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H.T. Ceperley Estate 'Fairacres' Mansion

https://search.heritageburnaby.ca/link/landmark526

Repository: Burnaby Heritage Planning

Description: 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.

Associated Dates: 1911

Formal Recognition: Heritage Designation, Community Heritage Register

Other Names: Henry Tracy & Grace Ceperley Estate; Burnaby Art Gallery

Street View URL: Google Maps Street View

3 images

Repository: Burnaby Heritage Planning

Other Names: Henry Tracy & Grace Ceperley Estate; Burnaby Art Gallery

Geographic Access: Deer Lake Avenue

Associated Dates: 1911

Formal Recognition: Heritage Designation, Community Heritage Register

Enactment Type: Bylaw No. 9807

Enactment Date: 23/11/1992

Description: 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.

Heritage Value: 'Fairacres' is important as a record of the early years of Burnaby, specifically the Deer Lake area, as a place of tranquility and beautiful scenery in which the wealthy and successful in the burgeoning cities of New Westminster and Vancouver chose to retire or to make their family homes. The main house, which anchors in style and setting the outbuildings on the estate, demonstrates the social, cultural, and aesthetic values of local wealthy businessmen and women of the early twentieth century - values such as appreciation of architectural elegance and grand interior spaces, leisure and recreation, formal landscaped gardens and scenic views. Also important is the association with the English-born and trained architect Robert Mackay Fripp (1858-1917), as this was one of his grandest residential commissions. Steeped in the current architectural trends in Great Britain, Fripp designed this sprawling mansion in the Arts and Crafts style, reflected in the architectural detailing and proportions. The style was common at the time and was often used for estate mansions as a symbol of affluence and good, modern taste as well as an affinity for all things British. Quality is displayed inside and out in the finishes and materials, orchestrated by prominent local contractor, James Charles Allen, including imported English materials of specific value such as imported Medmenham tiles in the fireplace surrounds, one of the earliest documented use of these tiles outside the United Kingdom. Detailed features of the interior woodwork were carved by Scottish-born master wood carver George Selkirk Gibson (1867-1942), who was best known for his many commissions for prominent British Columbia architect Samuel Maclure. The outbuildings at 'Fairacres' are an important record of the functioning of a large estate of the time. The Garage and Stables and the Chauffeur’s Cottage accommodated the use of automobiles, horses and carriages, and in concert with the estate's location near the new British Columbia Electric Railway 'Burnaby Lake' interurban line, illustrate the evolving nature of regional transportation and the growing bedroom communities and estates made possible by increasing options for transportation. Other outbuildings accommodated the agricultural activities that helped support the Ceperley estate. The estate was conceived and funded by American-born Grace E. Dixon Ceperley (1863-1917), who had achieved significant wealth through a bequest from her brother-in-law, Vancouver pioneer Arthur Ferguson. Her husband, Henry Tracy Ceperley (1850-1929), also American-born, was a successful and well-respected businessman who made a significant contribution to the development of the City of Vancouver. The construction of 'Fairacres' spawned the transformation of the Deer Lake area from a farming community into a preferred location for elite suburban homes. 'Fairacres' is significant to the City of Burnaby as its first civic heritage conservation project. Acquired in 1966 for conversion to Burnaby’s first art gallery, it was dedicated in 1967 to mark Canada’s Centennial of Confederation.

Defining Elements: Key elements that define the heritage character of the ‘Fairacres’ mansion include its: - setting in relation to the gardens, its former market garden, and the vistas to Deer Lake and other grand homes in the area - side gable roof with prominent dormers and cedar shingle cladding - verandah across the eastern (garden) facade, with its view over the landscaped gardens and the distant mountains - porte cochere with its side steps for those arriving by automobile, and central raised step for those alighting from horse-drawn carriages - rich variety of exterior elements that demonstrate the typical Arts and Crafts use of local materials such as cobble stone chimneys and foundations, wide wooden siding and half-timbering - mixture of double-hung and casement wooden-sash windows, many with multi-paned sash - lavish interior spaces, designed for entertaining on a grand scale, including a billiard room with a beamed ceiling and an inglenook fireplace, and generous living and dining rooms arranged off a central hall - quality of the interior materials such as imported Medmenham tiles in fireplace surrounds, window hardware by Hope and Sons, and leaded stained glass - interior wood work including the staircase, and carvings by George Selkirk Gibson - remaining formal Edwardian garden landscape elements, including the cross-axial plan that reflects the relationship of the mansion to its 'outdoor rooms'

