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Overlynn Mansion
https://search.heritageburnaby.ca/link/landmark520
- Repository
- Burnaby Heritage Planning
- Description
- Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone wall…
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Charles J. Peter Mansion
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Charles J. Peter Mansion
- Geographic Access
- McGill Street
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 10211
- Enactment Date
- 18/09/1995
- Description
- Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone walls and planted terraces. It is situated in the residential neighbourhood of Vancouver Heights, on a high point of land overlooking Burrard Inlet to the west and the mouth of Lynn Creek to the east. This prominent residence is now part of a large senior citizens development known as Seton Villa.
- Heritage Value
- Overlynn Mansion is valued as a superb example of the work of the noted architectural firm of Maclure and Fox. The architecture of Samuel Maclure (1860-1929) was synonymous with high quality residential design for prominent citizens in both Vancouver and Victoria. Maclure was known for his British Arts and Crafts style with meticulous attention paid to functional and beautiful interiors that utilized native wood combined with luxurious imported fittings. He was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. Maclure’s Vancouver office, in association with his partner Cecil Croker Fox (1879-1916), received some sixty residential commissions between 1909-1915 as a result of the booming local economy and subsequent development of new residential districts. Maclure’s practice in Victoria was equally prolific at the time. Overlynn Mansion is valued as one of Burnaby’s oldest upper-class estates and for its association with the development of Vancouver Heights. In 1909, C.J. Peter and his employer, G.F. and J. Galt Limited, pioneered the development of Vancouver Heights in North Burnaby, believing it to be one of the most picturesque districts in area and an alternative to the CPR’s prestigious Shaughnessy Heights development in Vancouver. Buyers were obligated to build houses worth $3,500 at a time when the average house price was $1,000. Overlynn Mansion, built in 1909 for $75,000, was one of the first houses constructed in Vancouver Heights and by far the most grandiose and impressive. Additionally, this landmark residence is significant and an intact and comprehensive representation of a grand Edwardian era estate home. The interior is notably intact, and retains many highly-refined original features, including substantive millwork of exotic woods, silver-plated and nickel-plated light fixtures, fine plasterwork, tiled fireplaces and exceptional hardware. Landscape features of Overlynn Mansion include the original layout for circulation paths, a porte-cochere, granite posts and stone walls, a sandstone and iron sundial, and mature trees and shrubbery. The house was designated by Burnaby Council in 1995 and was the first heritage building in B.C. to receive legal protection for its interior features.
- Defining Elements
- Key elements that define the heritage character of Overlynn Mansion include its: - prominent corner location on a steep sloping site in the Vancouver Heights neighbourhood - views to Burrard Inlet and the North Shore mountains - residential form, scale and massing as exemplified by its grand two-storey plus basement height and irregular plan - British Arts and Crafts elements such as the rubble-stone granite masonry on the ground floor and foundation level, and decorative half-timbering and rough-cast stucco on the upper storey - compound hipped bell-cast roof, clad with cedar shingles, with shed dormers at the rear - subtle battering of ground floor and foundation level stonework - porte-cochere with hipped roof and battered granite piers - wood-clad projecting bay extensions - irregular fenestration: double-hung 6-over-1 wooden-sash windows; multi-pane casement wooden windows with multi-pane transoms; diamond leaded casement windows; and banks of stained glass windows - five tall rubble-stone granite block stone chimneys - interior features such as the oak, cedar and Yaka (Australian mahogany) panelled walls, oak panelling and staircase walls inlaid with ebony, ivory and brass, stenciled canvas friezes, wooden dadoes and plaster walls, encaustic floor tiles, Australian gumwood floors, oak panelled doors with art glass, oak beamed ceiling with stucco panels, cast plaster vaulted hall and living room ceilings, sterling silver light fixtures including a chandelier and scones, nickel-plated newel light, brass Art Nouveau styled ceiling light, brass stair carpet poles and locks, built-in bookcases and buffet, fireplace with encaustic tiles and fire dogs, imported Medmenham fireplace tiles (the earliest known use outside of the United Kingdom), fireplace mantel with green tile and cast iron firebox, and inglenook fireplace with encaustic tiles and carved mantel and brass fireplace insert - landscape features such as the granite gate posts and iron entrance gate, granite posts and iron fence, granite garden wall, sandstone garden steps, sandstone and iron sundial, granite and concrete terraces adjacent to the house, configuration of pathways and sandstone steps including the front access road, mature deciduous and coniferous tree stock including a Monkey Puzzle Tree and pruned shrubbery throughout the site
- Historic Neighbourhood
- Vancouver Heights (Historic Neighbourhood)
- Planning Study Area
- Burnaby Heights Area
- Organization
- G.F. and J. Galt Limited
- Architect
- Samuel Maclure
- Cecil Croker Fox
- Function
- Primary Historic--Estate
- Primary Current--Multiple Dwelling
- Community
- Burnaby
- Cadastral Identifier
- 004-943-295
- Boundaries
- Overlynn Mansion is a part of a single institutional lot located at 3755 McGill Street, Burnaby.
- Area
- 7912.77
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 3755 McGill Street
- Street View URL
- Google Maps Street View
Images
Angus & Margaret MacDonald House
https://search.heritageburnaby.ca/link/landmark495
- Repository
- Burnaby Heritage Planning
- Description
- Set on a large corner lot at North Esmond Avenue and Oxford Street, the Angus & Margaret MacDonald House is a prominent, two and one-half storey Queen Anne Revival-style residence. The high hipped roof has open projecting gables. The house is a landmark within the Vancouver Heights neighbourhood of…
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Oxford Street
- Associated Dates
- 1909
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 12174
- Enactment Date
- 11/12/2006
- Description
- Set on a large corner lot at North Esmond Avenue and Oxford Street, the Angus & Margaret MacDonald House is a prominent, two and one-half storey Queen Anne Revival-style residence. The high hipped roof has open projecting gables. The house is a landmark within the Vancouver Heights neighbourhood of North Burnaby, on a high point of land overlooking Burrard Inlet and the North Shore Mountains.
