"Samuel Maclure" found 7 records

Heritage Value: Mr. Ernest Bolton Hermon, of the prominent engineering firm Hermon & Burwell, built this residence, and he and his wife, Katherine, lived here until 1935. The British Columbian described this home as “…a splendid mansion …which cost in the neighbourhood of $15,000.” Hermon was born into a Dutch family in Ontario in 1863, and moved to British Columbia in 1886. This is one of only three examples of the work of Samuel Maclure in Burnaby and is an outstanding example of his firm’s typical British Arts and Crafts style designs. Samuel Maclure (1860-1929) was known for his British Arts and Crafts style with meticulous attention paid to functional and beautiful interiors that utilized native wood combined with luxurious imported fittings. He was a leading exponent of the Art and Crafts design movement, and established a sophisticated local variation of residential architecture. Maclure’s Vancouver office, in association with his partner Cecil Croker Fox (1879-1916), received some sixty residential commissions between 1909-1915 as a result of the booming local economy and subsequent development of new residential districts. This partnership lasted until when Fox was killed overseas in active service during the First World War.The house has received some alterations, including stucco and brick being added to the lower floor, but it has retained its original form and massing including its symmetrical design, hipped roof and second floor half timbering.

Locality: Vancouver Heights

Historic Neighbourhood: Vancouver Heights (Historic Neighbourhood)

Planning Study Area: Burnaby Heights Area

Architect: Maclure & Fox

Area: 1133.42

Contributing Resource: Building

Ownership: Private

Street Address: 3870 Yale Street

Street View URL: Google Maps Street View

Images

Exterior view of the Ernest & Katherine Hermon Residence, 2013.. View from the northwest.. thumbnail

Photograph of Ernest Bolton Hermon, 1920. (Historic Photo). Copyright: City of Burnaby. Photo ID 558-104. thumbnail

H.T. Ceperley Estate 'Fairacres' Mansion

https://search.heritageburnaby.ca/link/landmark526

Repository: Burnaby Heritage Planning

Description: 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.

Associated Dates: 1911

Formal Recognition: Heritage Designation, Community Heritage Register

Other Names: Henry Tracy & Grace Ceperley Estate; Burnaby Art Gallery

Street View URL: Google Maps Street View

3 images

Repository: Burnaby Heritage Planning

Other Names: Henry Tracy & Grace Ceperley Estate; Burnaby Art Gallery

Geographic Access: Deer Lake Avenue

Associated Dates: 1911

Formal Recognition: Heritage Designation, Community Heritage Register

Enactment Type: Bylaw No. 9807

Enactment Date: 23/11/1992

Description: 'Fairacres' is a large, two-and-one-half storey estate house in the British Arts and Crafts style, located in Deer Lake Park, with four associated original outbuildings.

