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wallpaper fragment
https://search.heritageburnaby.ca/link/museumartifact40158
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.33.93
- Description
- Piece of wallpaper, small, rectangular; light beige ground flecked with small green dashes and larger brown dashes and squiggles; brown and greenish watercolour leaf shapes, parallel metallic gold lines of varying lengths grouped in threes; back appears to have pieces of other wall papers attached
- Object History
- This artifact was found in Love Farmhouse, in the bedroom, when one of the thermostats was found.
- Names
- Love, Jesse, 1849-1928
- Geographic Access
- Cumberland Street
- Historic Neighbourhood
- East Burnaby (Historic Neighbourhood)
Images
wall section
https://search.heritageburnaby.ca/link/museumartifact81703
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.33.108
- Description
- A section of wall board and plaster with a flower motif wallpaper on the top surface.
- Object History
- This item was taken from Love farmhouse. It is unknown what room the fragment is from.
- Measurements
- 13 cm. X 28.5 cm X 2.5 cm thick. ( plaster 1.5 cm and wallboard 1 cm)
- Geographic Access
- Cumberland Street
- Historic Neighbourhood
- East Burnaby (Historic Neighbourhood)
Images
wastebasket
https://search.heritageburnaby.ca/link/museumartifact4628
- Repository
- Burnaby Village Museum
- Accession Code
- BV987.1.13
- Description
- Wastebasket, wire.
Images
watch
https://search.heritageburnaby.ca/link/museumartifact16260
- Repository
- Burnaby Village Museum
- Accession Code
- HV982.6.10
- Description
- Pocket watch; silver, cream, black; outside of watch is silver metal with floral engraving; inside of watch has cream face with two gold flower sprays embossed on right and left; watch face is in the top part of face; bottom part of face has metal circle with metal bar running over it
- Object History
- C. 1900; rare; made in Switzerland
- Marks/Labels
- "8 JOURS" (French), painted on left bottom of face, under flowers "8 DIAS" (Spanish), painted on centre of watch face "8 DAYS", painted on right bottom of face, under flowers "SWISS", painted on centre of watch face, above '6' "R S", painted on left of face, under '7' "A F", painted on right of face, under '5'
- Country Made
- Switzerland
- Subjects
- Timekeeping Tools and Equipment
Images
watch
https://search.heritageburnaby.ca/link/museumartifact16261
- Repository
- Burnaby Village Museum
- Accession Code
- HV982.6.11
- Description
- Pocket watch with chain; gold coloured cover with white watch face and black numbers; has small second face for seconds at bottom; back has metal cover with engraving on inside
- Object History
- 9 carat; made in Switzerland; made in Birmingham according to accession register
- Marks/Labels
- "VERTEX", painted in centre of watch face "SWISS MADE", painted along bottom of watch face "For good service / presented to / James Murray (larger) / by / Ogston & Tennant Ltd.", engraved inside, on watch "679142" engraved inside, on cover
- Country Made
- Switzerland
- Subjects
- Timekeeping Tools and Equipment
Images
watch
https://search.heritageburnaby.ca/link/museumartifact27398
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.107.10
- Description
- Small watch (?) band, gold
Images
watch
https://search.heritageburnaby.ca/link/museumartifact27399
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.107.11
- Description
- Watch band, gold, woman's
Images
watch; chain
https://search.heritageburnaby.ca/link/museumartifact27395
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.107.7
- Description
- Gold watch chain
Images
watch; fob
https://search.heritageburnaby.ca/link/museumartifact16254
- Repository
- Burnaby Village Museum
- Accession Code
- HV982.6.4
- Description
- Watch fob: Compass, miniature, sterling silver in form of a ship's wheel and with initials "J.R" on back. C. 1910
Images
watchmaker file
https://search.heritageburnaby.ca/link/museumartifact89779
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.18
- Description
- watchmaker file; steel; lens-shaped, dual sided, duel ended file; one side/end has a fine double-cut pattern; the other side/end has a coarse horizontal, single-cut pattern; "G ANTOINE GARDON" stamped on double-cut pattern side, "4" stamped on the single-cut pattern side.
- Measurements
- L: 11.3 cm W: 0.9 cm
Images
watchmakers bench lathe
https://search.heritageburnaby.ca/link/museumartifact89803
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.1
- Description
- watchmakers bench lathe; cantilever-bed "Webster-Whitcomb" lathe manufactured by the "American Watch Tool Co"; nickle-plated; appears to be missing the draw-in spindle wheel and the spindle button
- Measurements
- L: 28.2 cm W: 22.5 cm
Images
Wax seal
https://search.heritageburnaby.ca/link/museumartifact36456
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.81.2
- Description
- Victorian Order of Nurses (V.O.N.) seal is the tabletop stamping type which imprints the words "VICTORIAN ORDER OF NURSES" and "BURNABY BRANCH"; official; stamper is black metal, lever at top; "MADE IN CANADA" at side of base; seal disc is brass; label at front transcribes the words on the seal.
