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Hipman "Jimmy" Chow and Donna Polos fonds
https://search.heritageburnaby.ca/link/museumdescription19150
- Repository
- Burnaby Village Museum
- Date
- 1950-2022
- Collection/Fonds
- Hipman "Jimmy" Chow and Donna Polos fonds
- Description Level
- Fonds
- Physical Description
- 3 sound recordings (wav) + 1 sound recording (mp3) + 65 photographs + 26 photographs (jpg) + 1 portfolio (15 col. photographs + 12 col. laser prints) + 1 col. laser print + 6 business cards + 1 identification card + 1 booklet
- Scope and Content
- Fonds consists of an oral history interview with Jimmy Chow and his wife, Donna Polos; photographs of Jimmy Chow and his family soon after they immigrated to Canada in the 1950s as well as a sampling of photographs and records documenting Jimmy Chow's career in the film industry. Fonds is arranged…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Hipman "Jimmy" Chow and Donna Polos fonds
- Description Level
- Fonds
- Physical Description
- 3 sound recordings (wav) + 1 sound recording (mp3) + 65 photographs + 26 photographs (jpg) + 1 portfolio (15 col. photographs + 12 col. laser prints) + 1 col. laser print + 6 business cards + 1 identification card + 1 booklet
- Scope and Content
- Fonds consists of an oral history interview with Jimmy Chow and his wife, Donna Polos; photographs of Jimmy Chow and his family soon after they immigrated to Canada in the 1950s as well as a sampling of photographs and records documenting Jimmy Chow's career in the film industry. Fonds is arranged into series: 1) Jimmy Chow and Donna Polos interviews series 2) Jimmy Chow family photographs series 3) Property master photographs series 4) Property master records series
- History
- Hipman "Jimmy" Chow was born in Lin Pong Lee, Hoiping, China in 1948. In 1950, Jimmy Chow and his mother, Gim Gee Chow (1913-1991) fled China to escape the Communist Revolution and to be reunited with his father, Robin Chung Dip Chow (1906-1990) who’d immigrated to Canada many years earlier. Jimmy’s elder sister Shao-Lin Chow stayed behind in China. Jimmy’s father, Robin Chung Dip Chow immigrated to Canada in 1921 at 14 years of age and was forced to pay the Chinese head tax of $500. In 1950, Jimmy and his mother first fled to Hong Kong before immigrating to Canada and arriving in Vancouver. Jimmy Chow’s birth name is Hipman Chow but when he arrived in Canada, his father indicated that he needed an English name and he was given the name “Jimmy” but retained his birth name “Hipman Chow”. Over the years, Jimmy has also used the name “James H. Chow” and is often credited by this name in the film industry. For the first four years after immigrating, Jimmy and his parents lived in Manitoba, Saskatchewan and Quebec where his father had work in hotels and restaurants. While living in Asquith, Saskatchewan Jimmy attended school and began to learn English. In 1954, Jimmy and his parents returned to Vancouver, first living in the area of Strathcona before settling in the neighbourhood of Mount Pleasant where they purchased a house located on 15th Avenue east of Main Street. While living in Mount Pleasant, Jimmy attended both elementary and high school. While attending high school, Jimmy began working at the local grocery store where he worked for many years living at home and saving his money. In 1970 while attending Vancouver City College, Jimmy met his future wife Donna Polos. Two years later, they moved in together, married in 1981 and started a family. Jimmy and Donna first lived in North Burnaby before purchasing a house on Victory Street in Burnaby where they raised their three children. Growing up in a traditional Chinese Canadian family, Jimmy was always one who went against the grain. Although his father wanted him to get a business degree, Jimmy had aspirations for a different career path. Through the referral of a friend, he entered the film industry in 1973 working for CBC Vancouver. While working at the CBC, Jimmy gained valuable experience working on the set of the television series The Beachcombers, which launched his career in the film industry. Over