"--------(?)" -- engraved on front cover
"Esmie Thompson" -- handwritten in ink on endpaper (front).
"---- me ---- 23, ----tt --25.52 -- 24.25 --- me tt 8.66 15.60" -- handwritten in pencil (slightly erased) on endpaper (front).
"Where is Jean Emerson?" -- handwritten in ink on endpaper (back).
"15-62 / 7-64" -- handwritten in pencil on endpaper (back).
Photograph of a Craftsman style house located at 1906 Royal Oak Avenue near Victory Street in Burnaby (address was changed to 7353 Royal Oak Aveue after 1958). The house was built in 1914 and was the home of Alfred Henry and Mary England (nee Gooding). Alfred H. England died suddenly in 1917. Mary…
Photograph of a Craftsman style house located at 1906 Royal Oak Avenue near Victory Street in Burnaby (address was changed to 7353 Royal Oak Aveue after 1958). The house was built in 1914 and was the home of Alfred Henry and Mary England (nee Gooding). Alfred H. England died suddenly in 1917. Mary England continued to live in the house before settling in a house that she had built on Griffiths Avenue in 1930.
xxxviii, 435 p., [9] leaves of plates : geneal. tables, maps ; 19 cm.
Inscription
"Hosaho Hodder" [handwritten in pencil on front endpaper]
"65" [handwritten in pencil on page after p. 135]
"H. Morey & Co
Booksellers and Stationers
New Westminster, B.C." [stamped in red ink on page after p. 135]
"Winnie Jeffery / 4531 Burke St. / Inman Ave. School / Central Parks / B.C."--Handwritten in ink on front past down. "May 15 1933"--Handwritten in pencil on front past down.
"Don't steal this book...For $1.60 is cost mum"--Handwritten in pencil on front paste down.
"1933" and "Don't steal this / book...carries a pocket / knife." and "Sweet little Emily Rose,...and sweet Little Emily 'Rose'"--Handwritten in pencil on front end paper.
"June 14, 1933 / age 13"--Handwritten in pencil on t.p.
"May 15, 1933 / June 15, 1933"--Handwritten in pencil on verso of t.p.
"May 16th/1929"--Handwritten in pencil on back fly leaf.
Study notes handwritten in pencil on back fly leaf and paste down.
5 transfer pictures of mostly household items adhered to front end paper.
"English History / Vera Marrow / Grade VIII / Kitchener"--Handwritten in ink on book cover wrap sponsored by The Royal Bank of Canada.
"cbf / afd / ace / l_c / Bfh" and "Vera Marrow"--Handwritten in pencil on front fly leaf.
"Page 319 / " 192"--Handwritten in pencil on verso of front fly leaf.
"Vera Marrow"--Handwritten in blue ink on small paper adhered to book cover on back paste down.
Study notes handwritten in pencil on p. 336.
Fonds consists of a small collection of photographs documenting the life of Mary England (nee Gooding). Photographs include the house of Mary and Alfred England on Royal Oak Avenue; Mary England's house on Griffiths Avenue and of Mary and Alfred England ca. 1915.
Fonds consists of a small collection of photographs documenting the life of Mary England (nee Gooding). Photographs include the house of Mary and Alfred England on Royal Oak Avenue; Mary England's house on Griffiths Avenue and of Mary and Alfred England ca. 1915.
History
Mary England was born to parents Robert and Mary (nee Morgan) Gooding in Wales on March 30, 1879. Mary and her brother Robert Nathaniel Gooding came to Canada from the U.K. in 1905. While living in Canada, Mary met and married Alfred Henry England. The couple lived in a house on Hornby Street in Vancouver which they ran as a boarding house. In 1914, Mary and Alfred moved to a house located at 1906 Royal Oak Avenue and Victory Street in Burnaby (house number changed to7353 after 1958). Alfred worked in the composing room at the Vancouver Province until his untimely death in October 1917. Mary continued to reside in their home on Royal Oak until 1930 when she built and moved into a house on Griffiths Avenue in Burnaby.
