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Union of British Columbia Municipalities
https://search.heritageburnaby.ca/link/archivedescription35942
- Repository
- City of Burnaby Archives
- Date
- [195-]
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 20.3 x 25.4 cm print
- Scope and Content
- Photograph of Burnaby delegates to the Union of British Columbia Municipalities (UBCM) meeting in Victoria. They are standing on the steps of the Empress Hotel.
- Repository
- City of Burnaby Archives
- Date
- [195-]
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Pioneer Tales subseries
- Physical Description
- 1 photograph : b&w ; 20.3 x 25.4 cm print
- Description Level
- Item
- Record No.
- 204-802
- Access Restriction
- No restrictions
- Reproduction Restriction
- Reproduce for fair dealing purposes only
- Accession Number
- BHS1988-03
- Scope and Content
- Photograph of Burnaby delegates to the Union of British Columbia Municipalities (UBCM) meeting in Victoria. They are standing on the steps of the Empress Hotel.
- Subjects
- Officials
- Media Type
- Photograph
- Photographer
- Halkett, Bill
- Notes
- Title based on contents of photograph
Images
Vernon, British Columbia
https://search.heritageburnaby.ca/link/museumdescription3397
- Repository
- Burnaby Village Museum
- Date
- [1944]
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : sepia ; 6 x 10 cm
- Scope and Content
- Photograph of a main street in Vernon, British Columbia. Military trainees from Camp Vernon are visible standing in the middle of the street.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : sepia ; 6 x 10 cm
- Scope and Content
- Photograph of a main street in Vernon, British Columbia. Military trainees from Camp Vernon are visible standing in the middle of the street.
- Subjects
- Geographic Features - Roads
- Accession Code
- BV005.30.19
- Access Restriction
- No restrictions
- Date
- [1944]
- Media Type
- Photograph
- Scan Date
- 1/19/2010
- Photographer
- Battersby, Frank
- Notes
- Title based on contents of photograph
Images
Bringing Visibility to the Land: A Tsleil-Waututh Perspective on Community Building
https://search.heritageburnaby.ca/link/museumdescription15665
- Repository
- Burnaby Village Museum
- Date
- 27 Apr. 2021
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (47 min., 39 sec.) : digital, col., sd., stereo ; 29 fps
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke. The webinar is titled "Bringing Visibility to the Land: A Tsleil-Waututh Perspective on Community Building" and is presented by Michelle George, Tsleil-Waututh Nation Cultural and Technic…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (47 min., 39 sec.) : digital, col., sd., stereo ; 29 fps
- Material Details
- Presenters: Michelle George
- Host: Jane Lemke
- Date of Presentation: Tuesday, April 27, 7:00 pm - 8:00 pm
- Total Number of tracks: 1
- Total Length of all tracks: 47 min., 39 sec.
- Recording Device: Zoom video communication platform
- Recording Note: Film was edited from it's original recorded version (63 min., 29 sec.) to edited version (47 min., 39 sec.) for public viewing on Heritage Burnaby
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke. The webinar is titled "Bringing Visibility to the Land: A Tsleil-Waututh Perspective on Community Building" and is presented by Michelle George, Tsleil-Waututh Nation Cultural and Technical Specialist. The Zoom webinar is the first in a series of six "Neighbourhood Speaker series" webinars exploring a range of topics shared by Indigenous speakers and knowledge keepers that were presented and made available to the public between April 27 and May 12, 2021. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online sessions. In this webinar, Michelle George explores the importance of bringing Tsleil-Waututh ways of knowing/knowledge of the land to Burnaby. She grounds her talk with her experience of working with the Burnaby Village Museum on producing the Indigenous History of Burnaby Resource Guide, an award-winning illustrated educational guide. Michelle also speaks to some of the devastating experiences that the Tsleil-Waututh Nation and Indigenous Peoples have suffered since Colonial Settlement and how her Nation has begun to grow in a changing environment. In segments of her talk, Michelle refers to a map titled "Tsleil-Waututh Nation Consultation Area". Following the presentation, Michelle George answers questions from the audience that are moderated by the host, Jane Lemke.
- History
- Michelle George is a member of the Tsleil-Waututh Nation (TWN) and currently works as a Tsleil-Waututh Nation Cultural and Technical Specialist for the Treaty, Lands and Resources (TLR) Department. She participates in various projects for the TWN government and community, focusing on Tsleil-Waututh Governance and Community. The goals that she carries in her work are to make sure Tsleil-Waututh culture is included and considered in these Nation-level projects, as well as within the reviews done on external projects within the TWN Consultation area. She has been a member of both the Tsleil-Waututh Land Code Committee and Land Use Planning group. Michelle is also a First Nations Health Authority Traditional Knowledge Keeper, and a past-Elected Councilor for Tsleil-Waututh Nation. Michelle also provides guest lectures at Simon Fraser University, Langara College, and the BC Institute of Technology.
