Search Results | Heritage Burnaby

Cabin

https://search.heritageburnaby.ca/link/museumdescription13061

Repository: Burnaby Village Museum

Date: 1973 (date of original), digitized in 2020

Collection/Fonds: Burnaby Village Museum Film and Video collection

Description Level: Item

Physical Description: 1 film reel (22 min., 22 sec.) : 24 fps, polyester, positive, col., sd. ; 16 mm

Scope and Content: Item consists of a film titled "Cabin" that is produced and directed by James Bizzochi. The film documents the building of a log cabin using pioneer tools. The building takes place at Heritage Village (now Burnaby Village Museum) and includes a commentary by the craftsman, Earl Carter. Opening foot…

1 image 1 video

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum Film and Video collection

Series: Burnaby historical reference collection series

Description Level: Item

Physical Description: 1 film reel (22 min., 22 sec.) : 24 fps, polyester, positive, col., sd. ; 16 mm

Material Details: Producer and Director - James Bizzocchi; Cabin building and narration - Earl Carter; Editing- Justine Dancy; Director of Cinematography - Selwyn Pullan; Music- Ralph Dyck; Titles - Carl Chaplin

Scope and Content: Item consists of a film titled "Cabin" that is produced and directed by James Bizzochi. The film documents the building of a log cabin using pioneer tools. The building takes place at Heritage Village (now Burnaby Village Museum) and includes a commentary by the craftsman, Earl Carter. Opening footage includes historic photographs from the Vancouver Public Library Photographic collection.

History: Film director and producer James (Jim) Bizzochi is a moving image artist living and working in British Columbia. Jim created the film while working as a professor with Simon Fraser University. Cinematographer Selwyn Pullan is a distinguised Canadian photographer who specialized in building photography documenting B.C. mid-century modernism.

Publisher: Copyright 1973, Jim Bizzocchi. All rights reserved,

Other Title Information: Copyright 1973, Jim Bizzocchi. All rights reserved,

Subjects: Buildings - Civic - Museums; Buildings - Residential - Cabins; Construction; Construction Tools and Equipment

Names: Carter, Earl; Bizzocchi, James; Pullan, Selwyn; Chaplin, Carl; Dancy, Justine; Dyck, Ralph; Burnaby Village Museum

Accession Code: BV020.5.709

Access Restriction: Restricted access

Reproduction Restriction: May be restricted by third party rights

Date: 1973 (date of original), digitized in 2020

Media Type: Moving Images

Photographer: Pullan, Selwyn

Notes: Transcribed title; Copyright MCMLXXIII; Film under copyright - for Fair Dealing Purposes only; End Credits : "Thanks to / Heritage Village Museum - Burnaby / Simon Fraser University Film Workshop / Vancouver Public Library Photographic Collection"

Images

Video

Cabin, 1973 (date of original), digitized in 2020

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2020_0005_0709_001.mp4

Burnaby Sports Day

https://search.heritageburnaby.ca/link/archivedescription85204

Repository: City of Burnaby Archives

Date: [between 1936 and 1939]

Collection/Fonds: Digney Family fonds

Description Level: Item

Physical Description: 1 film clip (8 min., 37 sec.) : digital, col., si.

Scope and Content: Item is a digitized copy of a silent colour film segment with footage of the annual Sports Day events held at Burnaby Central Park. The film opens with an unidentified dedication ceremony and tree planting in an unknown location and switches to students marching into Central Park. Hundreds of child…

1 image 1 video

Repository: City of Burnaby Archives

Date: [between 1936 and 1939]

Collection/Fonds: Digney Family fonds

Physical Description: 1 film clip (8 min., 37 sec.) : digital, col., si.

Description Level: Item

Record No.: 562-002-3

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Accession Number: 2012-15

Scope and Content: Item is a digitized copy of a silent colour film segment with footage of the annual Sports Day events held at Burnaby Central Park. The film opens with an unidentified dedication ceremony and tree planting in an unknown location and switches to students marching into Central Park. Hundreds of children and Youth are showcased in sporting field events and competitions such as track and field sports, acrobatics, gymnastics, dancing, leap frog, skipping, rugby.

Subjects: Events - Parades; Occupations; Occupations - Labourers; Organizations - Mens' Societies and Clubs; Organizations - Womens' Societies and Clubs

Media Type: Moving Images

Photographer: Digney, Andy

Creator: Digney, Andy

Notes: Title based on contents of film; Film clip originates from digitized version of original 16 mm film footage (item 562-002). This segment was part of digitized portion titled 'May Day Events'

Geographic Access: Kingsway; Central Park

Street Address: 3883 Imperial Street

Historic Neighbourhood: Central Park (Historic Neighbourhood)

Planning Study Area: Sussex-Nelson Area

Images

Video

Burnaby Sports Day, [between 1936 and 1939]

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Moving_Images/_Unrestricted/562-002-3.m4v

Farmer Boy

https://search.heritageburnaby.ca/link/museumdescription9678

Repository: Burnaby Village Museum

Date: 2016

Collection/Fonds: Burnaby Village Museum Film and Video collection

Description Level: Item

Physical Description: 1 video recording (mp4) (6 min., 6 sec.) : digital, 25 fps, col., sd., stereo