- Object History
- The Victorian Order of Nurses for Canada is a non-profit charitable organization created for the purposes of home care and social services established in 1898 to perpetuate the memory of Victoria the Good. The Burnaby Branch of the Victorian Order of Nurses (VON) was established in 1912 with Miss Colhoun as its first nurse. Florence Hart was born in 1898 in New Westminster, and moved to Burnaby when she was 13. Her family lived in what is now known as Hart House. Both Florence and her husband Harold Godwin were awarded life memberships from the VON (Victorian Order of Nurses) for more than half a century of service. Hear her discuss her involvement with VON during the Great Depression: https://search.heritageburnaby.ca/permalink/oralhistory13 https://search.heritageburnaby.ca/permalink/oralhistory14 https://search.heritageburnaby.ca/permalink/oralhistory15
- Category
- 08. Communication Artifacts
- Classification
- Written Communication T&E - - Writing Accessories
- Object Term
- Wax, Sealing
- Subjects
- Communication Artifacts
- Occupations - Nurses
- Organizations - Charities
- Public Services - Health Services
Images
Way Sang Yuen Wat Kee & Co.
https://search.heritageburnaby.ca/link/museumdescription4648
- Repository
- Burnaby Village Museum
- Date
- 1908-1975
- Collection/Fonds
- Way Sang Yuen Wat Kee & Co. fonds
- Description Level
- Fonds
- Physical Description
- 3 folders of textual records + 180 photographs + ephemera + 1 map + 1 architectural drawing
- Scope and Content
- Fonds consists of records acquired from the Chinese Herbalist shop “Way Sang Yuen Wat Kee & Co” operating in Victoria from 1905 until 1968. Textual records include a few pieces of correspondence, receipts and ephemera addressed to "Way Sang Yuen Wat Kee & Co.", Lim You and Lim Yau (Yew Long Lum) wh…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Way Sang Yuen Wat Kee & Co. fonds
- Description Level
- Fonds
- Physical Description
- 3 folders of textual records + 180 photographs + ephemera + 1 map + 1 architectural drawing
- Scope and Content
- Fonds consists of records acquired from the Chinese Herbalist shop “Way Sang Yuen Wat Kee & Co” operating in Victoria from 1905 until 1968. Textual records include a few pieces of correspondence, receipts and ephemera addressed to "Way Sang Yuen Wat Kee & Co.", Lim You and Lim Yau (Yew Long Lum) while the shop was in operation at 1620 Government Street in the 1940s. Some of the records are written in English while a portion are written in Cantonese and haven't been translated. Most of the photographs document the content of the original shop at the time of aquistion in 1975. Some photographs of unidentified people may be related to the owner or proprietor of the shop. A collection of other photographs document various Chinese Canadian organizations that were in operation in Victoria. Records are arranged into the following series: 1) Way Sang Yuen Wat Kee & Co. photographs series 2) Way Sang Yuen Wat Kee & Co. documents series
- History
- The Chinese Herbalist shop "Way Sang Yuen Wat Kee & Co" operated in Victoria, BC from about 1905 until [1968]. The meaning of "Way Sang Yuen Wat Kee & Co" can be translated as "Collection, Life, Source, Alive, Shop" although many interpretations can be taken since each Chinese character can have several meanings. Contents of the shop were purchased by the Burnaby Village Museum in 1975 and reassembled as a permanent display in the Burnaby Village Museum. The shop’s original owner was Ng Chee Fong who opened the shop ca.1905. In 1921, Ng returned to Hong Kong and sold the business to Lam Yuen and Wong Ying who were from Vancouver. Lam Yuen and Wong Ying employed Lum Chuck Yue to operate the shop. Lum Chuck Yue had formerly operated a small herbal counter in a Chinese apothecary store on the south side of Fisgard Street, Victoria. In 1924 Lam Yuen and Wong Ying purchased Wah Sun & Co. from Lee S. Yew and Way Sang Yuen Wat Kee & Co. moved into the Wah Sun premises at 1620 Government Street in the Lee Block . The furnishings and fixtures of both stores were combined, with the more elaborate fixtures from WSYWK remaining as part of the public part of the shop and the plainer fixtures of Wah Sun moved into the workroom and basement. In the 1930s Lum Chuck Yue took over the business and became the proprietor. In about 1934, Tan Yi Tang purchased the business and the shop reopened as Way Sang Yuen Wat Kee & Co. following renovations with Lum Yew Jong as the shop's proprietor. Lum Yew Jong continued to operate the shop until his death in 1967 at the age of 68 years. Following Lum’s death, the property and contents of the shop were purchased by Mr. J. Watson Marles, a local owner operator of an antique store at 1714 Government Street. The shop and contents went through a few more private owners including Rodney Pain before it was purchased by the Heritage Village Museum in 1975 with funds made available by the Vancouver Foundation and the Province of British Columbia. Contents of the original shop were reasembled in a reconstructed building as a permanent display on site at the Burnaby Village Museum.
- Creator
- Way Sang Yuen Wat Kee & Company
- Accession Code
- HV975.5
- BV985.5331
- BV017.7
- Access Restriction
- Restricted access
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1908-1975
- Related Material
- See also Artifacts under Accessions HV975.5; BV985.5331 and BV017.7
- Notes
- Title based on contents of fonds
Way Sang Yuen Wat Kee & Co. documents series
https://search.heritageburnaby.ca/link/museumdescription19022
- Repository
- Burnaby Village Museum
- Date
- 1910-1970
- Collection/Fonds
- Way Sang Yuen Wat Kee & Co. fonds
- Description Level
- Series
- Physical Description
- textual records + 1 map + 1 architectural drawing
- Scope and Content
- Series consists of small collection of business records and newspapers that were part of the contents of the Way Sang Yuen Wat Kee & Co. at 1620 Government Street, Victoria in 1975.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Way Sang Yuen Wat Kee & Co. fonds
- Description Level
- Series
- Physical Description
- textual records + 1 map + 1 architectural drawing
- Scope and Content
- Series consists of small collection of business records and newspapers that were part of the contents of the Way Sang Yuen Wat Kee & Co. at 1620 Government Street, Victoria in 1975.
