local passenger stations on the Burnaby Lake and Chilliwack interurban lines. It was named after C.B. Vorce, the Chief Engineer for the company. The impact of the interurban line on local development was extremely significant, as it connected the cities of New Westminster and Vancouver, and enabled the residents of Burnaby to form a cohesive municipality from the mainly rural lands remaining between the two larger centres. Much of the early development in Burnaby was due to the growth of the interurban rail lines. The heritage significance for this station also lies in its interpretive value within the Burnaby Village Museum. The Vorce Station is an important cultural feature for the interpretation of Burnaby’s transportation history to the public, and is an important surviving feature of the BCER interurban system.
Defining Elements
The character defining features of the Vorce Station include its: - rectangular form and pyramidal roof with overhanging eaves - simple vernacular design and utilitarian nature - cedar shingle wall cladding - cedar shingle-clad roof with galvanized pressed tin roof ridges - interior vertical tongue-and-groove panelling - heritage graffiti: initials and messages carved and scrawled on the walls - identifying sign with large letters visible at a distance
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Morley-Buckingham Area
Organization
British Columbia Electric Railway
Burnaby Village Museum
Function
Primary Current--Museum
Primary Historic--Rail Station
Community
Burnaby
Cadastral Identifier
P.I.D. No. 011-030-356 Legal Description: Parcel 1, District Lot 79 and District Lot 85, Group 1, New Westminster District, Reference Plan 77594
Boundaries
Burnaby Village Museum is comprised of a single municipally-owned property located at 6501 Deer Lake Avenue, Burnaby.
Area
38,488.63
Contributing Resource
Building
Structure
Landscape Feature
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Street Address
6501 Deer Lake Avenue
Images
Less detail

F.J. Hart Estate 'Avalon'

https://search.heritageburnaby.ca/link/landmark542
Repository
Burnaby Heritage Planning
Description
The F.J. Hart Estate, 'Avalon,' is comprised of 5.26 hectares of lakefront property now located within Deer Lake Park, an Arts and Crafts/Tudor Revival styled mansion and an associated later outbuilding. The mansion is now operated as the Hart House Restaurant.
Associated Dates
1912
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Hart House, Rosedale Gardens, Frederick John & Alice Hart Estate
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Other Names
Hart House, Rosedale Gardens, Frederick John & Alice Hart Estate
Geographic Access
Deer Lake Avenue
Associated Dates
1912
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
The F.J. Hart Estate, 'Avalon,' is comprised of 5.26 hectares of lakefront property now located within Deer Lake Park, an Arts and Crafts/Tudor Revival styled mansion and an associated later outbuilding. The mansion is now operated as the Hart House Restaurant.
Heritage Value
'Avalon' and its estate grounds are important as an illustration of the cultural, aesthetic, and lifestyle values of the wealthy families that settled in the Deer Lake area early in the twentieth century. These values were predominantly those of elegant country living and leisure pursuits. The estate is important for its connection with wealthy land developer Frederick John Hart (1868-1945), who was not only instrumental in the creation of subdivisions which promoted Deer Lake as an exclusive residential development for successful families in the New Westminster and Vancouver area, but was also an influential member of this new suburban community and of the emerging municipality of Burnaby. Hart had a wide range of business, civic, and political interests: his real-estate company managed many of the land sales in the area and numerous other large developments throughout the region; he was an entrepreneurial businessman associated with a number of companies important to the economic development of the area and British Columbia; and he was a 'public spirited citizen' and an alderman for the City of New Westminster. The architectural style of ‘Avalon’ set the tone for many of the grand mansions in the adjacent residential development - British Arts and Crafts in derivation, with eclectic details, particularly Tudor precedents. Designed for Hart and his wife Alice Chapman Hart (1867-1935) by Burnaby architect Frank William Macey (1863-1935), the use of references to Tudor England illustrates the relevance and importance to the residents of the area of a strong and visible connection with Britain. The first resident architect in Burnaby, Macey was born and trained in England where he was well-respected for having published two standard texts for the architectural profession. He settled in Burnaby in the first decade of the twentieth century and obtained a number of commissions from prominent businessmen who were building grand homes in the new community of Deer Lake. He designed mostly in the British Arts and Crafts style and introduced the use of rough-cast stucco for building exteriors, a characteristic for which he was renowned, and of which ‘Avalon’ is an excellent example.
Defining Elements
Key elements that define the heritage character of 'Avalon' include its: - estate in its entirety: house, grounds, landscape features and garage outbuilding - complex asymmetrical massing - side gable roof punctuated with massive cross gables at the front and rear and open gable ends - exterior features of the house such as the rough-cast stucco with mock-Tudor timbering; cobble-stone facings; square tower with mock battlements - multiple-assemblies of wooden-sash casement windows - tall, prominent corbelled brick chimneys - grand interior spaces and fittings: particularly the entrance hall with its carved stone fireplace; the main staircase; panelled wainscotting; Tudor-arched windows; and fireplaces with original tile surrounds
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Morley-Buckingham Area
Architect
Frank William Macey
Function
Primary Current--Eating or Drinking Establishment
Primary Historic--Estate
Community
Burnaby
Cadastral Identifier
P.I.D. No. 002-764-431 Legal Description: Lot 6 Except: Firstly: Part on Reference Plan 14874 and Secondly: Part subdivided by Plan 77594, District Lot 85, Group 1, New Westminster District, Plan 11109
Boundaries
'Avalon' is comprised of a single municipally-owned property located at 6664 Deer Lake Avenue, Burnaby.
Area
18,792.29
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
Burnaby Village Museum, Collection: Hart Photograph Albums
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Street Address
6664 Deer Lake Avenue
Street View URL
Google Maps Street View
Images
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H.T. Ceperley Estate 'Fairacres' Chauffeur's Cottage

https://search.heritageburnaby.ca/link/landmark529
Repository
Burnaby Heritage Planning
Description
Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Repository
Burnaby Heritage Planning
Geographic Access
Deer Lake Avenue
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
Designed in the British Arts and Crafts style, the Chauffeur's Cottage is situated across from the main entrance to the Ceperley Mansion, and adjacent to the Garage and Stables. A long, narrow single-storey building, it was constructed by joining together two modest estate cottages.
Heritage Value
The outbuildings at 'Fairacres' are a rare surviving architecturally designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917) was retained by the Ceperleys to design several original outbuildings on their estate at the same time as the main house was constructed. The Chauffeur's Cottage illustrates the increasing importance of the automobile in the lives of the wealthy of the early twentieth century. It also demonstrates Grace and Henry Tracy Ceperley's social aspirations and grand-country-estate pretension in having a chauffeur. The cottage's location - close to the garage and convenient, but not adjacent, to the main house - enhances the grand country house landscape design and contributes to the overall composition of the estate's plan. The Arts and Crafts styled Chauffeur's Cottage is important as an indicator of the aesthetic and social sensibilities of the Ceperley family in retaining an architect to design a modest building for staff accommodation.
Defining Elements
Key elements that define the heritage character of the 'Fairacres' Chauffeur's Cottage include its: - location, in relation to the main house and in close proximity to the Garage and Stables buildings - side gable roof with cedar shingle cladding - Arts and Crafts architectural features such as the jerkin-headed door hood, a reference to the thatched-roofed cottages of southern England; eight-paned wooden-sash casement windows; and cedar-shingled exterior - two internal brick chimneys - modest, functional interior, with simple trim and lack of pretension
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Douglas-Gilpin Area
Architect
Robert Mackay Fripp
Function
Primary Historic--Outbuilding
Community
Burnaby
Cadastral Identifier
P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Chinese ‘Tiger Whiskey’ and opium bottles found during restoration
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Ceperley, H.T.
Ceperley, Grace
Fripp, Robert Mackay
Subjects
Buildings - Heritage
Buildings - Residential - Cottages
Street Address
6344 Deer Lake Avenue
Images
Less detail