Scope and Content: This film is created by Lester Gierarch. Part of the Gierach heritage his father instilled in him was the work ethic of “early to bed, early to rise, makes a man healthy, wealthy and wise.” This film shares Lester’s happy memories of working on the Y.Y. Sim farm, in Cloverdale, B.C., when he was 1…

1 image 1 video

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum Film and Video collection

Series: Elders Digital Storytelling project series

Description Level: Item

Physical Description: 1 video recording (mp4) (6 min., 6 sec.) : digital, 25 fps, col., sd., stereo

Scope and Content: This film is created by Lester Gierarch. Part of the Gierach heritage his father instilled in him was the work ethic of “early to bed, early to rise, makes a man healthy, wealthy and wise.” This film shares Lester’s happy memories of working on the Y.Y. Sim farm, in Cloverdale, B.C., when he was 15 years old. He worked hard alongside Chinese men and women who were new immigrants to Canada as he helped to harvest lettuce and celery for 80 cents an hour. Through this experience Lester grew comfortable working with people of another culture who also knew the importance of working hard.

History: Lester Gierach has lived in Burnaby for the past 22 years.

Creator: Gierach, Lester

Other Title Information: title supplied by film maker

Subjects: Persons - Chinese Canadians; Occupations - Agricultural Labourers; Occupations - Farmers

Names: Gierach, Lester

Accession Code: BV016.37.9

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Date: 2016

Media Type: Moving Images

Notes: Transcribed title; The film was produced in 2016 as part of the Elders Digital Storytelling project. Digital storytelling is a form of narrative that creates short movies using relatively simple media technology. The project began in 2014 funded by Social Sciences and Humanities Council of Canada (SSHRC) and AGE-WELL NCE grants. In partnership with the City of Burnaby, digital storytelling workshops were offered in Burnaby. The workshops helped older adults create short autobiographical films that tell a special story in their lives, complete with music, photos and narration. This film was produced at one of those workshops.

Images

Video

Farmer Boy, 2016

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2016_0037_0009_001.mp4

Interview with Surjeet Kaur Parmar

https://search.heritageburnaby.ca/link/museumdescription19350

Repository: Burnaby Village Museum

Date: [1905-2022] (interview content), interviewed 6 Dec. 2022

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)

Scope and Content: Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and…

1 document 1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: South Asian Canadian Interviews subseries

Description Level: Item

Physical Description: 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)

