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C.W. Parker no. 119 carousel series
https://search.heritageburnaby.ca/link/museumdescription17810
- Repository
- Burnaby Village Museum
- Date
- [190-] (date of originals) - 2012
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Series
- Physical Description
- 238 photographs + 3 audio cassettes + 2 sound recordings (mp3) + 6 videocassettes + 8 video recordings (mp4)
- Scope and Content
- Series consists of records created and adminstered by the Burnaby Village Museum pertaining to the history, acquistion, restoration, preservation and documentation of the C.W. Parker no. 119 carousel. Series have been arranged into the following subseries: 1) Carousel photographs subseries 2) Caro…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Series
- Physical Description
- 238 photographs + 3 audio cassettes + 2 sound recordings (mp3) + 6 videocassettes + 8 video recordings (mp4)
- Scope and Content
- Series consists of records created and adminstered by the Burnaby Village Museum pertaining to the history, acquistion, restoration, preservation and documentation of the C.W. Parker no. 119 carousel. Series have been arranged into the following subseries: 1) Carousel photographs subseries 2) Carousel sound recordings and films subseries
- History
- "The C.W. Parker no. 119 carousel was built in 1912 in Leavenworth Kansas by the Charles Wallace Parker Company. It was the one hundred and nineteenth carousel made by the company and was so named the C.W. Parker no. 119 carousel. In 1913 the carousel was sold to Mr. F.K. Leggett of Houston Texas for $5,886.00 and was originally equipped with a steam engine and ""wishbones/grass-hopper/jumping horse"" mechanisms. It toured Texas for two years with the Lone Star Circus until 1915 when the machine was shipped back to the factory. It is believed that the machine was rebuilt by the factory with fancier horses and heavier rounding boards referred to as the “Superior” style. Some of the horses were built around 1917 and some between 1920 and 1922. The factory records consulted do not tell for certain where the machine went between 1915 and 1936, possibly to San Jose, California from 1918 until 1922 and then to San Francisco California, or Tacoma, Washington. Accounts from the family of James W. "Jimmy" Robertson, supervisor of rides for Happyland, tell of him travelling with his wife Dora Robertson to Washington, Oregon and California in the fall of 1935 or early 1936 to pick up a new carousel for Happyland. By May 1936, the C.W. Parker no. 119 carousel was in operation in Happlyland inside Hastings Park. The Parker #119 carousel was installed in a pavilion in Happyland which had been built in 1928 by a rival company (Philadelphia Toboggan Company - P.T.C.) and was located next to the "Shoot the Chutes" ride in Hastings Park. Here it remained until Happyland was demolished in 1957. The C.W. Parker no. 119 carousel was then moved to a new small pavilion in Playland until that too was demolished in 1972. From 1972 to 1990, the C.W. Parker no. 119 carousel was operated outdoors inside Playland, and was put away each winter. In 1989 it was announced that the carousel would be sold off horse by horse at an auction in New York. Venus Solano and Doug McCallum and other local people came together to save the carousel and formed The Lower Mainland Association of Friends of the Vancouver Carousel (also known as "Friends of the Carousel"). The first directors of the society consisted of, President and Chairman, Venus Solano; Secretary, Doug McCallum; Director, Keith Jamieson and Director, Nina Freid Rhodes. In May 1989, the Friends of the Carousel approached the Burnaby Village Museum Association who agreed to provide a home for the carousel, pending the approval of Burnaby Municipal Council. Don Wrigley who was president of the Burnaby Village Museum Association joined the board of The Friends of the Carousel as a liaison. The Friends of the Carousel first acquired two horses from the carousel, who were named Julius and Belle. These two carousel horses were used in fundraising over the summer of 1990, at which time the carousel was operating again for a short time inside Playland. The carousel horse named Julius was restored by William Dentzel III (a descendant of one of North America’s original carousel manufacturers) and the carousel horse named Belle was partially stripped and repaired. These carousel horses served as before and after examples of restoration. In June 1990 Don Wrigley was elected as president of The Friends of the Carousel and they set about raising the $350,000 to purchase the carousel and begin restoration work. With a lot of hard work, the help of the Government of British Columbia and the support of the Municipality of Burnaby, the carousel was purchased. Funds were also raised by The Friends of the Carousel to pay for the restoration, and Burnaby agreed to build a new pavilion for it as a Centennial project. Keith Jamieson, a carousel expert, was brought in to coordinate the rebuilding project and restoration work. The Centennial Parker Carousel (C.W. Parker no. 119 carousel) and the Don Wrigley Pavilion where the carousel is housed, opened at Burnaby Village Museum on March 25, 1993.