- Heritage Value
- The MacDonald House is valued as one of Burnaby’s most elaborate examples of the Queen Anne Revival style. The house retains many of its original features, including a prominent front corner turret wrapped by a clamshell verandah. The eclectic and transitional nature of Edwardian-era architecture is demonstrated by the late persistence of these Queen Anne Revival details, combined with the use of newly-popular classical revival elements such as Ionic columns. The interior retains a number of original architectural elements, and the early garage at the rear originally housed Angus MacDonald’s Cadillac, one of the first known automobiles owned by a Burnaby resident. Constructed in 1909, this house was built for Angus MacDonald (1857-1943) and his wife, Margaret Isabella Thompson MacDonald (1862-1939). Angus MacDonald, an electrical contractor, relocated from Nova Scotia to Vancouver in 1891 and served on Vancouver Council from 1904-08. The MacDonald family moved to Burnaby upon his retirement from the B.C. Electric Railway Company, and he then served the North Burnaby Ward as a councillor from 1911-1916 and again in 1921. MacDonald Street in Burnaby was named in his honour. The MacDonald House has additional significance as one of the surviving landmark residences, built between 1909 and 1914, during the first development of Vancouver Heights. In 1909, C.J. Peter and his employer, G.F. and J. Galt Limited, initiated the development of this North Burnaby neighbourhood, promoting it as one of the most picturesque districts in the region and an alternative to the CPR’s prestigious Shaughnessy Heights development in Vancouver. Buyers were obligated to build houses worth $3,500 at a time when the average house price was $1,000. Reputed to be the second house built in the subdivision, this house cost $7,000 to build.
- Defining Elements
- Key elements that define the heritage character of the MacDonald House include its: - prominent corner location in the Vancouver Heights neighbourhood, with views to Burrard Inlet and the North Shore Mountains - residential form, scale and massing as exemplified by its two and one-half storey height, full basement, compound plan, and high hipped roof with gabled projections at the front and side - wood-frame construction including wooden lapped siding, trim and mouldings - rubble-stone granite foundation - Queen Anne Revival details such as scroll-cut modillions, octagonal corner turret, wraparound, clamshell verandah with classical columns, and projecting square and semi-octagonal bays - external red-brick chimney with corbelled top - original windows including double-hung, 1-over-1 wooden sash windows in single and double assembly, and arched-top casement windows in the gable peaks - original interior features such as the main staircase, a panelled dining room with a fireplace and built-in cabinets, a living room with a parquet floor, and a rear den with an oak mantle and tiled hearth - associated early wood-frame garage at the rear of the property - landscape features such as mature coniferous and deciduous trees surrounding the property
- Historic Neighbourhood
- Vancouver Heights (Historic Neighbourhood)
- Planning Study Area
- Burnaby Heights Area
- Organization
- British Columbia Mills Timber and Trading Company
- Function
- Primary Historic--Single Dwelling
- Primary Current--Single Dwelling
- Community
- Vancouver Heights
- Cadastral Identifier
- P.I.D.011-999-462
- Boundaries
- The MacDonald House is comprised of a single residential lot located at 3814 Oxford Street, Burnaby.
- Area
- 566.71
- Contributing Resource
- Building
- Ownership
- Private
- Documentation
- City of Burnaby Planning and Building Department, Heritage Site Files
- Street Address
- 3814 Oxford Street
- Street View URL
- Google Maps Street View
Images
Hans & Anna Hau Residence
https://search.heritageburnaby.ca/link/landmark588
- Repository
- Burnaby Heritage Planning
- Description
- Residential building.
- Associated Dates
- c.1935
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Canada Way
- Associated Dates
- c.1935
- Description
- Residential building.
- Heritage Value
- Danish builder Hans Jorgensen Hau (1878-1944) and his wife Anna (née Sorenson, 1874-1956), constructed this highly-distinctive Tudor Revival residence circa 1935. This was a time of entrenched traditionalism, and most domestic architecture reflected period revival styles. Tudor elements have been compressed here into a cottage form, including a distinctive front façade with half timbering and brick noggin; on the sides the nogging is rock-dash stucco. Casement windows contribute to the cottage appearance. The rear façade is clad with more utilitarian shingles. A prominent brick chimney exhibits angled and corbelled brickwork. Hau worked as a bricklayer and stonemason, and this house has common elements with the Moore Residence at 5165 Sperling Avenue, which Hau designed and constructed in 1943.
- Locality
- Burnaby Lake
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Area
- 2010.52
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 5070 Canada Way
- Street View URL
- Google Maps Street View
Images
H.T. Ceperley Estate 'Fairacres' Steam Plant Building
https://search.heritageburnaby.ca/link/landmark528
- Repository
- Burnaby Heritage Planning
- Description
- Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the fo…
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- Designed in the British Arts and Crafts style, the ‘Fairacres’ Steam Plant Buiding is a single-storey wood frame building with a gabled roof that originally housed the apparatus for climate control in the greenhouses, formerly located to its north. The original rubble stone walls that formed the foundation for the greenhouses stand adjacent. The Steam Plant Building stands as a pendant to the Root House, which is to the north of the former greenhouses.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Ceperleys operated 'Fairacres' with staff, a farm manager and workers, including Chinese, to grow produce for themselves and for sale at local markets. The Steam Plant Building illustrates the market gardening activity of the area around Deer Lake and its importance to the Ceperley family, which valued a year-round supply of fresh fruit and vegetables for the kitchen and flowers for the house. It also illustrates the cultural and aesthetic values of the Ceperleys in retaining an architect to design a functional outbuilding using an accepted and contemporary architectural style. Built in 1908, the Steam Plant Building was significantly altered in the 1960s and restored to its original design in 2000.
