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Montague & Marcia Moore Residence

https://search.heritageburnaby.ca/link/landmark499

Repository: Burnaby Heritage Planning

Description: The Montague and Marcia Moore Residence, situated on Sperling Avenue, is a one and one-half storey wood-frame house with Tudor Revival elements such as half-timbering and diamond-leaded windows. The landscaping includes a large hedge at the front of the property. It is located on a lakefront site w…

Associated Dates: 1943

Street View URL: Google Maps Street View

4 images

Repository: Burnaby Heritage Planning

Geographic Access: Sperling Avenue

Associated Dates: 1943

Description: The Montague and Marcia Moore Residence, situated on Sperling Avenue, is a one and one-half storey wood-frame house with Tudor Revival elements such as half-timbering and diamond-leaded windows. The landscaping includes a large hedge at the front of the property. It is located on a lakefront site within the scenic Deer Lake Park Heritage Precinct.

Heritage Value: Located within the historic Deer Lake Park neighbourhood, the Montague and Marcia Moore Residence is valued as an example of the late persistence of the historicist influence on domestic architecture, at a time when it was still considered the height of good taste for a house to be designed in a recognizable period revival style. This is reflected in the rustic Tudor Revival elements such as half-timbering, waney-edged boards in the gables, brick nogging, diamond-leaded windows, and bird houses in the main gable. The cobblestone chimney, the major focal point of the house, was constructed from river stones that were transported from Lynn Canyon. Meticulously retained in its original condition, this was the last home to be constructed by the Moore family before the Second World War construction supply rationing took effect. It was built by Danish contractor, Hans Jorgensen Hau (1878-1944), who had a flair for the construction of homes with a rustic character, and shares a number of design features with Hau’s own house at 5070 Canada Way.

Defining Elements: Key elements that define the heritage character of the Montague and Marcia Moore Residence include its: - location on a lakefront site, within the Deer Lake Park Heritage Precinct - residential form, scale and massing as expressed by its one and one-half storey height, rectangular plan and front gabled roof - wood-frame construction - Tudor Revival elements such as stucco and wood half-timbering, diamond-leaded casement windows, scroll-cut brackets, brick nogging on the front façade, bird houses in the main front gable, waney-edged boards at gable peaks, plank front door with strap hinges and a prominent external cobblestone chimney - associated landscape features such as a granite wall, and mature coniferous and deciduous trees

Historic Neighbourhood: Burnaby Lake (Historic Neighbourhood)

Planning Study Area: Morley-Buckingham Area

Organization: Canadian Institute of Mining and Metallurgy

Builder: Hans Jorgensen Hau

Function: Primary Historic--Single Dwelling; Primary Current--Single Dwelling

Community: Deer Lake

Cadastral Identifier: P.I.D.006-082-696

Boundaries: The Montague and Marcia Moore Residence is comprised of a single residential lot located at 5165 Sperling Avenue, Burnaby.

Area: 4104

Contributing Resource: Building

Ownership: Public (local)

Documentation: City of Burnaby Planning and Building Department, Heritage Site Files

Street Address: 5165 Sperling Avenue

Street View URL: Google Maps Street View

Images

Exterior view of the Montague & Marcia Moore Residence, 2013.

. Front elevation.. thumbnail

Historic view of the Montague & Marcia Moore Residence, c.1942. (Front elevation. Historic Photo.) Copyright: City of Burnaby. thumbnail

Exterior views of the Montague & Marcia Moore Residence, 2013. (Front elevation. Exterior Photo). Copyright: City of Burnaby, 2013. thumbnail

Overlynn Mansion

https://search.heritageburnaby.ca/link/landmark520

Repository: Burnaby Heritage Planning

Description: Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone wall…

Associated Dates: 1909

Formal Recognition: Heritage Designation, Community Heritage Register

Other Names: Charles J. Peter Mansion

Street View URL: Google Maps Street View

3 images

Repository: Burnaby Heritage Planning

Other Names: Charles J. Peter Mansion

Geographic Access: McGill Street

Associated Dates: 1909

Formal Recognition: Heritage Designation, Community Heritage Register

Enactment Type: Bylaw No. 10211

Enactment Date: 18/09/1995

Description: Overlynn Mansion is a two and one-half storey British Arts and Crafts mansion, with an exterior composed of a massive native granite rubble-stone base surmounted by distinctive half-timbering, a hip hipped roof, a rare surviving intact interior, and elaborate landscape features including stone walls and planted terraces. It is situated in the residential neighbourhood of Vancouver Heights, on a high point of land overlooking Burrard Inlet to the west and the mouth of Lynn Creek to the east. This prominent residence is now part of a large senior citizens development known as Seton Villa.