Material Details: Interviewer: Anushay Malik Interviewee: Surjeet Kaur Parmar Language of Interview: Urdu, Hindi and Punjabi Location of Interview: home of Surjeet Kaur Parmar in Burnaby Interview Date: December 6, 2022 Total Number of tracks: 2 Total Length of tracks: (1:15:32) Digital master recordings (wav) were edited into one recording and converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and Canada, her personal experiences and her ancestors’ stories as South Asian immigrants, reflections on and personal experiences of racial discrimination as a South Asian immigrant, her places of residence, her employment background, her cultural practices and traditions including food, clothing and craft. The interview begins with introductions from interviewer Anushay Mailik. Surjeet Kaur Parmar imparts her own family’s migration story beginning with her very first elders that immigrated to Canada from India. A relative (unnamed) immigrated to Canada first and a few years later (around 1905) returned to India and brought back three cousins that included; Ginaya Singh (Ghania Singh Manhas) and Doman Singh . Mayo Singh (Ghania Singh’s younger brother) came in 1906 on his own to join them. Surjeet’s grandfather (Shair/Sher Singh Manhas) also wanted to immigrate at this time, but he was too young and weak to manage such a long trip. Surjeet conveys that while living in British Columbia, Mayo and Ginaya Singh worked together at saw mills. With their knowledge and understanding of mill work they ended up owning and operating a mill in Paldi near Duncan on Vancouver Island. At this time, most of the men from Surjeet’s family region in Punjab were abroad and with no men living at home. Mayo Singh’s father (Bhulla Singh) looked after her father (Lashman Singh Manhas) and paternal uncle (Kashmir Singh Manhas) back in Punjab. When Mayo’s father died, Mayo Singh adopted her paternal uncle (Kashmir Singh) and brought him to Canada in 1926. Surjeet describes her ancestors’ immigration journey from India to Canada. They all travelled by ship and if someone ran out of money en route, they could work on the ship. Surjeet explains that both Mayo and Ginaya Singh are Surjeet’s grandfather’s first cousins and her father’s second cousins. Surjeet recollects her grandfather (Shair/Sher Singh Manhas) saying “now that you’ve arrived there, take one cousin from each side with you”. Surjeet explains that the cousins were all from the same village in Punjab and her great grandfather wanted someone to go abroad, so he sent a few and had them bring more as the years went on. Surjeet says that she’s uncertain as to why they chose Canada rather than America but thinks that they did some form of research and determined that it was a good place to come to. Surjeet admits that she doesn’t know the name of her paternal grandfather or other elders since she never met them. Surjeet shares that it was a traditional practice to mark pots and pans with family names and imparts that she discovered her father’s name “Lashman Singh” written on the bottom of a glass. Surjeet expresses that she’s marked her own pots and pans with her name to identify which ones are hers when she gets together with family or does catering. Surjeet refers to a kohl bottle that she has and how she’d like to offer it to the museum. She explains how the kohl bottle is no longer in use but was used by her mother (Budhan Kaur Manhas) and daughter and her grandchildren. Surjeet describes a blanket that she made called a “phulkari”, now on display in a small museum in Coquitlam, a wedding shawl, that her daughter now owns and a silk sari with embroidery. Surjeet and Anushay discuss the possibility of donating the kohl bottle and the sari to the museum. Surjeet explains how the kohl is used and how her mother used to make kohl. She describes how you rub the kohl with your hands, put cardamom in it, one or two other ingredients and fill the kohl bottle up with water. Surjeet says that she used kohl as eyeliner when living in India. The interviewer asks Surjeet more about Ginaya Singh. Surjeet conveys that Ginaya Singh ended up leaving the mill on Vancouver Island and moved to Vancouver. After Ginaya Singh died from a heart attack (in 1953) his family moved from Vancouver to Burnaby. Surjeet recalls that following the death of Ginaya Singh’s youngest son, her family didn’t celebrate “Lohri” (a winter festival celebrating newborns and newly married people) for three years. She shares that she was very young at this time but remembers there being beautiful photographs of young children all dressed up and displayed in her family home. She expresses that dressing up for photos has changed over time and adds that suits didn’t really come into fashion until after the 1970s or 1980s. Surjeet conveys that her uncle named Kashmira Singh first worked at the mill in Paldi near Duncan then moved to Vancouver and opened up his own mill in North Vancouver. Surjeet’s father, Lashman Singh Manhas arrived in 1953. Surjeet expresses that Kapoor Singh was educated and worked as a manager at the mill on Vancouver Island. Surjeet recollects meeting Mayo Singh, his wife and eldest son in 1952 when they travelled to India for a cousin’s wedding. Surjeet remembers that Mayo Singh’s family had a very large house in India. She describes the house as a very opulent two story house with indoor plumbing for a bathtub, a kitchen with a woodstove, coloured mirrors, bejeweled curtains, a motor room to park cars, a buffalo and more. Surjeet refers to Nand Singh, a younger brother of Mayo Singh, who travelled from India to San Franciso and spent a year wandering around before deciding to return to India. She describes him as living in Bombay with his wife Vishan Kaur and having a transport business. Nand had two kids that came to Canada. Surjeet recollects the tragic death of Ganda Singh (Ginaya Singh) who died of a heart attack on someone’s doorstep, they thought that he was drunk so didn’t open the door. Surjeet conveys that Mayo Singh’s wife, Mission Kaur (Saradani Bishan Kaur) died while visiting India (in 1952) and that some of Mayo’s sons were married in Canada and one in India. Surjeet expresses that it was hard for Mayo’s sons to have one of their parents die in India and one die in Canada (Mayo Singh died in B.C. in 1955). Surjeet describes the hospital that Mayo built in the village of Paldi. She mentions that there were festivals and functions that took place there, there were many nurses and doctors. She recalls there being a school where their land was. She recalls that if they got headaches they were treated with medicine and that it didn’t cost much, only a six pence. Surjeet talks about her arranged marriage to Kalwant Singh "Nadeem" Parmar. Surjeet explains that her father and brother immigrated to British Columbia first (1953) and after a few months they brought Surjeet and her mother (Budhan Kaur Manhas). She recollects that when she was in Grade 10 and around 17 years of age, her family made plans to travel to India to attend a family wedding. During this time, her father suggested that it would be a good opportunity to take Surjeet with them to find her a husband in India to marry. After meeting and marrying Nadeem Parmar in India, Surjeet and Nadeem moved to England. Surjeet recollects that in order to immigrate to Canada, each family member had to pass a medical exam and how difficult it was. Her two sisters, mother and brother all had to take the test in Delhi. Surjeet recalls living in England with Nadeem. While living in England, Nadeem worked during the day and studied engineering at college in the evening. Surjeet expresses that she liked living in England and was sad to leave. While living there, they enjoyed a close knit Punjabi community and they all lived in the same area. Surjeet states later in her interview that living in Canada was different from living in England. In England, family and friends lived closer together whereas in Canada places were further apart. Surjeet says that while living in England she could walk to do her shopping. While living in England, after her children were a bit older, she worked as a seamstress in a shirt factory for a few years before coming to Canada. Surjeet imparts that her father (Lashman Singh Manhas) died of a heart attack in 1970 and her mother (Budhan Kaur Manhas) died in 1998. Her father and her family first lived in North Vancouver and then her parents bought a house on Eton Street in Burnaby, near the Ocean. After her father died, her brother and mother bought a house and moved to the Capitol Hill neighbourhood in Burnaby. In 1973, Surjeet, Nadeem and their two children immigrated to Canada and moved in with her brother and mother. Surjeet includes that her paternal aunt (Koshali Kaur Manhas) and cousins also moved to Burnaby and that her aunt and some of her cousins were sponsored by her son who came earlier. Surjeet recalls that after arriving in Canada she got work sewing in a factory located on Water Street in Gastown. Surjeet recollects travelling to her job by bus. Surjeet shares that she brought saris and quilted blankets “rijai”, not household items, in her suitcase when she came to Canada from England. Surjeet explains that the “rijai” (quilted blankets) were made from cotton from her home village in India. The blankets were made by women and then brought back to her to quilt on her sewing machine. Surjeet recalls that when she returned to Canada (in 1973 with her husband and children) they first lived with her mother and brother on Capitol Hill in Burnaby before moving to a house on Fell Avenue and then to their current home in 1982. In 1981, she worked at “Canadian Window Covering” factory making window coverings. The factory was located in the Brentwood area of Burnaby. Surjeet recalls how the factory became unionized and of how she left the factory and found union work at the Labatt’s brewery (Winery and Distillery Workers Local 300). Surjeet describes the work that she did while working at Labatt’s brewery which was located next to the Royal Columbian Hospital in Burnaby. Around 1995, when the Labatt’s factory closed down in Burnaby, she got union work as a bottle sorter for BDL Brewers Distributor Limited, where bottles were gathered for distribution at Braid Station. Surjeet left this job in 2000. Surjeet talks about traditional foods like bindi, sabji, aam and karela and where she’s shopped to find traditional ingredients for South Asian cuisine. She recollects how at first she could only find traditional ingredients at stores in Gastown, Chinatown and on Main Street in Vancouver but now they are more readily available at major grocery stores. Surjeet expresses that traditional spices and dry goods have been hard to find, apart from stores like, Famous Foods and Patels when it was located on Commercial Drive. Surjeet talks about using ingredients such as green pea flour and Besan flour to make pakoras and kahdri. Surjeet states that many immigrants didn’t wear their traditional clothing until she came later. She expresses that many South Asian immigrants didn’t wear their clothes “because there were no rights, we had to try to become like them”. Surjeet conveys that even though some were able to purchase property (she provides an example of family members in Duncan who faced discrimination by the owner/seller of a piece of property they were purchasing) that they had very little rights and they were all living in fear. She expresses that she herself didn’t experience this but in the beginning when people settled here (in B.C.) that it was very difficult. Surjeet says that when she goes to the Gurdwara and to work, she wears a sari and conveys that while working at the factory, she was encouraged to wear a sari, it was accepted then. She brought printed saris to work and her co workers said that they’d wear them to parties. Surjeet reflects on her own experiences of racism and discrimination and expresses that her generation “has learned how to stand up in front, then they got scared of saying anything”. “The people who came here first were afraid because they were alone, they had to settle down here and make a home from scratch, but the ones who came after had everything already built and made”. She explains how they helped one another when they came (to British Columbia). She describes how the Gurdwara was located on 2nd Street and all of the ships went there (new immigrants?), people would gather, get water, help one another and there would be a place for all people. Surjeet shares a personal experience of helping members of her husband’s family to immigrate to Canada. She tells of the complications of some being left behind in India and that some came to Canada as refugees that she and her husband sponsored. Surjeet expresses their struggles with raising a family, working and trying to pay for their own house while also trying to assist and support family members. Surjeet describes in detail how her husband Nadeem went back to India after his mother died to help his father, sister and her family immigrate. She explains that the immigration process took about four years and his father had to apply as a refugee. Nadeem’s sister came with her children but had to return to India so Surjeet and her family had to look after Nadeem’s sister’s child/children. Surjeet expresses that during this time she continued to work at Canadian Window Coverings, working an afternoon shift and sometimes taking her son with her. She expresses that this as a very hectic time, working the whole day, making food for everyone, grocery shopping, looking after a her sister in law’s younger child at night and getting no rest. Surjeet describes the time when she was working and her children were attending the local school. She expresses the challenges of working long days and often arriving home after her children. She recollects a time when there was a snow storm and how she was worried about her children making it home and being alone while she was at work, there were no cell phones in those days but they had phone numbers of her brother and sister. Surjeet tells of how they tried to help the rest of the Nadeem’s family immigrate including his brother who was a soccer player in India. They were able to buy a house for the whole family to live but expresses after several months Nadeem’s brother decided to stay in India. Surjeet expresses the complications and frustrations of trying to bring all family members to Canada.

