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Interview with Jiro Kamiya, 2015
https://search.heritageburnaby.ca/link/museumdescription4476
- Repository
- Burnaby Village Museum
- Date
- [2015]
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 sound recording (mp3) (01:11:02 min)
- Scope and Content
- Recording of a interview with Jiro Kamiya about the ofuro he built as an exhibit for display at Burnaby Village Museum, and his work in Canada generally. When he speaks in Japanese, his son Frank Kamiya does the English translation. Frank recalls how his father, a Japanese-trained carpenter, came …
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Museum Oral Histories series
- Subseries
- Museum research interviews subseries
- Description Level
- Item
- Physical Description
- 1 sound recording (mp3) (01:11:02 min)
- Material Details
- Interviewer: Lisa Codd Interviewees: Jiro Kamiya and his son Frank Kamiya Location of Interview: Nikkei Home, Burnaby Interview Date: [2015] Total Number of Tracks: 1 Total Length of all Tracks: 1:11:02
- Scope and Content
- Recording of a interview with Jiro Kamiya about the ofuro he built as an exhibit for display at Burnaby Village Museum, and his work in Canada generally. When he speaks in Japanese, his son Frank Kamiya does the English translation. Frank recalls how his father, a Japanese-trained carpenter, came to be involved in the project, which was donated to the Museum by the Japanese Canadian Citizens Association. An unidentified woman is also present and contributes to the discussion. 0:00 – 6:38: Frank Kamiya recalls the museum’s ofuro project, describing how his father became involved with it. He talks about the ofuro in Canada, speaking of their importance to Japanese Canadians but noting that they have been superseded by newer products. Frank also mentions that ofuros are now subject to modern building regulations. 6:38 – 20:30: Jiro Kamiya describes the construction of the ofuro. He explains the technique of water-proofing and talks about the different sizes of baths, discussing the differences in Japanese and Canadian styles and in the way water was supplied. 20:30 – 28:27: This portion of the recording pertains to Jiro Kamiya’s background as a carpenter in Shizuoka, Japan, in the family’s business, and how he came to immigrate to Canada. Frank talks about his father’s innovations and skills. He discusses the differences between Japanese and Canadian tools. Lisa Codd asks about the tools Jiro donated to the museum. 28:27 – 36:00: Frank talks about his father’s involvement in the building of the Museum’s ofuro. He notes that he himself drew up the plans and submitted them to City Hall. He asks about the ofuro’s plaque and the building’s condition. Lisa explains how the classification of buildings as replica or heritage determines how conservation choices are made. 36:00 – 45:47: Frank describes the purpose and use of the ofuro and the kind of accessories which should be included in the Museum’s display. The exact meaning of ‘ofuro’ is discussed with Jiro, as is bathing protocol for the larger and smaller kinds. 45:47 – 59:13: Jiro recalls New Year and other traditions and Lisa and Frank remark on the differences between the established infrastructures of Japan and those of rural Canada. Frank describes his father’s work in Canada. Jiro talks of being unable to join the carpenters union, but advancing in his profession through his ability and experience with Japanese techniques. 59:13 – 1:11:02: Jiro talks about the work that he did during internment during World War II and his choice to go to Winnipeg with his family. Frank relates how his father adapted to shipyard work, and Jiro tells anecdotes about his working years.
