F.J. Hart Estate 'Avalon'
https://search.heritageburnaby.ca/link/landmark542
- Repository
- Burnaby Heritage Planning
- Description
- The F.J. Hart Estate, 'Avalon,' is comprised of 5.26 hectares of lakefront property now located within Deer Lake Park, an Arts and Crafts/Tudor Revival styled mansion and an associated later outbuilding. The mansion is now operated as the Hart House Restaurant.
- Associated Dates
- 1912
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Hart House, Rosedale Gardens, Frederick John & Alice Hart Estate
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Hart House, Rosedale Gardens, Frederick John & Alice Hart Estate
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1912
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- The F.J. Hart Estate, 'Avalon,' is comprised of 5.26 hectares of lakefront property now located within Deer Lake Park, an Arts and Crafts/Tudor Revival styled mansion and an associated later outbuilding. The mansion is now operated as the Hart House Restaurant.
- Heritage Value
- 'Avalon' and its estate grounds are important as an illustration of the cultural, aesthetic, and lifestyle values of the wealthy families that settled in the Deer Lake area early in the twentieth century. These values were predominantly those of elegant country living and leisure pursuits. The estate is important for its connection with wealthy land developer Frederick John Hart (1868-1945), who was not only instrumental in the creation of subdivisions which promoted Deer Lake as an exclusive residential development for successful families in the New Westminster and Vancouver area, but was also an influential member of this new suburban community and of the emerging municipality of Burnaby. Hart had a wide range of business, civic, and political interests: his real-estate company managed many of the land sales in the area and numerous other large developments throughout the region; he was an entrepreneurial businessman associated with a number of companies important to the economic development of the area and British Columbia; and he was a 'public spirited citizen' and an alderman for the City of New Westminster. The architectural style of ‘Avalon’ set the tone for many of the grand mansions in the adjacent residential development - British Arts and Crafts in derivation, with eclectic details, particularly Tudor precedents. Designed for Hart and his wife Alice Chapman Hart (1867-1935) by Burnaby architect Frank William Macey (1863-1935), the use of references to Tudor England illustrates the relevance and importance to the residents of the area of a strong and visible connection with Britain. The first resident architect in Burnaby, Macey was born and trained in England where he was well-respected for having published two standard texts for the architectural profession. He settled in Burnaby in the first decade of the twentieth century and obtained a number of commissions from prominent businessmen who were building grand homes in the new community of Deer Lake. He designed mostly in the British Arts and Crafts style and introduced the use of rough-cast stucco for building exteriors, a characteristic for which he was renowned, and of which ‘Avalon’ is an excellent example.
- Defining Elements
- Key elements that define the heritage character of 'Avalon' include its: - estate in its entirety: house, grounds, landscape features and garage outbuilding - complex asymmetrical massing - side gable roof punctuated with massive cross gables at the front and rear and open gable ends - exterior features of the house such as the rough-cast stucco with mock-Tudor timbering; cobble-stone facings; square tower with mock battlements - multiple-assemblies of wooden-sash casement windows - tall, prominent corbelled brick chimneys - grand interior spaces and fittings: particularly the entrance hall with its carved stone fireplace; the main staircase; panelled wainscotting; Tudor-arched windows; and fireplaces with original tile surrounds
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Architect
- Frank William Macey
- Function
- Primary Current--Eating or Drinking Establishment
- Primary Historic--Estate
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 002-764-431 Legal Description: Lot 6 Except: Firstly: Part on Reference Plan 14874 and Secondly: Part subdivided by Plan 77594, District Lot 85, Group 1, New Westminster District, Plan 11109
- Boundaries
- 'Avalon' is comprised of a single municipally-owned property located at 6664 Deer Lake Avenue, Burnaby.
- Area
- 18,792.29
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Burnaby Village Museum, Collection: Hart Photograph Albums
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6664 Deer Lake Avenue
- Street View URL
- Google Maps Street View
Images
William & Annie Mawhinney Residence
https://search.heritageburnaby.ca/link/landmark653
- Repository
- Burnaby Heritage Planning
- Description
- Residential building.
- Associated Dates
- c.1930
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Buckingham Avenue
- Associated Dates
- c.1930
- Description
- Residential building.
