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![1912 Parker Carousel Restoration 1991 to 1994, [between 1991 and 1994] thumbnail](/media/hpo/_Data/_BVM_Moving_Images/2020_0012_0001_001.jpg?width=280)
1912 Parker Carousel Restoration 1991 to 1994
https://search.heritageburnaby.ca/link/museumdescription12334
- Repository
- Burnaby Village Museum
- Date
- [between 1991 and 1994]
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) file (1 hr., 9 min., 44 sec.) : digital, 29 fps, col., sd., stereo
- Scope and Content
- Item consists of unedited film footage titled “1912 Parker Carousel / Restoration / 1991 to 1994" by Alex Matches. Film footage documents various stages of restoration of the carousel including, the carousel horses, the "doghouse" and Wurlitzer. There is some narration by the camera person but soun…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) file (1 hr., 9 min., 44 sec.) : digital, 29 fps, col., sd., stereo
- Material Details
- Segments are marked by date
- Scope and Content
- Item consists of unedited film footage titled “1912 Parker Carousel / Restoration / 1991 to 1994" by Alex Matches. Film footage documents various stages of restoration of the carousel including, the carousel horses, the "doghouse" and Wurlitzer. There is some narration by the camera person but sound quality is poor and segments contain ambient noise. The footage is divided into segments marked by dates, visible in the bottom right corner. Dates range between April 1991 and March 1993. Some of this unedited footage could have been used for the Burnaby Village Museum film "Labour of Love - The Saving of Number 119" (see BV020.4.28). 00:00 - 03:23: Apr. 20, 1991 : Volunteers and staff working on the restoration of carousel horses in the Texaco warehouse. They are busy scraping away old paint. Various horses are suspended on frames while some are laid on their sides on work benches. 03:24 - 06:15: Nov. 2 1991 : Volunteers and staff working on scraping and sanding away old layers of paint on carousel horses in the Texaco warehouse. Some horses are getting repairs. A little narrative coming from camera operator but mostly ambient sound. Pieces of the "doghouse" are also visible. 06:16 - 08:20 : Dec. 28 1991 : Horses are in various stages of restoration and repair inside the Texaco warehouse. 08:21 - 09:40 : Dec. 28, 1991 : Volunteers are gathered in a lunch room taking a break. Views of carousel horses in another room of the warehouse which have been applied with a sealer. The Worlitzer is also visible during a stage of restoration. Camera pans outside the Texaco warehouse located at the base of Burnaby Mountain on Burrard Inlet. 09:42 - 11:03 : Mar. 31 1992 : Some horses have been sealed with a clear coating and others have been applied with a white undercoat primer. 11:04 - 17:36 : Apr. 11 1992 : Horses with primer undercoat, views of the Wurlitzer under restoration as well as panels of the "doghouse" 17:37 - 18:18 : May 30, 1992 : Wurlitzer and painted horses 18:19 - 21:53 : Jul. 25 1992 : Volunteers are working on painting carousel horses, various parts of carousel including the floor decks are also visible. 21:54 - 25:39 : Sept. 19 1992 : Volunteers are working on painting carousel horses and pieces of the "doghouse", mirrors are being inserted, decking is varnished. 25:40 - 30:39 : Oct. 10 1992 : Views of carousel horses with coats of primer, freshly painted horses, segments of the varnished deck, volunteers painting segments of the "doghouse" and finished horses. 30:41 - 41:30 : Nov. 14 1992 : Loading finished horses from warehouse into van to transport to museum. Photography shoot in warehouse of completed horses, mounting horses on poles at museum. Don Wrigley assisting. A view of the Carousel building at Burnaby Village Museum under construction. 41:32 - 47:27 : Nov. 20 1992 : Painted horses - details; parts of the carousel gears, poles etc 47:28 - 50:00 : Footage recorded from an exerpt from Red Robinson's Classic theatre where he narrates about the History and Saving of the Carousel. 50:02 - 1:03 : Mar. 15 1993 : Completed carousel inside the carousel building at Burnaby Village Museum, volunteers and staff are putting together the finishing touches for the opening day. Volunteers are gathering inside and seating themselves on horses around the carousel for the Volunteers Grand Opening. The carousel begins to move with some volunteers riding various horses while the Wurlitzer plays in the background. 1:04:10 - 1:09:44 : March 27 1993 - Carousel is officially opened. Includes interviews by curator Colin Stevens with Friends of Carousel president, Don Wrigley and Dave Zieffert, Restorator of the Wurlitzer and Gordie Ironside who helped work with the restoration. Gordie demonstrates how each carousel horse was built using a prototype that was built for educational purposes.