- Accession Code
- HV975.5
- BV985.5331
- BV017.7
- Date
- 1910-1970
- Related Material
- See also Artifacts under Accessions HV975.5; BV985.5331 and BV017.7
- Notes
- Title based on contents of series
wedding dress
https://search.heritageburnaby.ca/link/museumartifact3348
- Repository
- Burnaby Village Museum
- Accession Code
- BV989.39.1
- Description
- Wedding dress, 1917. Cream silk, jacket and skirt. Sailor collar, long sleeves, loose cut with fitting, beaded brooch, pleats and button trim on both pieces. The V neck has a large square sailor style collar, with two self covered ball buttons on either side just below the collar ends. At the V point there is a beaded floral brooch with tassels. The sleeves are loose fitting, trimmed with eight buttons at the forearm and gathered to half a cuff. The centre front of the bodice has a bust dart on either side, and cuts off at the waist. Here a belt attaches around the sides, trimmed with four buttons at either side front and back. The bodice's ivory silk lining is not pleated, and it is not attached at the bottom. It closes at centre front with two slide snaps. On the back of the jacket, there is a large pleat on either side. Centre back is fully pleated, and the pleats are sewn down from the neckline to underarm level. At the waistline, there is a narrower band of fabric that joins the side belts together and holds the pleats in place. The back of the jacket extends to the hips, and the sides extend several inches further and each end in a point. The skirt, made with six gores, falls smoothly over the hips. It has a pleated ruffle at the top and a waistband reinforced with a large grosgrain ribbon on the inside. The centre back and centre front are pleated from the waist to hem, the pleats sewn down to the end of the hips. Each side is trimmed with buttons spaced evenly from the waist to hem. The skirt closes at the right side back with slide snaps and hooks and eyes on the grosgrain.
- Object History
- Photocopy of the original wedding photo is in the acquisition file. Worn by the donor's mother, Mary Edith Pearl Collum (nee Dillabough). She married Eli Wilbert Collum on June 20, 1917, in Winnipeg (she was 25 years old). They moved to Vancouver in 1936, then to Burnaby in 1938. Edith gave the dress to her son first for safe keeping, and then as an inheritance. She passed away February 1, 1989 at age 97 (born 1892).
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact4388
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.48.63
- Description
- Wedding dress, c.1900-1906. Cream lace net lined with white china silk. High collar, pouter pigeon front, puffed sleeves. Comes with a long sash and matching skirt. The collar is made of several bands of lace. The bodice is also lace, with embroidery. On the front there is a pin tucked yoke, and bordering this on the front and back are circles of lace with line embroidery inside. Below this there are more pin tucks and bands of lace. The front puffs out creating a pouter pigeon bodice, and there is a gathered flounce below the waistline. It closes with hooks and eyes at centre back. The sash, a long yellowish-cream piece of silk fabric, would go overtop of the waist. The sleeves are gathered at the cap and again at the cuff. There are bands of lace at the lower forearm, and they end with lace flounce cuffs of the same embroidered circles seen on the bodice. The skirt has a lace top layer and a white china silk lining that is attached at the small waistband. There are tiny pin tucks in the lace layer at the waistband. Halfway down, there is a band of embroidered circles, the same as those on the bodice. They are separated by two bands of lace. There are two more of the same bands of lace near the hem. The net layer has three gores, and the lining has five. There are also two ruffles at the lining hem.
- Object History
- Donor acquired object in 1951 from the estate of her mother-in-law, Flora Isabell (McArthur) McOuat.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact4503
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.71.1
- Description
- Wedding dress, c.1909-1910. White cotton crepe with hand embroidery. Short bodice with pin tucks, slight pouf, and three quarter sleeves. Pleated ankle length column skirt. The bodice has a small lace edged V neck, and three pin tucks on each shoulder. Two of the pin tucks angle inwards and continue to the waistline. Between the tucks the bodice is covered with hand worked floral and ribbon themed embroidery. It is gathered at the waistband, creating a slight puff reminiscent of the recently out of fashion pouter pigeon bodice. The back of the bodice has three vertical pin tucks that extend from the shoulder to the waistband on either side of the centre back button closure, with thread covered buttons. There is a slight gather between the pin tucks and side back seams, from the panel under each arm. The sleeves are three quarters in length. They have turned up cuffs topped with embroidery and edged with the same lace as seen on the collar. The skirt has a sailor front opening with six thread covered buttons on either side of a centre front panel. Just past hip level, there are two accordion pleats on either side of the panel. There is a gore on each side and one on the back that flare out slightly; each has the floral and ribbon embroidery. On the back gore, there is a pleat on either side at calf level. The hem is ankle length.
- Object History
- From donor: "This was the wedding dress of my sister-in-law's mother, worn about 1905. They came from Maine. Made of cotton, hand embroidery, a typical "country-type" wedding gown of the period. It was given to me by my sister-in-law and I am only too glad to have it find such a welcoming spot in B.C.!"
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact6267
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.18.1
- Description
- Wedding dress, c.1907. Converted to day dress. Cream and white pouter pigeon bodice with lace and high collar. Full skirt and separate cumberbund. The shape of this dress is exemplary of the Edwardian pouter pigeon front, with a tiny waist to match. In museum records, there is a copy of the original wedding photo; on the back is written "shows dress before alteration to current state as day dress." The only readily noticeable differences are the absences of lace trim in the cuff and on the china silk bodice rosettes.