a 45 year career, Jimmy worked on over 50 blockbuster movies, historical period films, science fiction films and fantasy films, where he honed in on his expertise as a set decorator, art director and property master. He built an international reputation through working with production companies, prop makers and antique sellers across the globe. As a property master in the film industry, Jimmy Chow has been responsible for designing, managing, and sourcing props for films such as: The BFG, Warcraft: The Beginning, X-Men 2, Fantastic Four, Watchman, Tron: Legacy, Little Women, Seven Years in Tibet, Shanghai Noon, The Shipping News, Fantastic Four: Rise of the Silver Surfer, The Changeling, Man of Steel (Superman), Snow Falling on Cedars, Legends of the Fall, And the Sea Will Tell, Once a Thief and many more. With Jimmy's many years of professional experience in the film industry, he has been a union member of IATSE (International Alliance of Theatrical Stage Employees, Moving Picture Technicians...) from July 1979, a member of the Academy of Motion Picture Arts and Science from 2018 and has worked as a guest lecturer in film production at Capilano University and Langara University. He was also a key contributor to the Burnaby Village Museum’s 2014 temporary exhibition Burnaby Makes Movies. Donna Polos was born in Vancouver in 1949 to parents Mayme "May" Helen Tillikana Polos (1931-1977) and Donald James Polos (1926-2017). Donna’s maternal grandparents, Elvi Tienhara and Toiva Tillikana immigrated to Canada from Helsinki, Finland. Donna’s paternal grandmother, Pauline Chimiki Polos emigrated from Ukraine to Argentina and then to Winnipeg. Donna’s paternal grandfather, James "Jimmy" Kostopolus emigrated as an orphan from Sparta Greece at the age of 12 years. In 1908, he first immigrated to the United States where he was denied entry so immigrated to Canada, entering through Halifax at Pier 17. When immigrating, James changed his last name to "Polos". Jimmy Polos arrived in Halifax with only five dollars in his pocket. He lived in Halifax for many years before making his way to Vancouver where he established three restaurants and raised his family. James was the proprietor of three restaurants in Burnaby including; the Home Apple Pie Café (1941-1944) located on East Hastings near Princess Avenue; Jimmy’s Café (1945-1955) located on East Hastings near Hawks Avenue and another restaurant located near 10th Avenue and Alma Street. Donna grew up with her family in Vancouver, first living in the downtown eastside before moving to a home near Joyce Station. Donna attended elementary school and high school while growing up in the neighbourhood of Joyce Station. Donna moved out of her family home at 21 years of age and lived with roommates before moving in with Jimmy Chow in 1972. Donna attended Vancouver City College and the University of British Columbia where she obtained her teaching degree in 1974. Donna first taught at Gilmore Elementary School before being hired to teach at Clinton Elementary School where she taught for nine years. While raising their three children, Donna worked part time teaching in schools in Burnaby. In 1991, after a near death experience, Donna became interested in fine art and took drawing and watercolour painting classes. This experience led her to experimenting with different painting techniques on paper and fabric. In 2008, Donna retired from teaching but continued her art career often working as an Artist in Residence at various schools and exhibiting her work. While living in Burnaby Donna has been politically active with a particular passion for heritage, housing and preserving the natural environment. Donna was instrumental in advocating and petitioning for the establishment of a tree bylaw in Burnaby which was eventually adopted by the City.
- Creator
- Chow, Hipman "Jimmy"
- Polos, Donna
- Accession Code
- BV022.21
- BV023.11
- Date
- 1950-2022
- Media Type
- Sound Recording
- Photograph
- Textual Record
- Graphic Material
- Notes
- Title based on contents of fonds
- Hipman "Jimmy" Chow's name in Cantonese is Chow Hipman and in Mandarin is Zhou Xiamin.