Locality: Deer Lake Park

Historic Neighbourhood: Burnaby Lake (Historic Neighbourhood)

Planning Study Area: Douglas-Gilpin Area

Architect: Robert Mackay Fripp

Builder: James Charles Allen; George Selkirk Gibson

Function: Primary Current--Museum; Primary Historic--Estate

Community: Burnaby

Cadastral Identifier: P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536

Boundaries: ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.

Area: 17,065.00

Contributing Resource: Building; Landscape Feature

Ownership: Public (local)

Other Collection: City of Burnaby, Visual Art Collection: Original rendering by R.P.S. Twizell Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Carved dining room panels by G.S. Gibson and other hardware items

Documentation: Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2

Names: Ceperley, Grace; Ceperley, H.T.; Fripp, Robert Mackay; Allen, James Charles; Gibson, George Selkirk

Subjects: Buildings - Heritage; Buildings - Residential - Houses; Buildings - Residential

Street Address: 6344 Deer Lake Avenue

Street View URL: Google Maps Street View

Images

Exterior view of ‘Fairacres’ Mansion, 2013. East elevation. thumbnail

Original rendering by R.P.S. Twizell (East elevation. Drawing). Copyright: City of Burnaby, Visual Art Collection. thumbnail

BBY-6344-Deer-Lake-Av_Mansion_1914-437-001 thumbnail

Interview with Sadhu Binning and Sukhwant Hundal

https://search.heritageburnaby.ca/link/museumdescription19603

Repository: Burnaby Village Museum

Date: 1967-2023 (interview content), interviewed 29 May 2023

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)

Scope and Content: Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in…

1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: Many Voices Project Interviews subseries

Description Level: Item

Physical Description: 2 sound recordings (wav) (93 min., 7 sec.) + 1 sound recording (mp3) (92 min., 57 sec.)