H.T. Ceperley Estate 'Fairacres' Mansion

https://search.heritageburnaby.ca/link/landmark526
Repository
Burnaby Heritage Planning
Description
'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Other Names
Henry Tracy & Grace Ceperley Estate
Burnaby Art Gallery
Street View URL
Google Maps Street View
Repository
Burnaby Heritage Planning
Other Names
Henry Tracy & Grace Ceperley Estate
Burnaby Art Gallery
Geographic Access
Deer Lake Avenue
Associated Dates
1911
Formal Recognition
Heritage Designation, Community Heritage Register
Enactment Type
Bylaw No. 9807
Enactment Date
23/11/1992
Description
'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.
Heritage Value
'Fairacres' is important as a record of the early years of Burnaby, specifically the Deer Lake area, as a place of tranquility and beautiful scenery in which the wealthy and successful in the burgeoning cities of New Westminster and Vancouver chose to retire or to make their family homes. The main house, which anchors in style and setting the outbuildings on the estate, demonstrates the social, cultural, and aesthetic values of local wealthy businessmen and women of the early twentieth century - values such as appreciation of architectural elegance and grand interior spaces, leisure and recreation, formal landscaped gardens and scenic views. Also important is the association with the English-born and trained architect Robert Mackay Fripp (1858-1917), as this was one of his grandest residential commissions. Steeped in the current architectural trends in Great Britain, Fripp designed this sprawling mansion in the Arts and Crafts style, reflected in the architectural detailing and proportions. The style was common at the time and was often used for estate mansions as a symbol of affluence and good, modern taste as well as an affinity for all things British. Quality is displayed inside and out in the finishes and materials, orchestrated by prominent local contractor, James Charles Allen, including imported English materials of specific value such as imported Medmenham tiles in the fireplace surrounds, one of the earliest documented use of these tiles outside the United Kingdom. Detailed features of the interior woodwork were carved by Scottish-born master wood carver George Selkirk Gibson (1867-1942), who was best known for his many commissions for prominent British Columbia architect Samuel Maclure. The outbuildings at 'Fairacres' are an important record of the functioning of a large estate of the time. The Garage and Stables and the Chauffeur’s Cottage accommodated the use of automobiles, horses and carriages, and in concert with the estate's location near the new British Columbia Electric Railway 'Burnaby Lake' interurban line, illustrate the evolving nature of regional transportation and the growing bedroom communities and estates made possible by increasing options for transportation. Other outbuildings accommodated the agricultural activities that helped support the Ceperley estate. The estate was conceived and funded by American-born Grace E. Dixon Ceperley (1863-1917), who had achieved significant wealth through a bequest from her brother-in-law, Vancouver pioneer Arthur Ferguson. Her husband, Henry Tracy Ceperley (1850-1929), also American-born, was a successful and well-respected businessman who made a significant contribution to the development of the City of Vancouver. The construction of 'Fairacres' spawned the transformation of the Deer Lake area from a farming community into a preferred location for elite suburban homes. 'Fairacres' is significant to the City of Burnaby as its first civic heritage conservation project. Acquired in 1966 for conversion to Burnaby’s first art gallery, it was dedicated in 1967 to mark Canada’s Centennial of Confederation.
Defining Elements
Key elements that define the heritage character of the ‘Fairacres’ mansion include its: - setting in relation to the gardens, its former market garden, and the vistas to Deer Lake and other grand homes in the area - side gable roof with prominent dormers and cedar shingle cladding - verandah across the eastern (garden) facade, with its view over the landscaped gardens and the distant mountains - porte cochere with its side steps for those arriving by automobile, and central raised step for those alighting from horse-drawn carriages - rich variety of exterior elements that demonstrate the typical Arts and Crafts use of local materials such as cobble stone chimneys and foundations, wide wooden siding and half-timbering - mixture of double-hung and casement wooden-sash windows, many with multi-paned sash - lavish interior spaces, designed for entertaining on a grand scale, including a billiard room with a beamed ceiling and an inglenook fireplace, and generous living and dining rooms arranged off a central hall - quality of the interior materials such as imported Medmenham tiles in fireplace surrounds, window hardware by Hope and Sons, and leaded stained glass - interior wood work including the staircase, and carvings by George Selkirk Gibson - remaining formal Edwardian garden landscape elements, including the cross-axial plan that reflects the relationship of the mansion to its 'outdoor rooms'
Locality
Deer Lake Park
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Planning Study Area
Douglas-Gilpin Area
Architect
Robert Mackay Fripp
Builder
James Charles Allen
George Selkirk Gibson
Function
Primary Current--Museum
Primary Historic--Estate
Community
Burnaby
Cadastral Identifier
P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
Boundaries
‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
Area
17,065.00
Contributing Resource
Building
Landscape Feature
Ownership
Public (local)
Other Collection
City of Burnaby, Visual Art Collection: Original rendering by R.P.S. Twizell Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Carved dining room panels by G.S. Gibson and other hardware items
Documentation
Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
Names
Ceperley, Grace
Ceperley, H.T.
Fripp, Robert Mackay
Allen, James Charles
Gibson, George Selkirk
Subjects
Buildings - Heritage
Buildings - Residential - Houses
Buildings - Residential
Street Address
6344 Deer Lake Avenue
Street View URL
Google Maps Street View
Images
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Historic photo of Cariboo Road

https://search.heritageburnaby.ca/link/museumdescription13516
Repository
Burnaby Village Museum
Date
[190-] date of original, copied [198_]
Collection/Fonds
Century Park Museum Association fonds
Description Level
Item
Physical Description
1 photograph : b&w print ; 8.7 x 12.5 cm
Scope and Content
Photograph of a historic photograph of an unidentified man standing on a boardwalk on the corner of Cariboo Road in Burnaby. Historic photograph includes a label in the top corner that reads: "Cariboo Rd / Burnaby". The road is made of dirt and a two story house is visible across the road from the …
Repository
Burnaby Village Museum
Collection/Fonds
Century Park Museum Association fonds
Series
Century Park Museum Association photograph collection series
Description Level
Item
Physical Description
1 photograph : b&w print ; 8.7 x 12.5 cm
Scope and Content
Photograph of a historic photograph of an unidentified man standing on a boardwalk on the corner of Cariboo Road in Burnaby. Historic photograph includes a label in the top corner that reads: "Cariboo Rd / Burnaby". The road is made of dirt and a two story house is visible across the road from the man.
Subjects
Construction - Road Construction
Names
Burnaby Village Museum
Geographic Access
Cariboo Road
Accession Code
BV020.5.860
Access Restriction
No restrictions
Reproduction Restriction
May be restricted by third party rights
Date
[190-] date of original, copied [198_]
Media Type
Photograph
Scan Resolution
600
Scan Date
25-Aug-2020
Scale
100
Photographer
Brown, Cice Chandler
Notes
Title based on contents of photograph
Images
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The History Guard slide presentation

https://search.heritageburnaby.ca/link/museumdescription13077
Repository
Burnaby Village Museum
Date
[1895-1979] (dates of originals), copied [198-]
Collection/Fonds
Century Park Museum Association fonds
Description Level
File
Physical Description
89 photographs : col. slides ; 35 mm
Scope and Content
File consists of a series of eighty nine slides that were used for a Heritage Village educational presentation titled "The History Guard". The slides are copies of historic images of Burnaby that were accompanied by a narrative sound recording. In the recording, narrator "John Stable" pontificates…
Repository
Burnaby Village Museum
Collection/Fonds
Century Park Museum Association fonds
Series
Heritage Village Museum presentation and programming series
Description Level
File
Physical Description
89 photographs : col. slides ; 35 mm
Scope and Content
File consists of a series of eighty nine slides that were used for a Heritage Village educational presentation titled "The History Guard". The slides are copies of historic images of Burnaby that were accompanied by a narrative sound recording. In the recording, narrator "John Stable" pontificates about his role as the guard for history at Burnaby Village and shares historical information about Burnaby, heritage buildings, the Interurban tram, roads, transporation and how Burnaby transformed over time. Images include views of Heritage Village buildings and exhibits, Ceperley house, the Gilley Brothers logging, the Interurban tram, historic maps, roads, street scenes and the BC Tel building.
Names
Burnaby Village Museum
Accession Code
BV020.5.717
Access Restriction
No restrictions
Reproduction Restriction
May be restricted by third party rights
Date
[1895-1979] (dates of originals), copied [198-]
Media Type
Photograph
Notes
Title based on contents of file
For recordings of the History Guard See- BV020.5.714; BV020.5.715; BV020.5.716
For Script of Slide presentation see - BV020.5.1840
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C.W. Parker no. 119 carousel series