Ups and Downs of Conserving the C.W. Parker Carousel
https://search.heritageburnaby.ca/link/museumdescription18878
- Repository
- Burnaby Village Museum
- Date
- 27 Sep. 2022
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (100 min., 27 sec.) : digital, col., sd., stereo ; 29 fps
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Community Engagement Coordinator Christina Froschauer. The webinar is titled "Ups and Downs of Conserving the C.W. Parker Carousel". The webinar is the fifth in a series of six webinars presented in partnersh…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (100 min., 27 sec.) : digital, col., sd., stereo ; 29 fps
- Material Details
- Host: Christina Froschauer
- Presenters: Museum Conservator Elizabeth Czerwinski; Carousel Operator and Display Technician and Grounds Attendant Michael DesMazes; Artist and Burnaby Village Museum Exhibit Preparator Carly Bouwman
- Videographer: Peter Rogier
- Editor of video content footage: Peter Rogier
- Date of Presentation: Tuesday, September 27, 2022. 7:00 pm - 8:00 pm
- Total Number of tracks: 1
- Total Length of all tracks: 100 min., 27 sec.
- Recording Device: Zoom video communication platform
- Original recording of 91 min., 5 sec.was edited to 92 min., 52 sec. for viewing on Heritage Burnaby
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Community Engagement Coordinator Christina Froschauer. The webinar is titled "Ups and Downs of Conserving the C.W. Parker Carousel". The webinar is the fifth in a series of six webinars presented in partnership by Burnaby Village Museum and Burnaby Public Library. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online sessions. With thousands of people riding the Carousel every year, it is a wonder this 110-year-old fairground favourite keeps on turning. In the off-season, many dedicated hours go into the careful repair and maintenance of the Carousel. From cogs and gears to paints and jewels, this session covers the ups and downs of Carousel conservation. The first speaker is BVM conservator “Liz” Czerwinski. Liz’s presentation is titled “119 Parker Carousel at the Burnaby Village Museum”. Liz speaks about her role and responsibility at BVM as the conservator and her many responsibilities including the carousel. Liz provides an overview of how BVM preserves the carousel as a museum artifact and how it needs to meet current safety standards as a mechanical amusement ride. Liz provides historical background regarding the C.W. Parker no. 119 carousel and the establishment of the Lower Mainland Association of the Friends of the Vancouver Carousel “The Friends of the Carousel” to save the carousel in the 1990s and the installation of the carousel at Burnaby Village Museum. She describes the intense maintenance and mechanics of the carousel to keep it in operation and the preservation and ongoing conservation of the hand carved and painted horses and wooden carousel flooring. The second speaker is Carly Bouwman. Carly works in the area of artistic conservation as an exhibit preparator at Burnaby Village Museum and works with the Conservation Department team to restore the carousel bi annually. Carly’s talk is supported with a slide show detailing the process and many aspects of conservation work that is done on the hand carved and painted carousel horses. Conservation painting techniques are based on a manual created by volunteer Dorothy Seton Clarke. The third speaker is Michael DesMazes. Michael supports his talk with film footage documenting the mechanics and maintenance of the C.W. Parker no. 119 Carousel. Michael provides a commentary explaining some of the regular weekly, monthly and yearly mechanical maintenance and inspection that is done to the maintain the carousel. Film footage provides a detailed view of the working components of the carousel. Following the presentations Elizabeth Czerwinski, Michael DeMazes and Carly Bouwman answer questions from the attendees and comment further on the information. Some of the subjects covered include: significance of design details on the carousel horses, how the Wurtlitzer band organ works, painting and stripping techniques, running speed of the carousel, favourite carousel horses, significance of the rotational direction of the carousel, publication “A Carousel is Magic: the Saving of Parker #119 by the Friends of the Carousel ", accessibility design components on the carousel, safety specifications and guidelines, naming of the carousel horses and what the future holds for the next 50 years of operation of the carousel.