Material Details: Interviewer: James Binks Interviewee: Sadhu Binning and Sukhwant Hundal Location of Interview: Burnaby Village Museum Interview Date: May 29, 2023 Total Number of tracks: 2 Total Length of all Tracks:1:33:07 Digital master recordings (wav) were recorded onto two separate audio tracks, edited and merged together into one track and converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of a recording of an oral history interview with Sadhu Binning and Sukhwant Hundal, founders of Vancouver Sath conducted by Burnaby Village Museum Registrar, James Binks. The interview is taking place at the Burnaby Village Museum's exhibit "Truths not Often Told: Being South Asian in Burnaby". The interview focuses on the history of "Vancouver Sath" as well as literary works created by Hundal and Binning and the Punjabi literary magazine "Watno Dur" and "Watan". 00:00 - 13:30 Interview opens with brief introductions and information on Sadhu Binning, Sukhwant Hundal and Vancouver Sath provided by the interviewer, James Binks. Interviewees Sadhu Binning and Sukhwant Hundal describe how they met and what they were focused on prior to the formation of the organization Vancouver Sath. Binning briefly describes how he became involved as a writer in the literary world and recalls how he published his first poem in an Indian literary magazine in 1972. Hundal describes how he immigrated to Canada from Punjab in 1975, the various industries that he worked in as a new immigrant and his interest in literature with a focus on social issues. Hundel describes how he developed a relationship with Sadhu Binning after his short story was published in "Watno Dur" literary magazine which in turn lead to his involvement with the Punjabi Literary Association and becoming co-editor of "Watnu Dur". 13:31 – 27:44 Hundal provides more background on his life as a South Asian immigrant, working in sawmills and completing a diploma in Power and Process Engineering and how he first became interested in literature while living in India. Binning and Hundal both share their insights into the formation of Vancouver Sath and provide details on their involvement with the Punjabi literary publication “Watnu Dur”. Binning describes how the inspiration for the formation of the Vancouver Sath organization came from India and that Binning, Hundal and some other members of the Punjabi Literary Association decided to form their own group where they could have more informal discussions around social, political and literary issues. 27:45 – 43:31 Binning describes how the political issues that were happening in Punjab between 1978 and 1983 influenced discussions in the South Asian community whereas prior to 1978 there was more focus on local issues that new immigrants were facing. Binning conveys how their work with Vancouver Sath endeavored to focus more on local issues and Hundal conveys how they made the decision to begin producing theatrical works rather than just written works to reach a wider audience. Hundal and Binning share names of the people that were involved with Vancouver Sath and describe some of the early plays that they performed. Binning describes the foundations of the organization where they worked together as a collective making decisions in producing and performing the works with Binning and Hundal taking on the responsibility for the written work. They talk about their first paid experience being invited to perform a few of their plays at the Vancouver Folk Music Festival. 43:32 – 55:17 Hundal and Binning describe how they continued to support themselves financially since they weren’t making money from Vancouver Sath. Binning and Hundal provide further details on how their collective worked with the process of writing the plays and presenting and discussing details with the Vancouver Sath community before performing to an audience. Hundal talks about the transition that the magazine “Watno Dur” took in 1986 which lead to renaming it “Watan”. Hundal and Binning discuss how in 1992 and 1993 they decided to try to get more young people involved and began publishing a magazine in English called “Ankur”. They describe the content and list some of the authors who contributed to the magazine. 55:18 – 1:20:12 Hundal and Binning provide background details on the author of “Maluka”, Sadhu Singh Dhami and describe the details that lead them to translating the book into Punjabi, touring with the author and adapting the novel into a play which Vancouver Sath performed. Binning and Hundal describe and discuss other plays that Vancouver Sath performed including some plays that were recorded and broadcast over local radio stations. 1:20:13 – 1:32:57 Binning and Hundal reflect on what lead Vancouver Sath to discontinue theatrical performances in the mid 1990’s. Binning and Hundal state how they are both still very involved in publishing literary works but no longer perform theatrical works. Binning and Hundal describe some of their literary works and projects that they’ve been involved in and also reflect on and describe the current theatre scene in the South Asian community. Hundal conveys that even though they no longer call themselves “Vancouver Sath” they continue to enjoy working as a collective discussing literary works and ideas.

