"Crafts" found 25 records | Heritage Burnaby

Notes: "Nanina Comstock, Editor-in-Chief" -- title page.; "Canadian section, page 80-1" -- cover.; "50 " -- cover.; "Published every January and July by McCall Corporation" -- Title page; Includes index.

Images

McCall's needlework & crafts : spring-summer 1963

https://search.heritageburnaby.ca/link/museumlibrary3859

Repository: Burnaby Village Museum

Author: McCall's Needlework & Crafts

Publication Date: 1963

Call Number: 746 MCC

1 image

Repository: Burnaby Village Museum

Collection: Special Collection

Material Type: Textual Record

Accession Code: BV004.73.2

Call Number: 746 MCC

Author: McCall's Needlework & Crafts

Place of Publication: New York

Publisher: McCall Corporation

Publication Date: 1963

Inscription: Needlework and Crafts / Spring-Summer 1963

Library Subject (LOC): Needlework; Handicraft; Crocheting; Knitting; Sewing; Rugs; Weaving; Woodwork

Object History: Belonged to donor

Notes: "Nanina Comstock, Editor-in-Chief" -- title page.; "Canadian edition -- cover.; 75 cents -- cover.; "Published every January and July by McCall Corporation" -- Title page; Includes index.

Images

McCall's needlework treasury : a learn & make book

https://search.heritageburnaby.ca/link/museumlibrary5588

Repository: Burnaby Village Museum

Publication Date: c1964

Call Number: 746.4 MCC

Repository: Burnaby Village Museum

Collection: Reference Collection

Material Type: Book

Call Number: 746.4 MCC

Contributor: Editors of McCall's Needlework & Crafts magazine

Place of Publication: New York ; Toronto

Publisher: Random House; McCall's

Publication Date: c1964

Physical Description: 390 p. : ill. ; 29 cm.

Library Subject (LOC): Needlework; Fancy work

Notes: Includes index; embroidery, knitting, quilts, rugs, crochet, tatting, and hand loom weaving

Children playing in a classroom

https://search.heritageburnaby.ca/link/archivedescription52966

Repository: City of Burnaby Archives

Date: [between 1957 and 1968]

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Item

Physical Description: 1 photograph : col. ; 7.5 x 7.5 cm

Scope and Content: Photograph of a classroom full of kindergartners all making paper hats with the help of their teacher at the Tinkerbell Cooperative Kindergarten.

1 image

Repository: City of Burnaby Archives

Date: [between 1957 and 1968]

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Tinkerbell Kindergarten subseries

Physical Description: 1 photograph : col. ; 7.5 x 7.5 cm

Description Level: Item

Record No.: 246-006

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Accession Number: BHS1990-12

Scope and Content: Photograph of a classroom full of kindergartners all making paper hats with the help of their teacher at the Tinkerbell Cooperative Kindergarten.

Subjects: Buildings - Schools; Crafts; Occupations - Teachers

Names: Tinkerbell Cooperative Kindergarten

Media Type: Photograph

Notes: Title based on contents of photograph

Geographic Access: Ellesmere Avenue; Hastings Street

Street Address: 300 Ellesmere Avenue North

Historic Neighbourhood: Capitol Hill (Historic Neighbourhood)

Planning Study Area: Capitol Hill Area

Images

Children playing in a classroom, [between 1957 and 1968] thumbnail

Interview with Surjeet Kaur Parmar

https://search.heritageburnaby.ca/link/museumdescription19350

Repository: Burnaby Village Museum

Date: [1905-2022] (interview content), interviewed 6 Dec. 2022

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Item

Physical Description: 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)

Scope and Content: Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and…

1 document 1 audio

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Museum Oral Histories series

Subseries: South Asian Canadian Interviews subseries

Description Level: Item

Physical Description: 2 sound recordings (wav) (75 min., 32 sec.) + 1 sound recording (mp3) (75 min., 32 sec.)

Material Details: Interviewer: Anushay Malik Interviewee: Surjeet Kaur Parmar Language of Interview: Urdu, Hindi and Punjabi Location of Interview: home of Surjeet Kaur Parmar in Burnaby Interview Date: December 6, 2022 Total Number of tracks: 2 Total Length of tracks: (1:15:32) Digital master recordings (wav) were edited into one recording and converted to mp3 for access on Heritage Burnaby