- Defining Elements
- Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its: - overall spatial arrangement of the Steam Plant Building in relation to the former greenhouses and the Root House - side gable roof with cedar shingle cladding. - tall brick chimney indicitive of the building's original function. - distinctive Arts and Crafts architectural features such as the shingle wall cladding with decorative shingling under window sills, deep eaves, and pebble-dashed concrete foundation walls - six-paned wooden-sash casement windows - simple functional interior features - rubble stone walls that formed the foundation for the greenhouses
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
H.T. Ceperley Estate 'Fairacres' Root House
https://search.heritageburnaby.ca/link/landmark527
- Repository
- Burnaby Heritage Planning
- Description
- The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the ma…
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- The ‘Fairacres’ Root House is a long, low one-storey masonry building, measuring 4.6 metres by 9.1 metres, with massively buttressed concrete walls and foundations. Built into sloping ground adjacent to the location of the former greenhouses, the surviving orchard and the kitchen entrance of the main house, 'Fairacres,' this functional structure was used as a frost-free store for fruit and vegetables for the family's use.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000. The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
- Defining Elements
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate. The Root House is important as a rare surviving, and exceptionally large, example of this building type in the Vancouver region. Unusual in the fact that an architect designed a building of such modest aspirations, it is also remarkable in its method of construction. The use of concrete as a structural material is one of the earliest in the region and extraordinary for its use on such a modest vernacular outbuilding; root cellars were typically built of loose stone. Built in 1908, the Root House was significantly altered in the 1960s and restored to its original design in 2000. The building is significant as an indicator of the market gardening activity in the area around Deer Lake and of the country-house self-sufficiency practiced by the Ceperley family. The Root House illustrates the cultural, aesthetic, and lifestyle values of the Ceperleys in constructing such a large building for storing their own produce.
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Secondary Historic--Food Storage
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
Duncan & Margaret McGregor Estate 'Glen-Lyon' New Haven Barn
https://search.heritageburnaby.ca/link/landmark852
- Repository
- Burnaby Heritage Planning
- Description
- Designed in a vernacular architectural style, the New Haven Barn is a large gambrel-roofed barn located on the Edwardian era McGregor Estate 'Glen-Lyon,' overlooking the rich farmland of the Fraser River floodplain and near a ravine and forested area adjacent to Marine Drive in South Burnaby.
- Associated Dates
- 1939
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Home of the Friendless, New Haven Borstal Home for Boys and Youthful Offenders, New Haven Correction Centre
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Home of the Friendless, New Haven Borstal Home for Boys and Youthful Offenders, New Haven Correction Centre
- Geographic Access
- Marine Drive
- Associated Dates
- 1939
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 12183
- Enactment Date
- 11/12/2006
- Description
- Designed in a vernacular architectural style, the New Haven Barn is a large gambrel-roofed barn located on the Edwardian era McGregor Estate 'Glen-Lyon,' overlooking the rich farmland of the Fraser River floodplain and near a ravine and forested area adjacent to Marine Drive in South Burnaby.
- Heritage Value
- The site is historically significant for its association with early social welfare and correctional reform. The estate was sold in 1926 to an inter-denominational religious organization called the Home of the Friendless, which used it as their B.C. headquarters. The organization was charged with several cases of abuse and neglect in 1937, after which a Royal Commission was formed that led to new legislation to regulate and license all private welfare institutions. 'Glen-Lyon' was sold to the provincial government, and was dedicated in 1939 by the Lt.-Gov. E.W. Hamber for use as the New Haven Borstal Home for Boys and Youthful Offenders (later renamed the New Haven Correction Centre). The Borstal movement originated in England in the late nineteenth century, as an alternative to sending young offenders and runaways to prisons by providing reformatories that focused on discipline and vocational skill. This site’s role as the first North American institution devoted to the Borstal School philosophy was historic, and influenced corrections programs across Canada. The New Haven Barn is a significant feature from its development in 1939 as the Borstal School, designed by Chief Provincial Architect Henry Whittaker of the Department of Public Works, and is the only remaining structure of its kind in Burnaby.
- Defining Elements
- Key elements that define the heritage character of the New Haven Barn include its: - gambrel-roofed barn with roof vent with finial, sliding hay loft and access doors, small multi-pane windows, and lapped wooden siding
- Historic Neighbourhood
- Fraser Arm (Historic Neighbourhood)
- Planning Study Area
- Big Bend Area
- Architect
- Henry Whittaker
- Function
- Primary Historic--Estate
- Community
- Burnaby
- Cadastral Identifier
- 003-004-661
- Boundaries
- 'Glen-Lyon' is comprised of a single residential lot located at 4250 Marine Drive, Burnaby.
- Area
- 230873.18
- Contributing Resource
- Building
- Ownership
- Private
- Names
- Whittaker, George
- New Haven Borstal Home for Boys and Youthful Offenders
- New Haven Correction Centre
- Borstal School
- Street Address
- 4250 Marine Drive
- Street View URL
- Google Maps Street View
Images
H.T. Ceperley Estate 'Fairacres' Greenhouse Foundation Wall
https://search.heritageburnaby.ca/link/landmark862
- Repository
- Burnaby Heritage Planning
- Description
- The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 140665
- Enactment Date
- 23/11/1992
- Description
- The original rubble stone walls that formed the foundation for a greenhouses adjacent to the Steam Plant Building provided heat to several greenhouses on the estate propoerty. The Root House, which is to the north of the Greenhouse Foundation Wall, provided storage for the farm operation.
- Heritage Value
- The outbuildings at 'Fairacres' are a rare surviving architecturally-designed ensemble of agricultural structures that exist in complementary harmony with the main estate house. Architect Robert Mackay Fripp (1858-1917), an outspoken advocate of Arts and Crafts design, was retained by the Ceperleys to design several original outbuildings on their estate, which was designed as a country estate with a working farm that included over 10 acres of productive berry and vegetable fields, with a large kitchen garden, a root house to store food, an orchard, and greenhouses heated by steam. The agricultural potential of the Deer Lake area made it one of the first parts of the municipality to attract settlement. In 1909, the Ceperleys built three large greenhouses heated by an adjacent steam plant (Fairacres Steam Plant). The greenhouses featured granite foundation walls, including this one which remains intact. The Ceperleys employed a large staff to manage the estate's agricultural production, including Chinese farm labourers. Produce was grown for use at the estate, and for sale at local markets. Agricultural use of the estate continued when a Catholic order of Benedictine monks purchased the estate as part of the Priory of St. Joseph and the Seminary of Christ the King, and continued to farm the land until 1953.
- Defining Elements
- Key elements that define the heritage character of the ‘Fairacres’ Steam Plant Building include its: - overall spatial arrangement of the Greenhouse Foundation Wall in relation to the Steam Plant Building and the Root House - original rubble stone walls reflecting the Arts and Crafts design aesthetic of the estate buildings.
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Douglas-Gilpin Area
- Architect
- Robert Mackay Fripp
- Function
- Primary Historic--Outbuilding
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536
- Boundaries
- ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.