- Object History
- Made by Pattie Adelina Pearson, for her marriage to Charles James Mitchell in Gravesend, Kent, England on September 26, 1907. After, they travelled immediately to Canada, living in the provinces of Saskatchewan and Alberta, her daughter and son being born in the latter province. Pattie moved to Vancouver in 1918, where with the exception of the period when she lived in Victoria, she lived until her death in October 1981 at the age of 101 years. She would have been 27 years old when she wore the dress.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact11483
- Repository
- Burnaby Village Museum
- Accession Code
- HV977.32.2
- Description
- Wedding dress, c.1911. Made entirely of white alencon lace. High collar with celluloid stays, floor length full skirt, and three quarter length raglan sleeves. The high collar with three celluloid stays is topped with a ruffled butterfly lace. Below this, the regular pattern for the rest of the bodice is used: two types of floral, and rows of tiny pin tucks. This continues horizontally through the triangular yoke in front and back; two panels on the front and two on the back angle from the shoulders to the waist, where they overlap and form part of the closure on the back. The hook and eye closure begins at the top of the collar and continues to just below the hips, with extra closures to hold the cross-over lace in place. The sleeves are raglan, cut in one piece with the bodice. At the cuffs, there is an insertion of vertically pin tucked lace net, bordered by the same lace that tops the collar. That lace also forms the waistband in two rows. Below it the skirt of lace net is heavily gathered in three rows of shirring. It flares out from there, and at about knee level it ends with three more rows of shirring. The lace below this returns to the type seen on the bodice, without the pin tucks. It is gathered to the net layer, and a band of the butterfly lace hangs over the gathers.
- Object History
- Belonged to the mother of Mrs.F.Nimo (donor), Mrs.W.Ford. She married July 6th 1911 in Nut Mountain, Saskatoon. They moved out to live in the Burnaby area, Marine & Royal Oak.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact11635
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3523.1
- Description
- wedding dress, c.1902-1908. White china silk. Pouter pigeon bodice with half length sleeves and cumberbund. Skirt is shirred at waist and flares out at lower half. This Edwardian wedding dress is made almost entirely of china silk. Usually a lining fabric, the Edwardians often used it for special occasions such as weddings to achieve a floating, puffed up silhouette without any bulk at the waist. The bodice has three layers of ruffles at the high round neckline. The bodice front has two layers to hide its hook and eye closures. The back of the bodice has two panels four pin tucks for shaping. At the shoulders, there are rows of shirring that continue into the sleeve. The sleeves are gathered again into a cuff at their ends. The cumberbund is shirred at each end, as well as in the centre with three rows of shirring. There are three stays at the centre and one at each end; it closes with hooks and eyes which are covered by bows. The skirt has multiple rows of shirring at the waist. It has three gores, including one at the centre front that extends from the waistband without any shirring. There are two godets at the back seam and one at each of the side seams that begin at hip level and continue until about calf level. Then there is a new band of silk shirred onto the skirt, with three horizontal tucks at the bottom; the last tuck forms the hem. It is self lined under the bottom shirred section, with an un-gathered lining.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact30794
- Repository
- Burnaby Village Museum
- Accession Code
- HV972.5.4
- Description
- Wedding dress, c.1913. The fabric is an ivory silk chiffon, lined in white satin silk. The skirt extends mid-calf, the sleeves three-quarter length, and there is white beaded decoration on the bottom front of the skirt, as well as the front of the bodice. The silhouette of this dress shows the then fashionable shape of a raised waistline, as well as the poufed blouse front that was still popular. The fabric is light, flowy, and airy, but the cut has straight lines in features such as the bodice panels and large skirt pin tucks. The bodice closes via a panel that hangs down the front, attaches to the waist, and extends down the bodice back. There is an additional panel that attaches on each side front neck, forming a collar, and hangs down the back in a triangular shape. The front panel closes on the left side at the waist and at the left shoulder with snaps. There are two beaded floral starburst patterns, one each on the left and right side of the front bodice panel, connected with three curved lines. There is also a single line of white beads along the edges of the front bodice panel, and both back panels, including the front and side neck. The sleeves connect to the dress lining under the bodice panels. Each has a hanging panel around the elbow line which looks like four triangle shapes that point upwards, tacked above the elbow line. The cuffs are narrowed with a dart and two pin tucks, with a hook and eye closure on a bound placket. Around the waist, there is a belt that connects to itself with snaps, and is tacked to the waistline in the centre back. There are two snaps on the left side waist that may have once been used to secure the belt, but the belt no longer has any corresponding snaps. The skirt is somewhat gathered at the waist, more in the back than the front, and consists of three slightly flared gores. The front gore is plain except for a white beaded floral starburst motif near the bottom front. Three beaded tendril lines extend from either side, spanning the width of the front gore. The other two gores each extend from the side fronts to the centre back; they each have two three inch pin tucks, just above knee level and one below, that hang downwards and extend to centre back. The lining is attached at the waist, and hangs freely under the skirt. It has a front and back gore, as well as two triangular gores on each side starting at knee level. In the bodice it is attached at the neck and shoulders, where it attaches to the unlined sleeves. It closes on the left front with hooks and eyes. Inside the lining, the waist is reinforced with three inch cotton grosgrain ribbon which closes at centre front with hooks and eyes. The dress is sewn mainly by machine with french seams, although the four inch hem is hand sewn with a whip stitch. The sleeve pin tucks are also hand sewn. The length of the skirt lining was reduced just above its hem with a one inch hand stitched tuck.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact30795