- Creator
- Matches, Alex
- Subjects
- Recreational Devices - Carousels
- Names
- Lower Mainland Association of the Friends of the Vancouver Carousel
- C.W. Parker no. 119 Carousel
- Burnaby Village Museum
- Accession Code
- BV020.12.1
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- [between 1991 and 1994]
- Media Type
- Moving Images
- Related Material
- BV020.4.28
- Notes
- Transcribed title taken from film footage
Images
![1912 Parker Carousel Restoration 1991 to 1994, [between 1991 and 1994] thumbnail](/media/hpo/_Data/_BVM_Moving_Images/2020_0012_0001_001.jpg)
Video
1912 Parker Carousel Restoration 1991 to 1994, [between 1991 and 1994]
1912 Parker Carousel Restoration 1991 to 1994, [between 1991 and 1994]
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2020_0012_0001_001.mp4Jesse Love farmhouse series
https://search.heritageburnaby.ca/link/museumdescription9782
- Repository
- Burnaby Village Museum
- Date
- [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Series
- Physical Description
- approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
- Scope and Content
- Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse re…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Jesse Love farmhouse series
- Description Level
- Series
- Physical Description
- approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
- Scope and Content
- Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse restoration photographs subseries 3) Love farmhouse curatorial files subseries 4) Love farmouse research files subseries 5) Love family photographs 6) Love farmhouse Oral History subseries 7) Love farmhouse architectural drawings subseries
- History
- Jesse Love was born in Swindon, England in 1847 and left England to work on a dairy farm in the Toronto area. While working on the farm in Toronto, he met Martha Leonard who he married in 1879. Martha was born on February 3, 1858 in Bedfordshire, England and had come to Canada with her parents George and Ann Leonard. While living in Toronto, Jesse and Martha had two children, George born March 22, 1880 and Annie Elizabeth on August 24, 1881. About one year after Annie was born, the Love family moved to North Dakota to grow wheat. While living there, they had two more children, Henry who was born August 24, 1883 and Edith Minnie born October 9, 1885. The family decided to move further west after hearing about the fairer weather conditions from Martha’s father, George Leonard, who had settled in Vancouver in 1885. On May 23, 1887, Jesse, Martha and their four children arrived in Vancouver after travelling across Canada from Winnipeg on the first transcontinental train. The Loves made their home in Vancouver while Jesse helped clear land on Granville Street. Their fifth child, Thomas Robert was born on September 17, 1887 and soon after, the family moved to Lulu Island in Richmond where they lived growing vegetables and selling them to Vancouver hotels. While living and farming on Lulu island, the couple had two more girls, Martha (Dot or Dorothy) born on December 17, 1889 and Sarah Marie, born February 8, 1892. On October 6, 1893 an agreement was signed by Jesse Love to purchase 14.52 acres of land from Joseph C. Armstrong. The acreage covered the north east section of District Lot 25 within the newly incorporated District of the Municipality of Burnaby. It was here where the original Love house was built (between October 1893 and April 15, 1894) by Jesse Love with the help of local builder George Salt and father in law, George Leonard. The house consisted of an entrance hall, dining room, lean to kitchen, master bedroom and three bedrooms upstairs. A road was constructed and named Cumberland in 1905 and ran from District Lot 25 through to District Lot 11. The address for the Love home was 1390 Cumberland Road and in the early 1960’s the address was renumbered 7651 Cumberland Street. On the land surrounding the house, Jesse Love planted an orchard along with strawberries and raspberries which he sold at the Fraser Valley Market, T.S. Anandale’s Grocery Store in New Westminster and to hotels around Vancouver. Jesse Love served on the Burnaby School Board and also as a District Councillor in 1901 and from 1904-1907. While living in the house, Jesse and Martha had four more children, Phoebe Leonard, born April 15, 1894, Esther, born August 28, 1896, John Leonard, born June 7, 1899 and Hannah Victoria (also known as Girlie) who