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Joseph & Jane Wintemute House
https://search.heritageburnaby.ca/link/landmark523
- Repository
- Burnaby Heritage Planning
- Description
- The Wintemute House is a large two-storey wood-frame Victorian era country farm house with Victorian Italianate detailing. Designed in a symmetrical Foursquare form, it features a low-pitched hipped roof with deep eaves. Later additions to the rear of the house, and the extensive wraparound veranda…
- Associated Dates
- 1891
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Burnett House
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Burnett House
- Geographic Access
- Berkley Street
- Associated Dates
- 1891
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 6889
- Enactment Date
- 07/03/1977
- Description
- The Wintemute House is a large two-storey wood-frame Victorian era country farm house with Victorian Italianate detailing. Designed in a symmetrical Foursquare form, it features a low-pitched hipped roof with deep eaves. Later additions to the rear of the house, and the extensive wraparound verandah and porte-cochere, were Edwardian era additions. It is located on its original site, in the modern subdivision of Buckingham Heights in southeast Burnaby. The Burnett House is one of the oldest surviving houses in Burnaby.
- Heritage Value
- Built circa 1891, the Joseph and Jane Wintemute House is valued as a representation of the early history of Burnaby and its agricultural origins. Built prior to the civic incorporation of Burnaby in 1892, the house was situated to face Douglas Road (now Canada Way), one of the first roads built to connect the rural farmlands of Burnaby to New Westminster. The original large property has been extensively subdivided and the house is now isolated in a modern subdivision. Designated in 1977, the Wintemute House is also significant as Burnaby's first protected municipal heritage site. The house is valued for its association with Joseph S. Wintemute (1832-1911) and Jane Wintemute (1832-1910), who came to British Columbia from Port Stanley, Ontario in 1865, traveling via the Isthmus of Panama. Joseph Wintemute, a skilled carpenter and contractor by trade, operated the Wintemute Furniture Factory in New Westminster, the first furniture plant established on the mainland of British Columbia. In 1891, he acquired this property, where he set up a cord wood sawmill to supply his factory. Wintemute was likely responsible for the design and construction of this commodious structure, as it was built in an Eastern Canadian style he would have been familiar with. After the lands were cleared of timber, the Wintemutes developed the property into a typical small-scale 'market garden,’ involved in the production of vegetables and fruits, such as strawberries, for sale at the New Westminster City Market. The Wintemute House is additionally significant for its association with the speculative land boom that occurred prior to the First World War, and ongoing suburban subdivision. Charles Gordon, a real estate agent, acquired the Wintemute farm and subdivided the acreage, which he marketed through the People’s Trust Company as 'Montrelynview' and offered this house as a draw prize to lot purchasers. With the collapse of the land boom, the house remained in Gordon’s possession until 1929 when it was purchased by his brother-in-law, Geoffrey Burnett, a local surveyor responsible for many of the original land surveys of Burnaby. David Burnett, Geoffrey's son, requested designation of the house when the family decided to subdivide the remaining 1.4 hectares of property in 1977. Furthermore, the Wintemute House is valued as an excellent example of a Victorian era country farm house, based loosely on the traditional farmhouses seen commonly in nineteenth century Ontario. Designed in a vernacular version of the Victorian Italianate style, the house displays restrained detailing, including several original multi-paned windows notable for their vertical proportions. The house retains many original exterior features, and the original interior layout, although modernized during the Edwardian era, is substantially intact, including finely crafted maple and cedar interior millwork that was produced by the Wintemute Furniture Factory. From 1904 to 1910, Charles Gordon, the second owner, made a number of alterations to the house including the addition of the wrap-around verandah, a porte-cochere and a 7.6 metre by 9 metre billiard room in the Arts and Crafts style, beamed and panelled in Douglas Fir. These later additions and alterations have value in demonstrating the evolution of the house and property and changing tastes at the turn of the nineteenth century.