Scope and Content: Item consists of a recording of an oral history interview with Surjeet Kaur Parmar conducted by interviewer Anushay Malik. The interview is conducted in Urdu, Hindi and Punjabi. During the interview Surjeet Kaur Parmar provides information on; her ancestral background, family relations in India and Canada, her personal experiences and her ancestors’ stories as South Asian immigrants, reflections on and personal experiences of racial discrimination as a South Asian immigrant, her places of residence, her employment background, her cultural practices and traditions including food, clothing and craft. The interview begins with introductions from interviewer Anushay Mailik. Surjeet Kaur Parmar imparts her own family’s migration story beginning with her very first elders that immigrated to Canada from India. A relative (unnamed) immigrated to Canada first and a few years later (around 1905) returned to India and brought back three cousins that included; Ginaya Singh (Ghania Singh Manhas) and Doman Singh . Mayo Singh (Ghania Singh’s younger brother) came in 1906 on his own to join them. Surjeet’s grandfather (Shair/Sher Singh Manhas) also wanted to immigrate at this time, but he was too young and weak to manage such a long trip. Surjeet conveys that while living in British Columbia, Mayo and Ginaya Singh worked together at saw mills. With their knowledge and understanding of mill work they ended up owning and operating a mill in Paldi near Duncan on Vancouver Island. At this time, most of the men from Surjeet’s family region in Punjab were abroad and with no men living at home. Mayo Singh’s father (Bhulla Singh) looked after her father (Lashman Singh Manhas) and paternal uncle (Kashmir Singh Manhas) back in Punjab. When Mayo’s father died, Mayo Singh adopted her paternal uncle (Kashmir Singh) and brought him to Canada in 1926. Surjeet describes her ancestors’ immigration journey from India to Canada. They all travelled by ship and if someone ran out of money en route, they could work on the ship. Surjeet explains that both Mayo and Ginaya Singh are Surjeet’s grandfather’s first cousins and her father’s second cousins. Surjeet recollects her grandfather (Shair/Sher Singh Manhas) saying “now that you’ve arrived there, take one cousin from each side with you”. Surjeet explains that the cousins were all from the same village in Punjab and her great grandfather wanted someone to go abroad, so he sent a few and had them bring more as the years went on. Surjeet says that she’s uncertain as to why they chose Canada rather than America but thinks that they did some form of research and determined that it was a good place to come to. Surjeet admits that she doesn’t know the name of her paternal grandfather or other elders since she never met them. Surjeet shares that it was a traditional practice to mark pots and pans with family names and imparts that she discovered her father’s name “Lashman Singh” written on the bottom of a glass. Surjeet expresses that she’s marked her own pots and pans with her name to identify which ones are hers when she gets together with family or does catering. Surjeet refers to a kohl bottle that she has and how she’d like to offer it to the museum. She explains how the kohl bottle is no longer in use but was used by her mother (Budhan Kaur Manhas) and daughter and her grandchildren. Surjeet describes a blanket that she made called a “phulkari”, now on display in a small museum in Coquitlam, a wedding shawl, that her daughter now owns and a silk sari with embroidery. Surjeet and Anushay discuss the possibility of donating the kohl bottle and the sari to the museum. Surjeet explains how the kohl is used and how her mother used to make kohl. She describes how you rub the kohl with your hands, put cardamom in it, one or two other ingredients and fill the kohl bottle up with water. Surjeet says that she used kohl as eyeliner when living in India. The interviewer asks Surjeet more about Ginaya Singh. Surjeet conveys that Ginaya Singh ended up leaving the mill on Vancouver Island and moved to Vancouver. After Ginaya Singh died from a heart attack (in 1953) his family moved from Vancouver to Burnaby. Surjeet recalls that following the death of Ginaya Singh’s youngest son, her family didn’t celebrate “Lohri” (a winter festival celebrating newborns and newly married people) for three years. She shares that she was very young at this time but remembers there being beautiful photographs of young children all dressed up and displayed in her family home. She expresses that dressing up for photos has changed over time and adds that suits didn’t really come into fashion until after the 1970s or 1980s. Surjeet conveys that her uncle named Kashmira Singh first worked at the mill in Paldi near Duncan then moved to Vancouver and opened up his own mill in North Vancouver. Surjeet’s father, Lashman Singh Manhas arrived in 1953. Surjeet expresses that Kapoor Singh was educated and worked as a manager at the mill on Vancouver Island. Surjeet recollects meeting Mayo Singh, his wife and eldest son in 1952 when they travelled to India for a cousin’s wedding. Surjeet remembers that Mayo Singh’s family had a very large house in India. She describes the house as a very opulent two story house with indoor plumbing for a bathtub, a kitchen with a woodstove, coloured mirrors, bejeweled curtains, a motor room to park cars, a buffalo and more. Surjeet refers to Nand Singh, a younger brother of Mayo Singh, who travelled from India to San Franciso and spent a year wandering around before deciding to return to India. She describes him as living in Bombay with his wife Vishan Kaur and having a transport business. Nand had two kids that came to Canada. Surjeet recollects the tragic death of Ganda Singh (Ginaya Singh) who died of a heart attack on someone’s doorstep, they thought that he was drunk so didn’t open the door. Surjeet conveys that Mayo Singh’s wife, Mission Kaur (Saradani Bishan Kaur) died while visiting India (in 1952) and that some of Mayo’s sons were married in Canada and one in India. Surjeet expresses that it was hard for Mayo’s sons to have one of their parents die in India and one die in Canada (Mayo Singh died in B.C. in 1955). Surjeet describes the hospital that Mayo built in the village of Paldi. She mentions that there were festivals and functions that took place there, there were many nurses and doctors. She recalls there being a school where their land was. She recalls that if they got headaches they were treated with medicine and that it didn’t cost much, only a six pence. Surjeet talks about her arranged marriage to Kalwant Singh "Nadeem" Parmar. Surjeet explains that her father and brother immigrated to British Columbia first (1953) and after a few months they brought Surjeet and her mother (Budhan Kaur Manhas). She recollects that when she was in Grade 10 and around 17 years of age, her family made plans to travel to India to attend a family wedding. During this time, her father suggested that it would be a good opportunity to take Surjeet with them to find her a husband in India to marry. After meeting and marrying Nadeem Parmar in India, Surjeet and Nadeem moved to England. Surjeet recollects that in order to immigrate to Canada, each family member had to pass a medical exam and how difficult it was. Her two sisters, mother and brother all had to take the test in Delhi. Surjeet recalls living in England with Nadeem. While living in England, Nadeem worked during the day and studied engineering at college in the evening. Surjeet expresses that she liked living in England and was sad to leave. While living there, they enjoyed a close knit Punjabi community and they all lived in the same area. Surjeet states later in her interview that living in Canada was different from living in England. In England, family and friends lived closer together whereas in Canada places were further apart. Surjeet says that while living in England she could walk to do her shopping. While living in England, after her children were a bit older, she worked as a seamstress in a shirt factory for a few years before coming to Canada. Surjeet imparts that her father (Lashman Singh Manhas) died of a heart attack in 1970 and her mother (Budhan Kaur Manhas) died in 1998. Her father and her family first lived in North Vancouver and then her parents bought a house on Eton Street in Burnaby, near the Ocean. After her father died, her brother and mother bought a house and moved to the Capitol Hill neighbourhood in Burnaby. In 1973, Surjeet, Nadeem and their two children immigrated to Canada and moved in with her brother and mother. Surjeet includes that her paternal aunt (Koshali Kaur Manhas) and cousins also moved to Burnaby and that her aunt and some of her cousins were sponsored by her son who came earlier. Surjeet recalls that after arriving in Canada she got work sewing in a factory located on Water Street in Gastown. Surjeet recollects travelling to her job by bus. Surjeet shares that she brought saris and quilted blankets “rijai”, not household items, in her suitcase when she came to Canada from England. Surjeet explains that the “rijai” (quilted blankets) were made from cotton from her home village in India. The blankets were made by women and then brought back to her to quilt on her sewing machine. Surjeet recalls that when she returned to Canada (in 1973 with her husband and children) they first lived with her mother and brother on Capitol Hill in Burnaby before moving to a house on Fell Avenue and then to their current home in 1982. In 1981, she worked at “Canadian Window Covering” factory making window coverings. The factory was located in the Brentwood area of Burnaby. Surjeet recalls how the factory became unionized and of how she left the factory and found union work at the Labatt’s brewery (Winery and Distillery Workers Local 300). Surjeet describes the work that she did while working at Labatt’s brewery which was located next to the Royal Columbian Hospital in Burnaby. Around 1995, when the Labatt’s factory closed down in Burnaby, she got union work as a bottle sorter for BDL Brewers Distributor Limited, where bottles were gathered for distribution at Braid Station. Surjeet left this job in 2000. Surjeet talks about traditional foods like bindi, sabji, aam and karela and where she’s shopped to find traditional ingredients for South Asian cuisine. She recollects how at first she could only find traditional ingredients at stores in Gastown, Chinatown and on Main Street in Vancouver but now they are more readily available at major grocery stores. Surjeet expresses that traditional spices and dry goods have been hard to find, apart from stores like, Famous Foods and Patels when it was located on Commercial Drive. Surjeet talks about using ingredients such as green pea flour and Besan flour to make pakoras and kahdri. Surjeet states that many immigrants didn’t wear their traditional clothing until she came later. She expresses that many South Asian immigrants didn’t wear their clothes “because there were no rights, we had to try to become like them”. Surjeet conveys that even though some were able to purchase property (she provides an example of family members in Duncan who faced discrimination by the owner/seller of a piece of property they were purchasing) that they had very little rights and they were all living in fear. She expresses that she herself didn’t experience this but in the beginning when people settled here (in B.C.) that it was very difficult. Surjeet says that when she goes to the Gurdwara and to work, she wears a sari and conveys that while working at the factory, she was encouraged to wear a sari, it was accepted then. She brought printed saris to work and her co workers said that they’d wear them to parties. Surjeet reflects on her own experiences of racism and discrimination and expresses that her generation “has learned how to stand up in front, then they got scared of saying anything”. “The people who came here first were afraid because they were alone, they had to settle down here and make a home from scratch, but the ones who came after had everything already built and made”. She explains how they helped one another when they came (to British Columbia). She describes how the Gurdwara was located on 2nd Street and all of the ships went there (new immigrants?), people would gather, get water, help one another and there would be a place for all people. Surjeet shares a personal experience of helping members of her husband’s family to immigrate to Canada. She tells of the complications of some being left behind in India and that some came to Canada as refugees that she and her husband sponsored. Surjeet expresses their struggles with raising a family, working and trying to pay for their own house while also trying to assist and support family members. Surjeet describes in detail how her husband Nadeem went back to India after his mother died to help his father, sister and her family immigrate. She explains that the immigration process took about four years and his father had to apply as a refugee. Nadeem’s sister came with her children but had to return to India so Surjeet and her family had to look after Nadeem’s sister’s child/children. Surjeet expresses that during this time she continued to work at Canadian Window Coverings, working an afternoon shift and sometimes taking her son with her. She expresses that this as a very hectic time, working the whole day, making food for everyone, grocery shopping, looking after a her sister in law’s younger child at night and getting no rest. Surjeet describes the time when she was working and her children were attending the local school. She expresses the challenges of working long days and often arriving home after her children. She recollects a time when there was a snow storm and how she was worried about her children making it home and being alone while she was at work, there were no cell phones in those days but they had phone numbers of her brother and sister. Surjeet tells of how they tried to help the rest of the Nadeem’s family immigrate including his brother who was a soccer player in India. They were able to buy a house for the whole family to live but expresses after several months Nadeem’s brother decided to stay in India. Surjeet expresses the complications and frustrations of trying to bring all family members to Canada.