- Creator
- Burnaby Village Museum
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - Canada - Government relations
- Indigenous peoples - British Columbia - Languages
- Indigenous peoples - Canada - , Treatment of
- Indigenous peoples - British Columbia - First contact with Europeans
- Names
- Burnaby Village Museum
- Burnaby Public Library
- George, Michelle
- Tsleil-Waututh Nation
- George, Chief Daniel "Dan"
- Responsibility
- Lemke, Jane
- Geographic Access
- Burrard Inlet
- Accession Code
- BV021.17.1
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- 27 Apr. 2021
- Media Type
- Moving Images
- Notes
- Title based on contents of video recording
Images
Video
Bringing Visibility to the Land: A Tsleil-Waututh Perspective on Community Building, 27 Apr. 2021
Bringing Visibility to the Land: A Tsleil-Waututh Perspective on Community Building, 27 Apr. 2021
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2021_0017_0001_002.mp4Creating Visibility in Wood Working
https://search.heritageburnaby.ca/link/museumdescription15667
- Repository
- Burnaby Village Museum
- Date
- 6 May 2021
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (50 min., 03 sec.) : digital, col., sd., stereo ; 29 fps
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum curator, Jane Lemke. The webinar is titled "Creating Visibility in Wood Working" and is presented by Xwalacktun, OBC, Master Carver of the Sḵwx̱wú7mesh Nation. The Zoom webinar is the fourth in a series of si…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (50 min., 03 sec.) : digital, col., sd., stereo ; 29 fps
- Material Details
- Presenter: Xwalacktun
- Host: Jane Lemke
- Date of Presentation: Thursday, May 6, 7:00 pm - 8:00 pm
- Total Number of tracks: 1
- Total Length of all tracks: 50 min., 03 sec.
- Recording Device: Zoom video communication platform
- Recording Note: Film was edited from it's original recorded version (66 min., 53 sec.) to edited version (50 min., 03 sec.) for public viewing on Heritage Burnaby.
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum curator, Jane Lemke. The webinar is titled "Creating Visibility in Wood Working" and is presented by Xwalacktun, OBC, Master Carver of the Sḵwx̱wú7mesh Nation. The Zoom webinar is the fourth in a series of six "Neighbourhood Speaker series" webinars exploring a range of topics shared by Indigenous speakers and knowledge keepers that were presented and made available to the public between April 27 and May 12, 2021. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online sessions. In this webinar, viewers join Xwalacktun as he tours his studio, sharing the tools and processes of carving. Xwalacktun shares photographs detailing the long process of turning a twelve foot-tall tree into a house post for his recently completed installation in the Diamond Family Courtyard of Vancouver General Hospital. At the beginning of the presentation, Xwalacktun shares a welcome song from the late Chief Cie Baker. Following the presentation, Xwalacktun takes questions from the audience that are moderated by the host, Jane Lemke.
- History
- Xwalacktun (born Rick Harry) is a Sḵwx̱wú7mesh Nation artist whose works are recognized internationally. He was given his name by his father, a Hereditary Chief from the Seymour Creek area. From 1978 to 1982, Xwalacktun attended Emily Carr University of Art and Design in Vancouver, BC, and graduated with a degree in sculpture. Xwalacktun is a recipient of the Queen Elizabeth II Diamond Jubilee Medal and the Order of British Columbia (O.B.C.) for his many contributions to various communities. Xwalacktun is an accomplished artist in wood, paper, stone, glass and metals and his work can be seen around the Lower Mainland region. Xwalacktun's biography can also be found on his website: www.xwalacktun.ca
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Art
- Indigenous wood-carving - Totem poles
- Indigenous peoples - British Columbia - Rites and ceremonies
- Indigenous peoples - Implements
- Accession Code
- BV021.17.4
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- 6 May 2021
- Media Type
- Moving Images
- Notes
- Title based on content of video recording The following link was shared at the end of the presentation: Xwalacktun’s website: https://www.xwalacktun.ca/
Images
Video
Creating Visibility in Wood Working, 6 May 2021
Creating Visibility in Wood Working, 6 May 2021
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2021_0017_0004_002.mp4Indigenous History in Burnaby Resource Guide
https://search.heritageburnaby.ca/link/museumlibrary7493
- Repository
- Burnaby Village Museum
- Edition
- First
- Publication Date
- 2019
- Call Number
- 971.100497 BVM
specialty items.
səlisəyə spinning with a traditional
Coast Salish spindle in 1915.
səlisəyə was a Sḵwx̱wú7mesh and
Musqueam ancestor. Royal British
Columbia Museum, #PN1165,
Photograph by C. F. Newcombe, 1915.
�4
Hundreds of years ago, there were more than 100,000 Coast Salish
people living in British
- Repository
- Burnaby Village Museum
- Collection
- Digital Reference Collection
- Material Type
- Digital Resource
- Accession Code
- BV019.64.1
- Call Number
- 971.100497 BVM
- Edition
- First
- Contributor
- Kwantlen First Nation
- Sḵwx̱wú7mesh First Nation
- Tsleil-Waututh First Nation
- ʷməθkʷəy̓əm (Musqueam) First Nation
- Place of Publication
- Burnaby, BC
- Publisher
- City of Burnaby
- Publication Date
- 2019
- Library Subject (LOC)
- Indigenous peoples--British Columbia
- Indigenous peoples--British Columbia--History
- Indigenous peoples--Canada--History
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Languages
- Indigenous peoples - British Columbia - Societies, etc.