Heritage Value: 'Fairacres' is important as a record of the early years of Burnaby, specifically the Deer Lake area, as a place of tranquility and beautiful scenery in which the wealthy and successful in the burgeoning cities of New Westminster and Vancouver chose to retire or to make their family homes. The main house, which anchors in style and setting the outbuildings on the estate, demonstrates the social, cultural, and aesthetic values of local wealthy businessmen and women of the early twentieth century - values such as appreciation of architectural elegance and grand interior spaces, leisure and recreation, formal landscaped gardens and scenic views. Also important is the association with the English-born and trained architect Robert Mackay Fripp (1858-1917), as this was one of his grandest residential commissions. Steeped in the current architectural trends in Great Britain, Fripp designed this sprawling mansion in the Arts and Crafts style, reflected in the architectural detailing and proportions. The style was common at the time and was often used for estate mansions as a symbol of affluence and good, modern taste as well as an affinity for all things British. Quality is displayed inside and out in the finishes and materials, orchestrated by prominent local contractor, James Charles Allen, including imported English materials of specific value such as imported Medmenham tiles in the fireplace surrounds, one of the earliest documented use of these tiles outside the United Kingdom. Detailed features of the interior woodwork were carved by Scottish-born master wood carver George Selkirk Gibson (1867-1942), who was best known for his many commissions for prominent British Columbia architect Samuel Maclure. The outbuildings at 'Fairacres' are an important record of the functioning of a large estate of the time. The Garage and Stables and the Chauffeur’s Cottage accommodated the use of automobiles, horses and carriages, and in concert with the estate's location near the new British Columbia Electric Railway 'Burnaby Lake' interurban line, illustrate the evolving nature of regional transportation and the growing bedroom communities and estates made possible by increasing options for transportation. Other outbuildings accommodated the agricultural activities that helped support the Ceperley estate. The estate was conceived and funded by American-born Grace E. Dixon Ceperley (1863-1917), who had achieved significant wealth through a bequest from her brother-in-law, Vancouver pioneer Arthur Ferguson. Her husband, Henry Tracy Ceperley (1850-1929), also American-born, was a successful and well-respected businessman who made a significant contribution to the development of the City of Vancouver. The construction of 'Fairacres' spawned the transformation of the Deer Lake area from a farming community into a preferred location for elite suburban homes. 'Fairacres' is significant to the City of Burnaby as its first civic heritage conservation project. Acquired in 1966 for conversion to Burnaby’s first art gallery, it was dedicated in 1967 to mark Canada’s Centennial of Confederation.

Defining Elements: Key elements that define the heritage character of the ‘Fairacres’ mansion include its: - setting in relation to the gardens, its former market garden, and the vistas to Deer Lake and other grand homes in the area - side gable roof with prominent dormers and cedar shingle cladding - verandah across the eastern (garden) facade, with its view over the landscaped gardens and the distant mountains - porte cochere with its side steps for those arriving by automobile, and central raised step for those alighting from horse-drawn carriages - rich variety of exterior elements that demonstrate the typical Arts and Crafts use of local materials such as cobble stone chimneys and foundations, wide wooden siding and half-timbering - mixture of double-hung and casement wooden-sash windows, many with multi-paned sash - lavish interior spaces, designed for entertaining on a grand scale, including a billiard room with a beamed ceiling and an inglenook fireplace, and generous living and dining rooms arranged off a central hall - quality of the interior materials such as imported Medmenham tiles in fireplace surrounds, window hardware by Hope and Sons, and leaded stained glass - interior wood work including the staircase, and carvings by George Selkirk Gibson - remaining formal Edwardian garden landscape elements, including the cross-axial plan that reflects the relationship of the mansion to its 'outdoor rooms'

Locality: Deer Lake Park

Historic Neighbourhood: Burnaby Lake (Historic Neighbourhood)

Planning Study Area: Douglas-Gilpin Area

Architect: Robert Mackay Fripp

Builder: James Charles Allen; George Selkirk Gibson

Function: Primary Current--Museum; Primary Historic--Estate

Community: Burnaby

Cadastral Identifier: P.I.D. No. 004-493-311 Legal Description: Block 3 Except: Part subdivided by Plan 26865, District Lot 79, Group 1, New Westminster District, Plan 536

Boundaries: ‘Fairacres’ is comprised of a single municipally-owned property located at 6344 Deer Lake Avenue, Burnaby.

Area: 17,065.00

Contributing Resource: Building; Landscape Feature

Ownership: Public (local)

Other Collection: City of Burnaby, Visual Art Collection: Original rendering by R.P.S. Twizell Burnaby Historical Society, Community Archives: Ceperley Photograph Album Burnaby Village Museum, Collection: Carved dining room panels by G.S. Gibson and other hardware items

Documentation: Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2

Names: Ceperley, Grace; Ceperley, H.T.; Fripp, Robert Mackay; Allen, James Charles; Gibson, George Selkirk

Subjects: Buildings - Heritage; Buildings - Residential - Houses; Buildings - Residential

Street Address: 6344 Deer Lake Avenue

Street View URL: Google Maps Street View

Images

Exterior view of ‘Fairacres’ Mansion, 2013. East elevation. thumbnail

Original rendering by R.P.S. Twizell (East elevation. Drawing). Copyright: City of Burnaby, Visual Art Collection. thumbnail