- Area
- 17,065.00
- Contributing Resource
- Landscape Feature
- Remains
- Ownership
- Public (local)
- Other Collection
- Burnaby Historical Society, Community Archives: Ceperley Photograph Album
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6344 Deer Lake Avenue
Images
Jubilee Grove Arch
https://search.heritageburnaby.ca/link/landmark533
- Repository
- Burnaby Heritage Planning
- Description
- The Jubilee Grove Arch sits at the corner of Kingsway and Patterson Avenue. Located within Central Park, the ceremonial arch and its decorative plantings provide a visual anchor to the northeast corner and entry point to the park.
- Associated Dates
- 1939
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Imperial Street
- Associated Dates
- 1939
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- The Jubilee Grove Arch sits at the corner of Kingsway and Patterson Avenue. Located within Central Park, the ceremonial arch and its decorative plantings provide a visual anchor to the northeast corner and entry point to the park.
- Heritage Value
- Jubilee Grove Arch was dedicated as part of the municipality’s celebration of the Jubilee of the coronation of King George V and was dedicated during Burnaby’s annual May Day celebrations in 1935. Much of the construction work was carried out by local citizens under the direction of the Burnaby Engineering Department through a Depression era work relief program that provided a way for local residents to pay their taxes. The garden was also chosen as the site for the ceremonial planting of an oak tree from the Royal Forest at Windsor, in honor of the Coronation of King George VI and Queen Elizabeth in 1937. The original bronze garden dedication plaque and oak tree remain at the site today. The decorative stone arch was erected in 1939 as a symbol of Burnaby's, and the Lower Mainland of British Columbia’s, strong ties to the English monarchy at the time, and the arch’s unveiling during May Day ceremonies shows the social role that such a commemorative feature played both to the local government and people of Burnaby. It was erected just prior to the Royal Visit of 1939, the first time that reigning British monarchs had travelled to Canada. Built of Haddington Island sandstone, the arch itself was reconstructed from a salvaged architectural element of a historic Vancouver landmark. The arch originally framed the entrance door to the Vancouver Club building in Vancouver, built in 1893-94 on West Hastings Street and designed by architect C.O. Wickenden. The building was demolished in 1930, however the arch was stored and rebuilt as the focal point of the Jubilee Grove after being bought by the Municipality of Burnaby. The work was undertaken by Italian-born stone mason Rizieri Stefanini (1879-1954), the owner of Burnaby Monumental Works. The re-use of the arch symbolizes the close tie between Vancouver and Burnaby and the joint evolution of the neighbouring cities.
- Defining Elements
- The Jubilee Grove Arch has character-defining elements that recognize it both as a remnant of a past building and as a new and individual structure. These include its: - axial diagonal placement and prominent corner location marking one of the entries to Central Park - visibility and accessibility as a public monument - hand carved stone blocks of Haddington Island sandstone - decorative twisted-rope motif carved to outline the arch - supporting rusticated sidewalls with planting urns - original bronze dedication plaque - flanking ornamental gardens - Royal Oak tree and plaque
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
- Planning Study Area
- Maywood Area
- Organization
- City of Burnaby
- Architect
- C.O. Wickenden
- Function
- Primary Current--Park Fixture
- Primary Historic--Park Fixture
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 017-767-172 Legal Description: Block B of Lot 2 Except Firstly: Part on Plan 8669 and Secondly: Part on Plan LMP4689 District Lot 151, Group 1, New Westminster District, Plan 3443
- Boundaries
- The property (Central Park) is a municipally-owned park that lies at the western edge of Burnaby, between 49th Avenue to the south, Kingsway to the north, Boundary Road to the west and Patterson Avenue to the east.
- Area
- 853,403.82
- Contributing Resource
- Structure
- Landscape Feature
- Ownership
- Public (local)
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Names
- Burnaby Monumental Works
- Street Address
- 3883 Imperial Street
- Street View URL
- Google Maps Street View
Images
Lake City Neighbourhood
https://search.heritageburnaby.ca/link/landmark702
- Repository
- Burnaby Heritage Planning
- Associated Dates
- 1925-1954
- Heritage Value
- When the Lake City Industrial Park first opened in the 1950's, it was a fairly isolated industrial enclave with convenient access to rail and road transportation routes. The sense of entrepreneurial flare and success that was anticipated for the area is evident in the naming of local streets which include "Production", "Enterprise" and "Venture". The anticipated potential of the area was also demonstrated by the inclusion of many significant development amenities of the time, such as paved streets, site landscaping, rail service, natural gas service, and architectural controls.
- Planning Study Area
- Lake City Area
Images
Ocean View Burial Park - Chapel
https://search.heritageburnaby.ca/link/landmark628
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Imperial Street
- Associated Dates
- 1936
- Description
- Church building.
- Heritage Value
- Subsequent work at Ocean View was designed by local architects Sharp & Thompson through the 1950s, including the stone-faced Garden Chapel, built in 1936 as a replica of a Norman church. Prominent stone gates also replaced the original gates at the corner entrance. George Sharp (1880-1974) and Charles Thompson (1878-1961) formed Vancouver’s longest surviving architectural firm in 1908. They were born, educated and articled in London, before arriving in Vancouver via different routes. In 1912, the firm won the competition for the new University of British Columbia.
- Locality
- Alta Vista
- Historic Neighbourhood
- Alta Vista (Historic Neighbourhood)
- Planning Study Area
- Suncrest Area
- Architect
- Sharp & Thompson
- Area
- 359280.00
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 4000 Imperial Street
Images
O.G. Naud House
https://search.heritageburnaby.ca/link/landmark509
- Repository
- Burnaby Heritage Planning
- Description
- The O.G. Naud House is a south facing, two-storey house with a bellcast hipped roof, set on a high basement. It features a double-height front verandah supported by classical columns. It is located on Victory Street in the Alta Vista neighbourhood of South Burnaby, and is one of the oldest houses i…
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Onezime & Charlsie Naud House
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Onezime & Charlsie Naud House
- Geographic Access
- Victory Street
- Associated Dates
- 1908
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- By-law No. 12316
- Enactment Date
- 26/05/2008
- Description
- The O.G. Naud House is a south facing, two-storey house with a bellcast hipped roof, set on a high basement. It features a double-height front verandah supported by classical columns. It is located on Victory Street in the Alta Vista neighbourhood of South Burnaby, and is one of the oldest houses in the area.