- Name Access
- Burnaby Village Museum
- Object History
- 2019 version of working document developed by Burnaby Village Museum in collaboration with a number of First Nations partners over the course of several years. We recognize that Burnaby falls within the shared, ancestral and unceded territories of the hən̓q̓əmin̓əm and Sḵwx̱wú7mesh speaking people. We equally respect each of the Nations who share territory in Burnaby, and invite and welcome their ongoing participation in developing the contents of the Indigenous History in Burnaby Resource Guide.
Images
Digital Books
Angus & Margaret MacDonald House
https://search.heritageburnaby.ca/link/landmark495
- Repository
- Burnaby Heritage Planning
- Description
- Set on a large corner lot at North Esmond Avenue and Oxford Street, the Angus & Margaret MacDonald House is a prominent, two and one-half storey Queen Anne Revival-style residence. The high hipped roof has open projecting gables. The house is a landmark within the Vancouver Heights neighbourhood of…
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Oxford Street
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 12174
- Enactment Date
- 11/12/2006
- Description
- Set on a large corner lot at North Esmond Avenue and Oxford Street, the Angus & Margaret MacDonald House is a prominent, two and one-half storey Queen Anne Revival-style residence. The high hipped roof has open projecting gables. The house is a landmark within the Vancouver Heights neighbourhood of North Burnaby, on a high point of land overlooking Burrard Inlet and the North Shore Mountains.
- Heritage Value
- The MacDonald House is valued as one of Burnaby’s most elaborate examples of the Queen Anne Revival style. The house retains many of its original features, including a prominent front corner turret wrapped by a clamshell verandah. The eclectic and transitional nature of Edwardian-era architecture is demonstrated by the late persistence of these Queen Anne Revival details, combined with the use of newly-popular classical revival elements such as Ionic columns. The interior retains a number of original architectural elements, and the early garage at the rear originally housed Angus MacDonald’s Cadillac, one of the first known automobiles owned by a Burnaby resident. Constructed in 1909, this house was built for Angus MacDonald (1857-1943) and his wife, Margaret Isabella Thompson MacDonald (1862-1939). Angus MacDonald, an electrical contractor, relocated from Nova Scotia to Vancouver in 1891 and served on Vancouver Council from 1904-08. The MacDonald family moved to Burnaby upon his retirement from the B.C. Electric Railway Company, and he then served the North Burnaby Ward as a councillor from 1911-1916 and again in 1921. MacDonald Street in Burnaby was named in his honour. The MacDonald House has additional significance as one of the surviving landmark residences, built between 1909 and 1914, during the first development of Vancouver Heights. In 1909, C.J. Peter and his employer, G.F. and J. Galt Limited, initiated the development of this North Burnaby neighbourhood, promoting it as one of the most picturesque districts in the region and an alternative to the CPR’s prestigious Shaughnessy Heights development in Vancouver. Buyers were obligated to build houses worth $3,500 at a time when the average house price was $1,000. Reputed to be the second house built in the subdivision, this house cost $7,000 to build.
- Defining Elements
- Key elements that define the heritage character of the MacDonald House include its: - prominent corner location in the Vancouver Heights neighbourhood, with views to Burrard Inlet and the North Shore Mountains - residential form, scale and massing as exemplified by its two and one-half storey height, full basement, compound plan, and high hipped roof with gabled projections at the front and side - wood-frame construction including wooden lapped siding, trim and mouldings - rubble-stone granite foundation - Queen Anne Revival details such as scroll-cut modillions, octagonal corner turret, wraparound, clamshell verandah with classical columns, and projecting square and semi-octagonal bays - external red-brick chimney with corbelled top - original windows including double-hung, 1-over-1 wooden sash windows in single and double assembly, and arched-top casement windows in the gable peaks - original interior features such as the main staircase, a panelled dining room with a fireplace and built-in cabinets, a living room with a parquet floor, and a rear den with an oak mantle and tiled hearth - associated early wood-frame garage at the rear of the property - landscape features such as mature coniferous and deciduous trees surrounding the property
- Historic Neighbourhood
- Vancouver Heights (Historic Neighbourhood)
- Planning Study Area
- Burnaby Heights Area
- Organization
- British Columbia Mills Timber and Trading Company
- Function
- Primary Historic--Single Dwelling
- Primary Current--Single Dwelling
- Community
- Vancouver Heights
- Cadastral Identifier
- P.I.D.011-999-462
- Boundaries
- The MacDonald House is comprised of a single residential lot located at 3814 Oxford Street, Burnaby.
- Area
- 566.71
- Contributing Resource
- Building
- Ownership
- Private
- Documentation
- City of Burnaby Planning and Building Department, Heritage Site Files
- Street Address
- 3814 Oxford Street
- Street View URL
- Google Maps Street View
Images
Central Park Entrance Gate
https://search.heritageburnaby.ca/link/landmark544
- Repository
- Burnaby Heritage Planning
- Description
- The Central Park Entrance Gate is the ceremonial entrance to Burnaby’s historic Central Park from Kingsway, and consists of two massive stone pillars, approximately 7.5 metres high and 1.8 metres square, adjacent gate posts and a low flanking stone wall that curves into the park to the east.