History: Interviewees' biographies: Dr. Sadhu Binning was born on May 10, 1947 to mother Gurmej Kaur and father Jeet Singh Binning. Due to lack of proper records management in India at the time of his birth, it is believed that he was actually born sometime in December of 1947. He grew up alongside two brothers and one sister in a village located in Kapurthala, Punjab. Dr. Binning attended secondary school in the nearby city of Phagwara, Punjab although he did not complete his education here. Throughout his childhood, he enjoyed reading both Punjabi and Hindi novels and learned how to read Urdu as well. Dr. Binning’s uncle, Dhana Singh immigrated to Canada in 1933 and returned to India in 1953. When Dhana Singh returned to Canada in 1957, he sponsored Dr. Binning’s father, Jeet Singh Binning to immigrate. Dhana Singh co-owned a few saw mills in British Columbia and also worked in the truck driving industry. Dr. Binning remembers that some people who had lived in Canada would visit their village and that they appeared to be strong and healthy and looked happy. He also noticed that they would eat meat, so whenever they would visit there would be meat available. In 1967, when he was nineteen and a half years old, Dr. Binning immigrated Canada to join his father. He recalls his father and uncle and a friend arriving at the airport to pick him up. During his first few days, Dr. Binning made the decision to remove his turban and beard upon receiving advice from his uncle. Dr. Binning first obtained work on a farm in Abbotsford, working alongside his mother. While working, Dr. Binning also attended English classes in Vancouver. Dr. Binning’s Uncle Dhana Singh worked in a Vancouver saw mill and tried to help find work for his nephew but was unsuccessful. Dr. Binning soon found work at a saw mill in Avola and worked there until the end of the summer until a friend helped find him work in a saw mill in North Vancouver. During his free time, he enjoyed camping with friends. In 1970, Dr. Binning left the saw mill after obtaining a job at the post office. The post office offered lower wages than working at the mill but Dr. Binning believed that he would become more educated working here. While working as a postman, Dr. Binning recalls facing a lot of discrimination and racism and was often referred to as a ‘Paki’ multiple times a day. In 1973, Dr. Binning married Jagish Sihota. Sadhu and Jagdish originated from nearby villages in India and met each other in Canada. Dr. Binning’s wife, Jagdish worked at the Royal Bank of Canada for thirty years until her retirement. While working, she also looked after the household and their son and daughter. Jagdish also handwrote a magazine, “Watno Dur" (English translation: ‘away from homeland’) which was distributed in the community. In 1976, Dr. Binning became the editor of the magazine and the name was later changed to “Watan’ as they had accepted their new homeland of Canada. While working at the post office, Dr. Binning also attended night school starting in eighth grade. After receiving his high school diploma, he was accepted to Simon Fraser University and earned a Bachelor of Arts degree with a double major in Anthropology and Sociology and in 1986 he obtained a Masters degree from Simon Fraser University. While attending university, Dr. Binning was very active within the community and wanted to work to improve society. He first thought that he would return to India to contribute and improve rights in his homeland but upon seeing the prevalence of the movements in Canada, he realized that work needed to be done here too. In 1983, Dr. Binning became a founding member and contributor to a theatrical collective known as “Vancouver Sath”. The theatrical group produced plays that represented societal issues and were invited to perform at multiple conferences throughout British Columbia and Canada. The group focused and acknowledged the many issues in Punjab and in Canada. One of the plays that the group produced focused on the exploitation of Punjabi women who worked on farms in Canada. Dr. Binning continued to be involved as an integral member of Vancouver Sath until 1995. Over the years, Dr. Binning has strongly lobbied for Punjabi language education and between 1988 and 2008 he worked as Punjabi instructor at the University of British Columbia. He first worked as a teaching assistant at UBC under Dr. Harjot Oberoi and due to low wages, he simultaneously worked at the Post Office. In 2019, Dr. Binning received an Honorary Doctor of Letters from UBC in recognition of his work. Since 1973, Dr. Binning has lived in Burnaby and has resided in the same home that he and his wife purchased in 1987. In his free time, he enjoys cycling, watercolour painting, travelling abroad and going on road trips. Suhkwant Hundal is a founding member in the group known as Vancouver Sath and has spent a lot of time in Burnaby rehearsing and writing plays. Sadhu Binning and Sukhwant Hundal co-wrote the Vancouver Sath's first play, "Picket-Line" and many others. This play was staged in November 1984. He's authored and edited pieces for the various newsletters and magazines including "Watno Dur" and "Watan". Through the 1980's and early 1990's Hundal has been active in South Asian advocacy in Burnaby and the Lower Mainland. In his retirement years, Hundal has been a lecturer on Punjabi language at the University of British Columbia in the Department of Asian Studies. Interviewer biography: James Binks has lived in the Lower Mainland since 2009 after relocating from Ontario. James holds a Bachelor of Arts in Anthropology from the University of British Columbia, where he conducted researched on heritage, environment, and globalization in India, Nepal, and Italy. At Burnaby Village Museum, James contributed to the exhibit “Truths Not Often Told: Being South Asian in Burnaby”.