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Friends of the Carousel subseries
https://search.heritageburnaby.ca/link/archivedescription58783
- Repository
- City of Burnaby Archives
- Date
- 1989-2003
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Subseries
- Physical Description
- Textual records
- Scope and Content
- Subseries consists of records pertaining to the Lower Mainland Association of Friends of the Carousel, including scrapbooks, receipts, statements, publications and information on the restoration of the Parker Carousel by the Association.
- Repository
- City of Burnaby Archives
- Date
- 1989-2003
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Friends of the Carousel subseries
- Physical Description
- Textual records
- Description Level
- Subseries
- Accession Number
- BHS1999-06
- BHS2006-02
- Scope and Content
- Subseries consists of records pertaining to the Lower Mainland Association of Friends of the Carousel, including scrapbooks, receipts, statements, publications and information on the restoration of the Parker Carousel by the Association.
- History
- The No. 119 “Carry-Us-All” Carousel was built in 1912 by C.W. Parker, an amusement ride manufacturer in Leavenworth, Kansas. Fred Leggett bought No.119 for “Lone Star” Amusement Co. in Houston Texas, but it was returned to the Parker Factory in 1915 for reasons unknown. Back at the factory it was upgraded from Standard style to Superior and electrified. The carousel was used in the San Francisco area until 1936 when it was shipped to “Happyland” in Vancouver’s Hastings Park (home of the Pacific National Exhibition) then passed to “Playland” at Hastings Park in 1957. In 1988 the Carousel was scheduled to be broken up and sold at auction. Concerned citizens formed the Lower Mainland Association of the Friends of the Vancouver Carousel to save it. Through fundraising the Friends of the Carousel were able to acquire the carousel. Between 1990 and 1993 Friends of the Carousel were able to completely restore, repaint and rebuild the carousel. The City of Burnaby, Province of British Columbia and Friends of the Carousel contributed to the construction of a new building at Burnaby Village Museum to house it. Enterprising volunteers salvaged the maple hardwood gymnasium floor at the Oakalla penitentiary just before it was demolished and used it to rebuild the carousel platform. The association also acquired and restored a Wurlitzer 146B organ. On March 27, 1993, No. 119 moved to the Don Wrigley Pavilion at the Burnaby Village Museum, the Pavilion having been named after the president of the Friends of the Carousel for his coordination of the restoration project. Mrs. Norvie Frame, daughter original owner Fred Leggett, came with her family from Texas to attend the official opening. The Association created the Burnaby Village Museum exhibit “The Story of Parker #119”, the video “Labour of Love: The Saving of Number 119”, and their accompanying publications.
- Media Type
- Textual Record
- Creator
- Friends of the Carousel
- Notes
- Title based on contents of subseries
- MSS087, MSS121
Faye Diamond fonds
https://search.heritageburnaby.ca/link/museumdescription1663
- Repository
- Burnaby Village Museum
- Date
- 1989-1993
- Collection/Fonds
- Faye Diamond fonds
- Description Level
- Fonds
- Physical Description
- 1136 photographs
- Scope and Content
- Fonds consists of a collection of photographs taken by Faye Stebner Diamond documenting the restoration and installation of the C.W. Parker Carousel no. 119 carousel, undertaken by the Lower Mainland Association of the Friends of the Vancouver Carousel "Friends of the Carousel". Detailed photograph…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Faye Diamond fonds
- Description Level
- Fonds
- Physical Description
- 1136 photographs
- Scope and Content
- Fonds consists of a collection of photographs taken by Faye Stebner Diamond documenting the restoration and installation of the C.W. Parker Carousel no. 119 carousel, undertaken by the Lower Mainland Association of the Friends of the Vancouver Carousel "Friends of the Carousel". Detailed photographs document the restoration process from start to finish and the installation of the carousel inside the Don Wrigley Pavillion at Burnaby Village Museum. Some of the photographs may have been taken by Ken Diamond.
- History
- Faye (Stebner) Diamond was born in Burnaby to parents, Ethel Coe (Uter) Stebner and Edward A. "Ed" Stebner. Faye (Stebner) Diamond and her husband Ken Diamond were both involved in the restoration of the C.W. Parker no. 119 carousel from start to finish. Faye Diamond, was one of the very active volunteers of the Friends of the Carousel during the restoration, and served on the committee that chose paint colours for the horses. Her father, Ed Stebner, was also a volunteer. Faye and her mother Ethel, along with Ken Diamond, were responsible for the restoration of the carousel horse Mignonette, named after Mignon Uter (nee Coe), Faye's maternal grandmother who came to Burnaby in 1918 with her parents, James and Elizabeth Coe. The Stebner family also sponsored the carousel horse Mr. Ed, in recognition of Faye's father. Faye Diamond photographed and documented much of the restoration process. The Parker Carousel was restored by a number of avid volunteers from The Lower Mainland Association of the Friends of the Vancouver Carousel (Friends of the Carousel), which was created in 1989 to raise funds to rescue the Parker Carousel no. 119 from Playland at the Pacific National Exhibition (PNE). In May 1989, Burnaby Village Museum agreed to provide a home for the carousel and "Friends of the Carousel" set about raising the $350,000 to purchase the machine. The carousel opened inside the Don Wrigley Pavilion at the Burnaby Village Museum in March 1993.
- Creator
- Diamond, Faye Stebner
- Accession Code
- BV003.44
- BV012.1
- Access Restriction
- No restrictions
- Reproduction Restriction
- May be restricted by third party rights
- Date
- 1989-1993
- Media Type
- Photograph
- Arrangement
- Arrangement of photograph collection were matched to Faye Diamond's original order which grouped together photographs of each horse and the installation process. Some of the photographs were arranged chronologically by the Burnaby Village Museum Curator.
- Notes
- Title based on contents of fonds
- Col. copy negatives accompanying photographs