Mary was employed as an office clerk with the Municipality of the District of Burnaby. Mary England was an active member of the community including becoming the first president of the West Burnaby auxiliary of the Victorian Order of Nurses between 1915 and 1917 and a founding member of the Burnaby Civic Employees Union in 1919. She often spoke out about issues that impacted female workers, and felt that the wages for the inside workers, many of whom were women, were inadequate. Often on England’s motions, the Union from time to time brought to Council concerns about the treatment of women, including behaviour of managers in the general office, suspension of a young woman for her choice of clothes, and in 1931, health issues that warranted “accommodation…for the ladies in the Hall.” Mary served as president of the union from 1922-1923 and held leadership roles in the New Westminster Trades and Labour Council. Mary served as union secretary until 1934, after losing her position as municipal employee during the Great Depression. She and the union tried to fight her dismissal, but to no avail as they were told that the reasons were purely economic. The union honoured her with a Life time membership at St. Alban's Hall a few months later.
Mary died in Burnaby in 1959 at the age of 79 years.
Front endpaper:
"1909
D. Chartere" [written in pencil]
"NOT IN LIBRARY SERVICE" [written in pencil]
Piece of thin tissue paper between frontispiece and title page:
An attempt at tracing the frontispiece portrait of Queen Victoria - part of face and right arm.
Title page and front endpapers have the following stamped in purple ink:
"Gilmore Avenue School
LIBRARY
Book Number ________
Catalogue Page ______"
"R 134" is written in blue ink in the "Book Number" blank, on the endpaper stamps.
The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
Heritage Value
The E.W. Bateman House was constructed in the Deer Lake Crescent subdivision, that was originally promoted in 1911 as an upper class suburban neighbourhood. It represents one of the first residential developments in the City of Burnaby that required buildings to be of a specific value, thus demonstrating the desire for exclusivity among the successful businessmen who chose to settle in the area.
The house and grounds illustrate the reduced scale of upper-class residential construction at a time of modest returning prosperity that followed the end of the First World War, and the social, cultural, lifestyle and leisure sensibilities of the owners in the Deer Lake Crescent subdivision: such values as social aspiration, racial exclusivity, demonstration of architectural taste, and importance of a landscaped garden.
The heritage value of the E.W. Bateman House is its comprehensive representation of an upper middle-class suburban residence of the early 1920s. It was built for retired CPR executive Edwin Wettenhall Bateman (1859-1957) and his wife, Mary (Dale) Bateman (1865-1935), by contractor William Dodson in 1922. The Bateman House was designed by English-born and trained architect Enoch Evans (1862-1939) of E. Evans and Son, and is an important surviving residential design by Evans, and a typical example of the eclectic Period Revival influences that were common to domestic architecture in the post-First World War era. The symmetry of the imposing front verandah, supported by exaggerated Ionic columns, gives the relatively-modest house an image of grandeur and formality. Named after Edwin Bateman’s birthplace in Cheshire, England, ‘Elworth’ also symbolizes allegiance to England and the patriotic tenor of the time.
The heritage value for this house also lies in its interpretive value within the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The E.W. Bateman House was purchased by Burnaby in 1970 and became the focal point for the development of the Museum. Both the interior and exterior of the house have been restored and interpreted to the date of original construction, including recreated room interiors and period furnishings.
Defining Elements
The elements that define the heritage character of the E.W. Bateman House include its:
- rectangular form and massing with central entry on long side
- side gable roof with front shed dormer with cedar shingle cladding
- symmetry of front facade
- full open front verandah inset under the roofline, supported with Ionic columns
- cedar shingle siding
- multi-paned double-hung wooden-sash windows, mixture of 6-over-1 and 8-over-1
- symmetrical disposition of fenestration, with double-assembly units on the ground floor
- exterior shutters
- two flanking brick chimneys on the side elevations
- interior room layouts and original interior features such as quality millwork and original hardware
- original garage at the rear of the house
The Charles R. Shaw House is a one and one-half storey plus basement wood-frame late Victorian era residence, located on the grounds of the Normanna Rest Home development in East Burnaby, near its original location on this site. Originally a modest vernacular Victorian structure, it has been enlarg…
The Charles R. Shaw House is a one and one-half storey plus basement wood-frame late Victorian era residence, located on the grounds of the Normanna Rest Home development in East Burnaby, near its original location on this site. Originally a modest vernacular Victorian structure, it has been enlarged and embellished through later additions.
