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Subject
- Animals - Cats 1
- Animals - Dogs 1
- Animals - Oxen 1
- Archeological Specimen 3
- Buildings - Industrial - Mills 5
- Celebrations - Centennial 2
- Ceremonial Artifacts - Totem Poles 1
- Construction 1
- Construction Tools and Equipment 1
- Container - Box 1
- Documentary Artifacts 1
- Documentary Artifacts - Pamphlets 1
Rob Fabio and Neil Stevenson making salmon cut-outs
https://search.heritageburnaby.ca/link/archivedescription96351
- Repository
- City of Burnaby Archives
- Date
- [2003]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of Burnaby fire fighters Rob Fabio and Neil Stevenson inside a fire hall, cutting wooden salmon cut-outs that will be painted for display.
- Repository
- City of Burnaby Archives
- Date
- [2003]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-2032
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of Burnaby fire fighters Rob Fabio and Neil Stevenson inside a fire hall, cutting wooden salmon cut-outs that will be painted for display.
- Names
- Burnaby Fire Department
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a February 2003 issue of the Burnaby NewsLeader
- Caption from metadata: "Rob Fabio and Neil Stevenson, of the Burnaby Fire Department, begin cutting the first salmon's [sic] that will be painted by school children and local community groups before being mounted at the latest salmon fence, at Lougheed Town Centre."
Images
Viking ship replica
https://search.heritageburnaby.ca/link/archivedescription96577
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of Bernie Remmen working to construct the bow of a replica Viking ship that volunteers were building at the Scandinavian Community Centre. The frame of the rest of the ship and construction materials are visible behind Remmen.
- Repository
- City of Burnaby Archives
- Date
- [2001]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-2199
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of Bernie Remmen working to construct the bow of a replica Viking ship that volunteers were building at the Scandinavian Community Centre. The frame of the rest of the ship and construction materials are visible behind Remmen.
- Media Type
- Photograph
- Photographer
- Bartel, Mario
- Notes
- Title based on caption
- Collected by editorial for use in a March 2001 issue of the Burnaby NewsLeader
- Caption from metadata: "Bernie Remmen works on the bow of the Viking ship being built by about 40 volunteers at the Scandanavian Community Centre. Construction on the ship started last year, to commemorate the 1000th anniversary of the first Viking sailors arrival in North America. Marion Toft, the president of the Norwegian House Society, says the project, which is being guided by two master shipbuilders, is a tribute to the skills of Norse shipbuilders. She says the ship should be ready for launch by early summer."
- Geographic Access
- Thomas Street
- Street Address
- 6540 Thomas Street
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Burnaby Lake Area
Images
Tree chopping guy
https://search.heritageburnaby.ca/link/archivedescription98147
- Repository
- City of Burnaby Archives
- Date
- [1999]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph (tiff) : col.
- Scope and Content
- Photograph of an unidentified man, posing with a handsaw next a dead section of a large hedge on Parker Street.
- Repository
- City of Burnaby Archives
- Date
- [1999]
- Collection/Fonds
- Burnaby NewsLeader photograph collection
- Physical Description
- 1 photograph (tiff) : col.
- Description Level
- Item
- Record No.
- 535-3225
- Access Restriction
- No restrictions
- Reproduction Restriction
- No restrictions
- Accession Number
- 2018-12
- Scope and Content
- Photograph of an unidentified man, posing with a handsaw next a dead section of a large hedge on Parker Street.