- Repository
- Burnaby Village Museum
- Accession Code
- HV972.5.5
- Description
- Wedding dress or perhaps a regular dress once worn as a wedding dress, c.1910. Made from a heavyweight beige cotton. Embroidered net collar and yoke, and embroidered front panel. Princess seams and pin tucks form a flared, pleated skirt. Long sleeves, and pink edging on some seams. The fabric is a heavy, somewhat glossy cotton that makes the dress seem more like an item to be for everyday activities instead of as a wedding dress. Its silhouette is distinctive of the late Edwardian period, with its higher waist, close natural shaping, and somewhat flared ankle length skirt. In the bodice, two pleats on each side front create fullness. The collar and yoke are made of netting, lined with white silk, edged with pink ribbon, and embroidered in an undulating pattern of lines. There are two small brown buttons (previously covered in pink fabric) on either side of the net yoke. Two pin tucks run the length of either side of the back bodice. The sleeves are full length, with gathered caps and nine 1cm pin tucks down the length of each. There are two false previously pink buttons on each cuff, which are also edged in pink. A two inch waistband extends from the centre front panel to the back. There is a previously pink button on each front corner, and the whole band is edged in ribbon. The top left button is missing. It has a pink lining on the inside. The skirt is made up of six gores, not including the centre front panel. The left and right side of the skirt each have eight pleats, released halfway down with pin tucks. On the centre back, a pin tuck on either side of the closure released a large inverted box pleat. A false hem is hand sewn at the bottom, and machine sewn at its top. The dress closes with hooks and eyes along the centre back, from the top of the collar to a third of the way down the skirt. On the centre front, there is a panel that extends from the shoulders to the hem, using princess seaming. It is edged along its seams with pink ribbon. It is covered in in a hand-applied ribbon of couched thread, as well as some embroidered french knot flowers down the centre front line. The dress is mainly machine sewn. Seams are finished by whip-stitching the seam allowances together when the selvedge is not used.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress bodice
https://search.heritageburnaby.ca/link/museumartifact16553
- Repository
- Burnaby Village Museum
- Accession Code
- HV982.20.1
- Description
- Wedding dress bodice, c.1906. Ivory china silk with glass beads. Long sleeves and small round neckline. Matches skirt HV982.20.2, also in AB106-S27-3E. Under the small high neckline, there is a yoke covered in tiny pin tucks. It is in an oval shape on the front bodice and triangular in the back, and it is edged with a pattern of white and clear beads. The bodice back is plain below this, but the front has two layers. On the first, under layer, there is a centre front closure with hooks and eyes. On the left, the yoke is edged in beading and the rest is plain. On the right, the yoke is not edged with beads; it also angles further down towards the centre front. Below the yoke, the lining fabric is half exposed (on the side furthest from centre). On the fabric-covered side, there is a small patch pocket. The second, top layer is made of the same ivory silk. It is attached at the right shoulder, armhole, and side seam. This panel lays flat at the bottom of the yoke, edged with beads. It attaches with a hook and eye at the lower left corner of the yoke, and the panel was originally tacked together in pleats on the left side. The bottom is edged in beading, and would have hung in a curved shape. Under the top panel, the bodice shape is produced with twelve bones on: one large back panel, small back panel on either side, and one front panel on either side. The sleeves are long yet small leg o' muttons, gathered at the sleeve cap and narrowing to the wrist. At the cuff, there is the same white and clear beading pattern. Among the right sleeve's beading there is a single blue bead, perhaps for the bride's 'something blue.'
- Object History
- Worn by Anna Laura Gilbert when she married Walter Campbell Lauder in Ontario, July 1906. Donated by Annis M. Underwood, the second daughter of Anna. Annis was living in New Wesminster at the time of donation.
Images
wedding dress bodice
https://search.heritageburnaby.ca/link/museumartifact27496
- Repository
- Burnaby Village Museum
- Accession Code
- HV974.116.1
- Description
- Wedding dress bodice, c.1900. Green silk taffeta. Trimmed with black lace and green bows. Standing collar, leg o' mutton sleeves, small puff at front, shirring at waist. The bodice has a standing collar covered in black lace, and a flounce of the same lace going down each side front. The shoulders are shirred with a self fabric bow at the front of each shoulder. The sleeves are heavily gathered at the armscye to create a puff at the shoulders, which tapers down to a fitted width at the wrist. There is no cuff, but there is a small slit so that the wearer's hand can fit through. The bodice has a box pleat at either side of centre front and one at centre back; each connects to the shirring at waist level, which extends as far as the pleats on both front and back. Beneath this, the bodice flares out as a peplum and ends at the hips. Inside, the bodice is lined in brown cotton. An inner lining closes at centre front with hooks and eyes, and the front of the bodice (which is lined itself) closes with hooks and thread eyes at the left side. This continues up to the shoulder, and the collar closes at centre back.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress bodice and skirt
https://search.heritageburnaby.ca/link/museumartifact26060
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.127.1
- Description
- Wedding dress bodice and skirt, 1888. White lace. Bodice has three quarter length sleeves with ruffled cuff, round neck line, scalloped hem. Skirt is missing.
- Object History
- Dress was worn by Rachel Mills when she married George Davies in Winnipeg in September,1888. The couple soon moved west, renting a home in New Westminster for a short period before moving to a home at 6th Street and 3rd Avenue (now 12th Avenue) in Burnaby. For a short time they lived at a home that had previously belonged to George's brother, Richard, before moving to their own home next door on Lot 11. George and Rachel Davies raised four children in their home, two boys and two girls. Daughter Lillian May Davies wore the dress when she was a bridesmaid for Elizabeth Lewis when she married Henry Love circa 1907.