- Accession Code
- BV013.19
- BV019.21
- BV019.39
- BV020.5
- BV020.12
- BV022.2
- X5124
- X5125
- Date
- [190-] (date of originals) - 2012
- Media Type
- Photograph
- Moving Images
- Sound Recording
- Related Material
- Lower Mainland Association of the Friends of the Vancouver Carousel fonds
- Keith Jamieson fonds
- Faye Diamond fonds
- See also: Burnaby Village Museum artifacts for the C.W. Parker no. 119 carousel as well as souvenir memorabilia from Lower Mainland Association of Friends of the Vancouver Carousel
- Arrangement
- Records have been created by various staff members of Burnaby Village Museum during the acquistion and research of the carousel. Some records were compiled together into a collection by subject and arranged according to their general material designations within the Burnaby Village Museum archival collection.
- Notes
- Title based on contents of series
- Further accruals are expected
- Contact Burnaby Village Museum to access sound recordings and moving images
Fred K. Leggett family fonds
https://search.heritageburnaby.ca/link/museumdescription18773
- Repository
- Burnaby Village Museum
- Date
- [1900]-1993, predominant [1900-1947]
- Collection/Fonds
- Fred K. Leggett family fonds
- Description Level
- Fonds
- Physical Description
- 16 photographs + 1 videocassette
- Scope and Content
- Fonds consists of a collection of photographs of the Leggett family, the C.W. Parker no. 119 carousel, the Lone Star Circus, a film created by family members that documents the opening day of the C.W. Parker no. 119 carousel at Burnaby Village Museum along with photographs of Parker Carousel "Carry…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Fred K. Leggett family fonds
- Description Level
- Fonds
- Physical Description
- 16 photographs + 1 videocassette
- Scope and Content
- Fonds consists of a collection of photographs of the Leggett family, the C.W. Parker no. 119 carousel, the Lone Star Circus, a film created by family members that documents the opening day of the C.W. Parker no. 119 carousel at Burnaby Village Museum along with photographs of Parker Carousel "Carry Us All" in Alum Rock San Jose.
- History
- Fred Kirk Leggett was the first owner of the C.W. Parker no. 119 carousel. Fred and Norvie Leggett had six children including, Norvie, Fred D., Leon, Dedie and Ralph. The eldest daughter (name unknown) of F.K. and Norvie Leggett died in 1911. In 1913 the carousel was sold to Fred K. Leggett of Houston Texas for $5,886.00 and was originally equipped with a steam engine and ""wishbones/grass-hopper/jumping horse"" mechanisms. It toured Texas for two years with the Lone Star Circus until 1915 when the machine was shipped back to the factory. It is believed that the machine was rebuilt by the factory with fancier horses and heavier rounding boards referred to as the “Superior” style. Some of the horses were built around 1917 and some between 1920 and 1922. The factory records consulted do not tell for certain where the machine went between 1915 and 1936, possibly to San Jose, California from 1918 until 1922 and then to San Francisco California, or Tacoma, Washington. The carousel was installed at Happyland in the nineteen thirties and then moved to Playland and the PNE. In 1989 "The Lower Mainland Association of Friends of the Vancouver Carousel" came together save the carousel from destruction. With a lot of hard work, the help of the Government of British Columbia and the support of the Municipality of Burnaby, the carousel was purchased. Funds were also raised by The Friends of the Carousel to pay for the restoration, and Burnaby agreed to build a new pavilion for it as a Centennial project. The Centennial Parker Carousel (C.W. Parker no. 119 carousel) and the Don Wrigley Pavilion where the carousel is housed, opened at Burnaby Village Museum on March 25, 1993. The eldest daughter of F.K. Leggett, Norvie Leggett Frame and other members of the Leggett family were in attendance for the opening of the newly restored carousel at Burnaby Village Museum in 1993.