- History
- Christina Froschauer has worked in various museums and art galleries across Canada over the past two decades and since January 2021, has worked as the Museum Community Engagement Coordinator at the Burnaby Village Museum. Her educational background includes a Masters in Art History and two Bachelor of Arts – one in Visual Arts and the other in Archaeology. Her research focus has been centered around artists whose work challenges and Indigenizes the Western Canons of Art History. In addition to her work at the museum, Christina is a sessional professor of Canadian Studies at Langara College. Elizabeth "Liz" Czerwinski is the Conservator for the Burnaby Village Museum. She has a Master of Art Conservation from Queens University, internship experience in the conservation of paintings and archaeological collections, and has been engaged with the smallest (hat pins) and largest (tram and carousel) preservation activities at the museum since 1992. Carly Bouwman is a freelance visual artist and designer, living in Southwestern British Columbia. Her professional projects include digital illustrations and graphics, residential interior design contracts, and 2-D and 3-D custom designed and fabricated works of art for private and public display. She also holds a position at the Burnaby Village Museum as an exhibit preparator and works with the conservation department to restore the carousel bi-annually. Michael DesMazes was born and raised in Abbotsford. Michael’s childhood home is a heritage landmark now called the Trethewey House Museum. His Mother was the past President of the Abbotsford Heritage society and Michael himself first volunteered for the Abbotsford Museum when he was 14. Michael has also worked at the Langley Centennial Museum and for three years headed up the Fraser Valley Military Museum and Archives, a by-product of his Museum studies at SFU in 1987. That same year Michael first joined the Burnaby Village as the Blacksmith for the museums first school programs. By 1990 Michael had become a relief interpreter covering every zone in the Village and was one of the researchers for Burnaby’s 100th anniversary project. Michael is the Official RCAF Historian for Boundary Bay and Abbotsford airports and has established and maintained Facebook pages on both for the last five years. He is a long-time member of the Organization of Military Museums of Canada (OMMC). Leaving the Burnaby Village Museum in January 1990, Michael enrolled in the Canadian Forces Primary reserves as a Medical Assistant with the 12th Vancouver Medical Company. It was during this time that Michael was also contracted to research and assembly a historical collection for Nabob’s 100th anniversary. In 1996 after leaving the Reserves, Michael returned to the Burnaby Village Museum as a new carousel operator. Today, 26 years later, Michael is still at the carousel as the senior operator responsible for general maintenance, minor repairs and training of new operators.
- Creator
- Burnaby Village Museum
- Names
- Burnaby Village Museum
- Froschauer , Christina
- Czerwinski, Elisabeth
- Desmazes, Michael
- Lower Mainland Association of the Friends of the Vancouver Carousel
- Bouwman, Carly
- C.W. Parker no. 119 Carousel
- Clarke, Dorothy Seton
- Accession Code
- BV022.27.5
- Date
- 27 Sep. 2022
- Media Type
- Moving Images
- Notes
- Title based on contents of item
Images
Video
Ups and Downs of Conserving the C.W. Parker Carousel, 27 Sep. 2022
Ups and Downs of Conserving the C.W. Parker Carousel, 27 Sep. 2022
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2022_0027_0005_002.mp4
Are we really changing? Reflections on Reconciliation
https://search.heritageburnaby.ca/link/museumdescription15669
- Repository
- Burnaby Village Museum
- Date
- 12 May 2021
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (91 min., 26 sec.) : digital, col., sd., stereo ; 29 fps
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke. The webinar is titled "Are We Really Changing? Reflections on Reconciliation" and is presented by Brandon Gabriel, visual arts from the Kwantlen First Nation. The Zoom webinar is the sixt…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (91 min., 26 sec.) : digital, col., sd., stereo ; 29 fps
- Material Details
- Presenter: Brandon Gabriel
- Host: Jane Lemke
- Date of Presentation: Wednesday, May 12, 7:00 pm - 8:30 pm
- Total Number of tracks: 1
- Total Length of all tracks: min., sec.
- Recording Device: Zoom video communication platform
- Recording Note: Film was edited from it's original recorded version (92 min., 31 sec.) to edited version (91 min., 26 sec.) for public viewing on Heritage Burnaby.