- Heritage Value
- Local farmers William Alexander Mawhinney (1870-1953) and Annie Josephine Mawhinney (née Sutcliff, 1871-1956) built this residence as their retirement home. It was the last of several houses built in the immediate vicinity by members of the Mawhinney family between 1909 and 1930. Born in Ireland, William Mawhinney first came to Burnaby to help his brother Isaiah establish his fruit farm. Due to his farm management experience, in 1908 William became foreman of the Avalon estate at Deer Lake that was owned by F.J. Hart. When he retired in 1930, William had fifty years of experience as a fruit and grain farmer.This house is situated on its lot at an angle, rather than parallel to the street, to take advantage of the view of wooded Buckingham Creek that runs through the northeast section of the property. Complementing the picturesque character of the property is this charming cottage-style residence, which is an excellent example of an interwar Storybook Cottage. During the years between the two World Wars, domestic styles in North America were resolutely historicist. In order to display good taste, it was expected that a house would have an identifiable period revival style. As economics dictated that houses of the time were generally modest, they often assumed a cottage appearance that provided a romantic ideal of traditional domesticity. The American Sesquicentennial reinforced this historicist trend, and the most popular Hollywood movies of the time were swashbuckling costume dramas. With its distinctive roughcast stucco and half-timbering, this house is an excellent example of this housing trend. The rolled roof edges, with steam-bent cedar shingles, simulate a traditional thatched roof. Other picturesque features include a front porch with round-arched openings, battered wall buttresses, an oriel window and diamond-paned leaded casement windows.
- Locality
- Burnaby Lake
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Area
- 1848.00
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 6011 Buckingham Avenue
- Street View URL
- Google Maps Street View
Images
Jesse Love farmhouse series
https://search.heritageburnaby.ca/link/museumdescription9782
- Repository
- Burnaby Village Museum
- Date
- [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Series
- Physical Description
- approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
- Scope and Content
- Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse re…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Jesse Love farmhouse series
- Description Level
- Series
- Physical Description
- approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
- Scope and Content
- Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse restoration photographs subseries 3) Love farmhouse curatorial files subseries 4) Love farmouse research files subseries 5) Love family photographs 6) Love farmhouse Oral History subseries 7) Love farmhouse architectural drawings subseries
- History
- Jesse Love was born in Swindon, England in 1847 and left England to work on a dairy farm in the Toronto area. While working on the farm in Toronto, he met Martha Leonard who he married in 1879. Martha was born on February 3, 1858 in Bedfordshire, England and had come to Canada with her parents George and Ann Leonard. While living in Toronto, Jesse and Martha had two children, George born March 22, 1880 and Annie Elizabeth on August 24, 1881. About one year after Annie was born, the Love family moved to North Dakota to grow wheat. While living there, they had two more children, Henry who was born August 24, 1883 and Edith Minnie born October 9, 1885. The family decided to move further west after hearing about the fairer weather conditions from Martha’s father, George Leonard, who had settled in Vancouver in 1885. On May 23, 1887, Jesse, Martha and their four children arrived in Vancouver after travelling across Canada from Winnipeg on the first transcontinental train. The Loves made their home in Vancouver while Jesse helped clear land on Granville Street. Their fifth child, Thomas Robert was born on September 17, 1887 and soon after, the family moved to Lulu Island in Richmond where they lived growing vegetables and selling them to Vancouver hotels. While living and farming on Lulu island, the couple had two more girls, Martha (Dot or Dorothy) born on December 17, 1889 and Sarah Marie, born February 8, 1892. On October 6, 1893 an agreement was signed by Jesse Love to purchase 14.52 acres of land from Joseph C. Armstrong. The acreage covered the north east section of District Lot 25 within the newly incorporated District of the Municipality of Burnaby. It was here where the original Love house was built (between October 1893 and April 15, 1894) by Jesse Love with the help of local builder George Salt and father in law, George Leonard. The house consisted of an entrance hall, dining room, lean to kitchen, master bedroom and three bedrooms upstairs. A road was constructed and named Cumberland in 1905 and ran from District Lot 25 through to District Lot 11. The address for the Love