History: Interviewee biography: Surjeet Kaur Parmar was born in Punjab, India in 1942 to parents Lashman Singh Manhas (1913-1970) and Budhan Kaur Manhas (1906-1998). Surjeet’s ancestors, Ghania Singh Manhas, Doman Singh and Mayo Singh immigrated to British Columbia in 1905 and 1906. The group got work in saw mills and soon began owning and operating their own saw mills, first in Chilliwack and Rosedale districts and later in 1920 on Vancouver Island near Duncan (Paldi) (known as the Mayo Lumber Company). In 1927, Surjeet’s paternal uncle, Kashmir Singh Manhas left Paldi, Punjab at the age of 18 years with Mayo Singh Manhas and after months of travel they arrived at Paldi on Vancouver Island. In 1953, Surjeet’s father, Lashman Singh Manhas and her two brothers immigrated to Canada and soon after brought her and her mother, Budhan Kaur Manhas. After immigrating, her father began working at “Kashmir Lumber Company” in North Vancouver which was owned by his brother Kashmira Singh Manhas. Surjeet, her parents and two brothers first made their home in North Vancouver and the 1960s they moved to 3824 Eton Street in Burnaby. In 1959, Surjeet and her family returned to India for her brother’s wedding. During this time a marriage was arranged for Surjeet to marry Nadeem Parmar and they were married in 1960. Following their marriage, Surjeet and Nadeem moved to England where they began raising their two children. While living in England, Surjeet worked as seamstress at a factory. In 1973, following the death of Surjeet’s father who died in 1970, Surjeet and Nadeem decided to immigrate to British Columbia. For the first few years, Surjeet, Nadeem and their two children lived with her mother and brother in the Capitol Hill neighbourhood of Burnaby before purchasing their own home on Fell Avenue. While living in Burnaby Surjeet has worked as a seamstress for Canadian Window Covering, Labatt's Brewery and BDL Brewers Distributor Limited which she left in 2000. In 1982, Surjeet and her family moved into a new home that they had built on Woodsworth Street where they still live today. Interviewer biography: Anushay Malik is labor historian with a geographical focus on South Asia. Anushay studied at the University of London and was a research fellow at the International Institute of Social History in Amsterdam, Netherlands. In 2014, Anushay moved back to her native Pakistan and joined Lahore University of Management Services as an Assistant Professor. In 2023, Anushay is a visiting scholar at Simon Fraser University and lives in Burnaby with her family. Anushay was a co-curator of the Burnaby Village Museum exhibit “Truths Not Often Told: Being South Asian in Burnaby”.

Creator: Burnaby Village Museum

Subjects: Buildings - Industrial - Saw Mills; Clothing; Crafts; Employment; Migration; Social Issues; Social Issues - Racism; Occupations - Labourers; Occupations - Millworkers; Persons - South Asian Canadians

Names: Parmar, Surjeet Kaur; Parmar, Kalwant Singh "Nadeem"; Manhas, Ghania Singh; Singh, Mayo; Manhas, Kashmir Singh; Manhas, Sher Singh; Manhas, Budhan Kaur; Manhas, Lashman Singh

Accession Code: BV022.29.5

Access Restriction: No restrictions

Reproduction Restriction: No known restrictions

Date: [1905-2022] (interview content), interviewed 6 Dec. 2022

Media Type: Sound Recording

Related Material: See also BV022.29.1 - interview with Kalwant Singh "Nadeem" Parmar

Notes: Title based on contents of item; Transcription of interview translated to English from Urdu, Hindi and Punjabi to English created by Rajdeep; Transciption available on Heritage Burnaby; Spelling of "Ginaya Singh" found as "Ghania Singh Manhas" in obituary and death certificate

Documents

2022_0029_0005_004

Audio Tracks

Interview with Surjeet Kaur Parmar, [1905-2022] (interview content), interviewed 6 Dec. 2022

https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2022_0029_0005_003.mp3

Students working in clay

https://search.heritageburnaby.ca/link/archivedescription52962

Repository: City of Burnaby Archives

Date: [between 1957 and 1968]

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Item

Physical Description: 1 photograph : b&w ; 7.5 x 7.5 cm

Scope and Content: Photograph of two students working in clay at the Tinkerbell Cooperative Kindergarten. The two girls are wearing short-sleeved patterned dresses and have their hair in ringlets. They are both using rollers to flatten out their clay before they begin shaping it.

1 image

Repository: City of Burnaby Archives

Date: [between 1957 and 1968]

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Tinkerbell Kindergarten subseries

Physical Description: 1 photograph : b&w ; 7.5 x 7.5 cm

Description Level: Item

Record No.: 246-002

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Accession Number: BHS1990-12

Scope and Content: Photograph of two students working in clay at the Tinkerbell Cooperative Kindergarten. The two girls are wearing short-sleeved patterned dresses and have their hair in ringlets. They are both using rollers to flatten out their clay before they begin shaping it.

