115 records – page 2 of 6.

Interview with Jiro Kamiya, 2015

https://search.heritageburnaby.ca/link/museumdescription4476
Repository
Burnaby Village Museum
Date
[2015]
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Item
Physical Description
1 sound recording (mp3) (01:11:02 min)
Scope and Content
Recording of a interview with Jiro Kamiya about the ofuro he built as an exhibit for display at Burnaby Village Museum, and his work in Canada generally. When he speaks in Japanese, his son Frank Kamiya does the English translation. Frank recalls how his father, a Japanese-trained carpenter, came …
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
Museum Oral Histories series
Subseries
Museum research interviews subseries
Description Level
Item
Physical Description
1 sound recording (mp3) (01:11:02 min)
Material Details
Interviewer: Lisa Codd Interviewees: Jiro Kamiya and his son Frank Kamiya Location of Interview: Nikkei Home, Burnaby Interview Date: [2015] Total Number of Tracks: 1 Total Length of all Tracks: 1:11:02
Scope and Content
Recording of a interview with Jiro Kamiya about the ofuro he built as an exhibit for display at Burnaby Village Museum, and his work in Canada generally. When he speaks in Japanese, his son Frank Kamiya does the English translation. Frank recalls how his father, a Japanese-trained carpenter, came to be involved in the project, which was donated to the Museum by the Japanese Canadian Citizens Association. An unidentified woman is also present and contributes to the discussion. 0:00 – 6:38: Frank Kamiya recalls the museum’s ofuro project, describing how his father became involved with it. He talks about the ofuro in Canada, speaking of their importance to Japanese Canadians but noting that they have been superseded by newer products. Frank also mentions that ofuros are now subject to modern building regulations. 6:38 – 20:30: Jiro Kamiya describes the construction of the ofuro. He explains the technique of water-proofing and talks about the different sizes of baths, discussing the differences in Japanese and Canadian styles and in the way water was supplied. 20:30 – 28:27: This portion of the recording pertains to Jiro Kamiya’s background as a carpenter in Shizuoka, Japan, in the family’s business, and how he came to immigrate to Canada. Frank talks about his father’s innovations and skills. He discusses the differences between Japanese and Canadian tools. Lisa Codd asks about the tools Jiro donated to the museum. 28:27 – 36:00: Frank talks about his father’s involvement in the building of the Museum’s ofuro. He notes that he himself drew up the plans and submitted them to City Hall. He asks about the ofuro’s plaque and the building’s condition. Lisa explains how the classification of buildings as replica or heritage determines how conservation choices are made. 36:00 – 45:47: Frank describes the purpose and use of the ofuro and the kind of accessories which should be included in the Museum’s display. The exact meaning of ‘ofuro’ is discussed with Jiro, as is bathing protocol for the larger and smaller kinds. 45:47 – 59:13: Jiro recalls New Year and other traditions and Lisa and Frank remark on the differences between the established infrastructures of Japan and those of rural Canada. Frank describes his father’s work in Canada. Jiro talks of being unable to join the carpenters union, but advancing in his profession through his ability and experience with Japanese techniques. 59:13 – 1:11:02: Jiro talks about the work that he did during internment during World War II and his choice to go to Winnipeg with his family. Frank relates how his father adapted to shipyard work, and Jiro tells anecdotes about his working years.
History
Interviewee: Jiro Kamiya (ne Tsuneki) was born on August 29, 1910 in Shizuoka Ken, Japan to parents Torakichi Tsuneki and Sono Ssuneki. In 1936, Jiro married Toneko Kamiya. The Tsuneki family were Master Carpenters for over 500 years and the family business, Torakichi Tsuneki Construction Co was the largest and best known construction company in Shizuoka Ken. Jiro also became a master carpenter working for his father's company. In 1933, Jiro immigrated to Canada and in 1936, he returned to Japan to marry. In 1937 he got work at the Hammond Cedar Mill leading a crew of six men and worked there for about three or four years. In 1942 along with over 21,000 Japanese Canadians, Jiro and his family were forcibly removed from the coastal area of British Columbia. Jiro and his family were relocated to Oak Bluff, Manitoba to work on the beet farms. JIro chose this location of internment so that he could keep his family together. While living in Manitoba, Jiro also found work as a carpenter. In 1948 when he was permitted to return to British Columbia, Jiro and his family relocated to Kamloops. In 1951, he began working as a carpenter for Matsumoto Shipyard in North Vancouver and between 1961 and 1974, he worked for Grimwood Construction. From 1975, he worked for Dawson Hall Construction until his retirement at the age of 68. Following his retirement he built a house for his nephew on Mayne Island and a summer house for himself which he completed in 1988. In 2001, Jiro and his wife, Toneko moved to Nikkei Home. While living at Nikkei Home, Jiro made chopsticks out of hardwood, creating over a thousand pairs up until he was 99 years old. Jiro passed away in 2015. Interviewer: Lisa Codd has worked in the museum sector since 2000 and between 2005 and 2019, she worked as the curator at the Burnaby Village Museum. In 2019, Lisa began her work as the City of Burnaby Heritage Planner.
Creator
Burnaby Village Museum
Subjects
Persons - Japanese Canadians
Names
Kamiya, Jiro
Kamiya, Frank
Accession Code
BV019.13.1
Access Restriction
No restrictions
Reproduction Restriction
No known restrictions
Date
[2015]
Media Type
Sound Recording
Notes
Audio is only available to listen at the Burnaby Village Museum
Audio Tracks