Images
wedding dress skirt
https://search.heritageburnaby.ca/link/museumartifact5274
- Repository
- Burnaby Village Museum
- Accession Code
- BV987.31.8
- Description
- Wedding dress skirt, c.1898-1906. Two cream skirts in cotton and silk, in a set consisting of beige lace overskirt with lace-trimmed beige underskirt. The overskirt is cut as a circle skirt from one piece of cotton alencon lace. It is gathered in the back. The only seam is at centre back, extending from the opening at the waistband with hooks and eyes to the hem. There is a small train. The underskirt is made from cotton and silk crepe. It has four un-gathered gores, arranged as two centre front panels and two side and back gores. At the centre back, it has an opening with hooks and eyes and snaps. At the centre back seam, the fabric comes together on the bias. The fabric is decorated with diagonal pin tucks that have been aligned to create chevrons down the centre front and horizontal lines along the back. There are also cut out lace inserts forming three lines down centre front (separating the two front gores) and in two rings that circle the skirt and angle upwards at the back. At the bottom of the skirt, there are two rows of scalloped tucks. Underneath, there is a separate cotton lining that is tacked to the main skirt. At the back of the underskirt, there is also a small train.
- Subjects
- Clothing
- Clothing - Costumes
Images
weight
https://search.heritageburnaby.ca/link/museumartifact44855
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.3
- Description
- Net weight, round, stone, doughnut-shaped with hole in the middle.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Weights and Measurements Tools and Equipment
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
weight
https://search.heritageburnaby.ca/link/museumartifact44856
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.4
- Description
- Net weight, round, stone, doughnut-shaped with hole in the middle. Made of volcanic stone.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Weights and Measurements Tools and Equipment
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
weights and box
https://search.heritageburnaby.ca/link/museumartifact9125
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.1549.1
- Description
- weights and storage box; rectangular wood box with hinged lid. Faded green velvet insert. Brass weights in graduated sizes: 50 g, 30 g , 20 g, 10 g, 5 g, 3 g, 2 g, and 1 g.
- Classification
- Weights and Measurements Tools and Equipment - Scales
Images
West Burnaby sewerage correspondence
https://search.heritageburnaby.ca/link/archivedescription1364
- Repository
- City of Burnaby Archives
- Date
- 1926-1928
- Collection/Fonds
- City Council and Office of the City Clerk fonds
- Description Level
- File
- Physical Description
- Textual records and architectural drawings
- Scope and Content
- File includes an ink on white linen table titled "West Burnaby Sewers, Tabulation of Bids", and a blueprint of the same. Also included is an ink on white linen plan with some notations in pencil (1927)
- Repository
- City of Burnaby Archives
- Date
- 1926-1928
- Collection/Fonds
- City Council and Office of the City Clerk fonds
- Physical Description
- Textual records and architectural drawings
- Description Level
- File
- Record No.
- 3171
- Accession Number
- 2001-02
- Scope and Content
- File includes an ink on white linen table titled "West Burnaby Sewers, Tabulation of Bids", and a blueprint of the same. Also included is an ink on white linen plan with some notations in pencil (1927)
- Media Type
- Textual Record
- Architectural Drawing
- Notes
- Plans/maps are located in file and have not been moved to map case.
whetstone with box
https://search.heritageburnaby.ca/link/museumartifact89823
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.29
- Description
- whetstone with box; arkansas oilstone; rectangular stone; wooden box with hinged lid; logo on box lid is unreadable.
- Measurements
- Box: L: 20.7 cm W: 7.5 cm H: 5.0 cm
- Stone: L: 17.3 cm W: 5.0 cm H: 1.4 cm
Images
whetstone with box
https://search.heritageburnaby.ca/link/museumartifact89832
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.30
- Description
- whetstone with box; arkansas oilstone; rectangular stone; wooden box with hinged lid.
- Measurements
- Box: L: 20.7 cm W: 7.5 cm H: 5.0 cm
- Stone: L: 17.3 cm W: 5.0 cm H: 1.4 cm
Images
Whisk
https://search.heritageburnaby.ca/link/museumartifact24556
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.5.1052
- Description
- Whisk broom; bamboo; black-brown in colour. Bound in two rows of twine material.
- Object History
- This item originates from the Chinese Herbalist Store "Way Sang Yuen Wat Kee & Company", Victoria, B.C.
- Classification
- Chemical T&E
- Marks/Labels
- No labels attached
- Measurements
- 18 cm height x 4 cm width
Images
whistle
https://search.heritageburnaby.ca/link/museumartifact39911
- Repository
- Burnaby Village Museum
- Accession Code
- BV999.24.21
- Description
- Whistle. Metal, World War 1 military, whistle on cord. Cord is attached to whistle's ring by metal clip.
- Object History
- Whistle belonged to Frederick Homer Cassels who was a World War I Veterinary Service Army veteran. Frederick immigrated to Burnaby from England in 1919.
- Frederick Homer Cassels was born June 25th 1870 or 1872 in Paisley, Ontario. He moved to BC in 1914 and settled in Vancouver. Cassels was a veterinary surgeon in the 103rd Battalion of the Canadian Expeditionary Force during World War I.
- Prior to that, Cassels worked in Washington State. He married Emily Frances McMullen in England in 1919. They came back to Canada and settled in Burnaby the same year.
- He later worked as a marble worker, sticker and polisher at Continental Marble Works until 1932. The family settled in Burnaby's "Skunk Hollow" area, an area off Boundary Road at 13th Avenue and Clydesdale. Their children attended Schou St. School.
- He passed away July 31 1948.