Subjects: Buildings - Schools; Crafts

Names: Tinkerbell Cooperative Kindergarten; Ellesmere United Church

Media Type: Photograph

Notes: Title based on contents of photograph

Geographic Access: Ellesmere Avenue; Hastings Street

Street Address: 300 Ellesmere Avenue North

Historic Neighbourhood: Capitol Hill (Historic Neighbourhood)

Planning Study Area: Capitol Hill Area

Images

Students working in clay, [between 1957 and 1968] thumbnail

Gladys Killip subseries

https://search.heritageburnaby.ca/link/archivedescription58418

Repository: City of Burnaby Archives

Date: 1904-1998

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Subseries

Physical Description: Textual records and graphic material

Scope and Content: Subseries consists of papers pertaining to the Killip family, primarily Gladys Killip's personal activism in the municipality of Burnaby and the causes she supported. Subseries also includes photographs of the Burnaby Council of Women taken during Gladys Killip's time as Publicity Co-Chairwoman du…

Repository: City of Burnaby Archives

Date: 1904-1998

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Gladys Killip subseries

Physical Description: Textual records and graphic material

Description Level: Subseries

Accession Number: BHS1996-12; BHS1998-11; BHS2000-02; BHS2007-04

Scope and Content: Subseries consists of papers pertaining to the Killip family, primarily Gladys Killip's personal activism in the municipality of Burnaby and the causes she supported. Subseries also includes photographs of the Burnaby Council of Women taken during Gladys Killip's time as Publicity Co-Chairwoman during the 1967 Centennial Celebration festivity "100 Years of Progress in Women's Activities, Arts and Crafts" .

History: Gladys M. Yeomans married Alfred Charles “Charlie” Killip in St. Andrew’s Wesley United Church in Vancouver on August 16, 1947. They spent their honeymoon together at the Sunset Inn at Qualicum Beach. The Killips lived in the same house in South Burnaby for the greater part of their married lives. Their address began as 729 Marshall, changed to 729 Hazelmere Street in 1951 (due to bylaw 3133) and again to 7763 Hazelmere Street (due to 1958/1959 street re-numbering). The Killips were activists within Burnaby, writing letters to their member of Council when they felt that the citizens of Burnaby were not being treated fairly. An example of this is when they led the protest against Pacific Stage Lines for reducing its service on the Grandview Highway by making fewer stops and by changing its route. Gladys led their delegation to Council in June of 1964. Gladys was also involved in the activities of the Valley View Players and in Burnaby Little Theatre activities. She was part of the cast of “Crime at Blossoms” in 1951 and held a membership card from 1952 to 1959 for the Valley View Players Club. Among other roles, she was one of the principle actors in “You Can’t Take it With You” and “In the Shadow of the Glen” both performed in 1957. Gladys was the Burnaby Council of Women Publicity Co-Chairwoman. In this capacity she helped to organize such events as the "100 Years of Progress in Women's Activities, Arts and Crafts" for the Centennial Celebration in 1967 (the Burnaby Diamond Jubilee). She was also a founding member of the Century Park Museum Association, which created under the auspices of the Burnaby Centennial '71 Committee, to administer Burnaby's Centennial '71 Commemorative Project, Heritage Village. Both Gladys and Charles Killip were active members of the Monarchist League of Canada. Gladys’ hobby started with a small silver spoon commemorating King George VI taking the throne in 1936. Her collection includes items commemorating every Royal from Prince Edward, Queen Victoria's father, to a cup commemorating one of Prince Williams recent birthdays. Gladys opened the Silver Spoon collectors shop in Burnaby in 1974 and operated it until 1980 when she and her husband Charlie retired to Qualicum Beach and opened Chilham Village Antiques and Collectables in 1984. The Killips earned a Silver Badge of Service from the Monarchist League of Canada in 1992 for their significant contribution to the League’s work. As of November 2010, Ms. Gladys Yeomans’ collection of British Royal family memorabilia has grown so large, that she has countless of mugs, spoons, plates, t-shirts and pieces of poetry, filling a room in her basement and upstairs in her home in Vancouver Island, British Columbia.

Media Type: Textual Record; Photograph

Creator: Killip, Gladys M. Yeomans; Killip, Alfred Charles “Charlie”

Notes: Title based on contents of subseries; PC497, MSS125, MSS081, MSS085

100 Years of Women's Progress display

https://search.heritageburnaby.ca/link/archivedescription58419

Repository: City of Burnaby Archives

Date: 1967

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Item

Physical Description: 1 photograph : col. ; 9 x 12 cm

Scope and Content: Photograph of (left to right) C. Norton, Gladys Killip, P. A. Glover, V. Brenner taken near the Parlour Display. Gladys Killip at the Burnaby Council of Women event "100 Years of Progress in Women's Activities, Arts and Crafts" that was held in recognition of the Centennial Celebration and feature…

Repository: City of Burnaby Archives

Date: 1967

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Gladys Killip subseries

Physical Description: 1 photograph : col. ; 9 x 12 cm

Description Level: Item

Record No.: 497-001

Access Restriction: In Archives only

Reproduction Restriction: No restrictions

Accession Number: BHS1996-12

Scope and Content: Photograph of (left to right) C. Norton, Gladys Killip, P. A. Glover, V. Brenner taken near the Parlour Display. Gladys Killip at the Burnaby Council of Women event "100 Years of Progress in Women's Activities, Arts and Crafts" that was held in recognition of the Centennial Celebration and featured "Burnaby Treasures" at James Cowan Hall during the second week of April 1967. This was a non competitive exhibition of "Burnaby Treasures" old and new, combined with demonstrations of skills of yesterday and today. Burnaby Council of Women members and exhibitors dressed in period costumes for the event.

Names: Killip, Gladys

Media Type: Photograph

Notes: Title based on contents of item

100 Years of Women's Progress display

https://search.heritageburnaby.ca/link/archivedescription58420

Repository: City of Burnaby Archives

Date: 1967

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Item

Physical Description: 1 photograph : col.; 9 x 9 cm

Scope and Content: Photograph of (left to right) C. Norton, Dr. Violet Eagles, K. McAulay, C. Turner, and Gladys Killip at the Burnaby Council of Women event "100 Years of Progress in Women's Activities, Arts and Crafts" that was held in recognition of the Centennial Celebration and featured "Burnaby Treasures" at J…

Repository: City of Burnaby Archives

Date: 1967

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Gladys Killip subseries

Physical Description: 1 photograph : col.; 9 x 9 cm

Description Level: Item

Record No.: 497-002

Access Restriction: In Archives only

Reproduction Restriction: No restrictions

Accession Number: BHS1996-12

Scope and Content: Photograph of (left to right) C. Norton, Dr. Violet Eagles, K. McAulay, C. Turner, and Gladys Killip at the Burnaby Council of Women event "100 Years of Progress in Women's Activities, Arts and Crafts" that was held in recognition of the Centennial Celebration and featured "Burnaby Treasures" at James Cowan Hall during the second week of April 1967. This was a non competitive exhibition of "Burnaby Treasures" old and new, combined with demonstrations of skills of yesterday and today. Burnaby Council of Women members and exhibitors dressed in period costumes for the event.