Interview with Jiro Kamiya, 2015, [2015]

Less detail

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 1

https://search.heritageburnaby.ca/link/oralhistory516
Repository
City of Burnaby Archives
Date Range
1900-1946
Length
00:07:05
Summary
This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver,…
Repository
City of Burnaby Archives
Summary
This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver, but managed to find a place to live outside the camp where her grandmother grew a large garden from seeds brought in the seams of her clothing. She notes that the Lion Islands were named Oikawa-shima by the Japanese settlers.
Date Range
1900-1946
Length
00:07:05
Subjects
Wars - World War, 1939-1945
Persons - Japanese Canadians
Interviewer
Fowler, Rod
Interview Date
February 27, 1990
Scope and Content
Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
Biographical Notes
Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
Total Tracks
11
Total Length
01:34:10
Interviewee Name
Miyashita, Toki
Interviewer Bio
Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
Collection/Fonds
SFU/Burnaby Centennial Committee fonds
Series
Centennial Oral History project series
Transcript Available
Transcript available
Media Type
Sound Recording
Web Notes
Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks

Track one of interview with Toki Miyashita

Less detail

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 2

https://search.heritageburnaby.ca/link/oralhistory517
Repository
City of Burnaby Archives
Date Range
1942-1969
Length
00:07:41
Summary
This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and …
Repository
City of Burnaby Archives
Summary
This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and then began to teach others these skills in Montreal .
Date Range
1942-1969
Length
00:07:41
Subjects
Education
Arts
Persons - Japanese Canadians
Interviewer
Fowler, Rod
Interview Date
February 27, 1990
Scope and Content
Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
Biographical Notes
Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
Total Tracks
11
Total Length
01:34:10
Interviewee Name
Miyashita, Toki
Interviewer Bio
Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
Collection/Fonds
SFU/Burnaby Centennial Committee fonds
Series
Centennial Oral History project series
Transcript Available
Transcript available
Media Type
Sound Recording
Web Notes
Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks

Track two of interview with Toki Miyashita

Less detail

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 7

https://search.heritageburnaby.ca/link/oralhistory522
Repository
City of Burnaby Archives
Date Range
1930-1990
Length
00:13:56
Summary
This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and dis…
Repository
City of Burnaby Archives
Summary
This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and distrust in her family. She also talks about visiting Hiroshima on her trip to Japan in 1980
Date Range
1930-1990
Length
00:13:56
Subjects
Wars - World War, 1939-1945
Persons - Japanese Canadians
Interviewer
Fowler, Rod
Interview Date
February 27, 1990
Scope and Content
Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
Biographical Notes
Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
Total Tracks
11
Total Length
01:34:10
Interviewee Name
Miyashita, Toki
Interviewer Bio
Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
Collection/Fonds
SFU/Burnaby Centennial Committee fonds
Series
Centennial Oral History project series
Transcript Available
Transcript available
Media Type
Sound Recording
Web Notes
Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks