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Curator, Jane Lemke. The webinar is titled "Are We Really Changing? Reflections on Reconciliation" and is presented by Brandon Gabriel, visual arts from the Kwantlen First Nation. The Zoom webinar is the sixth in a series of six "Neighbourhood Speaker Series" webinars exploring a range of topics shared by Indigenous speakers and knowledge keepers that were presented and made available to the public between April 27 and May 12, 2021. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions and comments during the interactive online sessions. In this webinar, Brandon supports his presentation with slides and explores the following questions; If we have not changed the way we introduce ourselves to each other and this land then what are we reconciling?" and "If resource exploitation, racism and colonization continue today, how can we change?" Brandon Gabriel, mixed-media artist and activist, looks back at some highlights of his twenty seven year artistic journey and shares what you can do to tackle reconciliation in your own life. Brandon presents counter narratives speaking to the importance of: Land; Languages; Colonial Annihilation and Indigenous Resurgence. Brandon pauses half way through his presentation to ask and reflect on the question "How far back do you know your ancestors on your mother's side?". While listeners are reflecting, Brandon shares a recording of Dennis Leon of Kwantlen First Nation performing the song “True Love”. Following this, Brandon takes questions from the audience and comments on the importance of matriarchal lineage in indigenous culture. In the second half of the presentation, Brandon talks about his own art and shares examples of Indigenous artists work including: Bill Reid, Zacharias Kunuk, Marianne Nicholson; Brian Jungan and Rebecca Bellmore. Following the presentation, Brandon Gabriel takes questions from the audience that are moderated by the host, Jane Lemke.
- History
- Brandon Gabriel is an award winning, and Internationally recognized visual artist from the Kwantlen First Nation, in unceded Fort Langley B.C. Brandon was educated at Kwantlen Polytechnic University (1999-2003) and at Emily Carr University of Art and Design (2003-2006). Brandon has over twenty seven years of professional experience as a designer, wood carver, mixed media sculptor, graphic designer, illustrator, and educator. He has exhibited works in the United Kingdom, Hong Kong, South America, the USA, and across Canada.
- Creator
- Burnaby Village Museum
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Art
- Indigenous peoples - Canada - Government relations
- Indigenous peoples - Canada - , Treatment of
- Responsibility
- Lemke, Jane
- Accession Code
- BV021.17.6
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- 12 May 2021
- Media Type
- Moving Images
- Notes
- Title based on content of video recording The following link was shared at the end of the presentation: Kwantlen First Nation: https://www.kwantlenfn.ca/
Images
Video
Are we really changing? Reflections on Reconciliation, 12 May 2021
Are we really changing? Reflections on Reconciliation, 12 May 2021
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2021_0017_0006_002.mp4
Since Time-Immemorial: A Look at the Rich Culture of Coast Salish Peoples and its Role at the Museum
https://search.heritageburnaby.ca/link/museumdescription18876
- Repository
- Burnaby Village Museum
- Date
- 20 Sep. 2022
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (97 min., 15 sec.) : digital, col., sd., stereo ; 29 fps
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Indigenous Education Programmer, Nicole Preissl. The webinar is titled "Since Time-Immemorial: A Look at the Rich Culture of Coast Salish Peoples and its Role at the Museum". The webinar is the third in a ser…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 video recording (mp4) (97 min., 15 sec.) : digital, col., sd., stereo ; 29 fps
- Material Details
- Host: Nicole Preissl
- Presenters: Carleen Thomas
- Date of Presentation: Tuesday, September 20, 2022. 7:00 pm - 8:00 pm
- Total Number of tracks: 1
- Total Length of all tracks: 97 min., 15 sec.