Names: Eagles, Dr. Violet; Killip, Gladys

Media Type: Photograph

Notes: Title based on contents of item

100 Years of Women's Progress display

https://search.heritageburnaby.ca/link/archivedescription58421

Repository: City of Burnaby Archives

Date: 1967

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Item

Physical Description: 1 photograph : col., 9 x 9 cm.

Scope and Content: Photograph of M. McCarthy and P.A. Glover near the Scandinavian Display at the Burnaby Council of Women's event "100 Years of Progress in Women's Activities, Arts and Crafts" that was held in recognition of the Centennial Celebration and featured "Burnaby Treasures" at James Cowan Hall during the …

Repository: City of Burnaby Archives

Date: 1967

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Gladys Killip subseries

Physical Description: 1 photograph : col., 9 x 9 cm.

Description Level: Item

Record No.: 497-003

Access Restriction: In Archives only

Reproduction Restriction: No restrictions

Accession Number: BHS1996-12

Scope and Content: Photograph of M. McCarthy and P.A. Glover near the Scandinavian Display at the Burnaby Council of Women's event "100 Years of Progress in Women's Activities, Arts and Crafts" that was held in recognition of the Centennial Celebration and featured "Burnaby Treasures" at James Cowan Hall during the second week of April 1967. This was a non competitive exhibition of "Burnaby Treasures" old and new, combined with demonstrations of skills of yesterday and today. Burnaby Council of Women members and exhibitors dressed in period costumes for the event.

Media Type: Photograph

Notes: Title based on contents of item

Burnaby Diamond Jubilee scrapbook

https://search.heritageburnaby.ca/link/archivedescription58415

Repository: City of Burnaby Archives

Date: 1967

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Item

Physical Description: 1 notebook

Scope and Content: Item is a scrapbook complied by Gladys Killip which documents the organization of events for the "100 / Centennial / Burnaby Diamond Jubilee." Included in the scrapbook are Burnaby Council of Women committee meeting minutes, newspaper clippings and pamphlets. Glayds Killip was the Burnaby Council o…

Repository: City of Burnaby Archives

Date: 1967

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Gladys Killip subseries

Physical Description: 1 notebook

Description Level: Item

Record No.: MSS125-001

Access Restriction: No restrictions

Accession Number: BHS1996-12

Scope and Content: Item is a scrapbook complied by Gladys Killip which documents the organization of events for the "100 / Centennial / Burnaby Diamond Jubilee." Included in the scrapbook are Burnaby Council of Women committee meeting minutes, newspaper clippings and pamphlets. Glayds Killip was the Burnaby Council of Women Publicity Co-Chairwoman. In this capacity she helped to organize such events as the "100 Years of Progress in Women's Activities, Arts and Crafts" for the Centennial Celebration. The Burnaby Council of Women was formed in 1961 and was composed of representatives from women’s organizations within the municipality and was a chapter of the International Council of Women for the purpose of working towards better legislation at the municipal, provincial and federal level.

Media Type: Textual Record

Notes: Title based on contents of item

Eagles family fonds

https://search.heritageburnaby.ca/link/archivedescription97217

Repository: City of Burnaby Archives

Date: 1919-1995

Collection/Fonds: Eagles family fonds

Description Level: Fonds

Physical Description: 40 files of textual records and 1489 photographs (6 col. prints, 10 x 15 cm; 1,444 col. slides, 35 mm).

Scope and Content: Collection consists of records, correspondence, and photographs created by Drs. Blythe and Violet Eagles related to their home and garden in the Deer Lake area of Burnaby. Also included in the collection are records pertaining the Burnaby Historical Society, the book "The Fraser's History from Glac…

Repository: City of Burnaby Archives

Date: 1919-1995

Collection/Fonds: Eagles family fonds

Physical Description: 40 files of textual records and 1489 photographs (6 col. prints, 10 x 15 cm; 1,444 col. slides, 35 mm).

Description Level: Fonds

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Accession Number: 2008-10

Scope and Content: Collection consists of records, correspondence, and photographs created by Drs. Blythe and Violet Eagles related to their home and garden in the Deer Lake area of Burnaby. Also included in the collection are records pertaining the Burnaby Historical Society, the book "The Fraser's History from Glaciers to Early Settlements" and the Eagles' visit to Robert Burnaby's grave.

History: Blythe Eagles's paternal grandparents, Charles and Maude Eagles, immigrated to New Westminster in 1887. Their son Jack married Amelia Jane Johnston, and Blythe Eagles was born in New Westminster in 1902. In 1918, Blythe enrolled at the University of British Columbia and took a Physiology class with eight other top students. His future wife, Violet Dunbar, was the lone woman in the class. Blythe graduated in 1922, winning the Governor General's Gold Medal as top student. He received his MA in 1924 and his PhD in 1926 from the University of Toronto. He then completed his post-doctoral study at the National Institute for Medical Research in London, England. In 1933, Dr. Eagles became head of the Department of Dairying (1936-1955), Chairman of the Division of Animal Science (1955-1967), and Dean of the Faculty of Agriculture (in 1949 until his retirement in 1967). In 1968, he received an Honorary Doctor of Science Award from UBC. Blythe was also one of the first appointments to the Burnaby Town Planning Commission. Violet Evelyn Dunbar was born September 29, 1899, in Ontario, the eldest child of John and Mary (Tompson) Dunbar. Violet obtained her BA in 1921 and MA in 1922 from the University of British Columbia. In 1922, she attended the Provincial Normal School and, within six months, had a teaching certificate and taught at Lord Hudson School in 1923. In September 1923, she was awarded a two-year scholarship to the University of Toronto, where she joined Blythe in the Bio-Chemistry Department. She received a second MA and a PhD in 1929. Her graduate studies entailed research in pure proteins and enzymes related to the commercial production of cheese. Through this work, she was recognized as one of the leading enzyme chemists in the country, being a senior lab instructor of biochemistry. Violet was one of the founders of the Burnaby Council of Women and active member of the International Council of Women. Blythe and Violet Eagles purchased property at Deer Lake in 1929 and began construction of their home shortly before their marriage on June 25, 1930. The Drs. Blythe and Violet Eagles Estate is a unique expression of the talents and tastes of both the Eagles and Frank Ebenezer Buck (1875-1970), who was head of the Horticultural Department and the Campus Landscape Architect at U.B.C. and established the plan for the Eagles garden while Blythe selected many of the plantings. The Eagles themselves designed the house as a romantic cottage inspired by the British Arts and Crafts style. Violet was an enthusiastic amateur gardener, maintaining and continually developing the garden. The Eagles were active volunteers in the local community as well as at UBC. When Simon Fraser University opened in Burnaby, they became well-known for entertaining dignitaries and special guests of the university in their lavish garden. After Violet's death in 1993, the estate was sold to the City of Burnaby. The funds were used to establish a Chair in Agriculture at the University of British Columbia in their memory.