- Associated Dates
- 1913
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Imperial Street
- Associated Dates
- 1913
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- The Central Park Entrance Gate is the ceremonial entrance to Burnaby’s historic Central Park from Kingsway, and consists of two massive stone pillars, approximately 7.5 metres high and 1.8 metres square, adjacent gate posts and a low flanking stone wall that curves into the park to the east.
- Heritage Value
- The Central Park Entrance Gate is significant as a ceremonial entry to a major park, for its connection with the early history of the British Columbia Electric Railway (BCER) and as an important design by an accomplished British Columbian architect. When the original interurban line between Vancouver and New Westminster was constructed in 1891, one of the first stations was located where the tramway crossed the Vancouver-Westminster Road (now Kingsway) within the newly-created Central Park. The interurban line ran through the park on a diagonal right-of-way (the current SkyTrain line, opened in 1986, follows this original alignment). In 1912 an agreement was reached between the successor interurban company, the BCER, and the Central Park Provincial Park Board, to deed additional land for an expanded right-of-way through the Park in exchange for improvements that included the construction of an ornamental stone wall and gate with an iron arch, with an illuminated 'Central Park' sign, adjacent to the interurban station on Kingsway. This was an early and rare example of an electric sign used for a public recreation facility. The Gate is also significant as a surviving early design by Robert Lyon (1879-1963), an Edinburgh-born and trained immigrant who was one of the most accomplished of British Columbia's early architects. After he moved to Vancouver, he was employed by the BCER from 1911 until 1918, and worked on a broad range of projects including some of the grandest and most innovative local industrial structures of the time. The arch was built by the Westminster Ironworks Company, one of the leading firms of its kind in Western Canada, operated by John Reid of New Westminster. The Gate was completed in 1914; in 1968 the decorative ironwork was removed due to corrosion and placed in storage.
- Defining Elements
- Key elements that define the heritage character of the Central Park Entrance Gate include its: - two subtly tapered massive stone pillars, which rise in stages from a larger base to a shaft with random coursed multi-coloured granite with roughly formed grey granite quoins, to a top formed of finely finished grey granite blocks with a coved and bracketed cap - adjacent gate posts with monolithic pyramidal granite caps - low flanking stone wall that curves into the park to the east, constructed of random coursed multi-coloured granite with a river rock triangular cap
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
- Planning Study Area
- Maywood Area
- Architect
- Robert Lyon
- Builder
- John Reid
- Westminster Iron Works Co.
- Function
- Primary Current--Park Fixture
- Primary Historic--Park Fixture
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 017-767-172 Legal Description: Block B of Lot 2 Except Firstly: Part on Plan 8669 and Secondly: Part on Plan LMP4689 District Lot 151, Group 1, New Westminster District, Plan 3443
- Boundaries
- The property (Central Park) is a municipally-owned park that lies at the western edge of Burnaby, between 49th Avenue to the south, Kingsway to the north, Boundary Road to the west and Patterson Avenue to the east.
- Area
- 853,403.82
- Contributing Resource
- Structure
- Landscape Feature
- Ownership
- Public (local)
- Names
- Lyon, Robert
- Reid, John
- Westminster Iron Works Company
- British Columbia Electric Railway Company
- Central Park Provincial Park Board
- Subjects
- Structures - Fences
- Street Address
- 3883 Imperial Street
- Street View URL
- Google Maps Street View
Images
Are we really changing? Reflections on Reconciliation
https://search.heritageburnaby.ca/link/museumdescription15669
- Repository
- Burnaby Village Museum
- Date
- 12 May 2021
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (91 min., 26 sec.) : digital, col., sd., stereo ; 29 fps
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke. The webinar is titled "Are We Really Changing? Reflections on Reconciliation" and is presented by Brandon Gabriel, visual arts from the Kwantlen First Nation. The Zoom webinar is the sixt…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (91 min., 26 sec.) : digital, col., sd., stereo ; 29 fps
- Material Details
- Presenter: Brandon Gabriel
- Host: Jane Lemke
- Date of Presentation: Wednesday, May 12, 7:00 pm - 8:30 pm
- Total Number of tracks: 1
- Total Length of all tracks: min., sec.
- Recording Device: Zoom video communication platform
- Recording Note: Film was edited from it's original recorded version (92 min., 31 sec.) to edited version (91 min., 26 sec.) for public viewing on Heritage Burnaby.