Heritage Value
The Shaw House is one of the oldest surviving houses in Burnaby, and is valued as a representation of a typical vernacular pioneer house in Burnaby, and a rare survivor from the late Victorian era. The original portion of the house displays a simplicity of form and detail consistent with early local construction, while the later additions display a more sophisticated approach.
Originally built in 1891, this house is valued for its association with first owner, Charles R. Shaw (1834-1916) and Mary D. Shaw (1848-1897), one of Burnaby’s earliest settlers. Born in England, Shaw immigrated to Toronto in 1869, and relocated to New Westminster in 1889, where he worked as an employee of the Mechanic's Mill Company, an early woodworking plant. After moving to Burnaby, he was unanimously elected by acclamation as first reeve (mayor) of the new municipality in 1892. In 1894, Shaw sold his house and farm and moved his family to Kamloops due to his wife Mary's failing health. After Mary died in 1897, the Shaw family returned to Toronto.
The Shaw House is additionally valued for its association with a later owner, James Brookes (1884-1953), founder of James Brookes Woodworking Ltd., a mill that was a major employer in East Burnaby. Brookes bought and renovated the house in 1917. In 1927, he built a much larger house on the property (now demolished), and the original house was moved to the corner of the property to serve as a gardener's cottage for Brookes' estate. The additions made to the house at this time employed sash and milled products produced by the Brookes plant. Although altered, this Victorian era residence remains largely intact, with Brookes’s later additions.
Defining Elements
Key elements that define the heritage character of the Shaw House include its:
- modest vernacular residential form, scale and massing, as exemplified by its one and one-half storey plus basement height, front gabled roof, shed roofed verandah and asymmetrical plan
- asymmetrical front entrance
- cladding: horizontal wooden drop siding on the original portion of the house; cedar shingles on additions; decorative octagonal cedar shingles in the front gable; original decorated bargeboards at front, with cut-out details
- later renovations to the front verandah and side addition which resulted in a partially glazed porch entrance and addition with large window assemblies
- square verandah columns
- irregular fenestration: double-hung wooden-sash windows in a variety of configurations such as 6-over-1 and 4-over-1 windows in the original portion of the house, 12-over-1 windows, and one 24-over-1 window in the front addition
- small window at front entry
- fifteen-pane French front entry door
- internal red brick chimney with corbelled cap
The Louis and Annie Hill Residence is a modest one-storey, wood-frame, side-gabled Arts and Crafts bungalow with two projecting front gables, that was originally part of the Deer Lake Crescent Subdivision. The lot is heavily treed, and sits near the east end of Deer Lake.
The Louis and Annie Hill Residence is a modest one-storey, wood-frame, side-gabled Arts and Crafts bungalow with two projecting front gables, that was originally part of the Deer Lake Crescent Subdivision. The lot is heavily treed, and sits near the east end of Deer Lake.
Heritage Value
The heritage value of the Louis and Annie Hill Residence lies in its association with prominent Burnaby pioneers, Louis Hill (1860-1931) and his wife, Annie Sara Hill (née Kenrick, 1864-1957). Originally from London, England, Louis Hill immigrated to Burnaby circa 1887, and established a small fruit farm on this site in 1891. Hill was elected to the first municipal council in 1892, when Burnaby was incorporated, and was later responsible for the subdivision of Buckingham Estate in the Deer Lake neighbourhood.
The Louis and Annie Hill Residence, built as a retirement home in 1925, is further valued as a representation of the continued suburban development of the Deer Lake Crescent Subdivision, that was originally promoted in 1911 as an upper class suburban neighbourhood. Its modest nature illustrates the reduced scale of residential construction during the austere times that followed the end of the First World War. The style of the house demonstrates the late persistence of the Arts and Crafts movement, which remained a strong influence on domestic architecture. In 2006, the Louis and Annie Hill Residence was purchased by the City of Burnaby, and today it is part of the Deer Lake Park Heritage Precinct, Burnaby's most significant collection of historic sites.