Media Type: Textual Record; Photograph

Other Title Information: Title was changed from Eagles family collection to Eagles family fonds to better reflect the nature of the materials.

Notes: Title based on contents of collection; BHS245, BHS331, BHS404, MSS032, BHS314, BHS482, MSS055

Eagles family subseries

https://search.heritageburnaby.ca/link/archivedescription39

Repository: City of Burnaby Archives

Date: 1912 -1995

Collection/Fonds: Burnaby Historical Society fonds

Description Level: Subseries

Physical Description: Textual records and photographs

Scope and Content: Subseries consists of records, correspondence, and photographs created by Drs. Blythe and Violet Eagles related to their home and garden in the Deer Lake area of Burnaby. Also included in the subseries are records pertaining the Burnaby Historical Society, the book "The Fraser's History from Glacie…

Repository: City of Burnaby Archives

Date: 1912 -1995

Collection/Fonds: Burnaby Historical Society fonds

Series: Community Archives Collection series

Subseries: Eagles family subseries

Physical Description: Textual records and photographs

Description Level: Subseries

Access Restriction: No restrictions

Accession Number: BHS1990-11; BHS1996-21; BHS2000-04; BHS1987-07; BHS1995-06; BHS1991-18; BHS1995-03

Scope and Content: Subseries consists of records, correspondence, and photographs created by Drs. Blythe and Violet Eagles related to their home and garden in the Deer Lake area of Burnaby. Also included in the subseries are records pertaining the Burnaby Historical Society, the book "The Fraser's History from Glaciers to Early Settlements" and the Eagles' visit to Robert Burnaby's grave.

History: Blythe Eagles's paternal grandparents Charles and Maude Eagles immigrated to New Westminster in 1887. Their son Jack married Amelia Jane Johnston, and Blythe Eagles was born in New Westminster in 1902. In 1918, Blythe enrolled at the University of British Columbia and took a Physiology class with eight other top students; his future wife, Violet Dunbar, was the lone woman in the class. Blythe graduated in 1922, winning the Governor General's Gold Medal as top student. He received his MA in 1924 and his PhD in 1926 from the University of Toronto. He then completed his post-doctoral study at the National Institute for Medical Research in London, England. In 1933, Dr. Eagles became head of the Department of Dairying (1936-1955), Chairman of the Division of Animal Science (1955-1967), and Dean of the Faculty of Agriculture (in 1949 until his retirement in 1967). In 1968 he received an Honourary Doctor of Science Award from UBC. Blythe was also one of the first appointments to the Burnaby Town Planning Commission. Violet Evelyn Dunbar was born September 29, 1899 in Ontario, the eldest child of John and Mary (Tompson) Dunbar. Violet obtained her BA in 1921 and MA in 1922 from the University of British Columbia. In 1922 she attended the Provincial Normal School and within six months had a teaching certificate and taught at Lord Hudson School in 1923. In September 1923, she was awarded a two-year scholarship to the University of Toronto, where she joined Blythe in the Bio-Chemistry Department. She received a second MA and a PhD in 1929. Her graduate studies entailed research in pure proteins and enzymes related to the commercial production of cheese. Through this work, she was recognized as one of the leading enzyme chemists in the country, being a senior lab instructor of biochemistry. Violet was one of the founders of the Burnaby Council of Women and active member of the International Council of Women. Blythe and Violet Eagles purchased property at Deer Lake in 1929 and began construction of their home shortly before their marriage on June 25, 1930. The Drs. Blythe and Violet Eagles Estate is a unique expression of the talents and tastes of both the Eagles and Frank Ebenezer Buck (1875-1970), who was head of the Horticultural Department and the Campus Landscape Architect at U.B.C. and established the plan for the Eagles garden while Blythe selected many of the plantings. The Eagles themselves designed the house as a romantic cottage inspired by the British Arts and Crafts style. Violet was an enthusiastic amateur gardener, maintaining and continually developing the garden. The Eagles were active volunteers in the local community as well as at UBC. When Simon Fraser University opened in Burnaby, they became well-known for entertaining dignitaries and special guests of the university in their lavish garden. After Violet's death in 1993, the estate was sold to the City of Burnaby. The funds were used to establish a Chair in Agriculture at the University of British Columbia in their memory.

Media Type: Textual Record; Photograph

Creator: Eagles, Dr. Blythe; Eagles, Dr. Violet

Notes: Title based on creator and contents of subseries; PC245, PC331, PC404, MSS032, PC314, PC482, MSS055

Hawkshaw family fonds

https://search.heritageburnaby.ca/link/museumdescription19354

Repository: Burnaby Village Museum

Date: 1888-1976, predominant 1931-1939

Collection/Fonds: Hawkshaw family fonds

Description Level: Fonds

Physical Description: 1 album (284 photographs) + 19 photographs + 17.5 cm of textual records

Scope and Content: Fonds consists of family photographs including a photograph album created by Crichton Hawkshaw, correspendence, reports and literary works created by and belonging to Mabel Hawkshaw and a series of photographs documenting special events in Burnaby including, Burnaby's first May Day in 1925 and a v…

Repository: Burnaby Village Museum

Collection/Fonds: Hawkshaw family fonds

Description Level: Fonds

Physical Description: 1 album (284 photographs) + 19 photographs + 17.5 cm of textual records

Scope and Content: Fonds consists of family photographs including a photograph album created by Crichton Hawkshaw, correspendence, reports and literary works created by and belonging to Mabel Hawkshaw and a series of photographs documenting special events in Burnaby including, Burnaby's first May Day in 1925 and a visit to Burnaby by Governor-General Lord Willingon in 1928. Fonds is arranged into series: 1) Hawkshaw family photographs series 2) Mabel Hawkshaw records series 3) Burnaby events photographs series