Track seven of interview with Toki Miyashita

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Japanese Bath House

https://search.heritageburnaby.ca/link/museumdescription464
Repository
Burnaby Village Museum
Date
[1956] (date of original), copied 1978
Collection/Fonds
Burnaby Village Museum Photograph collection
Description Level
Item
Physical Description
1 photograph : b&w ; 20.2 x 25.3 cm print
Scope and Content
Photograph of a Japanese bath house built outdoors. There are stacks of wood beside the bath house, which is a small wooden structure with a few small windows.There is a plank board walk on the side of the bath house leading to a well. In the centre of the photograph is a man leaning over a stove.…
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum Photograph collection
Description Level
Item
Physical Description
1 photograph : b&w ; 20.2 x 25.3 cm print
Scope and Content
Photograph of a Japanese bath house built outdoors. There are stacks of wood beside the bath house, which is a small wooden structure with a few small windows.There is a plank board walk on the side of the bath house leading to a well. In the centre of the photograph is a man leaning over a stove. According to a letter sent by the donor, the bath house was built around 1945 - 1946 at Mission Flats, Kamloops, BC by the donor's father, Junzo Yamake (1895-1973). At the time of the letter, the site was part of the Weyerhauser Company's pulp mill complex. The bath house was constructed to complement the house the donor's family was living as there was no indoor bathroom. She writes that it was strange to live in a huge, comfortable English style house, and still have an outhouse, and the outdoor Japanese bath house that were situated around the house. Also, she indicates the man in the centre is her father, Junzo Yamake, boiling water to do spring cleaning.
Subjects
Persons - Japanese Canadians
Buildings - Residential
Names
Yamake, Junzo
Accession Code
HV978.11.2
Access Restriction
No restrictions
Reproduction Restriction
May be restricted by third party rights
Date
[1956] (date of original), copied 1978
Media Type
Photograph
Related Material
For another photograph of the same bath house, see HV978.11.1
Scan Resolution
600
Scan Date
2023-08-01
Photographer
Kakutani, James Kiyoshi "Jimmie"
Notes
Title based on contents of photograph
Images
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The Kokuryos, Sukegoro Yasui and Louise Irwin

