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100 records – page 3 of 5.

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 1

https://search.heritageburnaby.ca/link/oralhistory516
Repository
City of Burnaby Archives
Date Range
1900-1946
Length
00:07:05
Summary
This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver,…
Repository
City of Burnaby Archives
Summary
This portion of the interview is about Toki Miyashita’s family’s internment during WWII, and her Oikawa grandparent’s immigration to BC and settlement on Lion and Don Islands at the mouth of the Fraser River. She describes how the family was moved to the internment camp “The Orchard” in New Denver, but managed to find a place to live outside the camp where her grandmother grew a large garden from seeds brought in the seams of her clothing. She notes that the Lion Islands were named Oikawa-shima by the Japanese settlers.
Date Range
1900-1946
Length
00:07:05
Subjects
Wars - World War, 1939-1945
Persons - Japanese Canadians
Interviewer
Fowler, Rod
Interview Date
February 27, 1990
Scope and Content
Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
Biographical Notes
Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
Total Tracks
11
Total Length
01:34:10
Interviewee Name
Miyashita, Toki
Interviewer Bio
Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
Collection/Fonds
SFU/Burnaby Centennial Committee fonds
Series
Centennial Oral History project series
Transcript Available
Transcript available
Media Type
Sound Recording
Web Notes
Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks

Track one of interview with Toki Miyashita

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Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 2

https://search.heritageburnaby.ca/link/oralhistory517
Repository
City of Burnaby Archives
Date Range
1942-1969
Length
00:07:41
Summary
This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and …
Repository
City of Burnaby Archives
Summary
This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and then began to teach others these skills in Montreal .
Date Range
1942-1969
Length
00:07:41
Subjects
Education
Arts
Persons - Japanese Canadians
Interviewer
Fowler, Rod
Interview Date
February 27, 1990
Scope and Content
Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
Biographical Notes
Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
Total Tracks
11
Total Length
01:34:10
Interviewee Name
Miyashita, Toki
Interviewer Bio
Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
Collection/Fonds
SFU/Burnaby Centennial Committee fonds
Series
Centennial Oral History project series
Transcript Available
Transcript available
Media Type
Sound Recording
Web Notes
Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks

Track two of interview with Toki Miyashita

Less detail

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 7

https://search.heritageburnaby.ca/link/oralhistory522
Repository
City of Burnaby Archives
Date Range
1930-1990
Length
00:13:56
Summary
This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and dis…
Repository
City of Burnaby Archives
Summary
This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and distrust in her family. She also talks about visiting Hiroshima on her trip to Japan in 1980
Date Range
1930-1990
Length
00:13:56
Subjects
Wars - World War, 1939-1945
Persons - Japanese Canadians
Interviewer
Fowler, Rod
Interview Date
February 27, 1990
Scope and Content
Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
Biographical Notes
Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
Total Tracks
11
Total Length
01:34:10
Interviewee Name
Miyashita, Toki
Interviewer Bio
Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
Collection/Fonds
SFU/Burnaby Centennial Committee fonds
Series
Centennial Oral History project series
Transcript Available
Transcript available
Media Type
Sound Recording
Web Notes
Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks

Track seven of interview with Toki Miyashita

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Interview with Cice Brown, May 13, 2005 - Track 7