- Responsibility
- Frame, Norvie Leggett
- Accession Code
- BV993.18
- BV993.51
- BV004.94
- BV005.49
- BV005.63
- Date
- [1900]-1993, predominant [1900-1947]
- Media Type
- Photograph
- Moving Images
- Arrangement
- Fonds is arranged by subject from various donations that orignated from the Leggett family.
- Notes
- Title based on contents of fonds
- Contact Burnaby Village Museum to view video content
History of Burnaby and vicinity
https://search.heritageburnaby.ca/link/museumlibrary6890
- Repository
- Burnaby Village Museum
- Author
- Green, George, 1872-1955
- Publication Date
- 1947
- Call Number
- 971.133 GRE Copy 2 Ver. 1
, at least,
were i n personal contact w i t h them.
Lieut. R . C. Mayne, of H . M . S . Plumper, describes their general char-
acter as he saw them at V i c t o r i a , as follows: " T h e new-found wealth of
B r i t i s h Columbia had attracted from California some of the most reck-
less rascals that gold
- Repository
- Burnaby Village Museum
- Collection
- Digital Reference Collection
- Special Collection
- Material Type
- Book
- Accession Code
- BV017.17.1
- Call Number
- 971.133 GRE Copy 2 Ver. 1
- Author
- Green, George, 1872-1955
- Place of Publication
- [S.l.]
- Publisher
- [s.n.]
- Publication Date
- 1947
- Printer
- Shoemaker , McLean & Veitch
- Physical Description
- 233 p. : ill., maps, ports. ; 23 cm.
- Inscription
- "Presented To my valued fried Rev. D. W. Scott. a former neighbor at Capitol Hill with best wishes of the author George Green Victoria March 1 1947" [handwritten in black ink on page opposing front pastedown] "BMMM-WU SIGNED 1st ED 50.00" [handwritten in pencil on page opposing front pastedown]
- Library Subject (LOC)
- Burnaby (B.C.)--History
- Burnaby (B.C.)
- Biography
- Name Access
- Green, George
- Notes
- Autographed by author
- "By George Green, pioneer resident of Burnaby, and an ex-Councillor. Charter Member of the British Columbia Historical Association, Vancouver Branch, and an Executive Member."
- Copy 2 of 2
Images
Digital Books
Jesse Love farmhouse series
https://search.heritageburnaby.ca/link/museumdescription9782
- Repository
- Burnaby Village Museum
- Date
- [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Series
- Physical Description
- approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
- Scope and Content
- Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse re…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Jesse Love farmhouse series
- Description Level
- Series
- Physical Description
- approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
- Scope and Content
- Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse restoration photographs subseries 3) Love farmhouse curatorial files subseries 4) Love farmouse research files subseries 5) Love family photographs 6) Love farmhouse Oral History subseries 7) Love farmhouse architectural drawings subseries
- History
- Jesse Love was born in Swindon, England in 1847 and left England to work on a dairy farm in the Toronto area. While working on the farm in Toronto, he met Martha Leonard who he married in 1879. Martha was born on February 3, 1858 in Bedfordshire, England and had come to Canada with her parents George and Ann Leonard. While living in Toronto, Jesse and Martha had two children, George born March 22, 1880 and Annie Elizabeth on August 24, 1881. About one year after Annie was born, the Love family moved to North Dakota to grow wheat. While living there, they had two more children, Henry who was born August 24, 1883 and Edith Minnie born October 9, 1885. The family decided to move further west after hearing about the fairer weather conditions from Martha’s father, George Leonard, who had settled in Vancouver in 1885. On May 23, 1887, Jesse, Martha and their four children arrived in Vancouver after travelling across Canada from Winnipeg on the first transcontinental train. The Loves made their home in Vancouver while Jesse helped clear land on Granville Street. Their fifth child, Thomas Robert was born on September 17, 1887 and soon after, the family moved to Lulu Island in Richmond where they lived growing vegetables and selling them to Vancouver hotels. While living and farming on Lulu island, the couple had two more girls, Martha (Dot or Dorothy) born on December 17, 1889 and Sarah Marie, born February 8, 1892. On October 6, 1893 an agreement was signed by Jesse Love to purchase 14.52 acres of land from Joseph C. Armstrong. The acreage covered the north east section of District Lot 25 within the newly incorporated District of the Municipality of Burnaby. It was here where the original Love house was built (between October 1893 and April 15, 1894) by Jesse Love with the help of local builder George Salt and father in law, George Leonard. The house consisted of an entrance hall, dining room, lean to kitchen, master bedroom and three bedrooms upstairs. A road was