was born May 12, 1902. As the family grew to eleven children, additions along with some substantial remodelling in the craftsman style took place. In about 1898, a north wing addition was added to include a parlour with two windows, the construction of two more bedrooms and the relocation of the stair case to the North West wall. In 1903 the front door moved to the north elevation, a front porch was extended along the east wall and a summer lean to kitchen was added to the west elevation. Between 1905 and 1910, a tin embossed ceiling was installed along with an addition of the main kitchen which included a pantry, bathtub and a back porch. In about 1912, five craftsman style windows replaced the original pioneer tent style, the front verandah was enlarged to wrap around the south and east elevations, a back door was installed in the kitchen to access the verandah and wood shingle siding and brackets were added to the exterior. In 1918, at the age of 31 years, Robert Love fell ill due to an influenza epidemic and died on November 23, 1918. Following their son’s death, Martha Love became weak and on August 24, 1920, she passed away. By this time, Jesse had sold off a large percentage of his land and his youngest daughter, Girlie decided to stay on to live and care for him. Since the house was too large for just the two of them, Jesse invited any other children to return and share the residence. For a while his son, George and his wife joined them until 1925, followed by his daughter Sarah Parker (nee Love), her husband William and their three children, Albert, Bill and Elsie. The house remained pretty unchanged until 1928 after Jesse Love died of pneumonia (March 10, 1928) and the house was purchased by Sarah and her husband William Parker who continued to live there with their children. The master bedroom wall on the main floor opened up to the dining room, the kitchen pantry and bathtub converted to an alcove with a marble counter and enlarged window and sink while the bathroom was moved to the upstairs and the furnace and coolers were installed in the crawl space under the kitchen. A hot water tank was installed in the house in 1966. Sarah continued to live in the house until a little while after her husband William died in 1961. She sold the house to her daughter Elsie and husband John Hughes in 1966, who lived in the house along with their son Brent, until August 23, 1971. Mahbir Molchan Papan and his wife Geraldine Papan bought the house August 23, 1971 and by 1982, the house was sold to Nirmal Singh Singha and Narinder Singha. The Papans continued to rent the house from Nirmal Singh Singha and Narinder Singha until the late 1980s. In 1988, the house was scheduled for demolition with the remaining property to be subdivided. Fortunately, a neighbour, Mr. Harvey Elder recognized the farmhouse's historical significance and contacted the Burnaby Historical Society. Following this event, the owners agreed to donate the building to the Burnaby Village Museum (under the Century Park Museum Association) who financed the move of the house from Cumberland Street to the museum site. Heritage planner and architect, Robert Lemon provided guidance for the project. Prior to the move, the two porches were removed and demolished while the kitchen and roof were both separated from the main house. The kitchen and roof of the house were transported to Burnaby Village Museum on May 20, 1988 by Nickel Bros. House Moving company, while the main frame of the house completed its transportation to the museum near the end of May 1988 (due to low overhead wires). The house was moved down Cumberland Street to 10th Avenue, up Canada Way to Sperling and set on temporary footings near Hart House. Robert Lemon oversaw structural improvements such as, upgrading floor joists and creating new foundations to replace the original timber foundation of the farmhouse. The restoration went through several phases of work between 1988 until it opened in November 1998. Restoration began on both the interior and exterior features to be interpreted from the period of 1925. On November 23, 1992, the building was designated a heritage building under Heritage Designation Bylaw 1992, Bylaw Number 9807. In 1993, the architecture firm of Brian G. Hart Associates was appointed for the design and construction supervision of the restoration project. Plans were created for a foundation on the museum site in 1989 and