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke. The webinar is titled "Are We Really Changing? Reflections on Reconciliation" and is presented by Brandon Gabriel, visual arts from the Kwantlen First Nation. The Zoom webinar is the sixth in a series of six "Neighbourhood Speaker Series" webinars exploring a range of topics shared by Indigenous speakers and knowledge keepers that were presented and made available to the public between April 27 and May 12, 2021. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions and comments during the interactive online sessions. In this webinar, Brandon supports his presentation with slides and explores the following questions; If we have not changed the way we introduce ourselves to each other and this land then what are we reconciling?" and "If resource exploitation, racism and colonization continue today, how can we change?" Brandon Gabriel, mixed-media artist and activist, looks back at some highlights of his twenty seven year artistic journey and shares what you can do to tackle reconciliation in your own life. Brandon presents counter narratives speaking to the importance of: Land; Languages; Colonial Annihilation and Indigenous Resurgence. Brandon pauses half way through his presentation to ask and reflect on the question "How far back do you know your ancestors on your mother's side?". While listeners are reflecting, Brandon shares a recording of Dennis Leon of Kwantlen First Nation performing the song “True Love”. Following this, Brandon takes questions from the audience and comments on the importance of matriarchal lineage in indigenous culture. In the second half of the presentation, Brandon talks about his own art and shares examples of Indigenous artists work including: Bill Reid, Zacharias Kunuk, Marianne Nicholson; Brian Jungan and Rebecca Bellmore. Following the presentation, Brandon Gabriel takes questions from the audience that are moderated by the host, Jane Lemke.
- History
- Brandon Gabriel is an award winning, and Internationally recognized visual artist from the Kwantlen First Nation, in unceded Fort Langley B.C. Brandon was educated at Kwantlen Polytechnic University (1999-2003) and at Emily Carr University of Art and Design (2003-2006). Brandon has over twenty seven years of professional experience as a designer, wood carver, mixed media sculptor, graphic designer, illustrator, and educator. He has exhibited works in the United Kingdom, Hong Kong, South America, the USA, and across Canada.
- Creator
- Burnaby Village Museum
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Art
- Indigenous peoples - Canada - Government relations
- Indigenous peoples - Canada - , Treatment of
- Responsibility
- Lemke, Jane
- Accession Code
- BV021.17.6
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- 12 May 2021
- Media Type
- Moving Images
- Notes
- Title based on content of video recording The following link was shared at the end of the presentation: Kwantlen First Nation: https://www.kwantlenfn.ca/
Images
Video
Are we really changing? Reflections on Reconciliation, 12 May 2021
Are we really changing? Reflections on Reconciliation, 12 May 2021
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2021_0017_0006_002.mp4basket
https://search.heritageburnaby.ca/link/museumartifact84019
- Repository
- Burnaby Village Museum
- Accession Code
- BV014.9.1
- Description
- This basket is woven using the wrapped twining method and is made of swamp grass. The designs were made using aniline dyes and are badly faded; original colours still visible on the inside of lid and basket. The weave on this basket is very finely done. The basket and lid are decorated with bird motifs. Originally birds were yellow on a purple background. The lid has a drop edge that fits over a lip around the top edge of the basket. It is decorated in concentric circles with a dark spot in the centre. The spot includes black as well as the wine colour. The outside is faded to a light brown colour. Nuu-chah-nulth
- Object History
- The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nuu-Chah-Nulth
Images
Documents
basket
https://search.heritageburnaby.ca/link/museumartifact84020
- Repository
- Burnaby Village Museum
- Accession Code
- BV014.9.2
- Description
- Basket with red cedar bark base and warps and swamp grass wefts. The base is done in checker weave, while the walls and lid are done using wrapped twining. The base of the basket is secured with two strand twining and then the warps were split and smaller rows of two strand twining follow. The edge of the base is distinguished by one row of three strand twining, which creates a noticeable break in the pattern, before the wrapped twining begins for the walls. Designs, consisting of horizontal stripes, were made using analine dyes, which are extremely light sensitive. Colours are preserved on inside of basket, where light exposure has been much lower. Originally red and black stripes. Nuu-chah-nulth
- Object History
- The basket was acquired in Victoria in the 1930s before the family moved to Vancouver.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- Nuu-Chah-Nulth
Images
Documents
carrying basket
https://search.heritageburnaby.ca/link/museumartifact80210
- Repository
- Burnaby Village Museum
- Accession Code
- BV009.1.1
- Description
- Rectangular coiled cedar root basket with cedar slat foundation and walls that flare slightly towards rim. Decorated in beaded designs of cattail grass and black dyed cherry bark. Darker elements arranged in a butterfly design. Butterflies are said to represent everlasting life by Stó:lō and Nlaka’pamux basket makers. Overcast handles sewn to basket with leather ties. One has been repaired with string. Finished with a braided rim. Triangular shaped stitches attach base to walls of basket. Interior Salish: Stl’atl’imx?
- Object History
- Basket, ca. 1895-1910, from the collection of the L. Claude Hill family, who owned the property that became the Burnaby Village Museum. According to the Hill family, L. Claude's wife Anne Sarah Hill (nee Kendrick) traded blankets for baskets, although it is not known if this particular basket was obtained in this manner. Indigenous people travelled the trail that crossed Deer Lake Brook (Douglas Road / Canada Way).
- Measurements
- Measurements: width 24 cm and length 44 cm and depth 18 cm. All measured from top edge to outside.