https://search.heritageburnaby.ca/link/museumdescription17810
Repository
Burnaby Village Museum
Date
[190-] (date of originals) - 2012
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Series
Physical Description
238 photographs + 3 audio cassettes + 2 sound recordings (mp3) + 6 videocassettes + 8 video recordings (mp4)
Scope and Content
Series consists of records created and adminstered by the Burnaby Village Museum pertaining to the history, acquistion, restoration, preservation and documentation of the C.W. Parker no. 119 carousel. Series have been arranged into the following subseries: 1) Carousel photographs subseries 2) Caro…
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
C.W. Parker no. 119 carousel series
Description Level
Series
Physical Description
238 photographs + 3 audio cassettes + 2 sound recordings (mp3) + 6 videocassettes + 8 video recordings (mp4)
Scope and Content
Series consists of records created and adminstered by the Burnaby Village Museum pertaining to the history, acquistion, restoration, preservation and documentation of the C.W. Parker no. 119 carousel. Series have been arranged into the following subseries: 1) Carousel photographs subseries 2) Carousel sound recordings and films subseries
History
"The C.W. Parker no. 119 carousel was built in 1912 in Leavenworth Kansas by the Charles Wallace Parker Company. It was the one hundred and nineteenth carousel made by the company and was so named the C.W. Parker no. 119 carousel. In 1913 the carousel was sold to Mr. F.K. Leggett of Houston Texas for $5,886.00 and was originally equipped with a steam engine and ""wishbones/grass-hopper/jumping horse"" mechanisms. It toured Texas for two years with the Lone Star Circus until 1915 when the machine was shipped back to the factory. It is believed that the machine was rebuilt by the factory with fancier horses and heavier rounding boards referred to as the “Superior” style. Some of the horses were built around 1917 and some between 1920 and 1922. The factory records consulted do not tell for certain where the machine went between 1915 and 1936, possibly to San Jose, California from 1918 until 1922 and then to San Francisco California, or Tacoma, Washington. Accounts from the family of James W. "Jimmy" Robertson, supervisor of rides for Happyland, tell of him travelling with his wife Dora Robertson to Washington, Oregon and California in the fall of 1935 or early 1936 to pick up a new carousel for Happyland. By May 1936, the C.W. Parker no. 119 carousel was in operation in Happlyland inside Hastings Park. The Parker #119 carousel was installed in a pavilion in Happyland which had been built in 1928 by a rival company (Philadelphia Toboggan Company - P.T.C.) and was located next to the "Shoot the Chutes" ride in Hastings Park. Here it remained until Happyland was demolished in 1957. The C.W. Parker no. 119 carousel was then moved to a new small pavilion in Playland until that too was demolished in 1972. From 1972 to 1990, the C.W. Parker no. 119 carousel was operated outdoors inside Playland, and was put away each winter. In 1989 it was announced that the carousel would be sold off horse by horse at an auction in New York. Venus Solano and Doug McCallum and other local people came together to save the carousel and formed The Lower Mainland Association of Friends of the Vancouver Carousel (also known as "Friends of the Carousel"). The first directors of the society consisted of, President and Chairman, Venus Solano; Secretary, Doug McCallum; Director, Keith Jamieson and Director, Nina Freid Rhodes. In May 1989, the Friends of the Carousel approached the Burnaby Village Museum Association who agreed to provide a home for the carousel, pending the approval of Burnaby Municipal Council. Don Wrigley who was president of the Burnaby Village Museum Association joined the board of The Friends of the Carousel as a liaison. The Friends of the Carousel first acquired two horses from the carousel, who were named Julius and Belle. These two carousel horses were used in fundraising over the summer of 1990, at which time the carousel was operating again for a short time inside Playland. The carousel horse named Julius was restored by William Dentzel III (a descendant of one of North America’s original carousel manufacturers) and the carousel horse named Belle was partially stripped and repaired. These carousel horses served as before and after examples of restoration. In June 1990 Don Wrigley was elected as president of The Friends of the Carousel and they set about raising the $350,000 to purchase the carousel and begin restoration work. With a lot of hard work, the help of the Government of British Columbia and the support of the Municipality of Burnaby, the carousel was purchased. Funds were also raised by The Friends of the Carousel to pay for the restoration, and Burnaby agreed to build a new pavilion for it as a Centennial project. Keith Jamieson, a carousel expert, was brought in to coordinate the rebuilding project and restoration work. The Centennial Parker Carousel (C.W. Parker no. 119 carousel) and the Don Wrigley Pavilion where the carousel is housed, opened at Burnaby Village Museum on March 25, 1993.
Accession Code
BV013.19
BV019.21
BV019.39
BV020.5
BV020.12
BV022.2
X5124
X5125
Date
[190-] (date of originals) - 2012
Media Type
Photograph
Moving Images
Sound Recording
Related Material
Lower Mainland Association of the Friends of the Vancouver Carousel fonds
Keith Jamieson fonds
Faye Diamond fonds
See also: Burnaby Village Museum artifacts for the C.W. Parker no. 119 carousel as well as souvenir memorabilia from Lower Mainland Association of Friends of the Vancouver Carousel
Arrangement
Records have been created by various staff members of Burnaby Village Museum during the acquistion and research of the carousel. Some records were compiled together into a collection by subject and arranged according to their general material designations within the Burnaby Village Museum archival collection.
Notes
Title based on contents of series
Further accruals are expected
Contact Burnaby Village Museum to access sound recordings and moving images
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Jesse Love farmhouse series