History: Mabel Edith Honor McClean Hawkshaw (1886-1946) was born in Wexford, Ireland to parents, Washington Gilliland McClean and Honor Delamore McClean (nee Thomas). Mabel's parents had four children; Charles Gilliland McClean; Elsie (Rae); Evangeline Mai (Goff) and Mabel Honor (Hawkshaw). Mabel emigrated from Ireland to Canada with her family in 1903 and the family moved to Vancouver in 1905. In 1909, Mabel married John Edward “Jack” Hawkshaw. Mabel and Jack Hawkshaw had three children; Richard “Crichton” Gilliand Hawkshaw (1912-1972); Edward Delamere “Dal” Burrington Hawkshaw (1914-1988) and Merton Cedric “Cedric” Perry Hawkshaw (1924-2008). Prior to her marriage in 1909, Mabel Hawkshaw worked for the Canadian Pacific Railway in Revelstoke. Mabel was founder and publisher of the “Burnaby Post” newspaper (1922-1937) and wrote articles for city dailies and magazines under the pen name “Percy Egerton Sterling”. Mabel also worked as the first female bank teller in Canada and was the first female censor of motion pictures in British Columbia (1928-1946) and also worked as an assistant advertising manager of the Hudson’s Bay Company. Among other accomplishments, Mabel was the chairperson of the committee for Burnaby's first May Day event in 1925, was active as a leader in the Girl Guides, a member of several women's clubs, a speaker on matters of education and film production in Vancouver and Victoria and was also a member of the Juvenile Court in Burnaby and the I.O.D.E. At time of her death in 1946, Mabel was living on West 57th Street, Vancouver. John Edward “Jack” Hawkshaw (1881-1934) who was born in Glanworth Ontario to Captain William Stearne Hawkshaw and Elizabeth Merton Hawkshaw (nee Shore). Jack came to Vancouver in 1900 and soon after arriving, Jack moved to the Yukon where he worked for the Canadian Bank of Commerce serving in Dawson and White Horse. He returned to Vancouver in 1904 and joined the newly-organized Northern Bank. In 1906, Jack became a bank manager in New Westminster and later was manager in New Westminster for the Northern Crown Bank. Jack resigned from the bank in 1914 to fight in World War I and moved his family to Calgary where he began his military training. In 1915, Jack was stricken with polio which left him crippled in one leg barring him from active service. In the 1920’s, he worked as a treasurer for the Royal City Canning Co. and Cunningham Trapp Hardware Company. In 1933, Jack worked as an accountant treasurer for the Crane Shipyards. Jack Hawkshaw was a member of the Canadian Credit Men’s Association of Burnaby and the Kiwanis Club of New Westminster. In May 1934, Mabel and Jack purchased property on Lasqueti Island with a sheep ranch. One month after purchasing the property Jack Hawkshaw died tragically in an accident on the island when he was thrown from a horse drawn carriage with his ten year old son Cedric. Cedric survived the accident but his father died on the dock on Lasqueti Island. The family dog, Dixie also died after she swam after the fishing boat carrying Jack Hawkshaw’s body and Cedric to the mainland for medical attention. John and Mabel’s first home was located at 309 Pine Street in New Westminster. In 1920, the family relocated to 763 Wedgewood, Burnaby (later renumbered 7743 Wedgewood Street) where they lived until 1931. In 1932, the Hawkshaw family moved to Vancouver where they resided in different locations until after the death of Jack Hawkshaw. Mabel continued to operate the sheep ranch on Lasquesti after Jack died in 1934, with a succession of tenants until Mabel’s death in 1946. In 1936, Mabel moved back to Burnaby for a few years, residing at 5590 Douglas Road in 1936 and 3908 Deer Lake Avenue in 1937 (Heritage home known as the R.F. Anderson House). In 1938 Mabel moved back to Vancouver where she lived until her death in 1946. Richard “Crichton” Gilliland Hawkshaw (1912-1972) married Ivy Ina Hawkshaw (nee Hughes) (1913-1987) at St. Mary’s Anglican Church, Vancouver in 1939. Crichton enlisted with the Canadian military and trained at Shilo and Sarcee military bases. Following his military training, Crichton got work as an operator in the mill at Britannia Beach mine where he worked between 1938 and 1949. Crichton and Ivy Hawkshaw lived at Britannia Beach during the time he worked there. Ivy and Crichton had two sons, Bruce and Dick Hawkshaw. After Britannia Beach, the family lived in Abbotsford and Chilliwack before moving to North Vancouver. Prior to his death in 1972, Crichton Hawkshaw worked as an auditor for the Government of British Columbia in the Internal Revenue Department. Crichton was a member of Abbotsford Masonic Lodge No. 70, past patron of the Order of the Eastern Star, member of the North Shore Shrine Club and Upper Fraser Valley Shrine Club and Gizeh Shrine Temple. He was also a devoted fan and supporter of the B.C. Lions football team. Edward Delamere “Dal” Burrington Hawkshaw (1914-1988) married Barbara Walters Fry (1913-2001) in 1940. The couple had three children; Nancy Susan, Peter Burrington and John Edward (who died in infancy). Dal Hawkshaw worked as a financial consultant with the Canadian Imperial Bank of Commerce. In his free time, Dal served on the board of the Goodwill Enterprises for the Handicapped, the Victoria Symphony Society and the Art Gallery of Greater Victoria. Dal was the first honorary treasurer of the University of Victoria and served on the advisory council and as a trustee of the British Columbia Institute of Technology. In 1985, Dal Hawkshaw was named an honorary citizen of British Columbia. Merton "Cedric" Perry Hawkshaw (1924-2008) married Carol Violet (Worrall) Hawkshaw (1923-1985) in 1947 (Carol remarried later to Jack Madsen). The couple had three children, Frances Jacqueline (b. 1948) and Geraldine Lucy (b.1952), and Barry (b.1957). ). Cedric was a member of the Old Boys Association of St. Georges School, served in the Navy (DEMS) and was a proud veteran of WWII. When the war ended he saved enough money to purchase a home in Burnaby on acreage which he sold soon after and relocated to Armstrong Street, Burnaby. Cedric worked for his father in law at William Worrall furniture. After the company closed in 1959, he worked in the furniture department at T. Eaton Co., West Vancouver. Cedric retired at a young age to run and live on the Hawkshaw Ranch on Lasqueti Island where he spent many years before returning to the mainland due to health issues. He lived at George Derby Veterans Centre for 17 years. While living at George Derby, Cedric was involved in Arts and Crafts, creating works in ceramic and textiles.

Creator: Hawkshaw, Richard Crichton Gilliland "Crichton"; Hawkshaw, Mabel Edith Honor McClean

Accession Code: HV977.17; HV982.25; BV996.6

Date: 1888-1976, predominant 1931-1939

Media Type: Photograph; Textual Record

Arrangement: Arrangement is based on the order in which records were compiled by creators and donors.

Notes: Title based on contents of fonds

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 2

https://search.heritageburnaby.ca/link/oralhistory517

Repository: City of Burnaby Archives

Date Range: 1942-1969

Length: 00:07:41

Summary: This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and …

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s growing interest in Japanese culture and arts, studying the Japanese language after she was 22 in Montreal. She talks about how she learned paper-folding (origami), to make silk dolls, flower-arranging (Ikebana), and how to wear a kimono, and then began to teach others these skills in Montreal .

Date Range: 1942-1969

Length: 00:07:41

Subjects: Education; Arts; Persons - Japanese Canadians

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track two of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_2.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 3

https://search.heritageburnaby.ca/link/oralhistory518

Repository: City of Burnaby Archives

Date Range: 1969-1990

Length: 00:04:54

Summary: This portion of the interview is about Toki Miyashita and her family’s move to Burnaby in 1969 to an apartment near Brentwood Mall. She tells about continuing to demonstrate origami in schools and teach Ikebana in the community.