- Country Made
- Canada
- Province Made
- British Columbia
- School/Style
- Coast Salish
- Culture
- Stl’atl’imx
Images
Documents
Indigenous dancer at Brentwood mall
https://search.heritageburnaby.ca/link/museumdescription13235
- Repository
- Burnaby Village Museum
- Date
- 1971
- Collection/Fonds
- Donald Copan collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of an Indigenous person in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Donald Copan collection
- Series
- Copan album series
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of an Indigenous person in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Rites and ceremonies
- Indigenous peoples - Clothing
- Buildings - Commercial - Malls
- Geographic Access
- Lougheed Highway
- Street Address
- 4567 Lougheed Highway
- Accession Code
- BV005.54.246
- Access Restriction
- Restricted access
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1971
- Media Type
- Photograph
- Planning Study Area
- Brentwood Area
- Scan Resolution
- 600
- Scan Date
- July 23, 2020
- Scale
- 100
- Notes
- Title based on contents of photograph
Images
Indigenous dancers at Brentwood mall
https://search.heritageburnaby.ca/link/museumdescription2195
- Repository
- Burnaby Village Museum
- Date
- 1971
- Collection/Fonds
- Donald Copan collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Donald Copan collection
- Series
- Copan album series
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Rites and ceremonies
- Indigenous peoples - Clothing
- Buildings - Commercial - Malls
- Geographic Access
- Lougheed Highway
- Street Address
- 4567 Lougheed Highway
- Accession Code
- BV005.54.243
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1971
- Media Type
- Photograph
- Planning Study Area
- Brentwood Area
- Scan Resolution
- 600
- Scan Date
- July 23, 2020
- Scale
- 100
- Notes
- Title based on contents of photograph
Images
Indigenous dancers at Brentwood mall
https://search.heritageburnaby.ca/link/museumdescription13233
- Repository
- Burnaby Village Museum
- Date
- 1971
- Collection/Fonds
- Donald Copan collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Donald Copan collection
- Series
- Copan album series
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Rites and ceremonies
- Indigenous peoples - Clothing
- Buildings - Commercial - Malls
- Geographic Access
- Lougheed Highway
- Street Address
- 4567 Lougheed Highway
- Accession Code
- BV005.54.244
- Access Restriction
- Restricted access
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1971
- Media Type
- Photograph
- Planning Study Area
- Brentwood Area
- Scan Resolution
- 600
- Scan Date
- July 23, 2020
- Scale
- 100
- Notes
- Title based on contents of photograph
Images
Indigenous dancers at Brentwood mall
https://search.heritageburnaby.ca/link/museumdescription13234
- Repository
- Burnaby Village Museum
- Date
- 1971
- Collection/Fonds
- Donald Copan collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Donald Copan collection
- Series
- Copan album series
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of Indigenous peoples dressed in traditional clothing and dancing inside Brentwood Mall. A large group of people have gathered around to watch.
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Rites and ceremonies
- Indigenous peoples - Clothing
- Buildings - Commercial - Malls
- Geographic Access
- Lougheed Highway
- Street Address
- 4567 Lougheed Highway
- Accession Code
- BV005.54.245
- Access Restriction
- Restricted access
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1971
- Media Type
- Photograph
- Planning Study Area
- Brentwood Area
- Scan Resolution
- 600
- Scan Date
- July 23, 2020
- Scale
- 100
- Notes
- Title based on contents of photograph
Images
Indigenous dancers at Brentwood mall
https://search.heritageburnaby.ca/link/museumdescription13236
- Repository
- Burnaby Village Museum
- Date
- 1971
- Collection/Fonds
- Donald Copan collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of an Indigenous peoples gathered in a circle with non-indigenous people inside Brentwood Mall. Indigenous peoples are dressed in traditional clothing. A large group of people have gathered around to watch.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Donald Copan collection
- Series
- Copan album series
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 8.9 x 12.7 cm
- Scope and Content
- Photograph of an Indigenous peoples gathered in a circle with non-indigenous people inside Brentwood Mall. Indigenous peoples are dressed in traditional clothing. A large group of people have gathered around to watch.
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Rites and ceremonies
- Indigenous peoples - Clothing
- Buildings - Commercial - Malls
- Geographic Access
- Lougheed Highway
- Street Address
- 4567 Lougheed Highway
- Accession Code
- BV005.54.247
- Access Restriction
- Restricted access
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1971
- Media Type
- Photograph
- Planning Study Area
- Brentwood Area
- Scan Resolution
- 600
- Scan Date
- July 23, 2020
- Scale
- 100
- Notes
- Title based on contents of photograph
Images
painting
https://search.heritageburnaby.ca/link/museumartifact85825
- Repository
- Burnaby Village Museum
- Accession Code
- BV016.14.1
- Description
- Painting by Indigenous artist, Roy Hanuse titled "Thunderbird".
- This West Coast First Nations style painting was done on a manilla card stock folder and mounted on a black mat board. Painting consists of an underdrawing done in graphite and painted with red, black, green, blue and yellow gouache or tempera paint with some portions painted in a blue glossy paint.
- Handwritten title above painting reads "THUNDERBIRD"; painting is signed by the artist "ROY HANUSE".