- History
- Interviewee: Jiro Kamiya (ne Tsuneki) was born on August 29, 1910 in Shizuoka Ken, Japan to parents Torakichi Tsuneki and Sono Ssuneki. In 1936, Jiro married Toneko Kamiya. The Tsuneki family were Master Carpenters for over 500 years and the family business, Torakichi Tsuneki Construction Co was the largest and best known construction company in Shizuoka Ken. Jiro also became a master carpenter working for his father's company. In 1933, Jiro immigrated to Canada and in 1936, he returned to Japan to marry. In 1937 he got work at the Hammond Cedar Mill leading a crew of six men and worked there for about three or four years. In 1942 along with over 21,000 Japanese Canadians, Jiro and his family were forcibly removed from the coastal area of British Columbia. Jiro and his family were relocated to Oak Bluff, Manitoba to work on the beet farms. JIro chose this location of internment so that he could keep his family together. While living in Manitoba, Jiro also found work as a carpenter. In 1948 when he was permitted to return to British Columbia, Jiro and his family relocated to Kamloops. In 1951, he began working as a carpenter for Matsumoto Shipyard in North Vancouver and between 1961 and 1974, he worked for Grimwood Construction. From 1975, he worked for Dawson Hall Construction until his retirement at the age of 68. Following his retirement he built a house for his nephew on Mayne Island and a summer house for himself which he completed in 1988. In 2001, Jiro and his wife, Toneko moved to Nikkei Home. While living at Nikkei Home, Jiro made chopsticks out of hardwood, creating over a thousand pairs up until he was 99 years old. Jiro passed away in 2015. Interviewer: Lisa Codd has worked in the museum sector since 2000 and between 2005 and 2019, she worked as the curator at the Burnaby Village Museum. In 2019, Lisa began her work as the City of Burnaby Heritage Planner.
- Creator
- Burnaby Village Museum
- Subjects
- Persons - Japanese Canadians
- Names
- Kamiya, Jiro
- Kamiya, Frank
- Accession Code
- BV019.13.1
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [2015]
- Media Type
- Sound Recording
- Notes
- Audio is only available to listen at the Burnaby Village Museum
Audio Tracks
Interview with Jiro Kamiya, 2015, [2015]
Interview with Jiro Kamiya, 2015, [2015]
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2019_0013_0001_001.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 2
https://search.heritageburnaby.ca/link/oralhistory517
- Repository
- City of Burnaby Archives
- Date Range
- 1942-1969
- Length
- 00:07:41
- Summary
- This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and …
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and then began to teach others these skills in Montreal .
- Date Range
- 1942-1969
- Length
- 00:07:41
- Subjects
- Education
- Arts
- Persons - Japanese Canadians
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track two of interview with Toki Miyashita
Track two of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_2.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 7
https://search.heritageburnaby.ca/link/oralhistory522
- Repository
- City of Burnaby Archives
- Date Range
- 1930-1990
- Length
- 00:13:56
- Summary
- This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and dis…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and distrust in her family. She also talks about visiting Hiroshima on her trip to Japan in 1980
- Date Range
- 1930-1990
- Length
- 00:13:56
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track seven of interview with Toki Miyashita
Track seven of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_7.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 1
https://search.heritageburnaby.ca/link/oralhistory516
- Repository
- City of Burnaby Archives
- Date Range
- 1900-1946
- Length
- 00:07:05
- Summary
- This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver,…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver, but managed to find a place to live outside the camp where her grandmother grew a large garden from seeds brought in the seams of her clothing. She notes that the Lion Islands were named Oikawa-shima by the Japanese settlers.
- Date Range
- 1900-1946
- Length
- 00:07:05
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track one of interview with Toki Miyashita
Track one of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_1.mp3shoulder badge
https://search.heritageburnaby.ca/link/museumartifact204
- Repository
- Burnaby Village Museum
- Accession Code
- HV971.5.42
- Description
- Burnaby Municipal Police shoulder bar for jacket. Cast in one piece in metal. Letters are connected by integral bars. Secured by mounting posts and cotter pin.
- Object History
- Jacket shoulder bars issued to Constable George Jeffery. George Jeffery served as a Constable on the Burnaby Police Force from 1912 - 1935. His patrolled the large Central Park District by foot, stretching from Boundary to Royal Oak and Marine Drive to Moscrop. Over the coarse of his duties, Constable Jeffery saw the need for recreational activities in the area. He founded the Burnaby Athletic Association which featured a competitive boxing ring and gym. In 1935, when the Burnaby Police became the British Columbia Provincial Police, rather than leave the community he chose to leave the force. George Jeffery than worked at the nearby Oakalla Prison Farm until retiring in 1945.