History: Interviewee biography: Surjeet Kaur Parmar was born in Punjab, India in 1942 to parents Lashman Singh Manhas (1913-1970) and Budhan Kaur Manhas (1906-1998). Surjeet’s ancestors, Ghania Singh Manhas, Doman Singh and Mayo Singh immigrated to British Columbia in 1905 and 1906. The group got work in saw mills and soon began owning and operating their own saw mills, first in Chilliwack and Rosedale districts and later in 1920 on Vancouver Island near Duncan (Paldi) (known as the Mayo Lumber Company). In 1927, Surjeet’s paternal uncle, Kashmir Singh Manhas left Paldi, Punjab at the age of 18 years with Mayo Singh Manhas and after months of travel they arrived at Paldi on Vancouver Island. In 1953, Surjeet’s father, Lashman Singh Manhas and her two brothers immigrated to Canada and soon after brought her and her mother, Budhan Kaur Manhas. After immigrating, her father began working at “Kashmir Lumber Company” in North Vancouver which was owned by his brother Kashmira Singh Manhas. Surjeet, her parents and two brothers first made their home in North Vancouver and the 1960s they moved to 3824 Eton Street in Burnaby. In 1959, Surjeet and her family returned to India for her brother’s wedding. During this time a marriage was arranged for Surjeet to marry Nadeem Parmar and they were married in 1960. Following their marriage, Surjeet and Nadeem moved to England where they began raising their two children. While living in England, Surjeet worked as seamstress at a factory. In 1973, following the death of Surjeet’s father who died in 1970, Surjeet and Nadeem decided to immigrate to British Columbia. For the first few years, Surjeet, Nadeem and their two children lived with her mother and brother in the Capitol Hill neighbourhood of Burnaby before purchasing their own home on Fell Avenue. While living in Burnaby Surjeet has worked as a seamstress for Canadian Window Covering, Labatt's Brewery and BDL Brewers Distributor Limited which she left in 2000. In 1982, Surjeet and her family moved into a new home that they had built on Woodsworth Street where they still live today. Interviewer biography: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”.