https://search.heritageburnaby.ca/link/museumdescription4482
Repository
Burnaby Village Museum
Date
1930-1949 (interview content), interviewed May 10, 2005
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Item
Physical Description
1 sound recording (mp3) (0:03:14 min)
Scope and Content
Track 7: This portion of the recording pertains to changes to Burnaby since Cice’s childhood. Cice discusses the rural nature of South Burnaby, and the sense of security of that time. She talks of the changes caused by the creation and growth of the Metrotown area. Cice describes how her husband’s …
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
Museum Oral Histories series
Subseries
Growing Up in Burnaby subseries
Description Level
Item
Physical Description
1 sound recording (mp3) (0:03:14 min)
Material Details
Interviewer: Tom Gooden Interviewee: Cice Brown Date of Interview: May 13, 2005 Total Number of Tracks: 7 Total length of all Tracks: 0:40:19
Scope and Content
Track 7: This portion of the recording pertains to changes to Burnaby since Cice’s childhood. Cice discusses the rural nature of South Burnaby, and the sense of security of that time. She talks of the changes caused by the creation and growth of the Metrotown area. Cice describes how her husband’s veteran status earned them a discount on a building lot from the City of Burnaby, allowing her to continue to live there.
History
Recording of an interview with Cice Brown, interviewed by Tom Gooden on May 13 2005. This recording was completed for an exhibit, Growing Up in Burnaby, for the Burnaby Village Museum. Major themes discussed are growing up in Burnaby in the 1930s and 40s.
Creator
Burnaby Village Museum
Subjects
Persons - Veterans
Indigenous peoples - British Columbia
Persons - Children
Names
Brown, Cice Chandler
Accession Code
BV017.45.3
Access Restriction
No restrictions
Reproduction Restriction
May be restricted by third party rights
Date
1930-1949 (interview content), interviewed May 10, 2005
Media Type
Sound Recording
Planning Study Area
Maywood Area
Audio Tracks

Interview with Cice Brown, May 13, 2005 - Track 7, 1930-1949 (interview content), interviewed May 10, 2005

Interview with Cice Brown, May 13, 2005 - Track 7, 1930-1949 (interview content), interviewed May 10, 2005

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2017_0045_0003_007.mp3
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Interview with Maureen Olofson by Kathy Bossort October 14, 2015 - Track 7

https://search.heritageburnaby.ca/link/oralhistory575
Repository
City of Burnaby Archives
Date Range
2000-2015
Length
0:05:09
Summary
This portion of the interview is about Maureen Olofson’s volunteer activities with the Swedish Canadian Rest Home Association and Dania Homes Society, which includes giving talks to seniors about Burnaby Mountain parks. She also talks about kinds of accessible activities that people can do on Burna…
Repository
City of Burnaby Archives
Summary
This portion of the interview is about Maureen Olofson’s volunteer activities with the Swedish Canadian Rest Home Association and Dania Homes Society, which includes giving talks to seniors about Burnaby Mountain parks. She also talks about kinds of accessible activities that people can do on Burnaby Mountain.
Date Range
2000-2015
Length
0:05:09
Names
Burnaby Mountain Conservation Area
Swedish Canadian Rest Home and Manor
Dania Home
Subjects
Recreational Activities
Geographic Features - Parks
Persons - Volunteers
Persons - Seniors
Geographic Access
Burnaby Mountain Conservation Area
Interviewer
Bossort, Kathy
Interview Date
October 14, 2015
Scope and Content
Recording is of an interview with Maureen Olofson conducted by Kathy Bossort. Maureen Olofson was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about Maureen Olofson’s memories of growing up on her parent’s Burnaby Mountain mink ranch between 1942 and 1950 and about the operation of the farm. She also talks about her parents’ history, her teaching career, and her thoughts about the beauty and value of Burnaby Mountain’s natural area.
Biographical Notes
Maureen Olofson was born 1938 in Glote, Harjedalen, Sweden, to Axel (1906-1998) and Kerstin Margareta (1906-1980). Axel and Kerstin Olofson, who had separately immigrated to Canada in 1928 and 1913 respectively, married in Canada and then returned to Sweden where Maureen was born. They moved to Burnaby in 1942 with their daughters Maureen and Anita Lea, and bought land and a mink ranch on Burnaby Mountain with their partners Gus Skofteby and Karin Ericksson (Kerstin’s sister). The GAK Fur Farm, located in the old Hastings Grove subdivision on 4th Avenue near Curtis Street, was one of the largest mink ranches in BC, an award winning operation with over 1200 mink animals. In 1950 the partners sold the land and the Olofson family moved to rented homes on Sperling Avenue. In 1952 Axel sold the last of his minks and opened a sporting goods store on Hastings Street. In 1954 the family moved to North Vancouver where Axel Olofson reestablished his sports business. Maureen attended Sperling Avenue School from Gr. 1 to Gr. 8 and Burnaby North High School to Gr. 11, completing school in North Vancouver, before going to UBC where she trained as a teacher. She returned to Burnaby in 1977 to teach, retiring in 1997. She is a volunteer with the Swedish Canadian Rest Home Association and the Dania Homes Society. Maureen continues to enjoy activities on Burnaby Mountain and works toward preserving the natural beauty of the mountain.
Total Tracks
8
Total Length
1:19:04
Interviewee Name
Olofson, B. Maureen
Interview Location
Maureen Olofson's home in Burnaby
Interviewer Bio
Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
Collection/Fonds
Community Heritage Commission Special Projects fonds
Series
Burnaby Mountain Oral History Project series
Media Type
Sound Recording
Audio Tracks