home was 1390 Cumberland Road and in the early 1960’s the address was renumbered 7651 Cumberland Street. On the land surrounding the house, Jesse Love planted an orchard along with strawberries and raspberries which he sold at the Fraser Valley Market, T.S. Anandale’s Grocery Store in New Westminster and to hotels around Vancouver. Jesse Love served on the Burnaby School Board and also as a District Councillor in 1901 and from 1904-1907. While living in the house, Jesse and Martha had four more children, Phoebe Leonard, born April 15, 1894, Esther, born August 28, 1896, John Leonard, born June 7, 1899 and Hannah Victoria (also known as Girlie) who was born May 12, 1902. As the family grew to eleven children, additions along with some substantial remodelling in the craftsman style took place. In about 1898, a north wing addition was added to include a parlour with two windows, the construction of two more bedrooms and the relocation of the stair case to the North West wall. In 1903 the front door moved to the north elevation, a front porch was extended along the east wall and a summer lean to kitchen was added to the west elevation. Between 1905 and 1910, a tin embossed ceiling was installed along with an addition of the main kitchen which included a pantry, bathtub and a back porch. In about 1912, five craftsman style windows replaced the original pioneer tent style, the front verandah was enlarged to wrap around the south and east elevations, a back door was installed in the kitchen to access the verandah and wood shingle siding and brackets were added to the exterior. In 1918, at the age of 31 years, Robert Love fell ill due to an influenza epidemic and died on November 23, 1918. Following their son’s death, Martha Love became weak and on August 24, 1920, she passed away. By this time, Jesse had sold off a large percentage of his land and his youngest daughter, Girlie decided to stay on to live and care for him. Since the house was too large for just the two of them, Jesse invited any other children to return and share the residence. For a while his son, George and his wife joined them until 1925, followed by his daughter Sarah Parker (nee Love), her husband William and their three children, Albert, Bill and Elsie. The house remained pretty unchanged until 1928 after Jesse Love died of pneumonia (March 10, 1928) and the house was purchased by Sarah and her husband William Parker who continued to live there with their children. The master bedroom wall on the main floor opened up to the dining room, the kitchen pantry and bathtub converted to an alcove with a marble counter and enlarged window and sink while the bathroom was moved to the upstairs and the furnace and coolers were installed in the crawl space under the kitchen. A hot water tank was installed in the house in 1966. Sarah continued to live in the house until a little while after her husband William died in 1961. She sold the house to her daughter Elsie and husband John Hughes in 1966, who lived in the house along with their son Brent, until August 23, 1971. Mahbir Molchan Papan and his wife Geraldine Papan bought the house August 23, 1971 and by 1982, the house was sold to Nirmal Singh Singha and Narinder Singha. The Papans continued to rent the house from Nirmal Singh Singha and Narinder Singha until the late 1980s. In 1988, the house was scheduled for demolition with the remaining property to be subdivided. Fortunately, a neighbour, Mr. Harvey Elder recognized the farmhouse's historical significance and contacted the Burnaby Historical Society. Following this event, the owners agreed to donate the building to the Burnaby Village Museum (under the Century Park Museum Association) who financed the move of the house from Cumberland Street to the museum site. Heritage planner and architect, Robert Lemon provided guidance for the project. Prior to the move, the two porches were removed and demolished while the kitchen and roof were both separated from the main house. The kitchen and roof of the house were transported to Burnaby Village Museum on May 20, 1988 by Nickel Bros. House Moving company, while the main frame of the house completed its transportation to the museum near the end of May 1988 (due to low overhead wires). The house was moved down Cumberland Street to 10th Avenue, up Canada Way to Sperling and set on temporary footings near Hart House. Robert Lemon oversaw structural improvements such as, upgrading floor joists and creating new foundations to replace the original timber foundation of the farmhouse. The restoration went through several phases of work between 1988 until it opened in November 1998. Restoration began on both the interior and exterior features to be interpreted from the period of 1925. On November 23, 1992, the building was designated a heritage building under Heritage Designation Bylaw 1992, Bylaw Number 9807. In 1993, the architecture firm of Brian G. Hart Associates was appointed for the design and construction supervision of the restoration project. Plans were created for a foundation on the museum site in 1989 and the farmhouse