- Classification
- Sound Communication T&E - - Sound Communication Devices
- Object Term
- Whistle
- Marks/Labels
- "Patent 57208" "PATENT"
- Subjects
- Sound Communication Tools and Equipment
- Wars
- Wars - World War, 1914-1918
- Clothing
- Clothing - Military Uniforms
Images
whistle
https://search.heritageburnaby.ca/link/museumartifact87355
- Repository
- Burnaby Village Museum
- Accession Code
- BV015.36.14
- Description
- whistle, Girl Guides; silver metal “CANADIAN / GIRL GUIDES / MADE IN / ENGLAND” whistle on white macramé cotton string lanyard
- Object History
- Guide uniform dress (1935). Worn with brown leather belt, navy hat, folded triangular company tie. BV015.36.10 to BV015.36.14
- Category
- 03. Personal Artifacts
- Classification
- Clothing - - Clothing Accessories
- Communication Artifacts
- Names
- Girl Guides of Canada
Images
whistle
https://search.heritageburnaby.ca/link/museumartifact87469
- Repository
- Burnaby Village Museum
- Accession Code
- BV015.35.78
- Description
- whistle, Girl Guides; silver metal whistle on white cotton string lanyard; plating is coming off surface of whistle.
- Object History
- Whistle belonged to Dorothy Pitman who was a Girl Guide in the 1st Burnaby Company. She was known to be involved with guiding from 1919 to 1931. Textual records and photographs of the Pitman family, including one of Dorothy and her sister Gwen, are held by the City of Burnaby Archives. Dorothy and Gwen's parents, Ernest and Jean Pitman, owned McKay Dry Goods and Jubilee Dry Goods.
- Category
- 03. Personal Artifacts
- Classification
- Clothing - - Clothing Accessories
- Communication Artifacts
Images
wicker parlor chair
https://search.heritageburnaby.ca/link/museumartifact1839
- Repository
- Burnaby Village Museum
- Accession Code
- HV971.111.4
- Description
- Wicker chair, high back; elaborate caning on back and around seat
- Category
- 02. Furnishings
- Classification
- Furniture - - Seating Furniture
- Object Term
- Chair
- Subjects
- Furniture
Images
Windbreaker
https://search.heritageburnaby.ca/link/museumartifact90933
- Repository
- Burnaby Village Museum
- Accession Code
- BV021.4.6
- Description
- "British Columbia Summer and Winter Games" dark blue collared windbreaker jacket with light yellow sleeves. Front has 6 button snaps and white nylon cord at waist. Left chest "BRITISH COLUMBIA SUMMER and WINTER GAMES" with rectangular logo of torch and dogwood flower, followed by "B.C. DAIRY FOUNDATION"
- Object History
- Item pertaining to BC Summer Games which took place in Burnaby July 19-22, 1984.
- Category
- 03. Personal Artifacts
- Classification
- Clothing - - Outerwear
- Object Term
- Overcoat, Windbreaker
- Marks/Labels
- Interior labels "XL" and "SKYLINE SPORTS/ Vancouver, Calgary/By: ALPHA Sportswear Limited"
- Colour
- Blue
- Yellow
- Measurements
- 75cm high x 62 cm wide
Images
Windbreaker
https://search.heritageburnaby.ca/link/museumartifact90934
- Repository
- Burnaby Village Museum
- Accession Code
- BV021.4.7
- Description
- "British Columbia Summer and Winter Games" yellow collared windbreaker jacket with light yellow sleeves with elastic cuffs. Front has 5 button snaps and white nylon cord at waist. Left chest "BRITISH COLUMBIA SUMMER and WINTER GAMES" with rectangular logo of torch and dogwood flower, followed by "B.C. DAIRY FOUNDATION"
- Object History
- Item pertaining to BC Summer Games which took place in Burnaby July 19-22, 1984.
- Category
- 03. Personal Artifacts
- Classification
- Clothing - - Outerwear
- Object Term
- Overcoat, Windbreaker
- Marks/Labels
- Interior labels "M" and "SKYLINE SPORTS/ Vancouver, Calgary/By: ALPHA Sportswear Limited"
- Colour
- Yellow
- Measurements
- 72 cm high x 52 cm wide
Images
Window
https://search.heritageburnaby.ca/link/museumartifact29025
- Repository
- Burnaby Village Museum
- Accession Code
- HV973.41.101
- Description
- Wooden frame around two rectangular shaped windows with a wooden separation bar. The frame and windows are both dark (brown/black). The wooden frame appears to be composed of mahogony. The windows are composed of a glass-like material yet do not appear to be ordinary glass. One side of the windows has a scallop shell pattern and the other side is plain. Two holes are drilled through the edges of the frame at the midpoint. Length: 114 cm Width: 25 cm Thickness: 2.1 cm
- Object History
- British Columbia Electric Railway transom window.
- Marks/Labels
- Small blue sticker "BCER - B52".
- Subjects
- Transportation
- Transportation - Public Transit
- Transportation - Electric Railroads
- Advertising Medium
- Advertising Medium - Signs and Signboards
Images
Window
https://search.heritageburnaby.ca/link/museumartifact29026
- Repository
- Burnaby Village Museum
- Accession Code
- HV973.41.102
- Description
- Wooden frame around two rectangular shaped windows with a wooden separation bar. The frame and windows are both dark (brown/black). The wooden frame appears to be composed of mahogony. The windows are composed of a glass-like material yet do not appear to be ordinary glass. One side of the windows has a scallop shell pattern and the other side is plain. Two holes are drilled through the edges of the frame at the midpoint. Length: 114 cm Width: 25 cm Thickness: 2.1 cm
- Object History
- British Columbia Electric Railway transom window.