https://search.heritageburnaby.ca/link/museumdescription15256
Repository
Burnaby Village Museum
Date
[1980-] (date of original), copied 2004
Collection/Fonds
In the Shadow by the Sea collection
Description Level
Item
Physical Description
1 photograph (tiff) : 300 dpi
Scope and Content
Photograph of (left to right) the Kokuryos, Sukegoro Yasui and Louise Irwin standing on the former site of the Barnet Mill. The north shore of Burrard Inlet is visible in the distance.
Repository
Burnaby Village Museum
Collection/Fonds
In the Shadow by the Sea collection
Series
Irwin family photographs series
Description Level
Item
Physical Description
1 photograph (tiff) : 300 dpi
Scope and Content
Photograph of (left to right) the Kokuryos, Sukegoro Yasui and Louise Irwin standing on the former site of the Barnet Mill. The north shore of Burrard Inlet is visible in the distance.
Subjects
Persons - Japanese Canadians
Names
Yasui, Sukegoro
Irwin, Louise
Kokuryo, Hideko
Geographic Access
Burrard Inlet
Accession Code
BV019.32.75
Access Restriction
No restrictions
Reproduction Restriction
No known restrictions
Date
[1980-] (date of original), copied 2004
Media Type
Photograph
Historic Neighbourhood
Barnet (Historic Neighbourhood)
Planning Study Area
Burnaby Mountain Area
Notes
Title based on contents of photograph
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact6645
Repository
Burnaby Village Museum
Accession Code
BV985.97.3
Repository
Burnaby Village Museum
Accession Code
BV985.97.3
Description
Pin, round, enamelled brass. Wide blue border around outside with thin gold edges and gold lettering "INTERNATIONAL. BOWLING. TEAM. / VISIT. 1927. TO. CANADA". Inner part of pin is cruciform, with round centre connected to outer edge with four arms, open cut-out areas between. Each arm shows a coloured enamel floral symbol. At top is the rose, at right are shamrocks, at bottom is the lily, at left is the thistle. At the centre of the pin is the Royal Coat of Arms of the United Kingdom in red and blue with gold. Locking pin back on reverse, open loop. "R. SCOTT / GLASGOW" in raised letters near bottom edge. Some discolouration on back, very slight wear on front.
Category
08. Communication Artifacts
Classification
Documentary Artifacts - - Memorabilia
Object Term
Commemorative
Marks/Labels
"INTERNATIONAL BOWLING TEAM", embossed gold lettering in half circle along top of pin "VISIT 1927 TO CANADA", embossed gold lettering in half circle along bottom of pin
Measurements
Dia: 2.9 cm
Country Made
Scotland
Site/City Made
Glasgow
Subjects
Adornment
Adornment - Lapel Pins
Advertising Medium
Events - Competitions
Organizations - Athletic Associations
Sports - Bowling
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact11365
Repository
Burnaby Village Museum
Accession Code
BV985.3296.1
Repository
Burnaby Village Museum
Accession Code
BV985.3296.1
Description
Pin; gold, white, blue, red; gold bar with writing engraved; had two chains from which the oval hangs; oval has crown on top and British flag in centre; flag is overtop of white star on blue background; gold writing along outside edge. "PRIMARY / LIFE MEMBER / IMPERIAL ORDER / DAUGHTERS OF / THE EMPIRE"
Object History
The Imperial Order of the Daughters of the Empire (IODE) is a Canadian women's charitable organization. Founded in 1900 during the Second Boer War in patriotic support of the British Empire.
Category
08. Communication Artifacts
Classification
Personal Symbols
Object Term
Insignia
Marks/Labels
"PRIMARY / LIFE MEMBER", blue engraving on gold bar "IMPERIAL ORDER DAUGHTERS OF THE EMPIRE", gold embossed in circular form along edge.
Measurements
L: 4.0 cm x W: 2.6 cm
Subjects
Adornment
Adornment - Lapel Pins
Organizations - Women's Societies and Clubs
Images
Less detail

lapel pin

https://search.heritageburnaby.ca/link/museumartifact11367
Repository
Burnaby Village Museum
Accession Code
BV985.3298.1
Repository
Burnaby Village Museum
Accession Code
BV985.3298.1
Description
Pin; green, cream, blue, yellow; cream pin in tringular banner shape has blue writing embossed reading "VANCOUVER". It is attached to a green velvet bow; Five embroidered cream flowers with yellow centres (like daisies) hang from the bow, each attached to bow with greeen cord.
Marks/Labels
"VANCOUVER", embossed in blue in banner at top
Subjects
Adornment
Adornment - Lapel Pins
Geographic Access
Vancouver
Images
Less detail