constructed and named Cumberland in 1905 and ran from District Lot 25 through to District Lot 11. The address for the Love home was 1390 Cumberland Road and in the early 1960’s the address was renumbered 7651 Cumberland Street. On the land surrounding the house, Jesse Love planted an orchard along with strawberries and raspberries which he sold at the Fraser Valley Market, T.S. Anandale’s Grocery Store in New Westminster and to hotels around Vancouver. Jesse Love served on the Burnaby School Board and also as a District Councillor in 1901 and from 1904-1907. While living in the house, Jesse and Martha had four more children, Phoebe Leonard, born April 15, 1894, Esther, born August 28, 1896, John Leonard, born June 7, 1899 and Hannah Victoria (also known as Girlie) who was born May 12, 1902. As the family grew to eleven children, additions along with some substantial remodelling in the craftsman style took place. In about 1898, a north wing addition was added to include a parlour with two windows, the construction of two more bedrooms and the relocation of the stair case to the North West wall. In 1903 the front door moved to the north elevation, a front porch was extended along the east wall and a summer lean to kitchen was added to the west elevation. Between 1905 and 1910, a tin embossed ceiling was installed along with an addition of the main kitchen which included a pantry, bathtub and a back porch. In about 1912, five craftsman style windows replaced the original pioneer tent style, the front verandah was enlarged to wrap around the south and east elevations, a back door was installed in the kitchen to access the verandah and wood shingle siding and brackets were added to the exterior. In 1918, at the age of 31 years, Robert Love fell ill due to an influenza epidemic and died on November 23, 1918. Following their son’s death, Martha Love became weak and on August 24, 1920, she passed away. By this time, Jesse had sold off a large percentage of his land and his youngest daughter, Girlie decided to stay on to live and care for him. Since the house was too large for just the two of them, Jesse invited any other children to return and share the residence. For a while his son, George and his wife joined them until 1925, followed by his daughter Sarah Parker (nee Love), her husband William and their three children, Albert, Bill and Elsie. The house remained pretty unchanged until 1928 after Jesse Love died of pneumonia (March 10, 1928) and the house was purchased by Sarah and her husband William Parker who continued to live there with their children. The master bedroom wall on the main floor opened up to the dining room, the kitchen pantry and bathtub converted to an alcove with a marble counter and enlarged window and sink while the bathroom was moved to the upstairs and the furnace and coolers were installed in the crawl space under the kitchen. A hot water tank was installed in the house in 1966. Sarah continued to live in the house until a little while after her husband William died in 1961. She sold the house to her daughter Elsie and husband John Hughes in 1966, who lived in the house along with their son Brent, until August 23, 1971. Mahbir Molchan Papan and his wife Geraldine Papan bought the house August 23, 1971 and by 1982, the house was sold to Nirmal Singh Singha and Narinder Singha. The Papans continued to rent the house from Nirmal Singh Singha and Narinder Singha until the late 1980s. In 1988, the house was scheduled for demolition with the remaining property to be subdivided. Fortunately, a neighbour, Mr. Harvey Elder recognized the farmhouse's historical significance and contacted the Burnaby Historical Society. Following this event, the owners agreed to donate the building to the Burnaby Village Museum (under the Century Park Museum Association) who financed the move of the house from Cumberland Street to the museum site. Heritage planner and architect, Robert Lemon provided guidance for the project. Prior to the move, the two porches were removed and demolished while the kitchen and roof were both separated from the main house. The kitchen and roof of the house were transported to Burnaby Village Museum on May 20, 1988 by Nickel Bros. House Moving company, while the main frame of the house completed its transportation to the museum near the end of May 1988 (due to low overhead wires). The house was moved down Cumberland Street to 10th Avenue, up Canada Way to Sperling and set on temporary footings near Hart House. Robert Lemon oversaw structural improvements such as, upgrading floor joists and creating new foundations to replace the original timber foundation of the farmhouse. The restoration went through several phases of work between 1988 until it opened in November 1998. Restoration began on both the interior and exterior features to be interpreted from the period of 1925. On November 23, 1992, the