- Marks/Labels
- "B M P", letters on cross bars
Images
lapel pin
https://search.heritageburnaby.ca/link/museumartifact6645
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.97.3
- Description
- Pin, round, enamelled brass. Wide blue border around outside with thin gold edges and gold lettering "INTERNATIONAL. BOWLING. TEAM. / VISIT. 1927. TO. CANADA". Inner part of pin is cruciform, with round centre connected to outer edge with four arms, open cut-out areas between. Each arm shows a coloured enamel floral symbol. At top is the rose, at right are shamrocks, at bottom is the lily, at left is the thistle. At the centre of the pin is the Royal Coat of Arms of the United Kingdom in red and blue with gold. Locking pin back on reverse, open loop. "R. SCOTT / GLASGOW" in raised letters near bottom edge. Some discolouration on back, very slight wear on front.
- Category
- 08. Communication Artifacts
- Classification
- Documentary Artifacts - - Memorabilia
- Object Term
- Commemorative
- Marks/Labels
- "INTERNATIONAL BOWLING TEAM", embossed gold lettering in half circle along top of pin "VISIT 1927 TO CANADA", embossed gold lettering in half circle along bottom of pin
- Measurements
- Dia: 2.9 cm
- Country Made
- Scotland
- Site/City Made
- Glasgow
- Subjects
- Adornment
- Adornment - Lapel Pins
- Advertising Medium
- Events - Competitions
- Organizations - Athletic Associations
- Sports - Bowling
Images
lapel pin
https://search.heritageburnaby.ca/link/museumartifact11365
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3296.1
- Description
- Pin; gold, white, blue, red; gold bar with writing engraved; had two chains from which the oval hangs; oval has crown on top and British flag in centre; flag is overtop of white star on blue background; gold writing along outside edge. "PRIMARY / LIFE MEMBER / IMPERIAL ORDER / DAUGHTERS OF / THE EMPIRE"
- Object History
- The Imperial Order of the Daughters of the Empire (IODE) is a Canadian women's charitable organization. Founded in 1900 during the Second Boer War in patriotic support of the British Empire.
- Category
- 08. Communication Artifacts
- Classification
- Personal Symbols
- Object Term
- Insignia
- Marks/Labels
- "PRIMARY / LIFE MEMBER", blue engraving on gold bar "IMPERIAL ORDER DAUGHTERS OF THE EMPIRE", gold embossed in circular form along edge.
- Measurements
- L: 4.0 cm x W: 2.6 cm
Images
lapel pin
https://search.heritageburnaby.ca/link/museumartifact11367
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3298.1
- Description
- Pin; green, cream, blue, yellow; cream pin in tringular banner shape has blue writing embossed reading "VANCOUVER". It is attached to a green velvet bow; Five embroidered cream flowers with yellow centres (like daisies) hang from the bow, each attached to bow with greeen cord.
- Marks/Labels
- "VANCOUVER", embossed in blue in banner at top
- Subjects
- Adornment
- Adornment - Lapel Pins
- Geographic Access
- Vancouver
Images
lapel pin
https://search.heritageburnaby.ca/link/museumartifact11405
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3319.1
- Description
- Pin; brass, yellow; brass frame of pin in oval shaped and has decorative, twisting motif at top centre and bottom centre; inside frame is drawing of mountains, water clouds and shining sun; lettering reading "VANCOUVER" is reflected in water
- Category
- 08. Communication Artifacts
- Classification
- Documentary Artifacts
- Object Term
- Souvenir
- Marks/Labels
- "VANCOUVER", half white and half black lettering printed along pin "THE WHITEHEAD & HOAG CO / NEWARK, N.J.", engraved on rear
- Measurements
- L: 5.1 cm x W: 2.9 cm
- Maker
- Whitehead & Hoag Company
- Country Made
- United States of America
- Province Made
- New Jersey
- Site/City Made
- Newark
- Subjects
- Adornment
- Adornment - Lapel Pins
- Geographic Access
- Vancouver
Images
pendant
https://search.heritageburnaby.ca/link/museumartifact11409
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3323.1
- Description
- Pendant, small brass ring with picture on each side and glass in front. Portrait of Queen Victoria as a young woman on one side and older on other side. Small loop for hanging. Portraits are in sepia tones.