- Defining Elements
- Key elements that define the heritage character of the Wintemute House include its: - picturesque original setting with views to the North Shore - residential form, scale and massing as expressed by its symmetrical cubic form and two-storey height, with later additions to the rear - Victorian Italianate architectural features such as the vertically-proportioned original windows with vestigial window hoods, low-pitched hipped roof and Classical Revival details such as the corner boards articulated as pilasters - hipped roof with deep boxed eaves - horizontal lapped narrow wooden siding - second storey balcony over front entry - wide wraparound columned verandah with porte-cochere, with square trimmed columns - irregular fenestration: original Victorian era double-hung 6-over-6 wood-sash windows with vertical proportions and segmental arched tops; Edwardian era double-hung 1-over-1 wooden-sash windows; and Edwardian era wooden-sash casement window assemblies with leaded transoms - central front entry with sidelights and transom - multi-paned French doors opening out to verandah - interior features such as its 3.7 metre ceiling height on the main and second floors; the coal grate fireplace with elaborate woodwork and glazed tile surround in the front parlour; five other fireplaces throughout the house; maple and cedar interior millwork; and the Douglas Fir panelled and beamed billiard room with hidden doors, seven-panelled doors, original light fixtures and mouldings - internal red brick chimneys with corbelled caps
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Function
- Primary Historic--Single Dwelling
- Primary Current--Single Dwelling
- Community
- Burnaby
- Cadastral Identifier
- 003-297-152
- Boundaries
- The Wintemute House is comprised of a single residential lot located at 7640 Berkley Street, Burnaby.
- Area
- 1566.73
- Contributing Resource
- Building
- Ownership
- Private
- Names
- Wintemute, Joseph
- Street Address
- 7640 Berkley Street
- Street View URL
- Google Maps Street View
Images
Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 9
https://search.heritageburnaby.ca/link/oralhistory524
- Repository
- City of Burnaby Archives
- Date Range
- 1980-1990
- Length
- 00:19:08
- Summary
- This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s involvement with the Ainu carver Nuburi Toko and her interest in the link between BC’s aboriginals and the Ainu of Japan. She describes Toko’s visits, her arrangement for Toko to meet Haida carver Bill Reid, and the events surrounding Burnaby’s sister-city Kushiro’s gift of Toko’s sculptures to Burnaby for the Centennial. She also describes Toko’s appreciation of the Haida totems and the native people of BC, and his gift of a set of carving tools to Chief Saul Terry
- Date Range
- 1980-1990
- Length
- 00:19:08
- Subjects
- Celebrations - Centennial
- Indigenous wood-carving - Totem poles
- Woodworking Tools and Equipment
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track nine of interview with Toki Miyashita
Track nine of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_9.mp3Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 10
https://search.heritageburnaby.ca/link/oralhistory525
- Repository
- City of Burnaby Archives
- Date Range
- 1989-1990
- Length
- 00:06:41
- Summary
- This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Toki Miyashita’s description of how Toko Nuburi and his son [Shusei] worked to create the pole carvings in 1989. She also relates that seeing Toko, a man of the north of Japan, explains her own physical characteristics
- Date Range
- 1989-1990
- Length
- 00:06:41
- Subjects
- Celebrations - Centennial
- Ceremonial Artifacts - Totem Poles
- Woodworking Tools and Equipment
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Fowler, Rod
- Interview Date
- February 27, 1990
- Scope and Content
- Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.
- Biographical Notes
- Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.
- Total Tracks
- 11
- Total Length
- 01:34:10
- Interviewee Name
- Miyashita, Toki
- Interviewer Bio
- Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.
- Collection/Fonds
- SFU/Burnaby Centennial Committee fonds
- Transcript Available
- Transcript available
- Media Type
- Sound Recording
- Web Notes
- Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.
Audio Tracks
Track ten of interview with Toki Miyashita
Track ten of interview with Toki Miyashita
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_10.mp3