Creator: Burnaby Village Museum

Subjects: Buildings - Industrial - Saw Mills; Clothing; Crafts; Employment; Migration; Social Issues; Social Issues - Racism; Occupations - Labourers; Occupations - Millworkers; Persons - South Asian Canadians

Names: Parmar, Surjeet Kaur; Parmar, Kalwant Singh "Nadeem"; Manhas, Ghania Singh; Singh, Mayo; Manhas, Kashmir Singh; Manhas, Sher Singh; Manhas, Budhan Kaur; Manhas, Lashman Singh

Accession Code: BV022.29.5

Access Restriction: No restrictions

Reproduction Restriction: No known restrictions

Date: [1905-2022] (interview content), interviewed 6 Dec. 2022

Media Type: Sound Recording

Related Material: See also BV022.29.1 - interview with Kalwant Singh "Nadeem" Parmar

Notes: Title based on contents of item; Transcription of interview translated to English from Urdu, Hindi and Punjabi to English created by Rajdeep; Transciption available on Heritage Burnaby; Spelling of "Ginaya Singh" found as "Ghania Singh Manhas" in obituary and death certificate

Documents

2022_0029_0005_004

Audio Tracks

Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0005_003.mp3

Labour parade

https://search.heritageburnaby.ca/link/archivedescription85205

Repository: City of Burnaby Archives

Date: [between 1936 and 1939]

Collection/Fonds: Digney Family fonds

Description Level: Item

Physical Description: 1 film clip (4 min, 23 sec.) : digital, col., si.

Scope and Content: Item is a digitized copy of a silent colour film segment with footage of a May Day labour parade for International Worker's Day. Men, women and children are seen marching with banners held high interspersed with a marching band with bagpipes. Some of the banners are identified as; The Communist Pa…

1 image 1 video

Repository: City of Burnaby Archives

Date: [between 1936 and 1939]

Collection/Fonds: Digney Family fonds

Physical Description: 1 film clip (4 min, 23 sec.) : digital, col., si.

Description Level: Item

Record No.: 562-002-4

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Accession Number: 2012-15

Scope and Content: Item is a digitized copy of a silent colour film segment with footage of a May Day labour parade for International Worker's Day. Men, women and children are seen marching with banners held high interspersed with a marching band with bagpipes. Some of the banners are identified as; The Communist Party of Canada, the Scandinavian Worker's Club, Lumber and Sawmill Workers Union, Ex-Servicemen's League, Canadian League Against War and Fascism, Fishermen's Legislative Program, Sailor's Union, B.C. Maritime Workers, Amalgamated Building Workers Union, Bakery and Confectionary Workers International Union of America and The Women's Labour League. Some of the banners in the parade read as follows; 'Support the White Lunch Strike', 'Abolish Deferred Pay', 'Builders of British Columbia- Bill Bennett', 'Communist Party of Canada', 'Free Grange and Molland'.

Subjects: Events - Parades; Occupations; Occupations - Labourers; Organizations - Mens' Societies and Clubs; Organizations - Womens' Societies and Clubs

Media Type: Moving Images

Photographer: Digney, Andy

Creator: Digney, Andy

Notes: Title based on contents of film; Film clip originates from digitized version of original 16 mm film footage (item 562-002). This segment was part of digitized portion titled 'Labour Parade'

Geographic Access: Kingsway

Images

Video

Labour parade, [between 1936 and 1939]

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Moving_Images/_Unrestricted/562-002-4.m4v

hand maul

https://search.heritageburnaby.ca/link/museumartifact3392

Repository: Burnaby Village Museum

Accession Code: BV988.6.1

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV988.6.1

Description: Flat topped stone maul.

Subjects: Persons; Indigenous peoples - British Columbia; Woodworking Tools and Equipment; Woodworking Tools and Equipment - Maul

Images

Documents

2019_0064_0001_002

hand maul

https://search.heritageburnaby.ca/link/museumartifact3393

Repository: Burnaby Village Museum

Accession Code: BV988.6.2

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV988.6.2

Description: Flat topped stone maul, broken

Subjects: Persons; Indigenous peoples - British Columbia; Woodworking Tools and Equipment; Woodworking Tools and Equipment - Maul

Images

Documents

2019_0064_0001_002

hand maul

https://search.heritageburnaby.ca/link/museumartifact15555

Repository: Burnaby Village Museum

Accession Code: HV983.32.13

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: HV983.32.13

Description: Nipple topped stone maul. Nipple topped stone maul. It has a crack through the entire shaft and the two halves look of different colour and stone type. There is a large chip missing along the crack.

Object History: The donor was of European decent and was given this maul by an unidentified person. In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).

Country Made: Canada

Province Made: British Columbia

Culture: First Nations

Subjects: Persons; Indigenous peoples - British Columbia; Woodworking Tools and Equipment; Woodworking Tools and Equipment - Maul

Images

Documents

2019_0064_0001_002

hand maul

https://search.heritageburnaby.ca/link/museumartifact34041

Repository: Burnaby Village Museum

Accession Code: BV991.26.1

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV991.26.1

Description: Conical topped stone maul; damaged area on one side; broken area at bottom edge.