- Media Type
- Photograph
- Notes
- Title based on original file name
- Collected by editorial for use in a June 1999 issue of the Burnaby NewsLeader
- Geographic Access
- Parker Street
- Planning Study Area
- Brentwood Area
Images
Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 10
https://search.heritageburnaby.ca/link/oralhistory525
- Repository
- City of Burnaby Archives
- Date Range
- 1989-1990
- Length
- 00:06:41
- Summary
- This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics
- Date Range
- 1989-1990
- Length
- 00:06:41
- Subjects
- Celebrations - Centennial
- Ceremonial Artifacts - Totem Poles
- Woodworking Tools and Equipment
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track ten of interview with Toki Miyashita
Track ten of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_10.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 9
https://search.heritageburnaby.ca/link/oralhistory524
- Repository
- City of Burnaby Archives
- Date Range
- 1980-1990
- Length
- 00:19:08
- Summary
- This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby’s sister-city Kushiro’s gift of Toko’s sculptures to Burnaby for the Centennial. She also describes Toko’s appreciation of the Haida totems and the native people of BC, and his gift of a set of carving tools to Chief Saul Terry
- Date Range
- 1980-1990
- Length
- 00:19:08
- Subjects
- Celebrations - Centennial
- Indigenous wood-carving - Totem poles
- Woodworking Tools and Equipment
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track nine of interview with Toki Miyashita
Track nine of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_9.mp3Empire Steam Donkey on Museum Train travelling exhibit
https://search.heritageburnaby.ca/link/museumdescription4303
- Repository
- Burnaby Village Museum
- Date
- [1973]
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : colour : copy scan
- Scope and Content
- Photograph of the Empire Steam Donkey on the Museum Train travelling exhibit on display at the Central Park siding in 1973. The Empire Steam Donkey is a small steam donkey with a capstan style pulley wheel, mounted on skids.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : colour : copy scan
- Scope and Content
- Photograph of the Empire Steam Donkey on the Museum Train travelling exhibit on display at the Central Park siding in 1973. The Empire Steam Donkey is a small steam donkey with a capstan style pulley wheel, mounted on skids.
- History
- This machine is owned by the BC Provincial Museum. There is also one at the UBC Demonstration Forest and another at the Forestry Museum in Duncan.
- Other Title Information
- Title based on content of photograph.
- Accession Code
- BV017.41.1
- Date
- [1973]
- Media Type
- Photograph
- Scan Resolution
- 600
- Scan Date
- 05-Jun-2018
Images
Empire Steam Donkey on Museum Train travelling exhibit
https://search.heritageburnaby.ca/link/museumdescription4304
- Repository
- Burnaby Village Museum
- Date
- [1973]
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : colour : copy scan
- Scope and Content
- Photograph of the Empire Steam Donkey on the Museum Train travelling exhibit on display at the Central Park siding in 1973. The Empire Steam Donkey is a small steam donkey with a capstan style pulley wheel, mounted on skids. The photograph shows a close-up view of the capstan.
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : colour : copy scan
- Scope and Content
- Photograph of the Empire Steam Donkey on the Museum Train travelling exhibit on display at the Central Park siding in 1973. The Empire Steam Donkey is a small steam donkey with a capstan style pulley wheel, mounted on skids. The photograph shows a close-up view of the capstan.
- History
- This machine is owned by the BC Provincial Museum. There is also one at the UBC Demonstration Forest and another at the Forestry Museum in Duncan.
- Other Title Information
- Title based on content of photograph.
- Accession Code
- BV017.41.2
- Date
- [1973]
- Media Type
- Photograph
- Scan Resolution
- 600
- Scan Date
- 05-Jun-2018
Images
Empire Steam Donkey on Museum Train travelling exhibit
https://search.heritageburnaby.ca/link/museumdescription4305
- Repository
- Burnaby Village Museum
- Date
- [1973]
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : colour : copy scan
- Scope and Content
- Photograph of the Empire Steam Donkey on the Museum Train travelling exhibit on display at the Central Park siding in 1973. The Empire Steam Donkey is a small steam donkey with a capstan style pulley wheel, mounted on skids. The photograph shows a close-up view of the small engine mounted on the si…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum Photograph collection
- Description Level
- Item
- Physical Description
- 1 photograph : colour : copy scan
- Scope and Content
- Photograph of the Empire Steam Donkey on the Museum Train travelling exhibit on display at the Central Park siding in 1973. The Empire Steam Donkey is a small steam donkey with a capstan style pulley wheel, mounted on skids. The photograph shows a close-up view of the small engine mounted on the side of the vertical boiler.
- History
- This machine is owned by the BC Provincial Museum. There is also one at the UBC Demonstration Forest and another at the Forestry Museum in Duncan.
- Other Title Information
- Title based on content of photograph.
- Accession Code
- BV017.41.3
- Date
- [1973]
- Media Type
- Photograph
- Scan Resolution
- 600
Images
hand maul
https://search.heritageburnaby.ca/link/museumartifact3392
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.6.1
- Description
- Flat topped stone maul.
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact3393
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.6.2
- Description
- Flat topped stone maul, broken
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact15555
- Repository
- Burnaby Village Museum
- Accession Code
- HV983.32.13
- Description
- Nipple topped stone maul. Nipple topped stone maul. It has a crack through the entire shaft and the two halves look of different colour and stone type. There is a large chip missing along the crack.