the farmhouse was eventually settled on a permanent foundation behind the Burnaby Village Museum administration building in 1993 along with the reattachment of the roof. The kitchen section was reattached to the main house in 1994 along with skirting around the foundation and the reshingling of the exterior. In 1996, the tin ceiling was removed to make way for the installation of the internal electrical system along with sprinklers, ceiling heating and fire break gyprock. The dining room ceiling joists were consolidated, a pantry and bathroom were added to the kitchen, the downstairs bedroom wall was opened and filled, the dining and kitchen doorways were widened. In 1997, a wheelchair ramp was installed along with a concrete sidewalk, stair rails, cement pads at the base of the stairs and a gravel sink for any excess water. Interior work included painting of the kitchen, restoration and furnishing of the kitchen pantry, insulation of the house floor to protect from rodents along with the reconstruction of the kitchen and house chimneys. The registrar worked together with the curator and conservator and was tasked with a large research project on the house including the family contacts and family history, property information, plans, photographs, artifacts, furnishings, stories etc. all organized in files for easy retrieval. A great deal of research and conservation was undertaken in order to make the interior of the house authentic to the time period as possible. One of the biggest projects was selecting and obtaining wall coverings since much of the original wallpaper was incomplete and poor condition. The conservator and registrar were lucky enough to locate a few samples of the original paper and engage the Bradbury and Bradbury Art Wallpaper Company of Benica, California to reproduce replica designs for free. The City of Burnaby now has its own series “Burnaby Village Papers” produced by this company which are titled “Burnaby Wall”; “Burnaby Border” and “Burnaby Ceiling”. All three of these wallpaper designs have been used in the Love farm house and are also commercially available through the Bradbury and Bradbury Art Wallpaper Company. In 1997, restoration of the kitchen was completed and opened to the public. After the completion of the dining room, main floor bedroom and parlour, the Love farmhouse exhibit opened on November 29, 1998 with an open invitation to the public and extended members of the Love family. Officials including the Mayor, Doug Drummond and Love family members were all present to cut the ribbon for the special event.
- Accession Code
- BV018.41; BV020.5
- Access Restriction
- Restricted access
- Date
- [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
- Arrangement
- The majority of the records within series and subseries were arranged by a staff members of Burnaby Village Museum who worked on the historical research and restoration of the house. Other photographs documenting the move and further restoration work were added later and included in the arrangment by format and subject.
- Notes
- Title based on content of series
- Jesse Love farmhouse is described as an Artifact under BV988.33.1
- Some records within this collection have restricted access and are subject to FIPPA
- Accessions BV018.41 and BV020.5 form this fonds
Ups and Downs of Conserving the C.W. Parker Carousel
https://search.heritageburnaby.ca/link/museumdescription18878
- Repository
- Burnaby Village Museum
- Date
- 27 Sep. 2022
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (100 min., 27 sec.) : digital, col., sd., stereo ; 29 fps
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Community Engagement Coordinator Christina Froschauer. The webinar is titled "Ups and Downs of Conserving the C.W. Parker Carousel". The webinar is the fifth in a series of six webinars presented in partnersh…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (100 min., 27 sec.) : digital, col., sd., stereo ; 29 fps
- Material Details
- Host: Christina Froschauer
- Presenters: Museum Conservator Elizabeth Czerwinski; Carousel Operator and Display Technician and Grounds Attendant Michael DesMazes; Artist and Burnaby Village Museum Exhibit Preparator Carly Bouwman
- Videographer: Peter Rogier
- Editor of video content footage: Peter Rogier
- Date of Presentation: Tuesday, September 27, 2022. 7:00 pm - 8:00 pm
- Total Number of tracks: 1
- Total Length of all tracks: 100 min., 27 sec.