Object History: Maul was found in the late 1920s by Joseph Theodore Dorman on his property on Cliff Avenue, between Halifax and Broadway. In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).

Country Made: Canada

Province Made: British Columbia

Subjects: Persons; Indigenous peoples - British Columbia; Woodworking Tools and Equipment; Woodworking Tools and Equipment - Maul

Images

Documents

2019_0064_0001_002

hand maul

https://search.heritageburnaby.ca/link/museumartifact34042

Repository: Burnaby Village Museum

Accession Code: BV991.26.2

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV991.26.2

Description: Nipple topped stone maul. There is a damaged area on one side and the bottom edge is badly chipped. There are blackish oily stains on the side of the maul.

Object History: Was found in the late 1920s by Joseph Theodore Dorman on his property on Cliff Avenue, between Halifax and Broadway.

Country Made: Canada

Province Made: British Columbia

Culture: First Nations

Subjects: Persons; Indigenous peoples - British Columbia; Woodworking Tools and Equipment; Woodworking Tools and Equipment - Maul

Images

Documents

2019_0064_0001_002

hand maul

https://search.heritageburnaby.ca/link/museumartifact44533

Repository: Burnaby Village Museum

Accession Code: BV002.37.6

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV002.37.6

Description: Hand maul, stone; fragment, no top.

Object History: Donor's father found the maul in 1946-1947 when excavating a lot at 4203 Norfolk Street. The lot was kitty corner to Schou Street School.

Subjects: Persons; Indigenous peoples - British Columbia; Woodworking Tools and Equipment; Woodworking Tools and Equipment - Maul; Archeological Specimen

Geographic Access: Norfolk Street

Images

Documents

2019_0064_0001_002

hand maul

https://search.heritageburnaby.ca/link/museumartifact44853

Repository: Burnaby Village Museum

Accession Code: BV002.57.1

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV002.57.1

Description: Nipple topped stone maul. It has a pointed tip and a slight indentation on side of base. There is adhesive residue on bottom of base.

Object History: The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum). In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).

Subjects: Persons; Indigenous peoples - British Columbia; Woodworking Tools and Equipment; Woodworking Tools and Equipment - Maul; Archeological Specimen

Names: Hill, Louis Claude "Claude"

Historic Neighbourhood: Burnaby Lake (Historic Neighbourhood)

Images

Documents

2019_0064_0001_002

hand maul

https://search.heritageburnaby.ca/link/museumartifact44854

Repository: Burnaby Village Museum

Accession Code: BV002.57.2

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV002.57.2

Description: Conical topped stone maul; damaged by a plow.

Object History: The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).; In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Flat and conical topped hand mauls are identified as Gulf of Georgia Culture (400 AD - 1800).

Subjects: Persons; Indigenous peoples - British Columbia; Woodworking Tools and Equipment; Woodworking Tools and Equipment - Maul; Archeological Specimen

Names: Hill, Louis Claude "Claude"

Historic Neighbourhood: Burnaby Lake (Historic Neighbourhood)

Images

Documents

2019_0064_0001_002

Interview with Honourable Raj Chouhan

https://search.heritageburnaby.ca/link/museumdescription19349

Repository: Burnaby Village Museum

Date: [1957-2022] (interview content), interviewed 2 Dec. 2022

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 1 sound recording (wav) + 1 sound recording (mp3) (49 min., 21 sec.)

Scope and Content: Item consists of an oral history interview with Honourable Raj Chouhan conducted by Burnaby Village Museum Assistant Curator, Kate Petrusa. Raj Chouhan shares his ancestral background and personal experiences immigrating to Canada from India in 1973 and living and working in Canada as an immigrant…

1 document 1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: South Asian Canadian Interviews subseries

Description Level: Item

Physical Description: 1 sound recording (wav) + 1 sound recording (mp3) (49 min., 21 sec.)