Defining Elements
Key elements that define the heritage character of the Louis and Annie Hill Residence include its:
- location within the Deer Lake Park Heritage Precinct
- residential form, scale and massing as expressed by its one-storey height plus crawlspace, side-gabled-roof, front projecting gables, square projecting front bay and open front porch
- wood-frame construction with original wood siding intact under a later coat of stucco
- modest Arts and Crafts details such as diamond-point triangular eave brackets
- windows, including double-hung, 1-over-1 wooden sash windows with horns
- associated landscape features, including mature cedars lining the driveway
In 1906 C.T. Piper and Alfred Wiggs built a sawmill at the foot of what is now Piper Avenue along the north shore of Burnaby Lake. These operations and the proximity of the Great Northern Railway encourage settlers to move into this area and among them were Colonel and Mrs. James Ward. They were authorized to open a post office here and Mrs. Ward named it 'Lozells' after the Anglican parish to which she had been a member in Birmingham, England.
The Mortimer-Lamb House is a one and one half-storey, Arts and Crafts-style residence with a steeply pitched, side-gabled roof. The original cottage form has been enlarged with a later addition on the west side of the house. Located next to the Burnaby Lake Regional Park Wildlife Rescue Care Centre…
The Mortimer-Lamb House is a one and one half-storey, Arts and Crafts-style residence with a steeply pitched, side-gabled roof. The original cottage form has been enlarged with a later addition on the west side of the house. Located next to the Burnaby Lake Regional Park Wildlife Rescue Care Centre, the house has picturesque views of Burnaby Lake.
Heritage Value
Built circa 1922, the Mortimer-Lamb House is valued for its association with first owners, Harold Mortimer-Lamb (1872-1970), and his wife, Katherine Mary Mortimer-Lamb (1873-1939). Born in Leatherhead, Surrey, England, Harold Mortimer-Lamb immigrated to Canada in 1889. Seven years later in Vancouver, he married Katherine Mary Lindsay, a native of Winnipeg. Mortimer-Lamb was a key figure in the B.C. mining industry, serving as Secretary of the Mining Association of B.C. between 1900 and 1945, and also as the Secretary of the Canadian Institute of Mining and Metallurgy. In addition to his professional life, Mortimer-Lamb was a pioneer art photographer and was among Canada's leading art critics, and this house served as a central gathering place for renowned Canadian artists of the day. Mortimer-Lamb’s daughter, Molly Lamb Bobak (born 1922), became a renowned watercolourist, and was the only woman ever hired as an official Canadian war artist.
The Mortimer-Lamb House is a significant example of the work of noted architect, Samuel Maclure (1860-1929) and his partner, Ross Lort (1889-1969). Maclure, who was a close friend of the Mortimer-Lamb family, was British Columbia's leading residential architect, and was renowned for his high quality designs for prominent citizens in both Vancouver and Victoria. Maclure was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. The Mortimer-Lamb House was designed at the time when Maclure was in partnership with Ross Lort. In 1907, Lort began working for Maclure's firm as a draftsman, and by 1920 was in charge of Maclure's Vancouver office. Lort's architectural career spanned some sixty-years, and he designed some of the province's most familiar houses, apartments, institutions and places of worship.
The Mortimer-Lamb House is also a significant local example of the Arts and Crafts style, and incorporates elements such as board-and-batten siding on the ground floor, shingled gables and leaded casement windows. It is a testament to the domestic architecture built outside of established suburbs during the post-First World War era, typically modest in scale and representative of middle-class residential ideals.
Defining Elements
Key elements that define the heritage character of the Mortimer-Lamb House include its:
- treed setting with views of Burnaby Lake
- residential form, scale and massing as expressed by its one and one-half storey height, rectangular plan and steeply pitched side-gabled roof
- wood-frame construction
- Arts and Crafts elements such as board-and-batten siding on the ground floor, cedar shingles in the gables and open soffits
- original straight-leaded casement windows in single and multiple-assembly
- internal red-brick chimney with corbelled cap