Track seven of interview with Maureen Olofson

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adze blade

https://search.heritageburnaby.ca/link/museumartifact44868
Repository
Burnaby Village Museum
Accession Code
BV002.57.19
Description
Nephrite adze blade; chipped on one end; rectangular shaped.
Object History
The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
Nephrite is found in the Fraser Canyon
Culture Phase: Possibly Locarno Beach phase (3520-2200 Before Present) or Marpole (400BC - 400AD)
Subjects
Persons
Indigenous peoples - British Columbia
Archeological Specimen
Names
Hill, Louis Claude "Claude"
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Images
Documents
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adze blade

https://search.heritageburnaby.ca/link/museumartifact44870
Repository
Burnaby Village Museum
Accession Code
BV002.57.21
Description
Chisel, adze or axe blade made of serpentine; black; ends broken off; tapered rectangle shape.
Object History
The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
Culture Phase: Locarno Beach (3520-2200 Before Present) or Marpole (400BC - 400AD)
Subjects
Persons
Indigenous peoples - British Columbia
Archeological Specimen
Names
Hill, Louis Claude "Claude"
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Images
Documents
Less detail

adze blade

https://search.heritageburnaby.ca/link/museumartifact44872
Repository
Burnaby Village Museum
Accession Code
BV002.57.23
Description
Chisel, adze or axe blade made of serpentine; small
Object History
The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
Culture Phase: Locarno Beach (3520-2200 Before Present) or Marpole (400BC - 400AD)
Subjects
Persons
Indigenous peoples - British Columbia
Archeological Specimen
Names
Hill, Louis Claude "Claude"
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Images
Documents
Less detail

adze blade

https://search.heritageburnaby.ca/link/museumartifact44873
Repository
Burnaby Village Museum
Accession Code
BV002.57.24
Description
Nephrite adze blade; small
Object History
The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
Nephrite is found in the Fraser Canyon
Culture Phase: Locarno Beach (3520-2200 Before Present) or Marpole (400BC - 400AD)
Subjects
Persons
Indigenous peoples - British Columbia
Archeological Specimen
Names
Hill, Louis Claude "Claude"
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Images
Documents
Less detail

adze blade

https://search.heritageburnaby.ca/link/museumartifact44874
Repository
Burnaby Village Museum
Accession Code
BV002.57.25
Description
Adze blade; small; possibly nephrite.
Object History
The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
Nephrite is found in the Fraser Canyon
Culture Phase: Locarno Beach (3520-2200 Before Present) or Marpole (400BC - 400AD)
Subjects
Persons
Indigenous peoples - British Columbia
Archeological Specimen
Names
Hill, Louis Claude "Claude"
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Images
Documents
Less detail