BBY-6344-Deer-Lake-Av_Mansion_1914-437-001 thumbnail

Mortimer-Lamb House

https://search.heritageburnaby.ca/link/landmark494

Repository: Burnaby Heritage Planning

Description: The Mortimer-Lamb House is a one and one half-storey, Arts and Crafts-style residence with a steeply pitched, side-gabled roof. The original cottage form has been enlarged with a later addition on the west side of the house. Located next to the Burnaby Lake Regional Park Wildlife Rescue Care Centre…

Associated Dates: c.1922

Formal Recognition: Community Heritage Register

Other Names: Harold & Katherine Mortimer-Lamb Residence

Street View URL: Google Maps Street View

1 image

Repository: Burnaby Heritage Planning

Other Names: Harold & Katherine Mortimer-Lamb Residence

Geographic Access: Glencarin Drive

Associated Dates: c.1922

Formal Recognition: Community Heritage Register

Enactment Type: Council Resolution

Enactment Date: 26/05/2003

Description: The Mortimer-Lamb House is a one and one half-storey, Arts and Crafts-style residence with a steeply pitched, side-gabled roof. The original cottage form has been enlarged with a later addition on the west side of the house. Located next to the Burnaby Lake Regional Park Wildlife Rescue Care Centre, the house has picturesque views of Burnaby Lake.

Heritage Value: Built circa 1922, the Mortimer-Lamb House is valued for its association with first owners, Harold Mortimer-Lamb (1872-1970), and his wife, Katherine Mary Mortimer-Lamb (1873-1939). Born in Leatherhead, Surrey, England, Harold Mortimer-Lamb immigrated to Canada in 1889. Seven years later in Vancouver, he married Katherine Mary Lindsay, a native of Winnipeg. Mortimer-Lamb was a key figure in the B.C. mining industry, serving as Secretary of the Mining Association of B.C. between 1900 and 1945, and also as the Secretary of the Canadian Institute of Mining and Metallurgy. In addition to his professional life, Mortimer-Lamb was a pioneer art photographer and was among Canada's leading art critics, and this house served as a central gathering place for renowned Canadian artists of the day. Mortimer-Lamb’s daughter, Molly Lamb Bobak (born 1922), became a renowned watercolourist, and was the only woman ever hired as an official Canadian war artist. The Mortimer-Lamb House is a significant example of the work of noted architect, Samuel Maclure (1860-1929) and his partner, Ross Lort (1889-1969). Maclure, who was a close friend of the Mortimer-Lamb family, was British Columbia's leading residential architect, and was renowned for his high quality designs for prominent citizens in both Vancouver and Victoria. Maclure was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. The Mortimer-Lamb House was designed at the time when Maclure was in partnership with Ross Lort. In 1907, Lort began working for Maclure's firm as a draftsman, and by 1920 was in charge of Maclure's Vancouver office. Lort's architectural career spanned some sixty-years, and he designed some of the province's most familiar houses, apartments, institutions and places of worship. The Mortimer-Lamb House is also a significant local example of the Arts and Crafts style, and incorporates elements such as board-and-batten siding on the ground floor, shingled gables and leaded casement windows. It is a testament to the domestic architecture built outside of established suburbs during the post-First World War era, typically modest in scale and representative of middle-class residential ideals.

Defining Elements: Key elements that define the heritage character of the Mortimer-Lamb House include its: - treed setting with views of Burnaby Lake - residential form, scale and massing as expressed by its one and one-half storey height, rectangular plan and steeply pitched side-gabled roof - wood-frame construction - Arts and Crafts elements such as board-and-batten siding on the ground floor, cedar shingles in the gables and open soffits - original straight-leaded casement windows in single and multiple-assembly - internal red-brick chimney with corbelled cap

Historic Neighbourhood: Burnaby Lake (Historic Neighbourhood)

Planning Study Area: Burnaby Lake Area

Organization: Mining Association of B.C.; G.F. and J. Galt Limited

Architect: Samuel Maclure; Ross Lort

Function: Primary Historic--Single Dwelling; Primary Current--Single Dwelling

Community: Burnaby Lake

Cadastral Identifier: P.I.D.002-977-788

Boundaries: The Mortimer-Lamb House is comprised of a single residential lot located at 5180 Glencairn Drive, Burnaby.