Material Details: Interviewer: Kate Petrusa Interviewee: Honourable Raj Chouhan Location of Interview: Residence of Honourable Raj Chouhan Interview Date: December 2, 2022 Total Number of tracks: 1 Total Length of all Tracks: (00:49:21) Digital master recording (wav) was converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of an oral history interview with Honourable Raj Chouhan conducted by Burnaby Village Museum Assistant Curator, Kate Petrusa. Raj Chouhan shares his ancestral background and personal experiences immigrating to Canada from India in 1973 and living and working in Canada as an immigrant and the organizations that he became involved with. Honourable Raj Chouhan recalls how he arrived in Burnaby with his family in 1973 and that his family worked in farming. Chouhan imparts his first hand experiences as a new immigrant working as a labourer in the farming industry and describes the unsafe and unfair working conditions that he and migrant workers faced. Chouhan conveys how this experience lead him to become an activist for better working conditions for migrant workers. This lead Chouhan and others to form the Canadian Farm Workers Union in 1980. Chouhan recollects his experiences flying from India to Canada with his wife, his first impressions after arriving in Vancouver and driving to Burnaby and what he brought with him. Chouhan explains his connections to Burnaby. Members of Chouhan's wife's family immgrated to Canada in 1957 and his wife and her three brothers joined them in 1970. Chouhan's father in law, Hardial Singh Grewal immigrated in 1957 and became president of the Sikh temple in New Westminster. Hardial Singh Grewal worked in a lumber mill in Vancouver and eventually bought a house in Burnaby. Chouhan married to his wife at the Sikh temple in New Westminster and lived in Burnaby for a period before moving to New Westminster where they could find more affordable housing. Chouhan shares that he first worked as a farm labourer in Abbotsford and then found a job in the sawmill which paid more. Chouhan describes the extreme racism and discrimination that he and other immigrants faced which lead to the formation of the British Columbia Organization to Fight Racism under the leadership of Dr. Hari Prakash Sharma. Chouhan describes this organization that he was a part of and the Canadian Farm Workers Union that were both formed in Burnaby. Chouhan shares that he moved to Victoria in 1988 to serve on the Hospital Employee's Union and moved back to the mainland in 1993 and returned to Burnaby in 2001. Chouhan reflects on the history of South Asian immigration in Canada, how many of the migrants settled in the lower mainland including Burnaby, New Westminster and Vancouver establishing temples in Vancouver and New Westminster which became the centre for the South Asian community. He conveys how earlier occupations were limited to farming and millwork and how over time employment opportunities and education have broadened but there is still work to do. He imparts how second generation Canadians’ experiences differ from first generations providing examples of his own daughters’ and the occupations that they are working in. Chouhan provides his insights into the South Asian Canadian experience imparting “We make history every day and that history needs to be recorded and learned from.."... “People from different communities, different backgrounds who lived in Burnaby have contributed so much and South Asians are just like another community and participated in all aspects of social life, cultural, religious, economy. I'm so proud of our community, our forefathers who had that vision to fight for our rights. I'm inspired by people who struggled so much to gain basic rights, like the right to vote". Chouhan refers to these first immigrants as “Gadri Babbas” “revolutionary old people” who were also the main motivation that lead to India becoming a free country in 1947 and for fighting for basic rights here in Canada and how they made their contributions for future generations. Chouhan expresses what he imparts to students “Do not forget your past... if you remember your past then you are much more knowledgeable. Then we know what we need for the future. If we don't know the past, we don't know what the future is going to be like. To make a better future, you have to learn from the past and improve".

History: Interviewee biography: Honourable Raj Chouhan was born in the city of Ludhiana in the Province of Punjab in India and immigrated to Canada in 1973. After arriving in Canada, Raj's family settled in Burnaby. Raj grew up in Burnaby and attended schoool. Honourable Raj Chouhan was elected to the Legislative Assembly of British Columbia as the MLA for Burnaby-Edmonds in 2005 and was re-elected in 2009, 2013, 2017 and 2020. He was elected Speaker of the Legislative Assembly on December 7, 2020. Honourable Chouhan is the founding president of the Canadian Farmworkers Union and the British Columbia Organization to Fight Racism and has served as a director of the Hospital Employees' Union, the Labour Relations Board of B.C. and the Arbitration Bureau of B.C. Honourable Chouhan has also served as the Vice President of B.C. Human Rights Defenders since 2003 and has taught courses in Human Rights, the B.C. Labour Code and Collective Bargaining since 1987. Interviewer biography: Kate Petrusa is the Assistant Curator at the Burnaby Village Museum. In her role, she manages all aspects of the collection – including caring for physical artifacts and making their digital counterpart accessible. Before coming to Burnaby Village Museum in 2019, Kate has worked at several Museums around the Lower Mainland as a Curator and contractor since 2013.

Creator: Burnaby Village Museum

Subjects: Persons - South Asian Canadians; Social Issues; Social Issues - Racism; Occupations - Agricultural Labourers; Migration; Organizations - Unions; Rights; Rights - Human Rights; Agriculture; Agriculture - Farms; Government - Provincial Government; Government

Names: Chouhan, Raj; British Columbia Organization to Fight Racism; Sharma, Dr. Hari Prakash; Grewal, Hardial Singh; Canadian Farmworkers Union; Hospital Employees Union; Khalsa Diwan Society

Responsibility: Petrusa, Kate

Accession Code: BV022.29.4

Access Restriction: No restrictions

Reproduction Restriction: No known restrictions

Date: [1957-2022] (interview content), interviewed 2 Dec. 2022

Media Type: Sound Recording

Notes: Title based on contents of item; Transcription available on Heritage Burnaby

Documents

2022_0029_0004_003

Audio Tracks

Interview with Honourable Raj Chouhan, [1957-2022] (interview content), interviewed 2 Dec. 2022

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0004_002.mp3

Burnaby property tax assessment ledger no date - pre 1898

https://search.heritageburnaby.ca/link/museumlibrary1118

Repository: Burnaby Village Museum

Author: J.D.B.

Publication Date: 1977

Call Number: 971.1 BUR

1 image 1 document

Repository: Burnaby Village Museum

Collection: Reference Collection

Material Type: Textual Record

Call Number: 971.1 BUR

Author: J.D.B.