https://search.heritageburnaby.ca/link/museumdescription9782
Repository
Burnaby Village Museum
Date
[1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Series
Physical Description
approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
Scope and Content
Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse re…
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
Jesse Love farmhouse series
Description Level
Series
Physical Description
approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
Scope and Content
Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse restoration photographs subseries 3) Love farmhouse curatorial files subseries 4) Love farmouse research files subseries 5) Love family photographs 6) Love farmhouse Oral History subseries 7) Love farmhouse architectural drawings subseries
History
Jesse Love was born in Swindon, England in 1847 and left England to work on a dairy farm in the Toronto area. While working on the farm in Toronto, he met Martha Leonard who he married in 1879. Martha was born on February 3, 1858 in Bedfordshire, England and had come to Canada with her parents George and Ann Leonard. While living in Toronto, Jesse and Martha had two children, George born March 22, 1880 and Annie Elizabeth on August 24, 1881. About one year after Annie was born, the Love family moved to North Dakota to grow wheat. While living there, they had two more children, Henry who was born August 24, 1883 and Edith Minnie born October 9, 1885. The family decided to move further west after hearing about the fairer weather conditions from Martha’s father, George Leonard, who had settled in Vancouver in 1885. On May 23, 1887, Jesse, Martha and their four children arrived in Vancouver after travelling across Canada from Winnipeg on the first transcontinental train. The Loves made their home in Vancouver while Jesse helped clear land on Granville Street. Their fifth child, Thomas Robert was born on September 17, 1887 and soon after, the family moved to Lulu Island in Richmond where they lived growing vegetables and selling them to Vancouver hotels. While living and farming on Lulu island, the couple had two more girls, Martha (Dot or Dorothy) born on December 17, 1889 and Sarah Marie, born February 8, 1892. On October 6, 1893 an agreement was signed by Jesse Love to purchase 14.52 acres of land from Joseph C. Armstrong. The acreage covered the north east section of District Lot 25 within the newly incorporated District of the Municipality of Burnaby. It was here where the original Love house was built (between October 1893 and April 15, 1894) by Jesse Love with the help of local builder George Salt and father in law, George Leonard. The house consisted of an entrance hall, dining room, lean to kitchen, master bedroom and three bedrooms upstairs. A road was constructed and named Cumberland in 1905 and ran from District Lot 25 through to District Lot 11. The address for the Love home was 1390 Cumberland Road and in the early 1960’s the address was renumbered 7651 Cumberland Street. On the land surrounding the house, Jesse Love planted an orchard along with strawberries and raspberries which he sold at the Fraser Valley Market, T.S. Anandale’s Grocery Store in New Westminster and to hotels around Vancouver. Jesse Love served on the Burnaby School Board and also as a District Councillor in 1901 and from 1904-1907. While living in the house, Jesse and Martha had four more children, Phoebe Leonard, born April 15, 1894, Esther, born August 28, 1896, John Leonard, born June 7, 1899 and Hannah Victoria (also known as Girlie) who was born May 12, 1902. As the family grew to eleven children, additions along with some substantial remodelling in the craftsman style took place. In about 1898, a north wing addition was added to include a parlour with two windows, the construction of two more bedrooms and the relocation of the stair case to the North West wall. In 1903 the front door moved to the north elevation, a front porch was extended along the east wall and a summer lean to kitchen was added to the west elevation. Between 1905 and 1910, a tin embossed ceiling was installed along with an addition of the main kitchen which included a pantry, bathtub and a back porch. In about 1912, five craftsman style windows replaced the original pioneer tent style, the front verandah was enlarged to wrap around the south and east elevations, a back door was installed in the kitchen to access the verandah and wood shingle siding and brackets were added to the exterior. In 1918, at the age of 31 years, Robert Love fell ill due to an influenza epidemic and died on November 23, 1918. Following their son’s death, Martha Love became weak and on August 24, 1920, she passed away. By this time, Jesse had sold off a large percentage of his land and his youngest daughter, Girlie decided to stay on to live and care for him. Since the house was too large for just the two of them, Jesse invited any other children to return and share the residence. For a while his son, George and his wife joined them until 1925, followed by his daughter Sarah Parker (nee Love), her husband William and their three children, Albert, Bill and Elsie. The house remained pretty unchanged until 1928 after Jesse Love died of pneumonia (March 10, 1928) and the house was purchased by Sarah and her husband William Parker who continued to live there with their children. The master bedroom wall on the main floor opened up to the dining room, the kitchen pantry and bathtub converted to an alcove with a marble counter and enlarged window and sink while the bathroom was moved to the upstairs and the furnace and coolers were installed in the crawl space under the kitchen. A hot water tank was installed in the house in 1966. Sarah continued to live in the house until a little while after her husband William died in 1961. She sold the house to her daughter Elsie and husband John Hughes in 1966, who lived in the house along with their son Brent, until August 23, 1971. Mahbir Molchan Papan and his wife Geraldine Papan bought the house August 23, 1971 and by 1982, the house was sold to Nirmal Singh Singha and Narinder Singha. The Papans continued to rent the house from Nirmal Singh Singha and Narinder Singha until the late 1980s. In 1988, the house was scheduled for demolition with the remaining property to be subdivided. Fortunately, a neighbour, Mr. Harvey Elder recognized the farmhouse's historical significance and contacted the Burnaby Historical Society. Following this event, the owners agreed to donate the building to the Burnaby Village Museum (under the Century Park Museum Association) who financed the move of the house from Cumberland Street to the museum site. Heritage planner and architect, Robert Lemon provided guidance for the project. Prior to the move, the two porches were removed and demolished while the kitchen and roof were both separated from the main house. The kitchen and roof of the house were transported to Burnaby Village Museum on May 20, 1988 by Nickel Bros. House Moving company, while the main frame of the house completed its transportation to the museum near the end of May 1988 (due to low overhead wires). The house was moved down Cumberland Street to 10th Avenue, up Canada Way to Sperling and set on temporary footings near Hart House. Robert Lemon oversaw structural improvements such as, upgrading floor joists and creating new foundations to replace the original timber foundation of the farmhouse. The restoration went through several phases of work between 1988 until it opened in November 1998. Restoration began on both the interior and exterior features to be interpreted from the period of 1925. On November 23, 1992, the building was designated a heritage building under Heritage Designation Bylaw 1992, Bylaw Number 9807. In 1993, the architecture firm of Brian G. Hart Associates was appointed for the design and construction supervision of the restoration project. Plans were created for a foundation on the museum site in 1989 and the farmhouse was eventually settled on a permanent foundation behind the Burnaby Village Museum administration building in 1993 along with the reattachment of the roof. The kitchen section was reattached to the main house in 1994 along with skirting around the foundation and the reshingling of the exterior. In 1996, the tin ceiling was removed to make way for the installation of the internal electrical system along with sprinklers, ceiling heating and fire break gyprock. The dining room ceiling joists were consolidated, a pantry and bathroom were added to the kitchen, the downstairs bedroom wall was opened and filled, the dining and kitchen doorways were widened. In 1997, a wheelchair ramp was installed along with a concrete sidewalk, stair rails, cement pads at the base of the stairs and a gravel sink for any excess water. Interior work included painting of the kitchen, restoration and furnishing of the kitchen pantry, insulation of the house floor to protect from rodents along with the reconstruction of the kitchen and house chimneys. The registrar worked together with the curator and conservator and was tasked with a large research project on the house including the family contacts and family history, property information, plans, photographs, artifacts, furnishings, stories etc. all organized in files for easy retrieval. A great deal of research and conservation was undertaken in order to make the interior of the house authentic to the time period as possible. One of the biggest projects was selecting and obtaining wall coverings since much of the original wallpaper was incomplete and poor condition. The conservator and registrar were lucky enough to locate a few samples of the original paper and engage the Bradbury and Bradbury Art Wallpaper Company of Benica, California to reproduce replica designs for free. The City of Burnaby now has its own series “Burnaby Village Papers” produced by this company which are titled “Burnaby Wall”; “Burnaby Border” and “Burnaby Ceiling”. All three of these wallpaper designs have been used in the Love farm house and are also commercially available through the Bradbury and Bradbury Art Wallpaper Company. In 1997, restoration of the kitchen was completed and opened to the public. After the completion of the dining room, main floor bedroom and parlour, the Love farmhouse exhibit opened on November 29, 1998 with an open invitation to the public and extended members of the Love family. Officials including the Mayor, Doug Drummond and Love family members were all present to cut the ribbon for the special event.
Accession Code
BV018.41; BV020.5
Access Restriction
Restricted access
Date
[1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
Media Type
Textual Record
Architectural Drawing
Sound Recording
Moving Images
Photograph
Arrangement
The majority of the records within series and subseries were arranged by a staff members of Burnaby Village Museum who worked on the historical research and restoration of the house. Other photographs documenting the move and further restoration work were added later and included in the arrangment by format and subject.
Notes
Title based on content of series
Jesse Love farmhouse is described as an Artifact under BV988.33.1
Some records within this collection have restricted access and are subject to FIPPA
Accessions BV018.41 and BV020.5 form this fonds
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Fred K. Leggett family fonds