lapel pin

https://search.heritageburnaby.ca/link/museumartifact11405
Repository
Burnaby Village Museum
Accession Code
BV985.3319.1
Repository
Burnaby Village Museum
Accession Code
BV985.3319.1
Description
Pin; brass, yellow; brass frame of pin in oval shaped and has decorative, twisting motif at top centre and bottom centre; inside frame is drawing of mountains, water clouds and shining sun; lettering reading "VANCOUVER" is reflected in water
Category
08. Communication Artifacts
Classification
Documentary Artifacts
Object Term
Souvenir
Marks/Labels
"VANCOUVER", half white and half black lettering printed along pin "THE WHITEHEAD & HOAG CO / NEWARK, N.J.", engraved on rear
Measurements
L: 5.1 cm x W: 2.9 cm
Maker
Whitehead & Hoag Company
Country Made
United States of America
Province Made
New Jersey
Site/City Made
Newark
Subjects
Adornment
Adornment - Lapel Pins
Geographic Access
Vancouver
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact41405
Repository
Burnaby Village Museum
Accession Code
BV001.1.183
Repository
Burnaby Village Museum
Accession Code
BV001.1.183
Description
Button pin, round, buff ground with wide brownish red border and green print. Around edge from left, "JULY / AUG / SEPT". Logo below 'AUG', illegible, "LI--HA" ?, then "1920". At bottom is brownish red dot at centre of "U.B.M.W.E.R.S.L." in circle. Pin is paper formed over a metal back and held in place by pressure. Clear coating over front. Back is dark metal with remains of pin clasp closure ?, coil of wire one side, lighter-coloured patch of metal around opening other side. Back is hollow. Manufacturer's stamp, mostly illegible, "--- CO" "--H.N.Y." and hallmark ?. Metal of back is tarnished, some scratches and wear on front.
Object History
Union dues button for the United Brotherhood of Maintenance of Way Employees and Railroad Shop Laborers which was affiliated with the American Federation of Labour. Railroad way workers oversaw the maintenace of railroad tracks. (For more information see http://americanhistory.si.edu/onthemove/collection/object_186.html)
Category
08. Communication Artifacts
Classification
Personal Symbols
Object Term
Insignia
Marks/Labels
"JULY / AUG / SEPT", green letters printed around top "1920", larger green numbers printed in centre "U.B.M.W.E.R.S.L.", green letters printed around dot and surrounded by a green circle
Subjects
Adornment
Adornment - Lapel Pins
Industries
Occupations - Railroad Labourers
Organizations - Unions
Transportation - Rail
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact42917
Repository
Burnaby Village Museum
Accession Code
BV001.21.3
Repository
Burnaby Village Museum
Accession Code
BV001.21.3
Description
Pin, silver-coloured metal, enamelled. Centre is image of landscape, blue water with waves, green hills, purple mountains with white snow and blue sky. Around most of centre, from upper left around bottom to upper right, is wide yellow border with silver "BURNABY . CENTRE . LAKE . DISTRICT". Details of landscape and border edges are silver. Back of pin is silver-coloured, lightly textured, with locking pin back closure. Stamped raised lettering "ALBERT" ? / TROPHIES LTD / VANCOUVER / TAIWAN"
Category
08. Communication Artifacts
Classification
Personal Symbols
Object Term
Insignia
Measurements
L: 2.5 cm x W: 2.1 cm
Country Made
Taiwan
Subjects
Adornment
Adornment - Lapel Pins
Advertising Medium
Organizations - Boys' Societies and Clubs
Personal Symbols - Pins
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact47165
Repository
Burnaby Village Museum
Accession Code
BV004.43.9
Repository
Burnaby Village Museum
Accession Code
BV004.43.9
Description
Pin, Canadian Legion crest on blue ground; "North Burnaby B.C." "Legion" "148"
Category
08. Communication Artifacts
Classification
Personal Symbols
Object Term
Insignia
Marks/Labels
North Burnaby B.C. / Legion / 148
Subjects
Adornment
Adornment - Lapel Pins
Personal Symbols - Pins
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact47170
Repository
Burnaby Village Museum
Accession Code
BV004.43.14
Repository
Burnaby Village Museum
Accession Code
BV004.43.14
Description
Pin, white, gold, red, black; "Burnaby Laphounds" "of Burnaby British Columbia" "1957"
Object History
The Guild founded in 1957.
Category
08. Communication Artifacts
Classification
Personal Symbols
Object Term
Insignia
Marks/Labels
Burnaby Laphounds / British Columbia / 1957
Subjects
Adornment
Adornment - Lapel Pins
Personal Symbols - Pins
Organizations
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact47171
Repository
Burnaby Village Museum
Accession Code
BV004.43.15
Repository
Burnaby Village Museum
Accession Code
BV004.43.15
Description
Lapel pin made of stamped brass finished with enamel and gold plating. The pin has a pin back. The pin is round with a bear facing head on at the centre. The background is dark brown and the bear face is highlighted with dark brown. There is a perimiter ring with a white background. Text in the ring says "BWC INVITATIONAL / ATOM "AAA" TOURNAMENT" The pin was issued by the Burnaby Winter Club for an Atom, triple "A" tournament
Category
08. Communication Artifacts
Classification
Documentary Artifacts - - Memorabilia
Object Term
Commemorative
Marks/Labels
"B.W.C. INVITATIONAL / ATOM AAA TOURNAMENT", embossed on the perimiter ring of the pin.
Subjects
Adornment
Adornment - Lapel Pins
Personal Symbols - Pins
Sports - Ice Hockey
Souvenirs
Names
Burnaby Winter Club
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact47175
Repository
Burnaby Village Museum
Accession Code
BV004.43.19
Repository
Burnaby Village Museum
Accession Code
BV004.43.19
Description
Pin, yellow and gold; "Burnaby Parks & Recreation" "Skating Lessons"
Object History
Used in the late 1980s (perhaps earlier, perhaps later as well), pins were given to children who completed coloured levels in the Burnaby Parks and Recreation Skating Lessons program.
Category
08. Communication Artifacts
Classification
Personal Symbols - - Achievement Symbols
Object Term
Insignia
Marks/Labels
Burnaby Parks and Recreation / Skating Lessons
Subjects
Personal Symbols - Pins
Adornment - Lapel Pins
Adornment
Sports - Skating
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact47178
Repository
Burnaby Village Museum
Accession Code
BV004.43.22
Repository
Burnaby Village Museum
Accession Code
BV004.43.22
Description
Pin, blue and gold; "Canada"; "CD" monogram [Civil Defense]
Category
08. Communication Artifacts
Classification
Personal Symbols
Object Term
Insignia
Marks/Labels
Canada / CD
Subjects
Adornment - Lapel Pins
Adornment
Emergency Measures - Civil Defence
Advertising Medium
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact47204
Repository
Burnaby Village Museum
Accession Code
BV004.50.10
Repository
Burnaby Village Museum
Accession Code
BV004.50.10
Description
Pin, oval; silver, and light and dark blue; wing-like motif; "BCIT" "ACM"
Category
08. Communication Artifacts
Classification
Personal Symbols
Object Term
Insignia
Marks/Labels
BCIT / ACM
Colour
Blue
Subjects
Adornment
Adornment - Lapel Pins
Advertising Medium
Education
Symbols
Images
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lapel pin