Place of Publication: Burnaby

Publication Date: 1977

Physical Description: 96 p. (typewritten) + title page

Library Subject (LOC): Land titles

Subjects: Land - Land Surveying; Taxes

Object History: Compiled July-August 1977, Heritage Village Archives

Notes: Unpublished research document: "Burnaby Property Tax Assessment Ledger / No Date --- Pre 1898 / Compiled July-August 1977 / Heritage Village Archives / Original Document No. / Copy #1 / J.D.B./77" -- title page

Images

Documents

971.1BUR_001

chisel

https://search.heritageburnaby.ca/link/museumartifact38885

Repository: Burnaby Village Museum

Accession Code: BV998.11.1

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV998.11.1

Description: Chisel shaped tool, wedge-shaped; mainly green with white and brown fissures throughout. One side has elevated edge, possibly for attaching to handle.

Object History: The stone chisel was found by Archie Card, ca 1930 in the yard of the Card family home at 329 Richmond Street (later renamed Elwell) in Burnaby.

Subjects: Persons; Indigenous peoples - British Columbia; Woodworking Tools and Equipment

Images

Documents

2019_0064_0001_002

Hickory Dickory Dock-What is the time on the clock?

https://search.heritageburnaby.ca/link/museumdescription9679

Repository: Burnaby Village Museum

Date: 2016

Collection/Fonds: Burnaby Village Museum Film and Video collection

Description Level: Item

Physical Description: 1 video recording (mp4) (14 min., 47 sec.) : digital, 25 fps, col., sd., stereo

Scope and Content: In this short film, Yasmin Jamal declares her passion for clocks and fancy watches, but confesses that she has a troubled relationship with them! From her kitchen clock that does not tell the correct time, to her collection of beautiful wrist watches that refuse to do their job, she is beginning to…

1 image 1 video

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum Film and Video collection

Series: Elders Digital Storytelling project series

Description Level: Item

Physical Description: 1 video recording (mp4) (14 min., 47 sec.) : digital, 25 fps, col., sd., stereo

Scope and Content: In this short film, Yasmin Jamal declares her passion for clocks and fancy watches, but confesses that she has a troubled relationship with them! From her kitchen clock that does not tell the correct time, to her collection of beautiful wrist watches that refuse to do their job, she is beginning to question this strange relationship. Why does she hold such a love and passion for time pieces that are too stubborn to keep time? She is aware that her attraction to timepieces is about more than needing to know the time. Her touching mediation on the reasons for her attachment reminds her audience that time is a treasure and we should make the most of every moment.

History: Yasmin Jamal immigrated from Kenya over 44 years ago. She came to pursue her undergraduate degree at Simon Fraser University. She is a long-time resident of Coquitlam. However, she has always been employed in the Burnaby District. She presently works as a librarian at Burnaby Public Library. Prior to that, she was employed at Simon Fraser University, Burnaby campus. She loves Canada, but still treasures the fond memories of her childhood in Kenya. Yasmin visits Kenya every 8-10 years to feel the warm waters & white sands of the tropical beaches.

Creator: Jamal, Yasmin B.

Other Title Information: title supplied by film maker

Subjects: Timekeeping Tools and Equipment

Names: Jamal, Yasmin B.

Accession Code: BV016.37.10

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Date: 2016

Media Type: Moving Images

Notes: Transcribed title

Images

Video

Hickory Dickory Dock-What is the time on the clock?, 2016

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2016_0037_0010_001.mp4

Mountain Goat Horn Spoon

https://search.heritageburnaby.ca/link/museumartifact30018

Repository: Burnaby Village Museum

Accession Code: HV973.73.177

2 images 1 document

Repository: Burnaby Village Museum

Accession Code: HV973.73.177

Description: Horn spoon with fine carving on the narrow handle. Material is very dark.

Object History: Along the Northwest Coast, in general, undecorated spoons of wood and horn were used in everyday life, while more elaborately carved versions were used on special occasions. Horn spoons were often passed down in families as heirlooms, such spoons are generally darker in colour than those of recent manufacture. The bowls of these spoons are too large to place in the mouth, so food is sipped from the sides or the end.; The bowl of the mountain goat horn spoon is made from the larger part of the horn, at the base. The handle is made from the tip. It is straightened out by steaming in a wooden mould and then scored out inside as part of the shaping process

Country Made: Canada

Province Made: British Columbia

School/Style: Coast Salish

Culture: Haida

Subjects: Persons; Indigenous peoples - British Columbia; Food Service Tools and Equipment

Images

Documents

2019_0064_0001_002

weight

https://search.heritageburnaby.ca/link/museumartifact44855

Repository: Burnaby Village Museum

Accession Code: BV002.57.3

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV002.57.3

Description: Net weight, round, stone, doughnut-shaped with hole in the middle.

Object History: The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).

Subjects: Persons; Indigenous peoples - British Columbia; Weights and Measurements Tools and Equipment; Archeological Specimen

Names: Hill, Louis Claude "Claude"

Historic Neighbourhood: Burnaby Lake (Historic Neighbourhood)

Images

Documents

2019_0064_0001_002

weight

https://search.heritageburnaby.ca/link/museumartifact44856

Repository: Burnaby Village Museum

Accession Code: BV002.57.4

1 image 1 document

Repository: Burnaby Village Museum

Accession Code: BV002.57.4

Description: Net weight, round, stone, doughnut-shaped with hole in the middle. Made of volcanic stone.

Object History: The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).

Subjects: Persons; Indigenous peoples - British Columbia; Weights and Measurements Tools and Equipment; Archeological Specimen

Names: Hill, Louis Claude "Claude"

Historic Neighbourhood: Burnaby Lake (Historic Neighbourhood)

Images

Documents

2019_0064_0001_002

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