Heritage Value: Overlynn Mansion is valued as a superb example of the work of the noted architectural firm of Maclure and Fox. The architecture of Samuel Maclure (1860-1929) was synonymous with high quality residential design for prominent citizens in both Vancouver and Victoria. Maclure was known for his British Arts and Crafts style with meticulous attention paid to functional and beautiful interiors that utilized native wood combined with luxurious imported fittings. He was a leading exponent of the Art and Crafts design movement in B.C., and established a sophisticated local variation of residential architecture. Maclure’s Vancouver office, in association with his partner Cecil Croker Fox (1879-1916), received some sixty residential commissions between 1909-1915 as a result of the booming local economy and subsequent development of new residential districts. Maclure’s practice in Victoria was equally prolific at the time. Overlynn Mansion is valued as one of Burnaby’s oldest upper-class estates and for its association with the development of Vancouver Heights. In 1909, C.J. Peter and his employer, G.F. and J. Galt Limited, pioneered the development of Vancouver Heights in North Burnaby, believing it to be one of the most picturesque districts in area and an alternative to the CPR’s prestigious Shaughnessy Heights development in Vancouver. Buyers were obligated to build houses worth $3,500 at a time when the average house price was $1,000. Overlynn Mansion, built in 1909 for $75,000, was one of the first houses constructed in Vancouver Heights and by far the most grandiose and impressive. Additionally, this landmark residence is significant and an intact and comprehensive representation of a grand Edwardian era estate home. The interior is notably intact, and retains many highly-refined original features, including substantive millwork of exotic woods, silver-plated and nickel-plated light fixtures, fine plasterwork, tiled fireplaces and exceptional hardware. Landscape features of Overlynn Mansion include the original layout for circulation paths, a porte-cochere, granite posts and stone walls, a sandstone and iron sundial, and mature trees and shrubbery. The house was designated by Burnaby Council in 1995 and was the first heritage building in B.C. to receive legal protection for its interior features.

Defining Elements: Key elements that define the heritage character of Overlynn Mansion include its: - prominent corner location on a steep sloping site in the Vancouver Heights neighbourhood - views to Burrard Inlet and the North Shore mountains - residential form, scale and massing as exemplified by its grand two-storey plus basement height and irregular plan - British Arts and Crafts elements such as the rubble-stone granite masonry on the ground floor and foundation level, and decorative half-timbering and rough-cast stucco on the upper storey - compound hipped bell-cast roof, clad with cedar shingles, with shed dormers at the rear - subtle battering of ground floor and foundation level stonework - porte-cochere with hipped roof and battered granite piers - wood-clad projecting bay extensions - irregular fenestration: double-hung 6-over-1 wooden-sash windows; multi-pane casement wooden windows with multi-pane transoms; diamond leaded casement windows; and banks of stained glass windows - five tall rubble-stone granite block stone chimneys - interior features such as the oak, cedar and Yaka (Australian mahogany) panelled walls, oak panelling and staircase walls inlaid with ebony, ivory and brass, stenciled canvas friezes, wooden dadoes and plaster walls, encaustic floor tiles, Australian gumwood floors, oak panelled doors with art glass, oak beamed ceiling with stucco panels, cast plaster vaulted hall and living room ceilings, sterling silver light fixtures including a chandelier and scones, nickel-plated newel light, brass Art Nouveau styled ceiling light, brass stair carpet poles and locks, built-in bookcases and buffet, fireplace with encaustic tiles and fire dogs, imported Medmenham fireplace tiles (the earliest known use outside of the United Kingdom), fireplace mantel with green tile and cast iron firebox, and inglenook fireplace with encaustic tiles and carved mantel and brass fireplace insert - landscape features such as the granite gate posts and iron entrance gate, granite posts and iron fence, granite garden wall, sandstone garden steps, sandstone and iron sundial, granite and concrete terraces adjacent to the house, configuration of pathways and sandstone steps including the front access road, mature deciduous and coniferous tree stock including a Monkey Puzzle Tree and pruned shrubbery throughout the site