building was designated a heritage building under Heritage Designation Bylaw 1992, Bylaw Number 9807. In 1993, the architecture firm of Brian G. Hart Associates was appointed for the design and construction supervision of the restoration project. Plans were created for a foundation on the museum site in 1989 and the farmhouse was eventually settled on a permanent foundation behind the Burnaby Village Museum administration building in 1993 along with the reattachment of the roof. The kitchen section was reattached to the main house in 1994 along with skirting around the foundation and the reshingling of the exterior. In 1996, the tin ceiling was removed to make way for the installation of the internal electrical system along with sprinklers, ceiling heating and fire break gyprock. The dining room ceiling joists were consolidated, a pantry and bathroom were added to the kitchen, the downstairs bedroom wall was opened and filled, the dining and kitchen doorways were widened. In 1997, a wheelchair ramp was installed along with a concrete sidewalk, stair rails, cement pads at the base of the stairs and a gravel sink for any excess water. Interior work included painting of the kitchen, restoration and furnishing of the kitchen pantry, insulation of the house floor to protect from rodents along with the reconstruction of the kitchen and house chimneys. The registrar worked together with the curator and conservator and was tasked with a large research project on the house including the family contacts and family history, property information, plans, photographs, artifacts, furnishings, stories etc. all organized in files for easy retrieval. A great deal of research and conservation was undertaken in order to make the interior of the house authentic to the time period as possible. One of the biggest projects was selecting and obtaining wall coverings since much of the original wallpaper was incomplete and poor condition. The conservator and registrar were lucky enough to locate a few samples of the original paper and engage the Bradbury and Bradbury Art Wallpaper Company of Benica, California to reproduce replica designs for free. The City of Burnaby now has its own series “Burnaby Village Papers” produced by this company which are titled “Burnaby Wall”; “Burnaby Border” and “Burnaby Ceiling”. All three of these wallpaper designs have been used in the Love farm house and are also commercially available through the Bradbury and Bradbury Art Wallpaper Company. In 1997, restoration of the kitchen was completed and opened to the public. After the completion of the dining room, main floor bedroom and parlour, the Love farmhouse exhibit opened on November 29, 1998 with an open invitation to the public and extended members of the Love family. Officials including the Mayor, Doug Drummond and Love family members were all present to cut the ribbon for the special event.
- Accession Code
- BV018.41; BV020.5
- Access Restriction
- Restricted access
- Date
- [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
- Arrangement
- The majority of the records within series and subseries were arranged by a staff members of Burnaby Village Museum who worked on the historical research and restoration of the house. Other photographs documenting the move and further restoration work were added later and included in the arrangment by format and subject.
- Notes
- Title based on content of series
- Jesse Love farmhouse is described as an Artifact under BV988.33.1
- Some records within this collection have restricted access and are subject to FIPPA
- Accessions BV018.41 and BV020.5 form this fonds
Jessie Winch photographs
https://search.heritageburnaby.ca/link/museumdescription3651
- Repository
- Burnaby Village Museum
- Date
- [194-?-1955]
- Collection/Fonds
- Harold Edward Winch collection
- Description Level
- File
- Physical Description
- 3 photographs : b&w
- Scope and Content
- File consists of photographs of Jessie Winch, including a poorly-photocopied photograph of Jessie during World War II when she served as a St. John's ambulance driver, and two photographs of a "Bon Voyage Party" in 1955 when Jessie and her husband at the time, George Edward Mendels, moved to Califo…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Harold Edward Winch collection
- Description Level
- File
- Physical Description
- 3 photographs : b&w
- Scope and Content
- File consists of photographs of Jessie Winch, including a poorly-photocopied photograph of Jessie during World War II when she served as a St. John's ambulance driver, and two photographs of a "Bon Voyage Party" in 1955 when Jessie and her husband at the time, George Edward Mendels, moved to California. Included in the photographs are Frank McKenzie, Harold Thayer, Angus and Grace MacInnis, and Arnold and Daisy Webster; many of these individuals were Co-operative Commonwealth Federation (CCF) members.