https://search.heritageburnaby.ca/link/museumdescription18773
Repository
Burnaby Village Museum
Date
[1900]-1993, predominant [1900-1947]
Collection/Fonds
Fred K. Leggett family fonds
Description Level
Fonds
Physical Description
16 photographs + 1 videocassette
Scope and Content
Fonds consists of a collection of photographs of the Leggett family, the C.W. Parker no. 119 carousel, the Lone Star Circus, a film created by family members that documents the opening day of the C.W. Parker no. 119 carousel at Burnaby Village Museum along with photographs of Parker Carousel "Carry…
Repository
Burnaby Village Museum
Collection/Fonds
Fred K. Leggett family fonds
Description Level
Fonds
Physical Description
16 photographs + 1 videocassette
Scope and Content
Fonds consists of a collection of photographs of the Leggett family, the C.W. Parker no. 119 carousel, the Lone Star Circus, a film created by family members that documents the opening day of the C.W. Parker no. 119 carousel at Burnaby Village Museum along with photographs of Parker Carousel "Carry Us All" in Alum Rock San Jose.
History
Fred Kirk Leggett was the first owner of the C.W. Parker no. 119 carousel. Fred and Norvie Leggett had six children including, Norvie, Fred D., Leon, Dedie and Ralph. The eldest daughter (name unknown) of F.K. and Norvie Leggett died in 1911. In 1913 the carousel was sold to Fred K. Leggett of Houston Texas for $5,886.00 and was originally equipped with a steam engine and ""wishbones/grass-hopper/jumping horse"" mechanisms. It toured Texas for two years with the Lone Star Circus until 1915 when the machine was shipped back to the factory. It is believed that the machine was rebuilt by the factory with fancier horses and heavier rounding boards referred to as the “Superior” style. Some of the horses were built around 1917 and some between 1920 and 1922. The factory records consulted do not tell for certain where the machine went between 1915 and 1936, possibly to San Jose, California from 1918 until 1922 and then to San Francisco California, or Tacoma, Washington. The carousel was installed at Happyland in the nineteen thirties and then moved to Playland and the PNE. In 1989 "The Lower Mainland Association of Friends of the Vancouver Carousel" came together save the carousel from destruction. With a lot of hard work, the help of the Government of British Columbia and the support of the Municipality of Burnaby, the carousel was purchased. Funds were also raised by The Friends of the Carousel to pay for the restoration, and Burnaby agreed to build a new pavilion for it as a Centennial project. The Centennial Parker Carousel (C.W. Parker no. 119 carousel) and the Don Wrigley Pavilion where the carousel is housed, opened at Burnaby Village Museum on March 25, 1993. The eldest daughter of F.K. Leggett, Norvie Leggett Frame and other members of the Leggett family were in attendance for the opening of the newly restored carousel at Burnaby Village Museum in 1993.
Responsibility
Frame, Norvie Leggett
Accession Code
BV993.18
BV993.51
BV004.94
BV005.49
BV005.63
Date
[1900]-1993, predominant [1900-1947]
Media Type
Photograph
Moving Images
Arrangement
Fonds is arranged by subject from various donations that orignated from the Leggett family.
Notes
Title based on contents of fonds
Contact Burnaby Village Museum to view video content
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Love family fonds

https://search.heritageburnaby.ca/link/museumdescription10098
Repository
Burnaby Village Museum
Date
1881-1971
Collection/Fonds
Love family fonds
Description Level
Fonds
Physical Description
11 cm of textual records + 44 photographs + 5 plans
Scope and Content
Fonds consists of family records including photographs, land sale records, agreements and plans as well as estate records, vital event documentation and correspondence. Records pertain to members of the Love family including the Parkers, Hughes and Leonards. Fonds has been arranged in the followin…
Repository
Burnaby Village Museum
Collection/Fonds
Love family fonds
Description Level
Fonds
Physical Description
11 cm of textual records + 44 photographs + 5 plans
Scope and Content
Fonds consists of family records including photographs, land sale records, agreements and plans as well as estate records, vital event documentation and correspondence. Records pertain to members of the Love family including the Parkers, Hughes and Leonards. Fonds has been arranged in the following series: 1) Love and Leonard land records 2) Love family vital events and correspondence 3) Love family photographs
History
Jesse Love was born in Swindon, England in 1847 and left England to work on a dairy farm in the Toronto area. While working on the farm in Toronto, he met Martha Leonard who he married in 1879. Martha was born on February 3, 1858 in Bedfordshire, England and had come to Canada with her parents George and Ann Leonard. While living in Toronto, Jesse and Martha had two children, George born March 22, 1880 and Annie Elizabeth on August 24, 1881. About one year after Annie was born, the Love family moved to North Dakota to grow wheat. While living there, they had two more children, Henry who was born August 24, 1883 and Edith Minnie born October 9, 1885. The family decided to move further west after hearing about the fairer weather conditions from Martha’s father, George Leonard, who had settled in Vancouver in 1885. On May 23, 1887, Jesse, Martha and their four children arrived in Vancouver after travelling across Canada from Winnipeg on the first transcontinental train. The Loves made their home in Vancouver while Jesse helped clear land on Granville Street. Their fifth child, Thomas Robert was born on September 17, 1887 and soon after, the family moved to Lulu Island in Richmond where they lived growing vegetables and selling them to Vancouver hotels. While living and farming on Lulu island, the couple had two more girls, Martha (Dot or Dorothy) born on December 17, 1889 and Sarah Marie, born February 8, 1892. On October 6, 1893 an agreement was signed by Jesse Love to purchase 14.52 acres of land from Joseph C. Armstrong. The acreage covered the north east section of District Lot 25 within the newly incorporated District of the Municipality of Burnaby. It was here where the original Love house was built (between October 1893 and April 15, 1894) by Jesse Love with the help of local builder George Salt and father in law, George Leonard. The house consisted of an entrance hall, dining room, lean to kitchen, master bedroom and three bedrooms upstairs. A road was constructed and named Cumberland in 1905 and ran from District Lot 25 through to District Lot 11. The address for the Love home was 1390 Cumberland Road and in the early 1960’s the address was renumbered 7651 Cumberland Street. On the land surrounding the house, Jesse Love planted an orchard along with strawberries and raspberries which he sold at the Fraser Valley Market, T.S. Anandale’s Grocery Store in New Westminster and to hotels around Vancouver. Jesse Love served on the Burnaby School Board and also as a District Councillor in 1901 and from 1904-1907. While living in the house, Jesse and Martha had four more children, Phoebe Leonard, born April 15, 1894, Esther, born August 28, 1896, John Leonard, born June 7, 1899 and Hannah Victoria (also known as Girlie) who was born May 12, 1902. In 1918, at the age of 31 years, Thomas Robert Love fell ill due to an influenza epidemic and died on November 23, 1918. Following their son’s death, Martha Love became weak and on August 24, 1920, she passed away. By this time, Jesse had sold off a large percentage of his land and his youngest daughter, Girlie decided to stay on to live and care for him. Since the house was too large for just the two of them, Jesse invited any other children to return and share the residence. For a while his son, George and his wife joined them. In 1925 Jesse’s daughter Sarah Parker (nee Love), her husband William Michael Norton Parker and their three children, Albert “Bert” (1915-2011), William Charles “Bill” and Elsie Roberta moved from their home at 1319 Newcombe Street to join Jesse and Girlie in the Love family home on Cumberland. Jesse Love died in 1928 after which Sarah and William Parker purchased the Love family farmhouse and property. William Michael Parker, died in 1961 and Sarah Parker continued to live in the Love family farmhouse until 1966 when she sold it to her daughter Elsie and husband John Hughes. Elsie and John Hughes had four children, John Jr., Ann, Brent and Merle. The Hughes lived in the Love family house until August 1971. In 1988 the Love family farmhouse house was donated to the Burnaby Village Museum and moved to the site of Burnaby Village Museum. The interior of the main floor and exterior of the house went through an extensive restoration process. In 1997, restoration of the kitchen was completed and opened to the public. After the completion of the hallway, dining room, main floor bedroom and parlour, the Love farmhouse exhibit opened on November 29, 1998 with an open invitation to the public and extended members of the Love family.
Responsibility
Love Family
Accession Code
HV979.40
BV985.3136
BV988.45
BV989.3
BV992.15
BV992.26
BV992.34
BV000.45
BV008.20
BV012.31
BV019.3
BV019.8
Date
1881-1971
Media Type
Textual Record
Photograph
Cartographic Material
Arrangement
Fonds has been arranged by record type and original order provided by members of the Love family.
Notes
Title based on contents of fonds
See also Burnaby Village Museum fonds - Jesse Love farmhouse series
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Way Sang Yuen Wat Kee & Co.