Images
dressing gown
https://search.heritageburnaby.ca/link/museumartifact11595
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3499.1
- Description
- Dressing gown; blue and white. Japanese informal house dress or "yukata"; cotton; double ikat or "egasuri"
Images
catalogue
https://search.heritageburnaby.ca/link/museumartifact18690
- Repository
- Burnaby Village Museum
- Accession Code
- BV992.4.1
- Description
- E.G. Rideout & Co. - Catalogue Booklet -- [1879?]. Catalogue produced by E.G. Rideout and Company in New York. The catalogue is staple bound although there are pages falling out of the booklet. The company advertises Swiss and American Watches for ladies and men, notions, combs, brooches, etc. Along with prices guides for the products. The booklet measures 21cm x 27cm.
- Maker
- E. G. Rideout & Co
- Country Made
- United States of America
- Province Made
- New York
- Site/City Made
- New York
Images
lapel pin with card
https://search.heritageburnaby.ca/link/museumartifact22065
- Repository
- Burnaby Village Museum
- Accession Code
- HV976.73.2
- Description
- Lapel pin and card. Pin is round, gold-plated sterling silver. Wide white enamel border has gold "WOMENS WAR WORK" in upper part, "C.R.C.S." at bottom, and thin gold inner and outer borders. Centre of pin is pebbled gold ground with red enamelled cross, gold border. Reverse of pin has locking pin back, and raised lettering "STERLING", 'S' in oval beside it. Back is tarnished, gold-coloured. Front has some soiling and wear.
- Object History
- Donation on behalf of South Burnaby United Church Women. Likely from their thrift shop.
- Category
- 08. Communication Artifacts
- Classification
- Personal Symbols
- Object Term
- Insignia
- Marks/Labels
- "WOMENS WAR WORK / C.R.C.S.", in raised letters in white border or pin. "STERLING" with a sideways "S" in an oval, in raised letters on the back of the pin.
- Measurements
- Dia: 1.8 cm
- Subjects
- Adornment
- Adornment - Lapel Pins
- Occupations - War Worker
- Organizations
- Wars
- Wars - World War, 1939-1945
- Names
- Canadian Red Cross
Images
button pin
https://search.heritageburnaby.ca/link/museumartifact25560
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.61.194
- Description
- Lapel pin, button type, round. White ground with blue border and blue "SUBSCRIBER" at top, "1918 / VICTORY LOAN" at bottom. Red-bordered flag is at centre of image, flying from pole, rope visible. Five blue diagonal stripes are at upper left of flag, blue-bordered shield is at lower right, divided into three columns by thin blue lines. Shield also has horizontal red and yellow marks. Flag is shaded and edges curved to suggest movement. "TRADE MARK REG." in white in blue border at bottom. Pin front is formed over a metal back and held by pressure. Spring clasp back doesn't lock closed as pin extends .6 cm beyond edge of button and there is no clasp. Reverse of pin is silver-coloured metal with stamping, "B CO / UNION / -H N Y" ?, symbols ? in circle. Metal of back is tarnished, white on front is yellowing. Image is poorly stamped, making border wider at right and colours in shield are blurred and extend outside its border.
- Category
- 08. Communication Artifacts
- Classification
- Advertising Media
- Object Term
- Button, Promotional
- Marks/Labels
- "SUBSCRIBER / 1918 / VICTORY LOAN", in blue paint "TRADE MARK REG", in smaller white paint on bottom edge
- Measurements
- Dia: 2.1 cm
- Subjects
- Adornment
- Adornment - Lapel Pins
- Advertising Medium
- Wars
- Wars - World War, 1914-1918
- Occupations - War Worker
Images
button pin
https://search.heritageburnaby.ca/link/museumartifact32894
- Repository
- Burnaby Village Museum
- Accession Code
- HV972.142.22
- Description
- Badge, button, small. White background with dark brown maple leaf and photograph portraits of George V and Mary. Small piece of blue, white, and red ribbon attached to the back of the button's pin.
- Marks/Labels
- In brown; "WELCOME" "DUKE AND DUCHESS OF YORK" under photograph portraits of George V and Mary.