- Subjects
- Clothing - Military Uniforms
- Accession Code
- BV013.12.8
- Date
- [194-?-1955]
- Media Type
- Photograph
Kapoor Singh Siddoo series
https://search.heritageburnaby.ca/link/museumdescription21422
- Repository
- Burnaby Village Museum
- Date
- [1940-1947] (date of originals), copied 2004
- Collection/Fonds
- In the Shadow by the Sea collection
- Description Level
- Series
- Physical Description
- 31 photographs (tiffs)
- Scope and Content
- Series consists of copies of photographs pertaining to the family of Kappoor Singh Siddoo and the Kapoor Sawmills Limited that were published in the book "In the Shadow by the Sea: Recollections of Burnaby's Barnet Village".
- Repository
- Burnaby Village Museum
- Collection/Fonds
- In the Shadow by the Sea collection
- Description Level
- Series
- Physical Description
- 31 photographs (tiffs)
- Scope and Content
- Series consists of copies of photographs pertaining to the family of Kappoor Singh Siddoo and the Kapoor Sawmills Limited that were published in the book "In the Shadow by the Sea: Recollections of Burnaby's Barnet Village".
- History
- Kapoor Singh Siddoo was born in 1885 in the Punjab village of Kharaudi, India. Kapoor was one of the pioneer South Asian Canadian Sikhs who first immigrated to America in 1906, arriving in San Francisco in 1906 with twenty illiterate compatriots seeking employment. As the only one among them with a formal education, Kapoor acted as their interpreter, manager, and accountant. They worked along the Southern Pacific Railway line near Marysville, California, as it inched toward Reno, Nevada. At the same time, Kapoor was asked to help raise funds for a mining company in British Columbia founded by a Punjabi spiritual leader. Kapoor attempted to join the company in British Columbia (attracted partly by stories of the province’s natural beauty), but was turned back at the international border at Blaine several times before entering via Victoria in 1912. Once settled, he operated a successful dairy, invested in various businesses, and socialized with other South Asian immigrants interested in politics. However, emotions of those around Kapoor began to heat up; frustration among opponents of British rule in Indian grew intense. Kapoor left the explosive situation for Ontario in June 1914, determined to find a place for himself in Canadian society. He tried homesteading in the “Clay Belt” of northern Ontario, but like others found the extreme winter conditions intolerable. He returned to British Columbia in 1916, invited by a group of Sikh sawmill workers to help them manage the accounts at a Fraser Valley sawmill they had leased. Kapoor found his niche in the sawmill industry. Fraser Valley timber sat on land granted by the Dominion government to railways to help finance their construction. South Asian workers could get timber rights on these lands, unlike on Crown Lands elsewhere in the province. Kapoor and his new partners, particularly Mayo Singh, looked for other promising “railway belt” locations for another sawmill and found an ideal location on Vancouver Island near Duncan. Kapoor and his colleagues opened a large, modern mill in 1918 and despite various setbacks, prospered for the next decade and a half. In 1923, with a change in immigration laws, Kapoor arranged for his wife, Besant Kaur, to emigrate from India. Besant came to Canada with Kapoor’s older brother, Bhagwan. Kapoor and Besant had two daughters while in Duncan: Jagdis Kaur Siddoo (1925) and Sarjit Kaur Siddoo (1926), both of whom eventually became physicians. Kapoor’s lumber business on Vancouver Island flourished until 1935, when a fire destroyed the original mill. He moved his family to Vancouver, although retaining interest in another Vancouver Island mill. In 1939, he purchased a large piece (45 acres) of the former Barnet Mill in Burnaby, recently acquired by the Municipality as payment for tax default during the Depression. Kapoor named the mill Modern Sawmills and finalized the purchase though a business agent to get around Burnaby’s bylaw prohibiting the sale to a non-White person. Eventually he changed the mill’s name to Kapoor Sawmills Limited. The mill received timber in log booms from Vancouver Island, and once processed, the wood was then shipped via the Canadian Pacific Railway that ran past the mill, and still does today. Kapoor’s younger brother, Tara, who had earlier worked with Kapoor in other sawmills, joined the venture as a shareholder. Tara and his wife, Beant, took up residence in Barnet from 1943-1945 with their family: sons Lakhbeer, Gurdeb, Gurcharn, Baldev, Hardev and daughters Harjeet (Sangha), Runjeet (Basi) and Buckshish (Sarai). Tara oversaw the regular delivery of logs from Vancouver Island to the Barnet mill. He also became known as a local Burnaby philanthropist, donating to Burnaby General Hospital. The Kapoor sawmill prospered but burned to the ground on January 14, 1947. A smaller mill was rebuilt on the site and remained a successful financial operation until 1959. When he retired in 1959, Kapoor Siddoo was one of Vancouver’s most influential men in the South Asian Community. He was a leading businessman, but had also fought to give South Asian Canadians the right to vote. The year he retired, the family set up the Kapoor Singh Siddoo Foundation and with help from his wife and daughters opened a hospital in the Punjab village of Aur. In 1964, Kapoor died in India at the age of 79 years.