https://search.heritageburnaby.ca/link/museumdescription4648
Repository
Burnaby Village Museum
Date
1908-1975
Collection/Fonds
Way Sang Yuen Wat Kee & Co. fonds
Description Level
Fonds
Physical Description
3 folders of textual records + 180 photographs + ephemera + 1 map + 1 architectural drawing
Scope and Content
Fonds consists of records acquired from the Chinese Herbalist shop “Way Sang Yuen Wat Kee & Co” operating in Victoria from 1905 until 1968. Textual records include a few pieces of correspondence, receipts and ephemera addressed to "Way Sang Yuen Wat Kee & Co.", Lim You and Lim Yau (Yew Long Lum) wh…
Repository
Burnaby Village Museum
Collection/Fonds
Way Sang Yuen Wat Kee & Co. fonds
Description Level
Fonds
Physical Description
3 folders of textual records + 180 photographs + ephemera + 1 map + 1 architectural drawing
Scope and Content
Fonds consists of records acquired from the Chinese Herbalist shop “Way Sang Yuen Wat Kee & Co” operating in Victoria from 1905 until 1968. Textual records include a few pieces of correspondence, receipts and ephemera addressed to "Way Sang Yuen Wat Kee & Co.", Lim You and Lim Yau (Yew Long Lum) while the shop was in operation at 1620 Government Street in the 1940s. Some of the records are written in English while a portion are written in Cantonese and haven't been translated. Most of the photographs document the content of the original shop at the time of aquistion in 1975. Some photographs of unidentified people may be related to the owner or proprietor of the shop. A collection of other photographs document various Chinese Canadian organizations that were in operation in Victoria. Records are arranged into the following series: 1) Way Sang Yuen Wat Kee & Co. photographs series 2) Way Sang Yuen Wat Kee & Co. documents series
History
The Chinese Herbalist shop "Way Sang Yuen Wat Kee & Co" operated in Victoria, BC from about 1905 until [1968]. The meaning of "Way Sang Yuen Wat Kee & Co" can be translated as "Collection, Life, Source, Alive, Shop" although many interpretations can be taken since each Chinese character can have several meanings. Contents of the shop were purchased by the Burnaby Village Museum in 1975 and reassembled as a permanent display in the Burnaby Village Museum. The shop’s original owner was Ng Chee Fong who opened the shop ca.1905. In 1921, Ng returned to Hong Kong and sold the business to Lam Yuen and Wong Ying who were from Vancouver. Lam Yuen and Wong Ying employed Lum Chuck Yue to operate the shop. Lum Chuck Yue had formerly operated a small herbal counter in a Chinese apothecary store on the south side of Fisgard Street, Victoria. In 1924 Lam Yuen and Wong Ying purchased Wah Sun & Co. from Lee S. Yew and Way Sang Yuen Wat Kee & Co. moved into the Wah Sun premises at 1620 Government Street in the Lee Block . The furnishings and fixtures of both stores were combined, with the more elaborate fixtures from WSYWK remaining as part of the public part of the shop and the plainer fixtures of Wah Sun moved into the workroom and basement. In the 1930s Lum Chuck Yue took over the business and became the proprietor. In about 1934, Tan Yi Tang purchased the business and the shop reopened as Way Sang Yuen Wat Kee & Co. following renovations with Lum Yew Jong as the shop's proprietor. Lum Yew Jong continued to operate the shop until his death in 1967 at the age of 68 years. Following Lum’s death, the property and contents of the shop were purchased by Mr. J. Watson Marles, a local owner operator of an antique store at 1714 Government Street. The shop and contents went through a few more private owners including Rodney Pain before it was purchased by the Heritage Village Museum in 1975 with funds made available by the Vancouver Foundation and the Province of British Columbia. Contents of the original shop were reasembled in a reconstructed building as a permanent display on site at the Burnaby Village Museum.
Creator
Way Sang Yuen Wat Kee & Company
Accession Code
HV975.5
BV985.5331
BV017.7
Access Restriction
Restricted access
Reproduction Restriction
May be restricted by third party rights
Date
1908-1975
Media Type
Photograph
Textual Record
Cartographic Material
Architectural Drawing
Related Material
See also Artifacts under Accessions HV975.5; BV985.5331 and BV017.7
Notes
Title based on contents of fonds
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Alexander Morrison

https://search.heritageburnaby.ca/link/museumdescription18533
Repository
Burnaby Village Museum
Date
[191-] date of original, copied [198-]
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Item
Physical Description
1 photograph : b&w negative ; 12 x 9 cm
Scope and Content
Photograph of portrait of Alexander Morrison taken from Volume III of "British Columbia from the Earliest Times to the Present" by Howay and Schofield that was published in 1914. An enlarged photograph originating from this negative was printed and displayed inside a frame on the wall inside the R…
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
Royal Bank exhibit series
Subseries
Royal Bank exhibit photographs subseries
Description Level
Item
Physical Description
1 photograph : b&w negative ; 12 x 9 cm
Scope and Content
Photograph of portrait of Alexander Morrison taken from Volume III of "British Columbia from the Earliest Times to the Present" by Howay and Schofield that was published in 1914. An enlarged photograph originating from this negative was printed and displayed inside a frame on the wall inside the Royal Bank building inside Burnaby Village Museum. According to biographical information in this volume, Alexander Morrison was a founder and successful businessman with Armstrong, Morrison & Company Limited who first operated a machine shop and pipe manufacturing plant responsible in the production of pipes for water mains in Vancouver and New Westminsterf as well as railroad trestles of the Canadian Pacific Railway and mining machinery. In 1901, they sold the plant and started a street building and paving business in Vancouver and were later successful in bridge construction throughout the province including the Granville Street and Main Street bridges in Vancouver along with railway bridges across the Thompson and Fraser Rivers. Morrison was also a director in the Clayburn Company, the Vancouver Granite Company and the Keremeos Land Company and a member of the Vancouver Board of Trade.
Names
Morrison, Alexander
Accession Code
BV022.1.35
Access Restriction
No restrictions
Reproduction Restriction
No known restrictions
Date
[191-] date of original, copied [198-]
Media Type
Photograph
Scan Resolution
1200
Scan Date
2022-04-11
Notes
Title based on contents of photograph
Enlarged print of photograph is hanging inside frame accessioned BV985.121.2a
Images
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Bernard M. Humble

https://search.heritageburnaby.ca/link/museumdescription18532
Repository
Burnaby Village Museum
Date
[191-] date of original, copied [198-]
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Item
Physical Description
1 photograph : b&w negative ; 12 x 9 cm
Scope and Content
Photograph of portrait of Bernard Maynard Humble taken from Volume IV of "British Columbia from the Earliest Times to the Present" by Howay and Schofield, published in 1914. An enlarged photograph originating from this negative was printed and displayed inside a frame on the wall inside the Royal…
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
Royal Bank exhibit series
Subseries
Royal Bank exhibit photographs subseries
Description Level
Item
Physical Description
1 photograph : b&w negative ; 12 x 9 cm
Scope and Content
Photograph of portrait of Bernard Maynard Humble taken from Volume IV of "British Columbia from the Earliest Times to the Present" by Howay and Schofield, published in 1914. An enlarged photograph originating from this negative was printed and displayed inside a frame on the wall inside the Royal Bank building inside Burnaby Village Museum. In this volume, Bernard Humble is described as a prominent member of the Vancouver Club and other men's clubs in Canada between 1884 and 1914, served in a military capacity in the Northwest rebellion 1885-1886 and was a member of the firm Lowen and Harvey which became Lowen, Harvey and Humble until he retired in 1913.
Names
Humble, Bernard Maynard
Accession Code
BV022.1.34
Access Restriction
No restrictions
Reproduction Restriction
No known restrictions
Date
[191-] date of original, copied [198-]
Media Type
Photograph
Scan Resolution
1200
Scan Date
2022-04-11
Notes
Title based on contents of photograph
Enlarged print of photograph is hanging inside frame accessioned BV985.121.1a
Images
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Bruce Patterson in his highlander uniform