Area: 5652.78

Contributing Resource: Building

Ownership: Private

Documentation: City of Burnaby Planning and Building Department, Heritage Site Files

Street Address: 5180 Glencarin Drive

Street View URL: Google Maps Street View

Images

Exterior view of the Harold & Katherine Mortimer-Lamb Residence, 2013.. Southeast elevation.. thumbnail

Overlynn Mansion

https://search.heritageburnaby.ca/link/landmark520

Repository: Burnaby Heritage Planning

Description: Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone wall…

Associated Dates: 1909

Formal Recognition: Heritage Designation, Community Heritage Register

Other Names: Charles J. Peter Mansion

Street View URL: Google Maps Street View

3 images

Repository: Burnaby Heritage Planning

Other Names: Charles J. Peter Mansion

Geographic Access: McGill Street

Associated Dates: 1909

Formal Recognition: Heritage Designation, Community Heritage Register

Enactment Type: Bylaw No. 10211

Enactment Date: 18/09/1995

Description: Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone walls and planted terraces. It is situated in the residential neighbourhood of Vancouver Heights, on a high point of land overlooking Burrard Inlet to the west and the mouth of Lynn Creek to the east. This prominent residence is now part of a large senior citizens development known as Seton Villa.

Heritage Value: Overlynn Mansion is valued as a superb example of the work of the noted architectural firm of Maclure and Fox. The architecture of Samuel Maclure (1860-1929) was synonymous with high quality residential design for prominent citizens in both Vancouver and Victoria. Maclure was known for his British Arts and Crafts style with meticulous attention paid to functional and beautiful interiors that utilized native wood combined with luxurious imported fittings. He was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. Maclure’s Vancouver office, in association with his partner Cecil Croker Fox (1879-1916), received some sixty residential commissions between 1909-1915 as a result of the booming local economy and subsequent development of new residential districts. Maclure’s practice in Victoria was equally prolific at the time. Overlynn Mansion is valued as one of Burnaby’s oldest upper-class estates and for its association with the development of Vancouver Heights. In 1909, C.J. Peter and his employer, G.F. and J. Galt Limited, pioneered the development of Vancouver Heights in North Burnaby, believing it to be one of the most picturesque districts in area and an alternative to the CPR’s prestigious Shaughnessy Heights development in Vancouver. Buyers were obligated to build houses worth $3,500 at a time when the average house price was $1,000. Overlynn Mansion, built in 1909 for $75,000, was one of the first houses constructed in Vancouver Heights and by far the most grandiose and impressive. Additionally, this landmark residence is significant and an intact and comprehensive representation of a grand Edwardian era estate home. The interior is notably intact, and retains many highly-refined original features, including substantive millwork of exotic woods, silver-plated and nickel-plated light fixtures, fine plasterwork, tiled fireplaces and exceptional hardware. Landscape features of Overlynn Mansion include the original layout for circulation paths, a porte-cochere, granite posts and stone walls, a sandstone and iron sundial, and mature trees and shrubbery. The house was designated by Burnaby Council in 1995 and was the first heritage building in B.C. to receive legal protection for its interior features.

