Narrow Results By
Subject
- Accidents - Automobile Accidents 1
- Artifacts 1
- Arts 17
- Buildings 2
- Buildings - Civic 3
- Buildings - Civic - Archives 1
- Buildings - Civic - Museums
- Buildings - Commercial 2
- Buildings - Commercial - Drive-In Theatres 1
- Buildings - Commercial - Restaurants 1
- Buildings - Heritage 1
- Buildings - Industrial 1
E.W. Bateman House 'Elworth'
https://search.heritageburnaby.ca/link/landmark538
- Repository
- Burnaby Heritage Planning
- Description
- The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
- Associated Dates
- 1922
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Edwin & Mary Bateman Residence
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Edwin & Mary Bateman Residence
- Geographic Access
- Deer Lake Avenue
- Associated Dates
- 1922
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- The E.W. Bateman House is a one-and-one-half storey wood-frame residence set within in a garden landscape. The house and its adjacent garage are the only historic buildings standing on their original site within the Burnaby Village Museum property.
- Heritage Value
- The E.W. Bateman House was constructed in the Deer Lake Crescent subdivision, that was originally promoted in 1911 as an upper class suburban neighbourhood. It represents one of the first residential developments in the City of Burnaby that required buildings to be of a specific value, thus demonstrating the desire for exclusivity among the successful businessmen who chose to settle in the area. The house and grounds illustrate the reduced scale of upper-class residential construction at a time of modest returning prosperity that followed the end of the First World War, and the social, cultural, lifestyle and leisure sensibilities of the owners in the Deer Lake Crescent subdivision: such values as social aspiration, racial exclusivity, demonstration of architectural taste, and importance of a landscaped garden. The heritage value of the E.W. Bateman House is its comprehensive representation of an upper middle-class suburban residence of the early 1920s. It was built for retired CPR executive Edwin Wettenhall Bateman (1859-1957) and his wife, Mary (Dale) Bateman (1865-1935), by contractor William Dodson in 1922. The Bateman House was designed by English-born and trained architect Enoch Evans (1862-1939) of E. Evans and Son, and is an important surviving residential design by Evans, and a typical example of the eclectic Period Revival influences that were common to domestic architecture in the post-First World War era. The symmetry of the imposing front verandah, supported by exaggerated Ionic columns, gives the relatively-modest house an image of grandeur and formality. Named after Edwin Bateman’s birthplace in Cheshire, England, ‘Elworth’ also symbolizes allegiance to England and the patriotic tenor of the time. The heritage value for this house also lies in its interpretive value within the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The E.W. Bateman House was purchased by Burnaby in 1970 and became the focal point for the development of the Museum. Both the interior and exterior of the house have been restored and interpreted to the date of original construction, including recreated room interiors and period furnishings.
- Defining Elements
- The elements that define the heritage character of the E.W. Bateman House include its: - rectangular form and massing with central entry on long side - side gable roof with front shed dormer with cedar shingle cladding - symmetry of front facade - full open front verandah inset under the roofline, supported with Ionic columns - cedar shingle siding - multi-paned double-hung wooden-sash windows, mixture of 6-over-1 and 8-over-1 - symmetrical disposition of fenestration, with double-assembly units on the ground floor - exterior shutters - two flanking brick chimneys on the side elevations - interior room layouts and original interior features such as quality millwork and original hardware - original garage at the rear of the house
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Organization
- Burnaby Village Museum
- Architect
- Enoch Evans
- E. Evans and Son
- Builder
- William Dodson
- Function
- Primary Current--Museum
- Primary Historic--Single Dwelling
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 011-030-356 Legal Description: Parcel 1, District Lot 79 and District Lot 85, Group 1, New Westminster District, Reference Plan 77594
- Boundaries
- Burnaby Village Museum is comprised of a single municipally-owned property located at 6501 Deer Lake Avenue, Burnaby.