adze blade

https://search.heritageburnaby.ca/link/museumartifact44876
Repository
Burnaby Village Museum
Accession Code
BV002.57.27
Description
Nephrite adze blade; rectangular; chipped on one side; slightly grooved on longer edges.
Object History
The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
Nephrite is found in the Fraser Canyon
Marpole Culture (400BC - 400AD) or Gulf of Georgia Culture (400 AD – 1800); essentially these archaeological materials date to the last 2400 years.
Subjects
Persons
Indigenous peoples - British Columbia
Archeological Specimen
Names
Hill, Louis Claude "Claude"
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Images
Documents
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basket

https://search.heritageburnaby.ca/link/museumartifact17681
Repository
Burnaby Village Museum
Accession Code
HV978.2.13
Description
Nut-shaped, coiled cedar root basket with cedar root foundation and watch-spring base and lid construction. Hinged lid is attached with leather ties. Covered in beading, where in the decorative elements are laid flat on surface, rather than folded into cedar root stitches as is done with imbrication. Designs are in red and black dyed cherry bark. Interior Salish: Nlaka’pamux
Object History
Nut-shaped baskets are identified as one of the oldest types by Haeberlin and Teit (1928: 202-3). They were used for storing berries and were also common work baskets for women, used to hold small tools – awls, thread, shells, trinkets and other odds and ends (202).
Country Made
Canada
Province Made
British Columbia
Culture
Nlaka'pamux
Subjects
Persons
Indigenous peoples - British Columbia
Container
Container - Baskets
Images
Documents
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basket

https://search.heritageburnaby.ca/link/museumartifact27529
Repository
Burnaby Village Museum
Accession Code
HV974.119.3
Description
Rectangular coiled cedar root basket with cedar slat foundation, lid has parallel slat construction and is covered with beaded designs edged by imbrication in canary grass. Basket has a flat lid that is hinged to body with leather ties. A mistake was made in how the design was applied to one end of this basket. This is not common as many weavers would correct this mistake. Completely imbricated walls, beaded design on lid. Coast Salish: Sḵwx̱wú7mesh?
Object History
The donor reported that the baskets were traded in the early 1920s for clothes by the donor's mother, who lived in North Vancouver. Her mother told her the "Capilano Indians" used to go door to door with their baskets in North Vancouver.
Diamonds are considered a star pattern and are common to Sḵwx̱wú7mesh and Nlaka’pamux basketry. The main design resembles a ladder or fence and is uncommon.
Country Made
Canada
Province Made
British Columbia
Culture
Sḵwx̱wú7mesh
Subjects
Persons
Indigenous peoples - British Columbia
Container
Container - Baskets
Images
Documents
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basket

https://search.heritageburnaby.ca/link/museumartifact30051
Repository
Burnaby Village Museum
Accession Code
HV973.79.1
Description
Rectangular coiled cedar root basket with cedar slat foundation. Parallel slat base and lid. Walls of basket flare slightly towards the rim. Basket has a conoid lid – one that fits over top of a flange on the rim of the basket. Rim is inset. Sets of triangular shaped stitches attach base to walls. Base of basket is protected by a foot, one slat high. Grass used for imbricated designs has a flat appearance typical of cattail grass. Black dyed and red cherry bark used for other design elements. Handles missing.
Object History
Design variant is uncommon. This may be a zoomorphic design possibly representing an animal head or flying bird.
Country Made
Canada
Province Made
British Columbia
School/Style
Coast Salish
Subjects
Persons
Indigenous peoples - British Columbia
Container
Container - Baskets
Images
Documents
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basket

https://search.heritageburnaby.ca/link/museumartifact50308
Repository
Burnaby Village Museum
Accession Code
BV006.24.5
Description
The basket is round with a lid and has a geometric design in black. Made using the coiled method.
Object History
Resembles California and Southwestern style baskets made of willow, dye and grass.
Country Made
United States of America
Province Made
California
Subjects
Persons
Indigenous peoples - British Columbia
Container
Container - Baskets
Images
Documents
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basket lid