was eventually settled on a permanent foundation behind the Burnaby Village Museum administration building in 1993 along with the reattachment of the roof. The kitchen section was reattached to the main house in 1994 along with skirting around the foundation and the reshingling of the exterior. In 1996, the tin ceiling was removed to make way for the installation of the internal electrical system along with sprinklers, ceiling heating and fire break gyprock. The dining room ceiling joists were consolidated, a pantry and bathroom were added to the kitchen, the downstairs bedroom wall was opened and filled, the dining and kitchen doorways were widened. In 1997, a wheelchair ramp was installed along with a concrete sidewalk, stair rails, cement pads at the base of the stairs and a gravel sink for any excess water. Interior work included painting of the kitchen, restoration and furnishing of the kitchen pantry, insulation of the house floor to protect from rodents along with the reconstruction of the kitchen and house chimneys. The registrar worked together with the curator and conservator and was tasked with a large research project on the house including the family contacts and family history, property information, plans, photographs, artifacts, furnishings, stories etc. all organized in files for easy retrieval. A great deal of research and conservation was undertaken in order to make the interior of the house authentic to the time period as possible. One of the biggest projects was selecting and obtaining wall coverings since much of the original wallpaper was incomplete and poor condition. The conservator and registrar were lucky enough to locate a few samples of the original paper and engage the Bradbury and Bradbury Art Wallpaper Company of Benica, California to reproduce replica designs for free. The City of Burnaby now has its own series “Burnaby Village Papers” produced by this company which are titled “Burnaby Wall”; “Burnaby Border” and “Burnaby Ceiling”. All three of these wallpaper designs have been used in the Love farm house and are also commercially available through the Bradbury and Bradbury Art Wallpaper Company. In 1997, restoration of the kitchen was completed and opened to the public. After the completion of the dining room, main floor bedroom and parlour, the Love farmhouse exhibit opened on November 29, 1998 with an open invitation to the public and extended members of the Love family. Officials including the Mayor, Doug Drummond and Love family members were all present to cut the ribbon for the special event.
- Accession Code
- BV018.41; BV020.5
- Access Restriction
- Restricted access
- Date
- [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
- Arrangement
- The majority of the records within series and subseries were arranged by a staff members of Burnaby Village Museum who worked on the historical research and restoration of the house. Other photographs documenting the move and further restoration work were added later and included in the arrangment by format and subject.
- Notes
- Title based on content of series
- Jesse Love farmhouse is described as an Artifact under BV988.33.1
- Some records within this collection have restricted access and are subject to FIPPA
- Accessions BV018.41 and BV020.5 form this fonds
C. B. Riley Home - Western Homes & Living photographs
https://search.heritageburnaby.ca/link/archivedescription95583
- Repository
- City of Burnaby Archives
- Date
- March 1959
- Collection/Fonds
- City of Burnaby Archives photograph collection
- Description Level
- File
- Physical Description
- 2 photographs (tiff) and 3 p. of textual records (tiff, psd)
- Scope and Content
- File consists of a digitized copy of the article "Where Space is No Problem," from the March 1959 issue of Western Homes & Living Magazine, and related photographs. The article reports on the C. B. Riley home (formerly the F.J. Hart Estate "Avalon"; now Hart House) and includes floor plans and phot…
- Repository
- City of Burnaby Archives
- Date
- March 1959
- Collection/Fonds
- City of Burnaby Archives photograph collection
- Physical Description
- 2 photographs (tiff) and 3 p. of textual records (tiff, psd)
- Description Level
- File
- Record No.
- 625-001
- Access Restriction
- No restrictions
- Reproduction Restriction
- Reproduce for fair dealing purposes only
- Accession Number
- 2021-10
- Scope and Content
- File consists of a digitized copy of the article "Where Space is No Problem," from the March 1959 issue of Western Homes & Living Magazine, and related photographs. The article reports on the C. B. Riley home (formerly the F.J. Hart Estate "Avalon"; now Hart House) and includes floor plans and photographs of the house taken by Selwyn Pullan. Photographs in this file, which are also printed in the article, depict the kitchen and the exterior of the home.
- Subjects
- Buildings - Heritage
- Media Type
- Photograph
- Textual Record
- Photographer
- Pullan, Selwyn
- Notes
- Title based on content of file
- Street Address
- 6664 Deer Lake Avenue
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
Images