- Recording Device: Zoom video communication platform
- Original recording of 97 min., 15 sec. was edited to 88 min., 50 sec. for viewing on Heritage Burnaby
- Scope and Content
- Item consists of a video recording of a live Zoom webinar hosted by Burnaby Village Museum Indigenous Education Programmer, Nicole Preissl. The webinar is titled "Since Time-Immemorial: A Look at the Rich Culture of Coast Salish Peoples and its Role at the Museum". The webinar is the third in a series of six webinars presented in partnership by Burnaby Village Museum and Burnaby Public Library. The live webinar was also made available on the Burnaby Village Museum's facebook page. Community members were invited to participate by bringing questions during the interactive online sessions. In this webinar both Nicole Preissl and guest Carleeen Thomas make presentations. The webinar opens with an introduction by Nicole Preissl. Nicole shares her own Indigenous lineage and background; her educational background and experiences while a student at Emily Carr University; her interest in Indigenous materials practices and her role and experiences as Indigenous Education Programmer at the Burnaby Village Museum along with her ideas and goals for the future. Nicole supports her presentation with a slide show presentation regarding the evolution of the Indigenous Learning House on the site of the Burnaby Village Museum and the many transformations that it has gone through. Nicole shares her vision that is helping to transform the space further into a more inviting, learning and creative space for visitors and Indigenous peoples. Nicole also highlights the work that she’s been involved with to further develop educational programming and partnerships on site and her work to further develop the Indigenous Matriarch’s garden and the cedar grove area to include more Indigenous plants. Carleen provides information on the history of the Tsleil-Waututh Nation “People of the Inlet” and highlights information on land mapping that was created by the Nation during the Land Treaty process in 1980s; the many negative impacts to the Tsleil-Waututh Nation from contact and colonization; findings from archaeological investigations done in the Tsleil-Waututh territory that record village sites, seasonal camps and pictographs; stories associated with the Tsleil-Waututh Nation’s oral histories including the double-headed serpent; the impacts of contact and development including industrial logging; the many other challenges that the Tsleil-Waututh Nation have faced and the vision and goals for the future. Carleen describes many photographs of people and places in the presentation and provides important stories and oral histories that have been passed down through her family and nation for generations. Following the presentations Nicole and Carleen answer questions from the attendees and comment further on the information that they've shared.
- History
- Nicole Preissl is Stó:lo from Leq'á:mel First Nation as well as having ancestry from the Sḵwx̱wú7mesh First Nation and sq̓əc̓iy̓aɁɬ təməxʷ (Katzie) First Nation. On her mother's side she is third generation Canadian Settler with European Heritage. Nicole has a Bachelor of Arts Degree from Emily Carr University with a Major in Design and has been the Burnaby Village Museum Indigenous Education Programmer since 2022. Carleen Thomas is a Tsleil-Waututh Nation (TWN) member, elder, and current Special Projects Manager for the Treaty, Lands, and Resources department. She is the first Indigenous chancellor at Emily Carr University of Art and Design; educator; former TWN council member of 16 years; has chaired and been a representative on countless committees; and most significantly, grandmother of five amazing grandchildren. Carleen Thomas plays a vital role in her community and is a highly motivated and hardworking individual. Thomas obtained a Bachelors of Education from UBC and has deeply rooted knowledge of her culture and people. Carleen sites her grandparents: Hereditary Chief John L. George & Lillian “Dolly” George and her maternal Grandmother Caroline Thomas (nee: Joseph) as some of her key influences in life. Their teachings, unconditional love, and most of all, patience in guiding and preparing Carleen will last a lifetime. She has created a lasting mark for her family, community and for future generations of Indigenous, Coast Salish and Tsleil-Waututh families.
- Creator
- Burnaby Village Museum
- Subjects
- Indigenous peoples - British Columbia
- Indigenous peoples - British Columbia - Food
- Indigenous peoples - British Columbia - First contact with Europeans
- Indigenous peoples - British Columbia - Social life and customs
- Indigenous peoples - British Columbia - Art
- Indigenous peoples - British Columbia - Languages
- Indigenous peoples - Canada - , Treatment of
- Indigenous peoples - Indian Territory
- Plants
- Indigenous peoples - British Columbia - Rites and ceremonies
- Indigenous peoples - Canada - Government relations
- Indigenous peoples
- Names
- Burnaby Village Museum
- Preissl, Nicole
- Thomas, Carleen
- Sḵwx̱wú7mesh Nation
- Tsleil-Waututh Nation
- Accession Code
- BV022.27.3
- Date
- 20 Sep. 2022
- Media Type
- Moving Images
- Notes
- Title based on contents of item
Images
Video
Since Time-Immemorial: A Look at the Rich Culture of Coast Salish Peoples and its Role at the Museum, 20 Sep. 2022
Since Time-Immemorial: A Look at the Rich Culture of Coast Salish Peoples and its Role at the Museum, 20 Sep. 2022
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Moving_Images/2022_0027_0003_002.mp4