- Object History
- The donor was of European decent and was given this maul by an unidentified person. In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- First Nations
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
pamphlet
https://search.heritageburnaby.ca/link/museumartifact26050
- Repository
- Burnaby Village Museum
- Accession Code
- HV975.126.23
- Description
- Plan Book for the Boy Builder - Pamphlet. Buff coloured pamphlet with black print. There is an illustration of boy at workbench under window on the front cover. This pamphlet provided detailed plans on different woodworking projects for young boys. The pamphlet was produced in Portland, Oregon by the Western Pine Manufacturers Association.
Images
hand maul
https://search.heritageburnaby.ca/link/museumartifact34041
- Repository
- Burnaby Village Museum
- Accession Code
- BV991.26.1
- Description
- Conical topped stone maul; damaged area on one side; broken area at bottom edge.
- Object History
- Maul was found in the late 1920s by Joseph Theodore Dorman on his property on Cliff Avenue, between Halifax and Broadway. In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).
- Country Made
- Canada
- Province Made
- British Columbia
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact34042
- Repository
- Burnaby Village Museum
- Accession Code
- BV991.26.2
- Description
- Nipple topped stone maul. There is a damaged area on one side and the bottom edge is badly chipped. There are blackish oily stains on the side of the maul.
- Object History
- Was found in the late 1920s by Joseph Theodore Dorman on his property on Cliff Avenue, between Halifax and Broadway.
- Country Made
- Canada
- Province Made
- British Columbia
- Culture
- First Nations
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
Images
Documents
chisel
https://search.heritageburnaby.ca/link/museumartifact38885
- Repository
- Burnaby Village Museum
- Accession Code
- BV998.11.1
- Description
- Chisel shaped tool, wedge-shaped; mainly green with white and brown fissures throughout. One side has elevated edge, possibly for attaching to handle.
- Object History
- The stone chisel was found by Archie Card, ca 1930 in the yard of the Card family home at 329 Richmond Street (later renamed Elwell) in Burnaby.
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact44533
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.37.6
- Description
- Hand maul, stone; fragment, no top.
- Object History
- Donor's father found the maul in 1946-1947 when excavating a lot at 4203 Norfolk Street. The lot was kitty corner to Schou Street School.
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
- Archeological Specimen
- Geographic Access
- Norfolk Street
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact44853
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.1
- Description
- Nipple topped stone maul. It has a pointed tip and a slight indentation on side of base. There is adhesive residue on bottom of base.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum). In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Nipple top hand mauls are identified as Marpole Culture (400 BC - 400 AD).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
hand maul
https://search.heritageburnaby.ca/link/museumartifact44854
- Repository
- Burnaby Village Museum
- Accession Code
- BV002.57.2
- Description
- Conical topped stone maul; damaged by a plow.
- Object History
- The donor inherited this artifact from his mother, Katherine Maude (Kitty) Peers, who inherited them from her father, Louis Claude Hill. The artifacts were found on his farm, Brookfield Farm, at Douglas Road and Sperling Avenue (now site of Burnaby Village Museum).
- In general, hand mauls are used in woodworking todrive antler wedges or spreading sticks into logs and split planks. They were also used in combination with chisels for detail work. Their presence at an archeological site is viewed as evidence of long term habitations. They are associated with house building, canoe building, housepost and welcome figure carving. Flat and conical topped hand mauls are identified as Gulf of Georgia Culture (400 AD - 1800).
- Subjects
- Persons
- Indigenous peoples - British Columbia
- Woodworking Tools and Equipment
- Woodworking Tools and Equipment - Maul
- Archeological Specimen
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
Images
Documents
double bit axe head
https://search.heritageburnaby.ca/link/museumartifact45469
- Repository
- Burnaby Village Museum
- Accession Code
- BV003.28.3
- Description
- This split, double bitted, utility axe head was found on Burnaby Mountain by Alfred Bingham in 1920. Mr Bingham bought property on the West side of the mountain in 1920. The axe head is double bladed. The head is very rusty and has been cracked across one side. The remains of the handle are still in the axe eye.
- Object History
- The axe head was found on the site of Simon Fraser University (SFU), an area logged in the early years of the 20th Century by Gilley Logging. The axe may have been broken by one of their loggers.