Defining Elements: Key elements that define the heritage character of Overlynn Mansion include its: - prominent corner location on a steep sloping site in the Vancouver Heights neighbourhood - views to Burrard Inlet and the North Shore mountains - residential form, scale and massing as exemplified by its grand two-storey plus basement height and irregular plan - British Arts and Crafts elements such as the rubble-stone granite masonry on the ground floor and foundation level, and decorative half-timbering and rough-cast stucco on the upper storey - compound hipped bell-cast roof, clad with cedar shingles, with shed dormers at the rear - subtle battering of ground floor and foundation level stonework - porte-cochere with hipped roof and battered granite piers - wood-clad projecting bay extensions - irregular fenestration: double-hung 6-over-1 wooden-sash windows; multi-pane casement wooden windows with multi-pane transoms; diamond leaded casement windows; and banks of stained glass windows - five tall rubble-stone granite block stone chimneys - interior features such as the oak, cedar and Yaka (Australian mahogany) panelled walls, oak panelling and staircase walls inlaid with ebony, ivory and brass, stenciled canvas friezes, wooden dadoes and plaster walls, encaustic floor tiles, Australian gumwood floors, oak panelled doors with art glass, oak beamed ceiling with stucco panels, cast plaster vaulted hall and living room ceilings, sterling silver light fixtures including a chandelier and scones, nickel-plated newel light, brass Art Nouveau styled ceiling light, brass stair carpet poles and locks, built-in bookcases and buffet, fireplace with encaustic tiles and fire dogs, imported Medmenham fireplace tiles (the earliest known use outside of the United Kingdom), fireplace mantel with green tile and cast iron firebox, and inglenook fireplace with encaustic tiles and carved mantel and brass fireplace insert - landscape features such as the granite gate posts and iron entrance gate, granite posts and iron fence, granite garden wall, sandstone garden steps, sandstone and iron sundial, granite and concrete terraces adjacent to the house, configuration of pathways and sandstone steps including the front access road, mature deciduous and coniferous tree stock including a Monkey Puzzle Tree and pruned shrubbery throughout the site

Historic Neighbourhood: Vancouver Heights (Historic Neighbourhood)

Planning Study Area: Burnaby Heights Area

Organization: G.F. and J. Galt Limited

Architect: Samuel Maclure; Cecil Croker Fox

Function: Primary Historic--Estate; Primary Current--Multiple Dwelling

Community: Burnaby

Cadastral Identifier: 004-943-295

Boundaries: Overlynn Mansion is a part of a single institutional lot located at 3755 McGill Street, Burnaby.

Area: 7912.77

Contributing Resource: Building

Ownership: Private

Street Address: 3755 McGill Street

Street View URL: Google Maps Street View

Images

Exterior view, 2013.. Oblique view. thumbnail

Exterior view of Overlynn Mansion, 1912. (Rear elevation. Historic Photo). thumbnail

Interior central staircase, 2004. (Interior view). Copyright: City of Burnaby. thumbnail

Samuel Maclure, architect

https://search.heritageburnaby.ca/link/museumlibrary996

Repository: Burnaby Village Museum

Author: Bingham, Janet, 1928-

Publication Date: c1985

Call Number: 720.92 BIN

Repository: Burnaby Village Museum

Collection: Reference Collection

Material Type: Book

ISBN: 0920663028

Call Number: 720.92 BIN

Author: Bingham, Janet, 1928-

Place of Publication: Ganges, B.C.

Publisher: Horsdal & Schubart

Publication Date: c1985

Physical Description: 164 p., [1] leaf of plates : ill. ; 22 cm.

Library Subject (LOC): Architects

Notes: Includes bibliographical references (p. [157]-160) and index.

Turning 50: The History of the Burnaby Village Museum

https://search.heritageburnaby.ca/link/museumdescription18874

Repository: Burnaby Village Museum

Date: 13 Sep. 2022

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 1 video recording (mp4) (100 min., 5 sec.) : digital, col., sd., stereo ; 29 fps

Scope and Content: Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum curator, Jane Lemke. The webinar is titled "Turning 50: The History of the Burnaby Village Museum". The webinar is the first in a series of six webinars presented in partnership by Burnaby Village Museum and …

1 image 1 video

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Burnaby Neighbourhood Speaker Series series

Subseries: Neighbourhood Speaker Series - Fall 2022 subseries

Description Level: Item

Physical Description: 1 video recording (mp4) (100 min., 5 sec.) : digital, col., sd., stereo ; 29 fps