- Recording Device: Zoom video communication platform
- Original recording of 91 min., 5 sec.was edited to 92 min., 52 sec. for viewing on Heritage Burnaby
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Community Engagement Coordinator Christina Froschauer. The webinar is titled "Ups and Downs of Conserving the C.W. Parker Carousel". The webinar is the fifth in a series of six webinars presented in partnership by Burnaby Village Museum and Burnaby Public Library. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online sessions. With thousands of people riding the Carousel every year, it is a wonder this 110-year-old fairground favourite keeps on turning. In the off-season, many dedicated hours go into the careful repair and maintenance of the Carousel. From cogs and gears to paints and jewels, this session covers the ups and downs of Carousel conservation. The first speaker is BVM conservator “Liz” Czerwinski. Liz’s presentation is titled “119 Parker Carousel at the Burnaby Village Museum”. Liz speaks about her role and responsibility at BVM as the conservator and her many responsibilities including the carousel. Liz provides an overview of how BVM preserves the carousel as a museum artifact and how it needs to meet current safety standards as a mechanical amusement ride. Liz provides historical background regarding the C.W. Parker no. 119 carousel and the establishment of the Lower Mainland Association of the Friends of the Vancouver Carousel “The Friends of the Carousel” to save the carousel in the 1990s and the installation of the carousel at Burnaby Village Museum. She describes the intense maintenance and mechanics of the carousel to keep it in operation and the preservation and ongoing conservation of the hand carved and painted horses and wooden carousel flooring. The second speaker is Carly Bouwman. Carly works in the area of artistic conservation as an exhibit preparator at Burnaby Village Museum and works with the Conservation Department team to restore the carousel bi annually. Carly’s talk is supported with a slide show detailing the process and many aspects of conservation work that is done on the hand carved and painted carousel horses. Conservation painting techniques are based on a manual created by volunteer Dorothy Seton Clarke. The third speaker is Michael DesMazes. Michael supports his talk with film footage documenting the mechanics and maintenance of the C.W. Parker no. 119 Carousel. Michael provides a commentary explaining some of the regular weekly, monthly and yearly mechanical maintenance and inspection that is done to the maintain the carousel. Film footage provides a detailed view of the working components of the carousel. Following the presentations Elizabeth Czerwinski, Michael DeMazes and Carly Bouwman answer questions from the attendees and comment further on the information. Some of the subjects covered include: significance of design details on the carousel horses, how the Wurtlitzer band organ works, painting and stripping techniques, running speed of the carousel, favourite carousel horses, significance of the rotational direction of the carousel, publication “A Carousel is Magic: the Saving of Parker #119 by the Friends of the Carousel ", accessibility design components on the carousel, safety specifications and guidelines, naming of the carousel horses and what the future holds for the next 50 years of operation of the carousel.
- History
- Christina Froschauer has worked in various museums and art galleries across Canada over the past two decades and since January 2021, has worked as the Museum Community Engagement Coordinator at the Burnaby Village Museum. Her educational background includes a Masters in Art History and two Bachelor of Arts – one in Visual Arts and the other in Archaeology. Her research focus has been centered around artists whose work challenges and Indigenizes the Western Canons of Art History. In addition to her work at the museum, Christina is a sessional professor of Canadian Studies at Langara College. Elizabeth "Liz" Czerwinski is the Conservator for the Burnaby Village Museum. She has a Master of Art Conservation from Queens University, internship experience in the conservation of paintings and archaeological collections, and has been engaged with the smallest (hat pins) and largest (tram and carousel) preservation activities at the museum since 1992. Carly Bouwman is a freelance visual artist and designer, living in Southwestern British Columbia. Her professional projects include digital illustrations and graphics, residential interior design contracts, and 2-D and 3-D custom designed and fabricated works of art for private and public display. She also holds a position at the Burnaby Village Museum as an exhibit preparator and works with the conservation department to restore the carousel bi-annually. Michael DesMazes was born and raised in Abbotsford. Michael’s childhood home is a heritage landmark now called the Trethewey House Museum. His Mother was the past President of the Abbotsford Heritage society and Michael himself first volunteered for the Abbotsford Museum when he was 14. Michael has also worked at the Langley Centennial Museum and for three years headed up the Fraser Valley Military Museum and Archives, a by-product of his Museum studies at SFU in 1987. That same year Michael first joined the Burnaby Village as the Blacksmith for the museums first school programs. By 1990 Michael had become a relief interpreter covering every zone in the Village and was one of the researchers for Burnaby’s 100th anniversary project. Michael is the Official RCAF Historian for Boundary Bay and Abbotsford airports and has established and maintained Facebook pages on both for the last five years. He is a long-time member of the Organization of Military Museums of Canada (OMMC). Leaving the Burnaby Village Museum in January 1990, Michael enrolled in the Canadian Forces Primary reserves as a Medical Assistant with the 12th Vancouver Medical Company. It was during this time that Michael was also contracted to research and assembly a historical collection for Nabob’s 100th anniversary. In 1996 after leaving the Reserves, Michael returned to the Burnaby Village Museum as a new carousel operator. Today, 26 years later, Michael is still at the carousel as the senior operator responsible for general maintenance, minor repairs and training of new operators.
