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dress
https://search.heritageburnaby.ca/link/museumartifact11636
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3524.1
- Description
- Dress, c.1913-1914. Cream china silk skirt, silk chiffon sleeves, white cotton lawn bodice, ivory lace trim. High directoire waistline, long sleeves, full length skirt. The neckline is a boat neck, trimmed with a small band of ivory lace with an abstract design. The bodice of white lawn is unshaped except for a dart under each bust, and there is also a tuck near the waist. Each sleeve attaches onto the bodice side fronts, and the bodice is hemmed within. The chiffon sleeves extend in a kimono cut to a gathered wrist with a china silk cuff attached by chain stitch embroidery. It closes with two snaps. The china silk skirt attaches at a high waist. It has gathers all around except for the centre front. Just past the knee, it has three large tucks that go around the circumference of the skirt and a fourth that is actually a hem. The dress has snap closures up the centre back, from the neckline to just past the hips.
- Subjects
- Clothing
- Clothing - Costumes
Images
dress
https://search.heritageburnaby.ca/link/museumartifact46565
- Repository
- Burnaby Village Museum
- Accession Code
- BV004.21.8
- Description
- Dress, c.1910-1913. Cotton lawn print in floral and checkered, with chiffon yoke, lace, and mauve satin silk waistband. Long tiered skirt, long sleeves, round neckline. The cotton lawn fabric has a white background with vertical stripes of black and white checkers; purple flowers with green stems intertwine around the vertical checkers. The neckline rounds into a slight V shape with a yoke of ivory chiffon on top of lace, which extends to the waistband. On the front and back right and left side of the bodice, there is a tab extending over the waistband from the bodice fabric, edged in lace. The bottom of the bodice is gathered to add some volume. The bodice is also open around the shoulders, edged with lace. There is a section of the main fabric underneath that connects to the lining. The sleeves are full length, with some volume. The cuff begins halfway down the forearm with a gathered lace ruffle. The cuff section is narrower, and ends with three snaps at the wrist and another lace ruffle. At the waist, there is a gathered mauve satin silk waistband, tacked on to the dress. The skirt is attached underneath in two tiers. The overskirt, attached to the bodice, has two somewhat flared gores and one godet on the right side seam from just above the knee to the calf. It also ends at the calf, and just above the hem there is a tiny band of drawn thread work embroidery. The bottom tier is attached to the skirt lining under the top hem; it is made up of four gores, all gathered. The lining to the dress is done in ivory china silk, and it extends into the sleeves. In the bodice lining, there are four bones to hold its shape: on in the centre front and back, and one on each side. There are six panels in the back and four in the front, all finished with flat felled seams. The centre front closes with hook and eyes, and the waistband is secured on top with snaps and a hook and eye; the left bodice tab is secured to the waistband with two snaps. The skirt lining is also china silk, closing down the left side front with snaps. The skirt also has a left side opening that closes with snaps. In each underarm there is a dress shield to protect the dress from perspiration. They each read: "Style 100 Trade Mark OMO. E. Y. 2. Odorless. No Rubber. Soak in cold soap suds, using good soap, scrub with a stiff brush, and rinse in clear cold water, shape carefully while wet, and dry thoroughly. Do not iron."
- Object History
- Object was inherited by the donor ca. 1974. She was given it by her mother, who had inherited it from her own mother, Elizabeth (Babb) Heaney.
- Subjects
- Clothing
- Clothing - Costumes
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
- Planning Study Area
- Maywood Area
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact4388
- Repository
- Burnaby Village Museum
- Accession Code
- BV988.48.63
- Description
- Wedding dress, c.1900-1906. Cream lace net lined with white china silk. High collar, pouter pigeon front, puffed sleeves. Comes with a long sash and matching skirt. The collar is made of several bands of lace. The bodice is also lace, with embroidery. On the front there is a pin tucked yoke, and bordering this on the front and back are circles of lace with line embroidery inside. Below this there are more pin tucks and bands of lace. The front puffs out creating a pouter pigeon bodice, and there is a gathered flounce below the waistline. It closes with hooks and eyes at centre back. The sash, a long yellowish-cream piece of silk fabric, would go overtop of the waist. The sleeves are gathered at the cap and again at the cuff. There are bands of lace at the lower forearm, and they end with lace flounce cuffs of the same embroidered circles seen on the bodice. The skirt has a lace top layer and a white china silk lining that is attached at the small waistband. There are tiny pin tucks in the lace layer at the waistband. Halfway down, there is a band of embroidered circles, the same as those on the bodice. They are separated by two bands of lace. There are two more of the same bands of lace near the hem. The net layer has three gores, and the lining has five. There are also two ruffles at the lining hem.