- Reference
- Note from Alfred Bingham, original in accession file. "THIS AXE HEAD WAS FOUND IN 1920 / BY ALFRED BINGHAM ON THE PRESENT SITE / OF THE SIMON FRASER UNIVERSITY. IT PROBABLY / WAS USED BY AN EARLY LOGGER. WHO CUT DOWN / SOME OF THE GREAT TREES THAT GREW ON / BURNABY MOUNTAIN. HUNDREDS OF YEARS AGO. MANY OF THESE TREES WERE OVER 800 YEARS OLD / Alfred Bingham " hand written in ink on one face of note. "I bought 5 acres of stump land on the / corner of Sherlock, Duthie, & Kitchener Streets in / 1920. & cleared 2 acres & bilt small home, (store?) / my wife and I have lived in Burnaby continually since then / AB" hand written in ink on the reverse face of the note.
- Marks/Labels
- "1920 FOUND ON BURNABY MTN SITE S.F.U.", written in yellow chalk on one face of the axe head
- Geographic Access
- Burnaby Mountain Conservation Area
- Planning Study Area
- Burnaby Mountain Area
Images
keyhole saw
https://search.heritageburnaby.ca/link/museumartifact82338
- Repository
- Burnaby Village Museum
- Accession Code
- BV012.14.79
- Description
- A keyhole saw with a cylindrical wooden handle and steel blade. The blade is attached to the handle with a steel compression collar. Markings are not visible.
- Object History
- Hand tools used by John Yanko in his business as a tile setter. Annie D. Basiuk (later Yanko) was born on February 25, 1902 in Sheho, Saskatchewan (formerly Sheho, North West Territories). Daniel "Dan" Yanko was born in Kobilnicha, Ukraine in 1887 and immigrated to Canada in May or June of 1905. Daniel Yanko married Annie D. Basiuk and had thirteen children together. Their son, John Ivan Yanko was born on the family farm, near Kelliher, Saskatchewan, on June 27, 1923. In grade six, John was pulled out of school to help support the family. Eugenia “Jenny” Haresomovych (later Carman) was born August 8, 1904 in Galecia, Austria. She came to Canada in 1928, when her parents sent her to live with the Austrian consular in Halifax. A year later, she was in The Pas with Albert Edward Carman, with whom she would have three children. Their daughter, Leida Doria "Lillian Doris" Carman was born in The Pas, Manitoba March 24, 1929. Eugenia “Jenny” (Haresomovych) Carman later re-married Joseph Nagy who was born in Hungary in October 3, 1900. Jenny, Joseph and the children moved to Nelson, British Columbia, where Joseph worked for the Canadian Pacific Railway. At the age of twenty, John Yanko met his future wife Lillian Doris Carman while visiting relatives in Burnaby. Lillian received a rail pass because of her dad’s employment with the CPR and at fourteen had gone to visit her Godmother in Burnaby. John Ivan Yanko and Leida Doria "Lillian Doris" Carman were married October 16, 1948 in Nelson, British Columbia and moved into the basement of John’s sister’s house on Union Street. Lillian began working at the downtown Woodward’s store as a cashier in 1948. In 1950, the young couple bought property at 7385 (later renumbered 7391) Broadway in Burnaby and began constructing a house as they could afford it. Knowing she’d be let go if she was pregnant, when Lillian was expecting her first child, Jenny sewed her several versions of the same outfit; they all used the same material, but each was a little bit larger than the last to accommodate her expanding girth. Rhonda, born in 1953 and Charmaine, born in 1955, grew up in the Broadway home. They attended school at Sperling Elementary, and later at Burnaby North high school. Lillian left her job to be a stay-at-home mom when Rhonda was born, but that changed in 1963 when John and Charmaine were in a car accident that left John temporarily unable to work. Joseph Nagy died April 20, 1962; his wife Eugenia “Jenny” (Haresomovych) (Carman) Nagy passed away August 14, 1985. Daniel "Dan" Yanko died in 1976; his wife Annie D. (Basiuk) Yanko died in 1997. John Yanko later returned to work, establishing his own tile setting business and working until age eighty-two. John and Lillian lived out the rest of their married lives on the Broadway property. John Ivan Yanko passed away in 2010; his wife Leida Doria "Lillian Doris" Carman (Carman) Yanko passed away in 2011.
- Measurements
- Overall measurements: Length: 28.2 cm Diameter: 3 cm
- Subjects
- Woodworking Tools and Equipment
- Names
- Yanko, John Ivan
- Yanko Family