Material Details: Host: Jane Lemke; Presenters: Deirdre Lott; Richard Lott; John Adams; Jim Wolf; Date of Presentation: Tuesday, September 13, 2022. 7:00 pm - 8:00 pm; Total Number of tracks: 1; Total Length of all tracks: 100 min., 5 sec.; Recording Device: Zoom video communication platform; Original recording of 100 min., 5 sec. was edited to 88 min., 43 sec. for viewing on Heritage Burnaby

Scope and Content: Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum curator, Jane Lemke. The webinar is titled "Turning 50: The History of the Burnaby Village Museum". The webinar is the first in a series of six webinars presented in partnership by Burnaby Village Museum and Burnaby Public Library. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online sessions. In this webinar, Jane Lemke shares photographs and stories about the history of the Burnaby Village Museum as it turns 50 years old. Lemke and past staff talk about the early development of the Museum, large restoration projects throughout the years and recent initiatives to highlight histories of Burnaby's marginalized communities. In a pre-recorded interview, Richard and Dierdre Lott share their experiences as the first director and curator of Heritage Village (now Burnaby Village Museum) when it opened in the 1970s. The interview is supported with photographs of the early days of the museum including original presentation drawings by Rudy Kovach, construction of the village, buildings and exhibits. The couple speak to the challenges of the time period including the acquisition of artifacts to create exhibits within the buildings. John Adams, former curator and executive director of Burnaby Village Museum between 1974 and 1979 shares his story and experiences over the years. John supports his talk with photographs of collections, exhibits, special events and programs during his time at Heritage Village. John talks about the acquisition of buildings and artifacts that were added to the site during his time as curator. Buildings mentioned include, the Village Church and Ofuro that were built on site and Bell’s Dry Goods, Tom Irvine’s house, the Royal Bank that were moved to the site. Artifacts mentioned include, contents purchased from the Way Sang Yuen Wat Kee & Co. Chinese Herbalist shop in Victoria to support a new exhibit inside Heritage Village, a steam donkey and saw mill equipment from the Anderson Sawmill in Powell River and the appraisal of the Lubbock farm house and buildings considered for acquistion. Jim Wolf shares a slide show of his personal experiences of being involved with the museum in the eighties and nineties. Jim begins his story with first being recruited as a teen volunteer in 1980. He speaks about the mandate that was introduced in 1980 to have a living “outdoor museum” of the lower mainland with a special emphasis on Burnaby with a static portion of the museum supported by collections of genuine Burnaby artifacts. Jim talks about his experiences as a staff member working with collections and exhibits, working as an education assistant helping to facilitate public programs and as a curatorial assistant to help catalogue artifacts. Jim also talks about his involvement with the Burnaby Historical Society, his contribution as a historic researcher in publishing local books on the history of Burnaby as well as his involvement in the Heritage Inventory of Burnaby in 1985 which help lead to the eventual acquisition and restoration of the Love farm house by the Burnaby Village Museum. In the last part of the presentation Jane Lemke speaks about the history of the museum over the last twenty years. Jane highlights some of the changes to the museum including the restoration of the Interurban Tram 1223, free admission to the site that was introduced for the 40th anniversary in 2011 and the renovation of the Chinese Herbalist shop exhibit. Following the presentation, Jane Lemke chats with the presenters about the evolution of the museum over the last 50 years and the group answers questions from the attendees.