- Object History
- Donor acquired object in 1951 from the estate of her mother-in-law, Flora Isabell (McArthur) McOuat.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact11635
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3523.1
- Description
- wedding dress, c.1902-1908. White china silk. Pouter pigeon bodice with half length sleeves and cumberbund. Skirt is shirred at waist and flares out at lower half. This Edwardian wedding dress is made almost entirely of china silk. Usually a lining fabric, the Edwardians often used it for special occasions such as weddings to achieve a floating, puffed up silhouette without any bulk at the waist. The bodice has three layers of ruffles at the high round neckline. The bodice front has two layers to hide its hook and eye closures. The back of the bodice has two panels four pin tucks for shaping. At the shoulders, there are rows of shirring that continue into the sleeve. The sleeves are gathered again into a cuff at their ends. The cumberbund is shirred at each end, as well as in the centre with three rows of shirring. There are three stays at the centre and one at each end; it closes with hooks and eyes which are covered by bows. The skirt has multiple rows of shirring at the waist. It has three gores, including one at the centre front that extends from the waistband without any shirring. There are two godets at the back seam and one at each of the side seams that begin at hip level and continue until about calf level. Then there is a new band of silk shirred onto the skirt, with three horizontal tucks at the bottom; the last tuck forms the hem. It is self lined under the bottom shirred section, with an un-gathered lining.
- Subjects
- Clothing
- Clothing - Costumes
Images
bodice
https://search.heritageburnaby.ca/link/museumartifact19455
- Repository
- Burnaby Village Museum
- Accession Code
- HV977.37.107
- Description
- Bodice, c.1915. Black satin silk. Straight cut, gathered. Three quarter length sleeves, square neck, black embroidery, black and white glass beads, sash at waist. The bodice is cut straight, falling just past the natural waist, with volume added through pleats and gathers. At each front shoulder there are gathers, as well as along the bottom front. At the bottom back, there are pleats. The neckline is trimmed with embroidery in a leaf pattern, done in black floss. At the centre front it dips down in a square neckline, with a beaded panel starting at the bottom of the square. It is made up of back and white glass beads in a diamond pattern on a black net background. The panel is in a shield shape. The sleeves are loose fitting, with black floss embroidery around the cuffs in a looping pattern. At the bottom of the bodice there is a sash that covers the pleats and gathers, and extends on the left side where it may have been tied. The sash also closes with a snap, one on the sash ties and two more at the point where they close on the bodice. There are also snaps on the left shoulder. Inside, there is a black china silk lining that closes at the centre front with hooks and eyes.
- Object History
- From the family home of Thomas Seaborn McNair and Mary Vida (nee McMillan) McNair who lived on West 33rd Avenue in Vancouver. Thomas McNair ran Edwards, McNair and Russell, an established estate agent business.
- Subjects
- Clothing
- Clothing - Costumes
Images
bodice
https://search.heritageburnaby.ca/link/museumartifact21345
- Repository
- Burnaby Village Museum
- Accession Code
- HV976.53.5
- Description
- Bodice, c.1895. Black patterned china silk with green, pink, and gold flowers. Huge leg o' mutton sleeves gather into small black velvet cuffs. Slightly puffed front, peplum. At the small round neckline, there is a small half inch stand collar. The centre front of the bodice is gathered at the neckline and at the waist. Beneath the waist, there is a peplum with most of its flare in the back. The rest of the bodice is unadorned, as the sleeves are really the main focus. The sleeves are cartridge pleated around the top of the armscye. The lightweight fabric and internal supports make each shoulder puff out to roughly the size of a watermelon. They taper slightly to the cuff (where they are gathered), but most of the volume remains for the whole sleeve. The black velvet cuffs have a flower on the outside, but no opening. Inside, the bodice is lined with brown cotton, and nine bones. The peplum is lined with gold a silk floral brocade. The bodice has hook and eye closures up the centre front.