- Heritage Value
- Built in 1908, the O.G. Naud House is valued as one of the first houses to be built in the Alta Vista neighbourhood and is a direct link to the first settlement of the area. Close proximity to the B.C. Electric Railway streetcar line, at Royal Oak and Highland Park, permitted easy access to New Westminster and Vancouver. These transportation links, combined with spectacular views of the Fraser Valley, encouraged the early development of this South Burnaby neighbourhood. The O.G. Naud House is architecturally significant as an example of the influence of the Classical Revival style that had been popularized in Eastern Canada. The basic form of the house is a Foursquare, with a double-height verandah that dominates the symmetrically balanced façade, supported on lathe-turned columns. A central entry and regular fenestration further unify the façade composition. Construction employed locally available materials. The rough-cut foundation stone was harvested from boulders from the G. Ledingham property on the south side of Victory Street. The builder and first owner, Onezime George Naud (1858-1951), was originally from St. Albans, Quebec. He worked on railway construction in Alabama, where he met his wife, Charlsie Elizabeth Sims (1869-1974). He later took part in the 1898 Gold Rush in Atlin, then worked as a stonemason on CPR culverts and bridges across B.C. An accomplished stonemason, Naud also worked on the original Vancouver and New Westminster post offices, the Parliament buildings in Victoria, and the Capitol building in Olympia, Washington.
- Defining Elements
- The key characteristics that define the heritage character of the O.G. Naud House include its: - south-facing location, with generous set back from the street, in the Alta Vista neighbourhood of South Burnaby - residential form, scale and massing as expressed by its two-storey height plus full basement, bellcast hipped roof, rectangular plan and front projecting double-height verandah - masonry construction materials such as the rough-cut granite foundation - wood-frame construction, including lapped wooden siding and shingle siding extant under later cladding - Edwardian era features including lathe-turned columns, balustrades of dimensional lumber, scroll-cut bargeboards in front gable, and scroll-cut eave brackets - associated landscape features including lane access to the east, large cedar trees and perimeter plantings
- Historic Neighbourhood
- Alta Vista (Historic Neighbourhood)
- Planning Study Area
- Sussex-Nelson Area
- Function
- Primary Historic--Single Dwelling
- Community
- Alta Vista
- Cadastral Identifier
- P.I.D.003-100-375
- Boundaries
- The O.G. Naud House is comprised of a single residential lot located at 4737 Victory Street, Burnaby.
- Area
- 1099.47
- Contributing Resource
- Building
- Ownership
- Private
- Documentation
- City of Burnaby Planning and Building Department, Heritage Site Files
- Street Address
- 4737 Victory Street
- Street View URL
- Google Maps Street View
Images
Burnaby Art Gallery subseries
https://search.heritageburnaby.ca/link/archivedescription14
- Repository
- City of Burnaby Archives
- Date
- 1890 (date of original)-1983
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Subseries
- Physical Description
- Photographs and textual records
- Scope and Content
- Subseries consists of photographs of and publications related to the Burnaby Art Gallery and Fairacres property.
- Repository
- City of Burnaby Archives
- Date
- 1890 (date of original)-1983
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Burnaby Art Gallery subseries
- Physical Description
- Photographs and textual records
- Description Level
- Subseries
- Accession Number
- BHS1996-12
- BHS1990-05
- Scope and Content
- Subseries consists of photographs of and publications related to the Burnaby Art Gallery and Fairacres property.
- History
- The Burnaby Art Gallery association was founded in 1967. The purpose of the association was to present a historical and contemporary art program by local, regional, national, and international artists; facilitate the development of emerging artists; provide diverse art educational programming; acquire culturally significant works on paper. The City of Burnaby assumed management of the gallery, its collection, staff and governance in 1998, with the art gallery then taking on the added responsibility of caring for and managing the City of Burnaby’s permanent art collection. The Gallery, along with the Shadbolt Centre for the Arts and the Burnaby Village Museum in Deer Lake Park, are part of the Parks, Recreation and Cultural Services Department of the City of Burnaby. The Burnaby Art Gallery is located inside the historic Ceperley House, built by Henry and Grace Ceperley. The couple purchased a strawbery farm on the north shore of Deer Lake from George Clayton in 1909 and built their home, also known as "Fairacres", on the property in 1911. The house was designed by the English architect, R.P.S. Twizell and with its river rock veranda, beautiful hand-crafted woodwork, stained-glass and tile, remains one of the finest examples of Edwardian architecture in the Lower Mainland. Grace and Hentry Ceperley had one daughter named Ethelwyn who married James Edward Hall. Ethelwyn and James Edward Hall had three children: Edith Ceperley, James Edward "Junior," and Florence Renn. In 1917, Grace Ceperley died and left Fairacres to her husband with the stipulation that when the home was sold the proceeds would be used to build a playground for the children of Vancouver in Stanley Park. In 1939, the local Catholic Diocese funded a group of five Benedictine monks from Mount Angel, Oregon to establish a priory in the province. The monks purchased the Ceperley House for their monastery. They also built a large gymnasium on the property. After serving as a monastery, the house was used as a fraternity for some of the first students attending Simon Fraser University, and then became home to the art gallery in the 1960s. The City of Burnaby acquired the property in 1966 and the house was designated a heritage building in 1992. In 1998 the City began restoring exterior of the house and upgraded the building for improved public use. The renovations were completed in 2000, and transformed the house back to its appearance of 1911. The gymnasium built by the Benedictine monks was converted into into the James Cowan Theatre. There are two main galleries, a lounge gallery with a fireplace and easy chairs and The Shopping Bag, a gallery shop run by volunteers. The goals of the gallery are to: provide access to contemporary Canadian art, present works from the permanent collection; collect contemporary works on paper; and offer challenging and educational exhibition related programming.