- Area
- 38,488.63
- Contributing Resource
- Building
- Landscape Feature
- Structure
- Ownership
- Public (local)
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Subjects
- Buildings - Residential
- Buildings - Residential - Houses
- Buildings - Heritage
- Buildings - Civic - Museums
- Street Address
- 6501 Deer Lake Avenue
- Street View URL
- Google Maps Street View
Images
Interview with Allan Nixon by Rod Fowler February 21, 1990 - Track 7
https://search.heritageburnaby.ca/link/oralhistory470
- Repository
- City of Burnaby Archives
- Date Range
- 1936-1990
- Length
- 00:04:34
- Summary
- This portion of the interview is about Al Nixon describing the importance of good record keeping, using an example of an 1936 fire record used in a civic law suit. He expressed concerned about the lack of museum and archives facilities in Burnaby.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Al Nixon describing the importance of good record keeping, using an example of an 1936 fire record used in a civic law suit. He expressed concerned about the lack of museum and archives facilities in Burnaby.
- Date Range
- 1936-1990
- Length
- 00:04:34
- Interviewer
- Fowler, Rod
- Interview Date
- February 21, 1990
- Scope and Content
- Recording is of an interview with Al Nixon, conducted by Rod Fowler. Al Nixon was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is mainly about the history and operations of the Burnaby Fire Department from its beginning in 1911 to 1990, and Al Nixon’s stories about the various ways photographs, records and artifacts about the department were collected and saved. The interview takes place while looking at photographs, but the information is clear nonetheless (His photographs have been deposited in the Burnaby Archives). Al Nixon also talks about his father's career as a firefighter, and about his Douglas grandparents and their home “The Gables” [Seven Gables] and neighbourhood in Burquitlam. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Al Nixon was born in New Westminster Feb. 8, 1936, the son of Provincial Fire Marshal Basil Nixon (1904-1975) and Agnes Douglas (1909-?). His mother’s family immigrated to Canada from Scotland in 1922 and lived in a large ca. 1900 home in Burquitlam at 9957 Sullivan Road called “Seven Gables” (recently demolished). His grandfather Thomas Douglas, a Coquitlam Councillor and Socialist, was murdered in 1934 in his North Road service station. Al Nixon began his career as a firefighter with the Burnaby Fire Department in 1957, eventually becoming Deputy Fire Chief Operations in 1987 and Fire Chief in 1991, before retiring in 1993. In the mid 1980's Al Nixon became interested in the department’s history after finding a photograph scrapbook at one of the firehalls. It was in very bad condition but he recognized its value and began a project to collect and save photographs, artifacts and stories about the Burnaby Fire Department, a 6 month project that turned into years. The photographs and information gathered by Al Nixon became part of Douglas Penn’s book “Follow that Fire: the history of the Burnaby Fire Department”.
- Total Tracks
- 8
- Total Length
- 0:43:35
- Interviewee Name
- Nixon, Al
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track seven of interview with Al Nixon
Track seven of interview with Al Nixon
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-014/MSS187-014_Track_7.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 1
https://search.heritageburnaby.ca/link/oralhistory516
- Repository
- City of Burnaby Archives
- Date Range
- 1900-1946
- Length
- 00:07:05
- Summary
- This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver,…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver, but managed to find a place to live outside the camp where her grandmother grew a large garden from seeds brought in the seams of her clothing. She notes that the Lion Islands were named Oikawa-shima by the Japanese settlers.
- Date Range
- 1900-1946
- Length
- 00:07:05
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track one of interview with Toki Miyashita
Track one of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_1.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 2
https://search.heritageburnaby.ca/link/oralhistory517
- Repository
- City of Burnaby Archives
- Date Range
- 1942-1969
- Length
- 00:07:41
- Summary
- This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and …
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and then began to teach others these skills in Montreal .
- Date Range
- 1942-1969
- Length
- 00:07:41
- Subjects
- Education
- Arts
- Persons - Japanese Canadians
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track two of interview with Toki Miyashita
Track two of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_2.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 7
https://search.heritageburnaby.ca/link/oralhistory522
- Repository
- City of Burnaby Archives
- Date Range
- 1930-1990
- Length
- 00:13:56
- Summary
- This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and dis…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and distrust in her family. She also talks about visiting Hiroshima on her trip to Japan in 1980
- Date Range
- 1930-1990
- Length
- 00:13:56
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track seven of interview with Toki Miyashita
Track seven of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_7.mp3