- Accession Code
- BV019.32
- Date
- [1940-1947] (date of originals), copied 2004
- Media Type
- Photograph
- Related Material
- See also, City of Burnaby Archives: Burnaby Historical Society fonds - "In the Shadow by the Sea subseries"
- Notes
- Title based on contents of series
Westerman family fonds
https://search.heritageburnaby.ca/link/museumdescription13679
- Repository
- Burnaby Village Museum
- Date
- [1917-1959]
- Collection/Fonds
- Westerman family fonds
- Description Level
- Fonds
- Physical Description
- 17 photographs
- Scope and Content
- Fonds consists of photographs documenting Walter "Wally" Westerman's life while growing up in Burnaby, his time spent in California while training as an engineer, his time in Montreal during his service with the R.C.A.F., Wally with his wife Gwendolyn (nee Brocklesby) Westerman and Wally in his lat…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Westerman family fonds
- Description Level
- Fonds
- Physical Description
- 17 photographs
- Scope and Content
- Fonds consists of photographs documenting Walter "Wally" Westerman's life while growing up in Burnaby, his time spent in California while training as an engineer, his time in Montreal during his service with the R.C.A.F., Wally with his wife Gwendolyn (nee Brocklesby) Westerman and Wally in his later years outside of his home in Burnaby.
- History
- Walter "Wally" William Westerman was born in London, Ontario in 1916. A few years later he moved with his parents to Vancouver. Around 1921 his parents, Albert Edwin and Louisa (nee Williams) Westerman bought a double lot at 4797 Georgia Street in District Lot 122 in Burnaby. On the lot they built a house and bowling green. Wally's father Albert worked as a proof reader for the Daily Province newspaper and retired in 1938. Walter attended Gilmore Avenue school and North Burnaby High School. After graduating from highschool he enrolled in engineering school in Glendale, California. Wally was married to Margot Florence Patry from 1943 to 1952. When World War II began, Wally joined the Royal Canadian Air Force. Wally suffered from arthritis and after being declared unfit for combat he was discharged. He returned to Burnaby and became a foreman in the engineering department of Boeing Aircraft of Canada. In 1944, while employed by Boeing, Wally was recoginized with awards for his ingenuity of "Jig Design for Bomb Torpedo Adaptors" and "Bomb Release Scissors". When Wally's father Albert became ill and had to have his leg amputated, Wally attended to his needs and sold the family's Georgia Street house to a buy a house at 5277 Spencer Street in Vancouver. Wally's father died in 1944 and his mother died in 1966. Following his first marriage, Wally met Gwendolyn "Gwen" Brocklesby and they developed a long term relationship eventually marrying in 1969. Gwen had a daughter named Barbara from her first marriage and Wally became her step father. Between 1960 and 1963, Wally was admitted to membership in the Canadian Power Squadrons with qualifications in seamanship, engine maintenance and weather and Gwen was awarded a certificate of qualification in piloting and seamanship. In 1969 Gwen, Wally and Barbara moved to a brand new home at 2171 Duthie Avenue in Burnaby which was within walking distance to Lenkurt Electric on Lougheed Highway where Wally worked. Wally was a machinist and foreman of the sheet metal shop at Lenkurt and later at Microtel. Walter Westerman died in Burnaby in 2000 and his wife Gwen died in Burnaby in 2016.
- Responsibility
- Westerman, Walter "Wally"
- Accession Code
- BV020.17
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [1917-1959]
- Media Type
- Photograph
- Notes
- Title based on contents of fonds