https://search.heritageburnaby.ca/link/museumartifact47205
Repository
Burnaby Village Museum
Accession Code
BV004.50.11
Repository
Burnaby Village Museum
Accession Code
BV004.50.11
Description
Pin; blue, gold, red; "BCIT" "Celebrating the First 5 Classes" "1966 - 1971", logo
Category
08. Communication Artifacts
Classification
Documentary Artifacts - - Memorabilia
Object Term
Commemorative
Marks/Labels
BCIT / Celebrating the First 5 Classes / 1966 - 1971
Subjects
Adornment
Adornment - Lapel Pins
Advertising Medium
Education
Symbols
Images
Less detail

lapel pin

https://search.heritageburnaby.ca/link/museumartifact47206
Repository
Burnaby Village Museum
Accession Code
BV004.50.12
Repository
Burnaby Village Museum
Accession Code
BV004.50.12
Description
Pin; blue and silver; "30th Anniversary" "First Graduating Class" "BCIT" "1966 - 1996"
Category
08. Communication Artifacts
Classification
Documentary Artifacts - - Memorabilia
Object Term
Commemorative
Marks/Labels
30th Anniversary / First Graduating Class / BCIT / 1966 - 1996
Subjects
Adornment
Adornment - Lapel Pins
Education
Symbols
Souvenirs
Images
Less detail

115 records – page 2 of 6.