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita and her family’s move to Burnaby in 1969 to an apartment near Brentwood Mall. She tells about continuing to demonstrate origami in schools and teach Ikebana in the community.

Date Range: 1969-1990

Length: 00:04:54

Subjects: Persons - Volunteers; Arts

Historic Neighbourhood: Vancouver Heights (Historic Neighbourhood)

Planning Study Area: Brentwood Area

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track three of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_3.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 4

https://search.heritageburnaby.ca/link/oralhistory519

Repository: City of Burnaby Archives

Date Range: 1969-1990

Length: 00:07:26

Summary: This portion of the interview is about Toki Miyashita’s explanation about the practice and art of Japanese flower-arranging (Ikebana) and her specific school or discipline Ikebana Sogetsu. She talks about the meanings of the material used.

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s explanation about the practice and art of Japanese flower-arranging (Ikebana) and her specific school or discipline Ikebana Sogetsu. She talks about the meanings of the material used.

Date Range: 1969-1990

Length: 00:07:26

Subjects: Arts

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track four of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_4.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 5

https://search.heritageburnaby.ca/link/oralhistory520

Repository: City of Burnaby Archives

Date Range: 1969-1990

Length: 00:07:05

Summary: This portion of the interview is about Toki Miyashita’s involvement in the Multicultural Society, flower-arranging groups, and her own practice and willingness to respond to requests for presentations. She describes how traditional rules govern doll-making, Ikebana and the wearing of the kimono.

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s involvement in the Multicultural Society, flower-arranging groups, and her own practice and willingness to respond to requests for presentations. She describes how traditional rules govern doll-making, Ikebana and the wearing of the kimono.

Date Range: 1969-1990

Length: 00:07:05

Subjects: Arts; Education

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track five of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_5.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 7

https://search.heritageburnaby.ca/link/oralhistory522

Repository: City of Burnaby Archives

Date Range: 1930-1990

Length: 00:13:56

Summary: This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and dis…

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about Toki Miyashita’s memories of the internment, separation of her father from the family to work on road camps, where she was born in Richmond at the Nelson Brothers “fishery”, confiscation of home in 1942, eventual Redress, and lingering feelings of fear and distrust in her family. She also talks about visiting Hiroshima on her trip to Japan in 1980

Date Range: 1930-1990

Length: 00:13:56

Subjects: Wars - World War, 1939-1945; Persons - Japanese Canadians

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track seven of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_7.mp3

Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 11

https://search.heritageburnaby.ca/link/oralhistory526

Repository: City of Burnaby Archives

Date Range: 1969-1990

Length: 00:07:33

Summary: This portion of the interview is about the lessons Toki Miyashita learned from visiting Ikebana teachers, especially care for and skill using their tools, and mindfulness in choosing material for arrangements. She notes that flower arranging is used as a way to relax and feel calm.

1 audio

Repository: City of Burnaby Archives

Summary: This portion of the interview is about the lessons Toki Miyashita learned from visiting Ikebana teachers, especially care for and skill using their tools, and mindfulness in choosing material for arrangements. She notes that flower arranging is used as a way to relax and feel calm.

Date Range: 1969-1990

Length: 00:07:33

Subjects: Arts

Interviewer: Fowler, Rod

Interview Date: February 27, 1990

Scope and Content: Recording is of an interview with Toki Miyashita, conducted by Rod Fowler. Toki Miyashita was one of eleven participants interviewed as part of the SFU/Burnaby Centennial Committee's oral history series titled, "Voices of Burnaby". The interview is about Toki Miyashita’s family’s internment during WWII, her awakening interest in Japanese culture after the war, her subsequent interest in teaching others about Japanese crafts and arts, and becoming a helpful intermediary between Burnaby and visitors from Japan. The interview explores her interest in the Ainu of Japan and their possible link to the aboriginals of BC, her impressions of the Ainu carver Nuburi Toko, and her involvement in the events surrounding the creation of the sculpture “Playground of the Gods” for Burnaby Mountain. The interview also contains interesting details about the art of Japanese flower-arranging. To view “Narrow By” terms for each track expand this description and see “Notes”.

Biographical Notes: Toki Miyashita was born in Richmond B.C., ca. 1935, at the Nelson Brothers “fishery”, a second generation Canadian descended from the Oikawa family who settled on Don and Lion Islands (Oikawa-shima). In 1942 the Japanese Canadians in BC were forcibly moved from the coast and their belongings confiscated. Toki Miyashita, her parents, two brothers, and grandparents were first taken to Hastings Park where her father was separated from the family to work in road camps, and the rest of the family were interned in New Denver. Her resourceful grandmother moved the family to land outside the internment camp, growing a large garden from seeds brought with her. In 1946 the family moved to Kamloops and in 1958, after finishing high school, Toki Miyashita moved to Montreal to be with relatives and a small Japanese community. At this time she became interested in Japanese culture and took a Japanese language course at age 22. She learned about Japanese flower-arranging (Ikebana), paper folding (Origami), silk doll making (from a Russian Jew), and how to wear a kimono. She began demonstrating these arts in schools and to other groups, which she continued doing when she, her husband and two young children moved to Burnaby in 1969. Toki Miyashita has been called an unpaid “ambassador” of Japanese culture to the Lower Mainland. She has acted as liaison between Burnaby and her sister city Kushiro in Japan, which involved her in the creation of the Ainu sculpture “Playground of the Gods” on Burnaby Mountain for Burnaby’s Centennial. Toki Miyashita is a recognized Master in Ikebana Sogetsu, a school of flower-arranging, and has served on the board of the Vancouver Ikebana Association. She also served on Burnaby’s Family Court in the 1980s.

Total Tracks: 11

Total Length: 01:34:10

Interviewee Name: Miyashita, Toki

Interviewer Bio: Rod Fowler returned to university as a mature student in the 1980s after working about twenty years in the field of economics and computerization in business in England, Europe and Western Canada. He graduated with a BA from SFU in both History and Sociology in 1987, his MA degree in Geography in 1989, and his PhD in Cultural Geography at SFU. He taught courses in Geography, Sociology, History and Canadian Studies at several Lower Mainland colleges, before becoming a full time member of the Geography Department at Kwantlen University College.

Collection/Fonds: SFU/Burnaby Centennial Committee fonds

Series: Centennial Oral History project series

Transcript Available: Transcript available

Media Type: Sound Recording

Web Notes: Interviews were digitized in 2015 allowing them to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council.

Audio Tracks

Track eleven of interview with Toki Miyashita

https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS187-017/MSS187-017_Track_11.mp3

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Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 2

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Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 3

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Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 4

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Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 5

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Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 7

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Interview with Toki Miyashita by Rod Fowler February 27, 1990 - Track 11

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