https://search.heritageburnaby.ca/link/museumartifact50309
Repository
Burnaby Village Museum
Accession Code
BV006.24.6
Description
The basket is round with a lid and has a geometric design in black. Made using the coiled method.
Object History
Resembles California and Southwestern style baskets made of willow, dye and grass.
Subjects
Persons
Indigenous peoples - British Columbia
Container
Container - Baskets
Images
Documents
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basket with lid

https://search.heritageburnaby.ca/link/museumartifact87630
Repository
Burnaby Village Museum
Accession Code
BV017.11.3
Description
basket with lid; First Nations basket with lid; The basket is round, with two handles opposite each other. The handles are wrapped twine. The wrapping is missing from one handle. The lid has a knob handle in the centre. Basket and lid are decorated with a dark and light spiraling pattern. Had been used for storing knitting.
Object History
The basket was acquired by the donor's grandparents, Matilda and Robert William Handel, when they were living in North Vancouver. They were made by one of the local First Nations weavers, name unknown.
Measurements
Approx. H: 32 cm Dia.: 34 cm
Culture
ʷməθkʷəy̓əm (Musqueam)
Subjects
Persons
Indigenous peoples - British Columbia
Container
Container - Baskets
Images
Documents
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basket with lid

https://search.heritageburnaby.ca/link/museumartifact87633
Repository
Burnaby Village Museum
Accession Code
BV017.11.4
Description
basket with lid; First Nations basket with lid; The basket is round, with a single handle (opposite handle is missing). The lid has a knob handle in the centre. Basket and lid are decorated with a dark and light spiraling pattern. Had been used for storing knitting.
Object History
The basket was acquired by the donor's grandparents, Matilda and Robert William Handel, when they were living in North Vancouver. They were made by one of the local First Nations weavers, name unknown.
Measurements
Approx. H: 37 cm Dia.: 36 cm
Culture
ʷməθkʷəy̓əm (Musqueam)
Subjects
Persons
Indigenous peoples - British Columbia
Container
Container - Baskets
Images
Documents
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berry basket

https://search.heritageburnaby.ca/link/museumartifact27527
Repository
Burnaby Village Museum
Accession Code
HV974.119.1
Description
Trapezoidal shaped, coiled cedar root basket with cedar slat foundation. Finished with an overcast rim with root foundation. Design elements missing from one side of the basket, which is uncommon but has been seen on cradles from the Mount Currie area (Interior Salish: Lil'wat). It was perhaps the side that rests on the wearer's back. Steeply angled sides.
Coast Salish: Sḵwx̱wú7mesh? Interior Salish: Stl’atl’imx: Lil’wat?
Object History
The donor reported that the baskets were traded in the early 1920s for clothes by the donor's mother, who lived in North Vancouver. Her mother told her the "Capilano Indians" used to go door to door with their baskets in North Vancouver.
Design elements missing from one side of the basket – possibly the side that would have rested against the owner’s back.
Steeply angled sides keep berries from crushing those at bottom of basket. Work baskets have sides that are more rounded.
Baskets like these were used with a woven tumpline (wool strap) that was worn against the forehead, while basket was carried on back.
Country Made
Canada
Province Made
British Columbia
Culture
Stl’atl’imx
Subjects
Persons
Indigenous peoples - British Columbia
Container
Container - Baskets
Images
Documents
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blade or projectile

https://search.heritageburnaby.ca/link/museumartifact44879
Repository
Burnaby Village Museum
Accession Code
BV002.57.30
Description
Ground slate point
Object History
The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
Culture Phase: Locarno Beach phase (3520-2200 Before Present)
Subjects
Persons
Indigenous peoples - British Columbia
Archeological Specimen
Names
Hill, Louis Claude "Claude"
Historic Neighbourhood
Burnaby Lake (Historic Neighbourhood)
Images
Documents
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100 records – page 3 of 5.