- Subjects
- Transportation
- Transportation - Public Transit
- Transportation - Electric Railroads
- Building Components
- Building Components - Windows
Images
wire gauge measuring tool
https://search.heritageburnaby.ca/link/museumartifact89784
- Repository
- Burnaby Village Museum
- Accession Code
- BV018.37.21
- Description
- wire gauge measuring tool; circular disk head with five holes of different diameters punched through it; twisted wire loop handle; unbranded.
- Measurements
- L: 10.0 cm W: 1.8 cm
Images
wok
https://search.heritageburnaby.ca/link/museumartifact24561
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.5.1057
- Description
- Wok
- Object History
- Contents of Chinese Herbalist Store "Way Sang Yuen Wat Kee & Co.", Victoria B.C.
Images
wok
https://search.heritageburnaby.ca/link/museumartifact24562
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.5.1058
- Description
- Metal wok with two handles opposite each other. Area close to handles is particularly rusty. An imprinted circle with approximately a 10 cm diameter in the middle.
- Object History
- This item originates from the Chinese Herbalist Store "Way Sang Yuen Wat Kee & Co.", Victoria B.C.
- Classification
- Chemical T&E - - Labware
- Measurements
- 32cm height x 32 cm width
Images
wok
https://search.heritageburnaby.ca/link/museumartifact24563
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.5.1059
- Description
- Large wok, with wooden steaming rack and metal stand for rack
- Object History
- Contents of Chinese Herbalist Store "Way Sang Yuen Wat Kee & Co.", Victoria B.C.
Images
wok
https://search.heritageburnaby.ca/link/museumartifact24564
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.5.1060
- Description
- Wok
- Object History
- Contents of Chinese Herbalist Store "Way Sang Yuen Wat Kee & Co.", Victoria B.C.
Images
woman's jacket
https://search.heritageburnaby.ca/link/museumartifact17967
- Repository
- Burnaby Village Museum
- Accession Code
- HV978.24.2
- Description
- Jacket, woman's, black silk taffeta, pleated. Possibly maternity or dressing sacque.
- Subjects
- Clothing
- Clothing - Costumes
Images
woman's suit
https://search.heritageburnaby.ca/link/museumartifact4398
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.50.9
- Description
- Woman's suit, c.1909-1912. White cotton with white embroidery. Jacket with collar and long sleeves, and flared ankle length skirt. The jacket has a large rolled collar covered in hand worked white floral embroidery with a scalloped edge. This embroidery continues down the edges of the centre front opening, and around the jacket hem. The front of the jacket has princess seaming on either side, and the back is made of one piece above the waist. Below, there are three inserted panels creating a peplum. The front closes with a single white button and thread loop at waist level. All the seams on the front and back shaping are flat felled; the others are left unfinished. The skirt waistband is simply folded over and basted into place. It has nine gores, and an opening at the front left with six snaps. The white embroidery goes around hem, and comes halfway up the centre front. The hem is machine sewn, and the seams are left unfinished.
- Object History
- Made by Louisa Killam Richardson.
- Subjects
- Clothing
- Clothing - Costumes
Images
woman's suit
https://search.heritageburnaby.ca/link/museumartifact5564
- Repository
- Burnaby Village Museum
- Accession Code
- BV986.13.1
- Description
- Woman's suit jacket and skirt. Jacket is grey and black patterned (striped) silk, has front closing and is lined. Skirt matches jacket, is floor length and is lined. Possibly circa 1870s.
- Object History
- Object was inherited by donor from her grandmother, Dr. Viola Mae (Boley) Coe (1863-1946) of Portland, Oregon. Dr. Coe was a physician and U.S. suffragist, and President of the Oregon State Equal Suffrage Association and was present for the signing of the Oregon equal suffrage proclamation on November 30, 1912.
- Subjects
- Clothing
- Clothing - Costumes
Images
woman's suit
https://search.heritageburnaby.ca/link/museumartifact6270
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.20.1
- Description
- Woman's suit, c.1917. Black silk brocade with a large collar decoration of ivory wool with black lace. Long sleeves with wool and lace cuffs, ankle length skirt. The neckline of the jacket has a large flat triangular ivory wool collar with black floral lace applique. On the back bodice there is an overlapping extension of the collar in a large square shape. The jacket opens in centre front with five self fabric buttons, ending slightly below the natural waistline. A belt that starts at the natural waistline, between the last two buttons, from the side front seams and continuing around the back. It is tacked to the jacket in several places. The sleeves are long with ivory wool cuffs that reach up to a point on the outside, and a black floral lace applique. The jacket is constructed so as to flare out from the waist. At each side front, there are two panels with a godet in between them. There are four back panels, with a godet on either side of the two centre back panels. There are also two godets at each side seam. There was originally off-white silk brocade, but it was replaced with silk charmeuse in restoration as the original lining was disintegrating. On the inside edge of the front closure, there is a facing under the buttons that continues around the back of the neckline in a thin strip. The shoulder seams are also set further into the back of the jacket. The skirt is made of seven gores, unlined. The front is somewhat gathered. The waistband has a grosgrain ribbon, and closes in the back with two hooks and eyes. the rest of the opening closes with six snaps. The hem extends to the ankles, and the seams are finished by pinking.
- Object History
- The suit belonged to the mother-in-law of a friend of the donor, named Dougan from Montana. It went to California from there, then British Columbia.
- Subjects
- Clothing
- Clothing - Costumes