https://search.heritageburnaby.ca/link/museumdescription565
Repository
Burnaby Village Museum
Date
[between 1914 and 1918] (date of original), copied 1977
Collection/Fonds
Burnaby Village Museum Photograph collection
Description Level
Item
Physical Description
1 photograph : b&w print ; 25.2 x 20.2 cm
Scope and Content
Photograph of Bruce Patterson dressed in his highlander uniform.
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum Photograph collection
Description Level
Item
Physical Description
1 photograph : b&w print ; 25.2 x 20.2 cm
Scope and Content
Photograph of Bruce Patterson dressed in his highlander uniform.
History
Charles Bruce Patterson was born in Victoria, BC on January 21, 1892. He was the eldest son of Dugald Campbell Patterson Sr., and Frances Mabel (Webb) Patterson. Bruce arrived in Burnaby at the age of two with his parents and younger brother, William Harold Patterson (called Bill). Bruce attended the West Burnaby School with several of his siblings in the late 1890’s. At the beginning of World War One, Bruce enlisted with the Seaforth Highlander’s but was discharged due to having flat feet. He spent the duration of the war building ships to help the war effort in the New Westminster Shipyards. His official letter of service from the shipyards was donated to the New Westminster Museum located at Irving House. Bruce was an avid photographer and captured many scenes of early Burnaby with his Kodak camera. Some of Bruce Patterson’s photographic collection was donated to the Burnaby Village Museum and can be viewed on this website. Bruce Patterson died on February 16, 1979. [Biography provided by Raymond Reitsma.]
Subjects
Clothing - Uniforms
Occupations - Military Personnel
Wars - World War, 1914-1918
Names
Patterson, Charles Bruce
Accession Code
HV977.99.7
Access Restriction
No restrictions
Reproduction Restriction
May be restricted by third party rights
Date
[between 1914 and 1918] (date of original), copied 1977
Media Type
Photograph
Scan Resolution
600
Scan Date
2023-07-11
Notes
Title based on contents of photograph
Images
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Burnaby Historical Society fonds

https://search.heritageburnaby.ca/link/archivedescription97124
Repository
City of Burnaby Archives
Date
1892-2018
Collection/Fonds
Burnaby Historical Society fonds
Description Level
Fonds
Physical Description
ca. 130 linear feet of textual records 30 linear feet of graphic and other material
Scope and Content
Fonds consists of the Burnaby Historical Society's administrative records and community archives collection.
Repository
City of Burnaby Archives
Date
1892-2018
Collection/Fonds
Burnaby Historical Society fonds
Physical Description
ca. 130 linear feet of textual records 30 linear feet of graphic and other material
Description Level
Fonds
Scope and Content
Fonds consists of the Burnaby Historical Society's administrative records and community archives collection.
History
The Burnaby Historical Society was founded in 1957. The Historical Society developed a community archives by collecting, compiling and preserving various materials with historical value to the City of Burnaby. It gathered miscellaneous documents, photographs and other items while also soliciting and acquiring entire collections or groups of archival records. In 1991, the Historical Society was provided a permanent space to house their growing collection at the Burnaby Village Museum and they continued to collect and expand their holdings. After the creation of the City of Burnaby Archives in 2001, the Burnaby Historical Society and the City of Burnaby began discussing the possibility of uniting the two collections. In February 2007, an agreement was signed between the two institutions which resulted in the merger of the Society's Community Archives with the City Archives. All records and photographs that had been collected by the Historical Society were transferred into the custody of the City and were moved from the Burnaby Village Museum to the City Archives in the McGill Branch of the Burnaby Public Library. The Burnaby Historical Society disbanded in 2018.
Names
Burnaby Historical Society
Media Type
Textual Record
Photograph
Sound Recording
Creator
Burnaby Historical Society
Notes
Title based on contents of fonds
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Carousel photographs subseries

https://search.heritageburnaby.ca/link/museumdescription18309
Repository
Burnaby Village Museum
Date
[1900] (date of originals)-2012
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Subseries
Physical Description
approx. 480 photographs
Scope and Content
Subseries consists of photographs pertaining to the C.W. Parker no. 119 carousel's history, restoration, sod turning, opening ceremonies and various events regarding the carousel. Orignal photographs and reproductions in this series were created by staff of the Burnaby Village Museum for research a…
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
C.W. Parker no. 119 carousel series
Subseries
Carousel photographs subseries
Description Level
Subseries
Physical Description
approx. 480 photographs
Scope and Content
Subseries consists of photographs pertaining to the C.W. Parker no. 119 carousel's history, restoration, sod turning, opening ceremonies and various events regarding the carousel. Orignal photographs and reproductions in this series were created by staff of the Burnaby Village Museum for research and documentation purposes.
Accession Code
X5124
BV019.21
BV019.39
BV020.5
BV022.2
Date
[1900] (date of originals)-2012
Media Type
Photograph
Notes
Title based on contents of subseries
Further accruals are expected
Less detail

Charles Edwin Cliff

https://search.heritageburnaby.ca/link/museumdescription18531
Repository
Burnaby Village Museum
Date
[191-] date of original, copied [198-]
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Item
Physical Description
1 photograph : b&w negative ; 12 x 9 cm
Scope and Content
Photograph of portrait of Charles Edwin Cliff taken from Volume III of "British Columbia from the Earliest Times to the Present" by Howay and Schofield. An enlarged photograph originating from this negative was printed and displayed inside a frame on the wall inside the Royal Bank building inside …
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
Royal Bank exhibit series
Subseries
Royal Bank exhibit photographs subseries
Description Level
Item
Physical Description
1 photograph : b&w negative ; 12 x 9 cm
Scope and Content
Photograph of portrait of Charles Edwin Cliff taken from Volume III of "British Columbia from the Earliest Times to the Present" by Howay and Schofield. An enlarged photograph originating from this negative was printed and displayed inside a frame on the wall inside the Royal Bank building inside Burnaby Village Museum. According to biographical information from this volume, printed in 1914, Charles Edwin Cliff was a wealthy and leading citizen of New Westminster who also served as a councillor in East Burnaby for seven years.
Names
Cliff, Charles Edwin
Accession Code
BV022.1.33
Access Restriction
No restrictions
Reproduction Restriction
No known restrictions
Date
[191-] date of original, copied [198-]
Media Type
Photograph
Scan Resolution
1200
Scan Date
2022-04-11
Notes
Title based on contents of photograph
Enlarged print of photograph is hanging inside frame accessioned BV985.121.3.
Images
Less detail