- Media Type
- Textual Record
- Photograph
- Creator
- Burnaby Art Gallery
- Notes
- Title based on contents of subseries
- PC241, PC242, MSS066
![Cathedral Ruins, [190-] thumbnail](/media/hpo/_Data/_BVM_Images/1973/1973_0050_0074_001.jpg?width=280)
Cathedral Ruins
https://search.heritageburnaby.ca/link/museumdescription3066
- Repository
- Burnaby Village Museum
- Date
- [190-]
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w glass negative ; 17.8 x 12.7 cm
- Scope and Content
- Photograph of entrance way or the front wall of the ruins of an unidentified cathedral built in gothic style architecture.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w glass negative ; 17.8 x 12.7 cm
- Scope and Content
- Photograph of entrance way or the front wall of the ruins of an unidentified cathedral built in gothic style architecture.
- Subjects
- Buildings - Religious - Churches
- Accession Code
- HV973.50.74
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- [190-]
- Media Type
- Photograph
- Scan Resolution
- 600
- Scan Date
- 2023-06-15
- Notes
- Title based on contents of photograph
- 1 b&w photograph accompanying
Images
![Cathedral Ruins, [190-] thumbnail](/media/hpo/_Data/_BVM_Images/1973/1973_0050_0074_001.jpg)
![Interior staircase, [190-] (date of original), copied 1977 thumbnail](/media/hpo/_Data/_BVM_Images/1977/1977_0099_0034_001.jpg?width=280)
Interior staircase
https://search.heritageburnaby.ca/link/museumdescription2599
- Repository
- Burnaby Village Museum
- Date
- [190-] (date of original), copied 1977
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 25.2 x 20.2 cm print
- Scope and Content
- Photograph of an interior staircase up to the first landing. The hall is carpetted, and the architecture appears to be similar to the Patterson house interiors.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : b&w ; 25.2 x 20.2 cm print
- Scope and Content
- Photograph of an interior staircase up to the first landing. The hall is carpetted, and the architecture appears to be similar to the Patterson house interiors.
- Subjects
- Buildings - Residential - Houses
- Accession Code
- HV977.99.34
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- [190-] (date of original), copied 1977
- Media Type
- Photograph
- Scan Resolution
- 600
- Scan Date
- 2023-07-18
- Notes
- Title based on contents of photograph
- 1 b&w copy print accompanying
Images
![Interior staircase, [190-] (date of original), copied 1977 thumbnail](/media/hpo/_Data/_BVM_Images/1977/1977_0099_0034_001.jpg)
Interview with Alekxos Sarter by Kathy Bossort October 16, 2015 - Track 3
https://search.heritageburnaby.ca/link/oralhistory579
- Repository
- City of Burnaby Archives
- Date Range
- 1910-1960
- Length
- 0:21:54
- Summary
- This portion of the interview is about Alekxos Sarter’s historical overview of early public recreation, and intentions to set aside parkland, on Burnaby Mountain; Acting-Commissioner Richard Bolton’s signing of By Law 1772 that created Barnet Mountain Park in 1942; and her explanation about the fun…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Alekxos Sarter’s historical overview of early public recreation, and intentions to set aside parkland, on Burnaby Mountain; Acting-Commissioner Richard Bolton’s signing of By Law 1772 that created Barnet Mountain Park in 1942; and her explanation about the function and kinds of park dedications used in Burnaby.
- Date Range
- 1910-1960
- Length
- 0:21:54
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Bossort, Kathy
- Interview Date
- October 16, 2015
- Scope and Content
- Recording is of an interview with Alekxos Sarter conducted by Kathy Bossort. Alekxos Sarter was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about the history of setting aside parkland on Burnaby Mountain from Alekxos Sarter’s perspective and experience as employee in the City of Burnaby Parks, Recreation and Cultural Services. The interview provides an excellent explanation of the history and function of kinds of park dedications used by the City of Burnaby; an overview of issues around including the Trans Mountain tank farm in the conservation area; and the background to the land use and ownership disagreement between the City of Burnaby and Simon Fraser University, its resolution, and the subsequent development of SFU’s UniverCity. Alekxos Sarter talks about Richard Bolton, Burnaby’s Acting-Commissioner who was responsible for dedicating the first park on Burnaby Mountain in 1942, and the creation of a park named after him in UniverCity.
- Biographical Notes
- Alekxos Sarter was born in Vancouver in 1961, to Daine and Kasandra Sarter. She grew up in North Vancouver and since 1994 has lived on a sailboat in False Creek. After attending UBC where she studied landscape architecture, she was hired by the City of Burnaby Parks, Recreation and Cultural Services in 1986. Working first in parks design, Alekxos quickly moved into parks planning, her preferred career. As Research Officer she covers research, planning, public consultation, parks and facility inventory, parkland acquisition, among other duties.
- Total Tracks
- 9
- Total Length
- 2:20:47
- Interviewee Name
- Sarter, Alekxos T.
- Interview Location
- City of Burnaby Parks, Recreation and Cultural Services meeting room
- Interviewer Bio
- Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Media Type
- Sound Recording
Audio Tracks
Track three of interview with Alekxos Sarter
Track three of interview with Alekxos Sarter
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS196-005/MSS196-005_Track_3.mp3Interview with Edith Wight July 21, 1975 - Track 4
https://search.heritageburnaby.ca/link/oralhistory141
- Repository
- City of Burnaby Archives
- Date Range
- 1930-1932
- Length
- 0:09:48
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the first years of the Interior Design studio that she began with her husband and a former client.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the first years of the Interior Design studio that she began with her husband and a former client.
- Date Range
- 1930-1932
- Length
- 0:09:48
- Interviewer
- McLeod, Ross S.
- Interview Date
- July 21, 1975
- Scope and Content
- Recording is of an interview with Edith Mary (Hall) Wight by Ross S. McLeod, July 21, 1975 at Edith's home on McKay Avenue, Burnaby. Major themes discussed are: the Depression and working outside the home. To view "Narrow By" terms for each track expand this description and see "Notes".