- Object History
- Drawings were created in the early 1970s by Roy James Hanuse who was a Kwakwaka'wakw artist known for working in the traditional Kwakwaka'wakw style. Roy was born in 1943 in Bella Bella and lived at Rivers Inlet (Owikeno), British Columbia. Largely self-taught, Roy became interested in his cultural heritage while attending school in Alert Bay in the 1950s. Roy began painting in 1966 and wood carving in 1968. Some highlights of his art career included selling four paintings to the University of British Columbia which were later published in Audrey Hawthorn's "Kwakiutl Art Book" (1979) and carving a 12-foot totem for the Denver Art Museum (1972) and two totem poles that he carved for the Montreal Olympics (1976). Roy James Hanuse died in 2007.
- Category
- 08. Communication Artifacts
- Classification
- Art
- Object Term
- Painting
- Colour
- Black
- Blue
- Green
- Red
- Yellow
- Measurements
- Overall measurements: wth 39 cm by ht 45 cm
- Maker
- Roy James Hanuse
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
- School/Style
- Coast Salish
- Culture
- Kwakwaka'wakw
Images
painting
https://search.heritageburnaby.ca/link/museumartifact85826
- Repository
- Burnaby Village Museum
- Accession Code
- BV016.14.2
- Description
- Painting by Indigenous artist, Roy Hanuse titled "Killer Whale"
- This West Coast First Nations style painting was done on a manilla card stock file folder and mounted on a black mat board. Painting consists of an underdrawing done in graphite and painted with red, black and green gouache or tempera paint.
- Handwritten title above painting reads "KILLER WHALE"; painting is signed by the artist "ROY HANUSE".
- Object History
- Drawings were created in the early 1970s by Roy James Hanuse who was a Kwakwaka'wakw artist known for working in the traditional Kwakwaka'wakw style. Roy was born in 1943 in Bella Bella and lived at Rivers Inlet (Owikeno), British Columbia. Largely self-taught, Roy became interested in his cultural heritage while attending school in Alert Bay in the 1950s. Roy began painting in 1966 and wood carving in 1968. Some highlights of his art career included selling four paintings to the University of British Columbia which were later published in Audrey Hawthorn's "Kwakiutl Art Book" (1979) and carving a 12-foot totem for the Denver Art Museum (1972) and two totem poles that he carved for the Montreal Olympics (1976). Roy James Hanuse died in 2007.
- Category
- 08. Communication Artifacts
- Classification
- Art
- Object Term
- Painting
- Colour
- Black
- Green
- Red
- Measurements
- Overall measurements: wth 42.5 cm by ht 29.3 cm
- Maker
- Roy James Hanuse
- Country Made
- Canada
- Province Made
- British Columbia
- Site/City Made
- Burnaby
- School/Style
- Coast Salish
- Culture
- Kwakwaka'wakw
Images
Traditional, Ancestral & Unceded: A Conversation on Territorial Acknowledgements
https://search.heritageburnaby.ca/link/museumdescription15664
- Repository
- Burnaby Village Museum
- Date
- 29 Apr. 2021
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (87 min., 17 sec.) : digital, col., sd., stereo ; 29 fps
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum curator, Jane Lemke. The webinar is titled "Traditional, Ancestral & Unceded: A Conversation on Territorial Acknowledgements" and is presented by Fancy Poitras, Indigenous Relations Manager for the City of Bu…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (87 min., 17 sec.) : digital, col., sd., stereo ; 29 fps
- Material Details
- Presenters: Fancy Poitras and Rebekah Mahaffey
- Host: Jane Lemke
- Date of Presentation: Thursday, April 29, 7:00 pm - 8:30 pm
- Total Number of tracks: 1
- Total Length of all tracks: 87 min., 17 sec.
- Recording Device: Zoom video communication platform
- Recording Note: Film was edited from it's original recorded version (95 min., 34 sec.) to edited version (87 min., 17 sec.) for public viewing on Heritage Burnaby. This live recording experienced technical difficulties with the viewer window during the first few minutes of the presentation. This is resolved at 15:36.
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum curator, Jane Lemke. The webinar is titled "Traditional, Ancestral & Unceded: A Conversation on Territorial Acknowledgements" and is presented by Fancy Poitras, Indigenous Relations Manager for the City of Burnaby and Rebekah Mahaffey, Social Planner for the City of Burnaby. The Zoom webinar is the second in a series of six "Neighbourhood Speaker series" webinars exploring a range of topics shared by Indigenous speakers and knowledge keepers that were presented and made available to the public between April 27 and May 12, 2021. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online sessions. The webinar opens with host, Jane Lemke providing a Land Acknowlegement "The land on which Burnaby now sits is the ancestral and unceded homelands of the hən̓q̓əmin̓əm and Sḵwx̱wú7mesh speaking peoples". Jane explains that providing a land acknowledgement is part of the City of Burnaby's official policy and that the land is on the shared territory of many Nations including the sq̓əc̓iy̓aɁɬ təməxʷ (Katzie), Kway-quit-lum, Kwantlen, ʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh, and Tsleil-Waututh Nations. Understanding the definitions of language groups, Nations, shared territory and many of the importance words form a basis of the subject matter for this webinar. Fancy Poitras and Rebekah Mahaffey enter a discussion exploring this topic while posing thought provoking questions to each other. As Burnaby's Indigenous Relations Manager, Fancy Poitras conveys her own experiences and knowledge while providing historical references and recommendations for further educational resources around territorial land acknowledgment. Following their discussion, Fancy and Rebekah take questions from the audience that are moderated by the host, Jane Lemke.