- Object History
- Belonged to donor's mother in law from South Dakota.
- Subjects
- Clothing
- Clothing - Costumes
Images
bodice
https://search.heritageburnaby.ca/link/museumartifact29996
- Repository
- Burnaby Village Museum
- Accession Code
- HV973.73.155
- Description
- Bodice, c.1870-1875. Olive green silk shot with purple, with purple brocade, ribbon, and cotton twill piping. Buttons down centre front, high neck, long sleeves, cuirass design. The stand collar is fairly small, with a close neckline. It is made of a mauve silk brocade with a pattern of tiny purple ovals. There is a panel of this fabric that goes down the centre front and centre back from the shoulders to the hem, separated from the main fabric by purple twill piping. At the centre front, the bodice also closes from top to bottom with twelve buttons covered in mauve fabric with a brocade flower and a hook and eye at the collar. At the centre back there is another line of purple piping, and there is a self fabric covered button on each outside line of piping at the waist level. The rest of the front and back bodice is made of the olive and purple shot silk, with two darts at each side front. The armscyes are sewn with purple piping, and the sleeves are made in the olive and purple shot silk. At the cuffs, there is a band edged in purple piping and trimmed with a mauve ribbon bow. Beneath this there are two tiers of pleated ruffle in the mauve brocade. At the hem of the bodice, there is a double row of purple piping. The bodice is lined in brown linen. It has short bones in each front dart, and one in each side seam. The section below the waist is lined in purple china silk.
- Subjects
- Clothing
- Clothing - Costumes
Images
dress with coat
https://search.heritageburnaby.ca/link/museumartifact11490
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.3403.1
- Description
- Dress with coat. c.1930. Brown china silk. Brown and yellow embroidered flowers. The coat and dress are attached. Long sleeves, sash tie collar, button trim. The 'coat' has a roll collar that falls in a deep V neck, and extends into long sashes that tie at the V point. The armholes have a corded binding. Jacket is actually sleeveless, and the sleeves attach instead to the dress beneath. They are quite loose, with a seam at the elbow. From this point to the wrist, there is a split in each sleeve. The slits are tacked back together at the wrists. A few inches below the sash tie, there is a seam in the jacket at the natural waistline. A belt is tacked to the sides and closes in the centre front with snaps. The centre front of the jacket is left out, and along the inside edge of either side front panel there is a heavy trim of metal self-fabric covered ball buttons from beneath the hips to the hem. At each side and at the centre back, there is a slit in the jacket from the knees to the hem, each trimmed in the same buttons. The dress beneath is made of the same brown silk, with an allover pattern of white and dark brown embroidered flowers. Only the sections that are visible beneath the jacket are made from this material; the covered sections in the bodice are made of ivory silk, and the covered section in the skirt are made of the same material as the jacket. There is no shaping in the dress. The jacket and dress hems both fall to calf length.
- Subjects
- Clothing
- Clothing - Costumes
Images
wedding dress
https://search.heritageburnaby.ca/link/museumartifact6267
- Repository
- Burnaby Village Museum
- Accession Code
- BV985.18.1
- Description
- Wedding dress, c.1907. Converted to day dress. Cream and white pouter pigeon bodice with lace and high collar. Full skirt and separate cumberbund. The shape of this dress is exemplary of the Edwardian pouter pigeon front, with a tiny waist to match. In museum records, there is a copy of the original wedding photo; on the back is written "shows dress before alteration to current state as day dress." The only readily noticeable differences are the absences of lace trim in the cuff and on the china silk bodice rosettes.
- Object History
- Made by Pattie Adelina Pearson, for her marriage to Charles James Mitchell in Gravesend, Kent, England on September 26, 1907. After, they travelled immediately to Canada, living in the provinces of Saskatchewan and Alberta, her daughter and son being born in the latter province. Pattie moved to Vancouver in 1918, where with the exception of the period when she lived in Victoria, she lived until her death in October 1981 at the age of 101 years. She would have been 27 years old when she wore the dress.
- Subjects
- Clothing
- Clothing - Costumes
Images