History: Jane Lemke has worked in various museums in the Lower Mainland and has been the Curator at Burnaby Village Museum since 2019. Her educational background includes a Master of Arts degree in History and a Master of Museum Studies degree. Her research focus has been on trauma and memory and its role in shaping Canadian identity. She loves sharing memories and stories of Burnaby with the public. Jane sits on the Council of the BC Museums Association and is the Chair of the BC Museums Association Professional Development and Education Committee. Richard “Dick” Lott was the first director for Heritage Village (now Burnaby Village Museum) when it opened in 1971. Dick worked as a designer for architecture firm, Hopping, Kovach and Grinnell who won the competition for the design of Heritage Village. Dick was hired to manage the project and then became an acting director of Heritage. Dick continued to work as director until the spring of 1972 when he returned to work for Hopping, Kovach, Grinell. Dick worked on various projects including; Museum of Anthropology working with Arthur Erickson; museum designer for the EXPO’86 pavilion and was the head of exhibits to build Science World after EXPO; project manager for the World’s Fair in Spain – Expo ‘92; Vancouver Aquarium (1960s); Communications Museum in Brantford, Ont.; International Science Centre in Amsterdam; National War Museum and his last project working in Hawaii for NASA. Deirdre Norman Lott was hired in 1971 as the first curator for Heritage Village (now Burnaby Village Museum) working under the direction of Richard Lott. Deirdre was first hired under the Corporation of the District of Burnaby’s Local Initiatives Program (LIP) and was a University of British Columbia graduate student who worked at Museum of Anthropology. Deirdre went on to work in Public Relations and Education in Museums and was the Public Program Coordinator for Museum of Vancouver. Deirdre Norman married Richard Lott in 1976. Deirdre left the Museum of Vancouver after their first child was born. Deirdre continued her career working as a freelance contractor in Continuing Education in Introductory Anthropology. John Adams has a BA in history from UBC and a Masters degree in Museology from the University of Toronto. He worked at Burnaby Village from 1974 to 1979, serving three years as Curator and two years as Executive Director. He then went to the Royal BC Museum as Provincial Museums Advisor before becoming a Manager with the BC Heritage Branch. Since 2000 he has operated Discover the Past, a heritage business in Victoria that specializes in historical research, writing and conducting walking tours and lectures. He also taught museum studies for twenty-eight years at Simon Fraser University and the University of Victoria. He is the author of seven books, most recently Chinese Victoria: A Long and Difficult Journey. Jim Wolf worked at the Museum starting in 1980, eventually holding many roles within the City of Burnaby and recently retired from his long serving role as the Senior Long Range Planner. He guided the city’s heritage program from 1989 and this year was honoured with a lifetime achievement award by Heritage BC. As a historian and heritage consultant he has authored and contributed to award-winning books on Burnaby, New Westminster and historic architecture. He is currently working on a number of projects including a biography of architect Samuel Maclure and a book documenting the architectural design and construction history of Craigdarroch Castle in Victoria, B.C.

Creator: Burnaby Village Museum

Subjects: Buildings - Civic - Museums

Names: Lott, Richard; Lott, Deirdre Norman; Adams, John; Wolf, Jim; Burnaby Village Museum; Century Park Museum Association; Burnaby Historical Society

Responsibility: Lemke, Jane

Accession Code: BV022.27.1

Date: 13 Sep. 2022

Media Type: Moving Images

Notes: Title based on contents of item

Images

Video

Turning 50: The History of the Burnaby Village Museum, 13 Sep. 2022

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2022_0027_0001_002.mp4

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Burnaby's heritage : an inventory of buildings and structures

https://search.heritageburnaby.ca/link/museumlibrary5437

Digital Books

Ernest & Katherine Hermon Residence

https://search.heritageburnaby.ca/link/landmark577

Images

H.T. Ceperley Estate 'Fairacres' Mansion

https://search.heritageburnaby.ca/link/landmark526

Images

Mortimer-Lamb House

https://search.heritageburnaby.ca/link/landmark494

Images

Overlynn Mansion

https://search.heritageburnaby.ca/link/landmark520

Images

Samuel Maclure, architect

https://search.heritageburnaby.ca/link/museumlibrary996

Turning 50: The History of the Burnaby Village Museum

https://search.heritageburnaby.ca/link/museumdescription18874

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Burnaby's heritage : an inventory of buildings and structures

Digital Books

Ernest & Katherine Hermon Residence

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H.T. Ceperley Estate 'Fairacres' Mansion

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Mortimer-Lamb House

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Overlynn Mansion

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Samuel Maclure, architect

Turning 50: The History of the Burnaby Village Museum

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