- History
- Fancy Poitras was hired as the City of Burnaby's first Indigenous Relations Manager in 2021. Prior to her role, she worked for the First Nations Health Authority for more than five years, first as a Senior Policy Analyst, then as the Manager and Acting Director of Strategic Policy; throughout her time with FNHA, she worked on an extensive portfolio of health and wellness, and service design and delivery issues, including primary care, cancer, seniors and elders. Fancy has a Master’s degree in Public Policy and a Post-Baccalaureate Diploma in Social Policy Issues from Simon Fraser University, and a Bachelor of Arts in Political Science from University of Alberta. Fancy is a member of Mikisew Cree First Nation, Treaty 8 territory, and she grew up primarily in the Northwest Territories. Rebekah Mahaffey (she, her, hers) is a Social Policy Planner at the City of Burnaby. She is a settler on these lands, and is of mixed French-Scottish-Irish ancestry. She grew up in Indonesia, Libya and England and has called the west coast home for almost 15 years. Rebekah has degrees in International Development, Art History and Urban Planning. In her work she focuses on inter-culturalism, access and inclusion, anti-racism, and working with Burnaby’s 2SLGBTQQIA community. When not at work, she enjoys hiking, reading, and listening to podcasts. She lives in Vancouver with her young child.
- Creator
- Burnaby Village Museum
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - Canada - Government relations
- Indigenous peoples - British Columbia - Languages
- Indigenous peoples - Canada - , Treatment of
- Responsibility
- Lemke, Jane
- Accession Code
- BV021.17.2
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- 29 Apr. 2021
- Media Type
- Moving Images
- Notes
- Title based on contents of video recording The following links wereshared at the end of the presentation:
- My Conversations with Canadians by Lee Maracle: https://bookhugpress.ca/shop/ebooks/essays-ebooks/conversations-with-canadians-by-lee-maracle/
- 21 Things You May Not Know About the Indian Act by Bob Joseph: https://www.ictinc.ca/books/21-things-you-may-not-know-about-the-indian-act
- CBC documentary series 8th Fire: https://www.cbc.ca/firsthand/blog/8th-fire-wabs-walk-through-history ‘Whose Land’ App: https://apps.apple.com/ca/app/whose-land/id1350310353
- “Unreserved” Podcast, Episode: January 20, 2019, ‘Hayden King’: https://www.cbc.ca/radio/unreserved/redrawing-the-lines-1.4973363/i-regret-it-hayden-king-on-writing-ryerson-university-s-territorial-acknowledgement-1.4973371
- Guidelines for Indigenous Territory Acknowledgement http://www.burnaby.ca/Assets/Burnaby+Interagency/Guidelines+for+Indigenous+Territory+Acknowledgement.pdf
- United Nations Declaration on the Rights of Indigenous Peoples: https://www.un.org/development/desa/indigenouspeoples/declaration-on-the-rights-of-indigenous-peoples.html
- Truth and Reconciliation Commission Calls to Action: http://trc.ca/assets/pdf/Calls_to_Action_English2.pdf
- Missing and Murdered Indigenous Women and Girls Calls for Justice: https://www.mmiwg-ffada.ca/wp-content/uploads/2019/06/Calls_for_Justice.pdf
Images
Video
Traditional, Ancestral & Unceded: A Conversation on Territorial Acknowledgements, 29 Apr. 2021
Traditional, Ancestral & Unceded: A Conversation on Territorial Acknowledgements, 29 Apr. 2021
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2021_0017_0002_002.mp4work basket
https://search.heritageburnaby.ca/link/museumartifact80211
- Repository
- Burnaby Village Museum
- Accession Code
- BV009.1.2
- Description
- Oval shaped coiled cedar root basket with cedar slat foundation. Overcast rim with remnants of a loopwork border. Decorated with vertical stripes of imbricated designs in canary grass and black dyed cherry bark. Cherry bark can be distinguished by the small eyes in the surface of the bark. If the basket maker is skilled the bark has a shiny appearance, if it has not been scraped properly it has a greyish tinge. Canary grass is differentiated from cattail and bear grass by its shiny appearance according to a Stó:lō/Stl’atl’imx elder and basket maker from Mount Currie, who was married into Upper Sḵwx̱wú7mesh.
- Object History
- Basket, ca. 1895-1910, from the collection of the L. Claude Hill family, who owned the property that became the Burnaby Village Museum. According to the Hill family, L. Claude's wife Anne Sarah Hill (nee Kendrick) traded blankets for baskets, although it is not known if this particular basket was obtained in this manner. Indigenous people travelled the trail that crossed Deer Lake Brook (Douglas Road / Canada Way).
- Measurements
- Measurements: width 31.5 cm and length 51.5 cm and depth 19.5 cm all measured from top edge to outside of basket, not including trim.
- Country Made
- Canada
- Province Made
- British Columbia
- School/Style
- Coast Salish
- Culture
- First Nations