- Biographical Notes
- Edith Mary (Hall) Wight arrived in Burnaby in September of 1920 from England, a self-described war bride. Her mother, Fanny (Carnelly) was an accomplished seamstress and her father, Robert Hall a hobbyist painter and carpenter. Edith and her husband Gordon Edward Wight lived at 420 McKay (later renumbered 6060 McKay) throughout their married lives. Within a year of moving to Burnaby, Edith got her first job sewing bedspreads for a large company, launching her career as an interior designer. She also started making dresses on commission. Gordon had a job at a fertilizer plant, which included delivering fruit trees and fertilizer door to door. He would often suggest new curtains or other material goods to the householders he visited, generating clients for Edith. Edith opened an Interior Design studio at South Granville in the first week of September, 1930 with her husband Gordon and Mrs. Ferguson, a previous client who ran a gift shop at the Georgia Hotel. Unfortunately, in 1932 Mrs. Ferguson became ill and was never to return to the studio. Edith and Gordon had two children; Clifford “Cliff” Wight born August 22, 1921 and Eulie Fanny Wight born in 1925. Clifford attended Kingsway West School in 1925 and was a graduate of Burnaby South High School. Eulie Fanny Wight graduated with a Bachelor of Arts from the University of British Columbia in 1957. Clifford also graduated from the University of British Columbia and was among the handful of students who first established the School of Architecture at UBC. Clifford later married Mary (Berryman) Wight. Gordon Edward Wight died July 30, 1945, his wife Edith Mary (Hall) Wight died November 11, 1986. Eulie Fanny Wight died June 19, 1998. Clifford Wight died February 27, 2005.
- Total Tracks
- 8
- Total Length
- 1:07:46
- Interviewee Name
- Wight, Edith
- Interview Location
- McKay Avenue, Burnaby
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Audio Tracks
Track four of interview with Edith Wight
Track four of interview with Edith Wight
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/100-13-23/100-13-23_Track_4.mp3Interview with Edith Wight July 21, 1975 - Track 5
https://search.heritageburnaby.ca/link/oralhistory142
- Repository
- City of Burnaby Archives
- Date Range
- 1932-1934
- Length
- 0:10:03
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the most difficult of the interior design studio that she began with her husband and a former client and what it took to get them on solid footing financially.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the most difficult of the interior design studio that she began with her husband and a former client and what it took to get them on solid footing financially.
- Date Range
- 1932-1934
- Length
- 0:10:03
- Interviewer
- McLeod, Ross S.
- Interview Date
- July 21, 1975
- Scope and Content
- Recording is of an interview with Edith Mary (Hall) Wight by Ross S. McLeod, July 21, 1975 at Edith's home on McKay Avenue, Burnaby. Major themes discussed are: the Depression and working outside the home. To view "Narrow By" terms for each track expand this description and see "Notes".
- Biographical Notes
- Edith Mary (Hall) Wight arrived in Burnaby in September of 1920 from England, a self-described war bride. Her mother, Fanny (Carnelly) was an accomplished seamstress and her father, Robert Hall a hobbyist painter and carpenter. Edith and her husband Gordon Edward Wight lived at 420 McKay (later renumbered 6060 McKay) throughout their married lives. Within a year of moving to Burnaby, Edith got her first job sewing bedspreads for a large company, launching her career as an interior designer. She also started making dresses on commission. Gordon had a job at a fertilizer plant, which included delivering fruit trees and fertilizer door to door. He would often suggest new curtains or other material goods to the householders he visited, generating clients for Edith. Edith opened an Interior Design studio at South Granville in the first week of September, 1930 with her husband Gordon and Mrs. Ferguson, a previous client who ran a gift shop at the Georgia Hotel. Unfortunately, in 1932 Mrs. Ferguson became ill and was never to return to the studio. Edith and Gordon had two children; Clifford “Cliff” Wight born August 22, 1921 and Eulie Fanny Wight born in 1925. Clifford attended Kingsway West School in 1925 and was a graduate of Burnaby South High School. Eulie Fanny Wight graduated with a Bachelor of Arts from the University of British Columbia in 1957. Clifford also graduated from the University of British Columbia and was among the handful of students who first established the School of Architecture at UBC. Clifford later married Mary (Berryman) Wight. Gordon Edward Wight died July 30, 1945, his wife Edith Mary (Hall) Wight died November 11, 1986. Eulie Fanny Wight died June 19, 1998. Clifford Wight died February 27, 2005.
- Total Tracks
- 8
- Total Length
- 1:07:46
- Interviewee Name
- Wight, Edith
- Interview Location
- McKay Avenue, Burnaby
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Audio Tracks
Track five of interview with Edith Wight
Track five of interview with Edith Wight
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/100-13-23/100-13-23_Track_5.mp3Interview with Edith Wight July 21, 1975 - Track 6
https://search.heritageburnaby.ca/link/oralhistory143
- Repository
- City of Burnaby Archives
- Date Range
- 1936-1938
- Length
- 0:05:14
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's personal memories of house repairs taken on during the 1930s.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's personal memories of house repairs taken on during the 1930s.
- Date Range
- 1936-1938
- Length
- 0:05:14
- Geographic Access
- McKay Avenue
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
- Interviewer
- McLeod, Ross S.
- Interview Date
- July 21, 1975
- Scope and Content
- Recording is of an interview with Edith Mary (Hall) Wight by Ross S. McLeod, July 21, 1975 at Edith's home on McKay Avenue, Burnaby. Major themes discussed are: the Depression and working outside the home. To view "Narrow By" terms for each track expand this description and see "Notes".
- Biographical Notes
- Edith Mary (Hall) Wight arrived in Burnaby in September of 1920 from England, a self-described war bride. Her mother, Fanny (Carnelly) was an accomplished seamstress and her father, Robert Hall a hobbyist painter and carpenter. Edith and her husband Gordon Edward Wight lived at 420 McKay (later renumbered 6060 McKay) throughout their married lives. Within a year of moving to Burnaby, Edith got her first job sewing bedspreads for a large company, launching her career as an interior designer. She also started making dresses on commission. Gordon had a job at a fertilizer plant, which included delivering fruit trees and fertilizer door to door. He would often suggest new curtains or other material goods to the householders he visited, generating clients for Edith. Edith opened an Interior Design studio at South Granville in the first week of September, 1930 with her husband Gordon and Mrs. Ferguson, a previous client who ran a gift shop at the Georgia Hotel. Unfortunately, in 1932 Mrs. Ferguson became ill and was never to return to the studio. Edith and Gordon had two children; Clifford “Cliff” Wight born August 22, 1921 and Eulie Fanny Wight born in 1925. Clifford attended Kingsway West School in 1925 and was a graduate of Burnaby South High School. Eulie Fanny Wight graduated with a Bachelor of Arts from the University of British Columbia in 1957. Clifford also graduated from the University of British Columbia and was among the handful of students who first established the School of Architecture at UBC. Clifford later married Mary (Berryman) Wight. Gordon Edward Wight died July 30, 1945, his wife Edith Mary (Hall) Wight died November 11, 1986. Eulie Fanny Wight died June 19, 1998. Clifford Wight died February 27, 2005.