Ed Eckley subseries

https://search.heritageburnaby.ca/link/archivedescription64503
Repository
City of Burnaby Archives
Date
1911 (date of original)-[1998]
Collection/Fonds
Burnaby Historical Society fonds
Description Level
Subseries
Physical Description
2 boxes of textual records and 1 photographic album
Scope and Content
Subseries consists of records created and collected by Edmund Eckley on the history of the Oakalla Prison Farm in Burnaby. Included in the subseries are notes for an oral presentation, maps, plans, contracts, memorandums and Oakalla policies, rules and regulations, as well asan album containing pho…
Repository
City of Burnaby Archives
Date
1911 (date of original)-[1998]
Collection/Fonds
Burnaby Historical Society fonds
Series
Community Archives Collection series
Subseries
Ed Eckley subseries
Physical Description
2 boxes of textual records and 1 photographic album
Description Level
Subseries
Accession Number
BHS2006-01
Scope and Content
Subseries consists of records created and collected by Edmund Eckley on the history of the Oakalla Prison Farm in Burnaby. Included in the subseries are notes for an oral presentation, maps, plans, contracts, memorandums and Oakalla policies, rules and regulations, as well asan album containing photographs of the Oakalla Prison Farm just after it was closed down and some photocopied images and text.
History
Edmund R. Eckley is believed to have worked as a logging manager in Tahsis, British Columbia. Later, he and his wife Teresa lived at 7810 Rayside Street in Burnaby. Ed was a volunteer interpreter at Burnaby Village Museum in the 1990s. He wrote the interpreters’ notes for the first temporary exhibit held in Stride Studios [1995] at the Burnaby Village Museum entitled “Captive Heritage Oakalla Revealed” which traced the history of Oakalla Prison from construction to closure. He also designed his own walking tour of the Oakalla site prior to it being torn down. On January 14, 1998 Ed presented "A Short History of the Oakalla Prison Farm" for the Burnaby Historical Society. Ed also served as vice-president and fundraising chair for Friends of Interurban 1223 until the project's completion in 2008. Teresa worked as a school teacher for the Burnaby School District until her retirement in 2004. Following retirement, Teresa and Ed moved to Vancouver, where they currently reside.
Media Type
Textual Record
Photograph
Creator
Eckley, Edmund R.
Notes
Title based on creator of subseries
MSS120, PC511
Less detail

E.W. Bateman family fonds

https://search.heritageburnaby.ca/link/museumdescription15157
Repository
Burnaby Village Museum
Date
[1857]-[195-]
Collection/Fonds
E.W. Bateman family fonds
Description Level
Fonds
Physical Description
63 photographs + 6 cm of textual records
Scope and Content
Fonds consists of photographs of the family of Edwin Wettenhall Bateman and residences including Elworth house, along with letters written by Colin Rhodes Fox during World War II. Fonds is arranged into the following series: 1) Bateman family photographs series 2) Bateman family World War II lette…
Repository
Burnaby Village Museum
Collection/Fonds
E.W. Bateman family fonds
Description Level
Fonds
Physical Description
63 photographs + 6 cm of textual records
Scope and Content
Fonds consists of photographs of the family of Edwin Wettenhall Bateman and residences including Elworth house, along with letters written by Colin Rhodes Fox during World War II. Fonds is arranged into the following series: 1) Bateman family photographs series 2) Bateman family World War II letters series
History
Edwin Wettenhall "E.W." Bateman was born in 1859 in Sandbach, Cheshire, to James and Caroline Mary Wettenhall Bateman (their home in Sandbach was called Elworth Cottage). When he was twenty-one, E.W. Bateman immigrated to Manitoba, Canada where he met Catherine “Cassie” Dale, daughter of George and Sarah Gillon Dale. They were married in Portage La Prairie, Manitoba on November 9, 1886. Edwin and Cassie had seven children, the eldest Edna Caroline Annie (Corner) (1889-1969); George Edwin (1890-? ); Mamie (McWilliams) (1892-1979); Marianne “May” Bateman (1894-1990); Warren Stafford (1896-1954); Jessie (Fox Kemp) (1899-1978) and John Carey (1901-1945). Catherine “Cassie” (Dale) Bateman died in Portage La Prairie in 1909. After Cassie's death, Edwin was transferred to Vancouver by the Canadian Pacific Railway where he married Cassie’s younger sister Mary Dale (1896-1935). Edwin moved his six of his seven children to Vancouver (not including George). Edwin and Mary (Dale) Bateman first lived at 7th and Balsam Street in Vancouver and in 1920, they decided to move to the quieter atmosphere of the Burnaby Lake- Deer Lake area. By this time Edwin Wettenhall Bateman was a retired CPR executive. He moved his wife and daughter Marianne “May” Bateman to Deer Lake and commissioned architect, Enoch Evans to build 'Elworth' house (named after Edwin’s family home in Sandbach, Chesire). The house was completed by contractor William Dodson in 1922 and located at the site of what would become Heritage Village and later, Burnaby Village Museum, 6501 Deer Lake Avenue. The Batemans lived at this location for thirteen years before moving back to Vancouver in May of 1935. Mary Dale Bateman died in July 1935 and sometime after, Edwin W. Bateman married Dora Coulton. Edwin W. Bateman died in 1957 at the age of 98. Edna Caroline Bateman married Raymond Westley Corner in 1920 and had a daughter named Catherine Mary (Levins). Edna and Raymond lived in Kelowna. George Bateman married Louise Agness Birss in January 1910 and continued to live in Manitoba. Mamie Dale Bateman married George Lloyd McWilliams in 1915. The couple had two children, Warren Finley McWilliams and Bruce McWilliams. Mamie and George McWilliams lived with their family on Douglas Road across the road from Elworth house in Burnaby. Warren McWilliams was on North Atlantic convoy duty during World War I from 1942 to 1944. Warren McWilliams died in 2004. Warren Stafford Bateman married Norah Withington in Burnaby in 1924; Winifred Dare Webster in Burnaby in 1932 and Dorothy Margaret Buchanan in New Westminster in 1949. Warren and Winnifred “Winnie” Webster celebrated their marriage at Elworth house in 1932. Warren served in World War I. Jessie Madeline Bateman married Ernest Denby Fox (1900-1945) in 1921. Jessie and Ernest Fox had three children, Colin Rhodes Fox (1921-2005); Mary “Betty” (Gludo) and Allan Fox. Jessie and Ernest Fox operated a small logging company near Powell River, B.C. Sometime after the death of her first husband, Ernest Denby Fox, Jessie married James Kemp. The youngest child of Edwin and Cassie, John “Carey” Bateman married Sophia Spak (1899-1977) in 1925. On September 10, 1939, the day that Canada declared war on Germany, Colin Rhodes Fox (eldest son of Jessie and Ernest Fox) enlisted in the army at the age of 18 years. Colin initially served in an anti-aircraft unit, but was soon transferred to the Field Artillery. During his service overseas, Colin wrote letters to family members including his aunt May Bateman who was living in Burnaby. Colin went through basic artillery training in Edmonton before heading overseas to the United Kingdom with his unit, the 13th Field Regiment , 44th Canadian Field Battery of the Royal Canadian Artillery and later the 78th Canadian Field Battery in Germany and Holland . Colin was wounded on June 8, 1944 (two days after D-Day) but returned to serve in Holland and Germany until the war ended. Colin suffered bullet and shrapnel wounds while laying communication cable from the Normandy beachhead. In 1946, Colin married Susan Streika (Striha) of Pitt Meadows and he began a thirty five year career in the B.C. Telephone Company on Vancouver Island. Colin and Susan had three children; Gary, Elaine and Irene. Colin Rhodes Fox died in 2005. The E.W. Bateman house, "Elworth" is a heritage building on the site of the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The E.W. Bateman House was purchased by Burnaby in 1970 and became the focal point for the development of the Museum. Both the interior and exterior of the house have been restored and interpreted to the date of original construction, including recreated room interiors and period furnishings.
Creator
Fox, Colin Rhodes
Bateman, Caroline Mary Wettenhall
Accession Code
HV974.22
HV974.90
HV975.120
HV976.37
HV979.32
BV985.1003
BV986.21
BV992.29
BV994.22
BV004.28
BV004.84
BV020.27
Date
[1857]-[195-]
Media Type
Photograph
Textual Record
Related Material
See also: Interview with Marianne May Bateman February 22, 1978 - Tracks 1-4. City of Burnaby Archives Item No. MSS137-014-1
Notes
Title based on contents of fonds
Less detail

414 records – page 1 of 21.