- Creator
- Burnaby Village Museum
- Names
- Burnaby Village Museum
- Froschauer , Christina
- Czerwinski, Elisabeth
- Desmazes, Michael
- Lower Mainland Association of the Friends of the Vancouver Carousel
- Bouwman, Carly
- C.W. Parker no. 119 Carousel
- Clarke, Dorothy Seton
- Accession Code
- BV022.27.5
- Date
- 27 Sep. 2022
- Media Type
- Moving Images
- Notes
- Title based on contents of item
Images
Video
Ups and Downs of Conserving the C.W. Parker Carousel, 27 Sep. 2022
Ups and Downs of Conserving the C.W. Parker Carousel, 27 Sep. 2022
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2022_0027_0005_002.mp4
Vivian's Tapestry
https://search.heritageburnaby.ca/link/museumdescription9670
- Repository
- Burnaby Village Museum
- Date
- 2016
- Collection/Fonds
- Burnaby Village Museum Film and Video collection
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (9 min., 17 sec.) : digital, 25 fps, col., sd., stereo
- Scope and Content
- Vivian Lee’s short film covers six decades of her life experience. The film tells the story of Vivian’s parents and their difficult time during the Second World War, including a harrowing journey on the Burma Road. Vivian describes her idyllic childhood in post-war Burma, where she was the sixth of…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum Film and Video collection
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (9 min., 17 sec.) : digital, 25 fps, col., sd., stereo
- Scope and Content
- Vivian Lee’s short film covers six decades of her life experience. The film tells the story of Vivian’s parents and their difficult time during the Second World War, including a harrowing journey on the Burma Road. Vivian describes her idyllic childhood in post-war Burma, where she was the sixth of eight children, and her life in Singapore and Hong Kong as a young woman. The film includes Vivian and husband Alan’s decision to move to Canada. The couple briefly lived in Burnaby for a short period, during which time their daughters were born. A short while later they moved to Vancouver to care for Alan’s parents. The film concludes with the couple’s return to Burnaby for their retirement, and Vivian’s expressions of appreciation for the many things that bring her joy.
- History
- Vivian Lee was born in Rangoon, Burma, in 1950. Her parents moved to Burma from China in the 1930s. Vivian was the sixth of eight children. Two older siblings were born in Burma, and survived a perilous escape from Burma along the Burma Road during the Second World War. Vivian was the first child to be born in post-war Burma, after her parents returned following the war. The family lived in Rangoon for a period, before moving to a home in the suburbs where Vivian spent an idyllic childhood. After graduating from university, Vivian moved to Singapore, and then to Hong Kong. She worked for a large pharmaceutical company in Hong Kong, where she met her husband, Alan. The couple emigrated to Canada with Alan’s parents (in the 1980s?). Daughters Cynthia and Adrienne were born in Burnaby, before the family moved to Vancouver to care for Alan’s parents. Alan and Vivian have recently returned to Burnaby for their retirement years. They are active volunteers and grand-parents, and Vivian has been developing her watercolour painting skills. Vivian produced the short film in order to pass the legacy of her family’s history on to her children and their offspring. She notes: “I am happy and honoured to share my life story with others in the community. I think it gives all of us a chance to contribute to the mosaic of our shared heritage. I am so proud to be a Canadian citizen and feel very fortunate to live in a multicultural society. I believe it is through sharing these life stories that will make us stronger as a nation.”
- Creator
- Lee, Vivian
- Other Title Information
- title supplied by film maker
- Subjects
- Persons - Chinese Canadians
- Names
- Lee, Vivian
- Accession Code
- BV016.37.1
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 2016
- Media Type
- Moving Images
- Notes
- Transcribed title
Images
Video
Vivian's Tapestry, 2016
Vivian's Tapestry, 2016
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2016_0037_0001_001.mp4