Images
lapel pin
https://search.heritageburnaby.ca/link/museumartifact41405
- Repository
- Burnaby Village Museum
- Accession Code
- BV001.1.183
- Description
- Button pin, round, buff ground with wide brownish red border and green print. Around edge from left, "JULY / AUG / SEPT". Logo below 'AUG', illegible, "LI--HA" ?, then "1920". At bottom is brownish red dot at centre of "U.B.M.W.E.R.S.L." in circle. Pin is paper formed over a metal back and held in place by pressure. Clear coating over front. Back is dark metal with remains of pin clasp closure ?, coil of wire one side, lighter-coloured patch of metal around opening other side. Back is hollow. Manufacturer's stamp, mostly illegible, "--- CO" "--H.N.Y." and hallmark ?. Metal of back is tarnished, some scratches and wear on front.
- Object History
- Union dues button for the United Brotherhood of Maintenance of Way Employees and Railroad Shop Laborers which was affiliated with the American Federation of Labour. Railroad way workers oversaw the maintenace of railroad tracks. (For more information see http://americanhistory.si.edu/onthemove/collection/object_186.html)
- Category
- 08. Communication Artifacts
- Classification
- Personal Symbols
- Object Term
- Insignia
- Marks/Labels
- "JULY / AUG / SEPT", green letters printed around top "1920", larger green numbers printed in centre "U.B.M.W.E.R.S.L.", green letters printed around dot and surrounded by a green circle
- Subjects
- Adornment
- Adornment - Lapel Pins
- Industries
- Occupations - Railroad Labourers
- Organizations - Unions
- Transportation - Rail
Images
lapel pin
https://search.heritageburnaby.ca/link/museumartifact42917
- Repository
- Burnaby Village Museum
- Accession Code
- BV001.21.3
- Description
- Pin, silver-coloured metal, enamelled. Centre is image of landscape, blue water with waves, green hills, purple mountains with white snow and blue sky. Around most of centre, from upper left around bottom to upper right, is wide yellow border with silver "BURNABY . CENTRE . LAKE . DISTRICT". Details of landscape and border edges are silver. Back of pin is silver-coloured, lightly textured, with locking pin back closure. Stamped raised lettering "ALBERT" ? / TROPHIES LTD / VANCOUVER / TAIWAN"
- Category
- 08. Communication Artifacts
- Classification
- Personal Symbols
- Object Term
- Insignia
- Measurements
- L: 2.5 cm x W: 2.1 cm
- Country Made
- Taiwan
- Subjects
- Adornment
- Adornment - Lapel Pins
- Advertising Medium
- Organizations - Boys' Societies and Clubs
- Personal Symbols - Pins
Images
Ofuro bath building
https://search.heritageburnaby.ca/link/museumartifact43020
- Repository
- Burnaby Village Museum
- Accession Code
- X1308
- Description
- This building is a reproduction of a typical Japanese ofuro (bath house) that would have been built for Japanese logging crews or on other remote work sites.
- Object History
- This building was built on site and donated by the Japanese Canadian Citizens Association. See also BV011.50.18.
- Subjects
- Persons - Japanese Canadians
lapel pin
https://search.heritageburnaby.ca/link/museumartifact47165
- Repository
- Burnaby Village Museum
- Accession Code
- BV004.43.9
- Description
- Pin, Canadian Legion crest on blue ground; "North Burnaby B.C." "Legion" "148"
- Category
- 08. Communication Artifacts
- Classification
- Personal Symbols
- Object Term
- Insignia
- Marks/Labels
- North Burnaby B.C. / Legion / 148
Images
lapel pin
https://search.heritageburnaby.ca/link/museumartifact47170
- Repository
- Burnaby Village Museum
- Accession Code
- BV004.43.14
- Description
- Pin, white, gold, red, black; "Burnaby Laphounds" "of Burnaby British Columbia" "1957"
- Object History
- The Guild founded in 1957.
- Category
- 08. Communication Artifacts
- Classification
- Personal Symbols
- Object Term
- Insignia
- Marks/Labels
- Burnaby Laphounds / British Columbia / 1957