- Total Tracks
- 8
- Total Length
- 1:07:46
- Interviewee Name
- Wight, Edith
- Interview Location
- McKay Avenue, Burnaby
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Audio Tracks
Track six of interview with Edith Wight
Track six of interview with Edith Wight
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/100-13-23/100-13-23_Track_6.mp3Interview with Edith Wight July 21, 1975 - Track 8
https://search.heritageburnaby.ca/link/oralhistory145
- Repository
- City of Burnaby Archives
- Date Range
- 1930-1939
- Length
- 0:07:54
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the impact of being a working mother during the Depression years.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the impact of being a working mother during the Depression years.
- Date Range
- 1930-1939
- Length
- 0:07:54
- Interviewer
- McLeod, Ross S.
- Interview Date
- July 21, 1975
- Scope and Content
- Recording is of an interview with Edith Mary (Hall) Wight by Ross S. McLeod, July 21, 1975 at Edith's home on McKay Avenue, Burnaby. Major themes discussed are: the Depression and working outside the home. To view "Narrow By" terms for each track expand this description and see "Notes".
- Biographical Notes
- Edith Mary (Hall) Wight arrived in Burnaby in September of 1920 from England, a self-described war bride. Her mother, Fanny (Carnelly) was an accomplished seamstress and her father, Robert Hall a hobbyist painter and carpenter. Edith and her husband Gordon Edward Wight lived at 420 McKay (later renumbered 6060 McKay) throughout their married lives. Within a year of moving to Burnaby, Edith got her first job sewing bedspreads for a large company, launching her career as an interior designer. She also started making dresses on commission. Gordon had a job at a fertilizer plant, which included delivering fruit trees and fertilizer door to door. He would often suggest new curtains or other material goods to the householders he visited, generating clients for Edith. Edith opened an Interior Design studio at South Granville in the first week of September, 1930 with her husband Gordon and Mrs. Ferguson, a previous client who ran a gift shop at the Georgia Hotel. Unfortunately, in 1932 Mrs. Ferguson became ill and was never to return to the studio. Edith and Gordon had two children; Clifford “Cliff” Wight born August 22, 1921 and Eulie Fanny Wight born in 1925. Clifford attended Kingsway West School in 1925 and was a graduate of Burnaby South High School. Eulie Fanny Wight graduated with a Bachelor of Arts from the University of British Columbia in 1957. Clifford also graduated from the University of British Columbia and was among the handful of students who first established the School of Architecture at UBC. Clifford later married Mary (Berryman) Wight. Gordon Edward Wight died July 30, 1945, his wife Edith Mary (Hall) Wight died November 11, 1986. Eulie Fanny Wight died June 19, 1998. Clifford Wight died February 27, 2005.
- Total Tracks
- 8
- Total Length
- 1:07:46
- Interviewee Name
- Wight, Edith
- Interview Location
- McKay Avenue, Burnaby
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Audio Tracks
Track eight of interview with Edith Wight
Track eight of interview with Edith Wight
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/100-13-23/100-13-23_Track_8.mp3Interview with Rick Sporns by Kathy Bossort October 30, 2015 - Track 4
https://search.heritageburnaby.ca/link/oralhistory606
- Repository
- City of Burnaby Archives
- Date Range
- 1900-2015
- Length
- 0:17:11
- Summary
- This portion of the interview is about Rick Sporn’s discussion of the value of natural areas to Burnaby, the city’s history of protecting green spaces, and the complementary role the Pavilion area plays in the Burnaby Mountain Conservation Area. He talks about how the rose garden and “Playground of…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Rick Sporn’s discussion of the value of natural areas to Burnaby, the city’s history of protecting green spaces, and the complementary role the Pavilion area plays in the Burnaby Mountain Conservation Area. He talks about how the rose garden and “Playground of the Gods” sculptures (Kamui Mintara) help Pavilion area visitors more fully appreciate the mountain setting. He also talks about the history of the construction of the Kamui Mintara sculptures.
- Date Range
- 1900-2015
- Length
- 0:17:11
- Names
- Burnaby Mountain Centennial Rose Garden
- Burnaby Mountain Centennial Park
- Kamui Mintara
- Central Park
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Bossort, Kathy
- Interview Date
- October 30, 2015
- Scope and Content
- Recording is of an interview with Rick Sporns conducted by Kathy Bossort. Rick Sporns was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about Rick Sporn’s description of the history and design of Burnaby Mountain Centennial Rose Garden and the significance of the Centennial Pavilion area in the Burnaby Mountain Conservation Area. Rick Sporns also talks about his career with the City of Burnaby’s Parks, Recreation and Cultural Services, management of Burnaby Mountain Conservation Area, and the value of natural areas to Burnaby.
- Biographical Notes
- Richard Sporns was born in 1957 in Daly Municipality, Manitoba, to Ulrich and Charlotte Sporns. The family moved to the Burquitlam Area of Burnaby in about 1965. Rick Sporns obtained his BSc degree in biology at SFU and a degree in landscape architecture at UBC. In 1985 he began his career in the City of Burnaby’s Park, Recreation and Cultural Services department where he currently is Assistant Manager - Parks Design. Rick was responsible for designing Burnaby Mountain Centennial Rose Garden, a legacy project proposed by Mark Stockdale to commemorate Burnaby’s 1992 Centennial. The rose garden opened to the public July 18, 1992.
- Total Tracks
- 6
- Total Length
- 1:01:40
- Interviewee Name
- Sporns, Richard "Rick"
- Interview Location
- City of Burnaby Parks, Recreation and Cultural Services meeting room
- Interviewer Bio
- Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Media Type
- Sound Recording
Audio Tracks
Track four of interview with Rick Sporns
Track four of interview with Rick Sporns
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS196-008/MSS196-008_Track_4.mp3