8 records – page 1 of 1.

Buxton family fonds

https://search.heritageburnaby.ca/link/archivedescription64596
Repository
City of Burnaby Archives
Date
[1905-1915]
Collection/Fonds
Buxton Family fonds
Description Level
Fonds
Physical Description
16 photographs (jpeg) : b&w and sepia
Scope and Content
Fonds consists of photographs of George Buxton and the construction of the Buxton family home in Burnaby, as well as photographs of Leopold Buxton and other members of the Buxton family.
Repository
City of Burnaby Archives
Date
[1905-1915]
Collection/Fonds
Buxton Family fonds
Physical Description
16 photographs (jpeg) : b&w and sepia
Description Level
Fonds
Record No.
41960
Access Restriction
No restrictions
Reproduction Restriction
May be restricted by third-party rights
Accession Number
2010-05
Scope and Content
Fonds consists of photographs of George Buxton and the construction of the Buxton family home in Burnaby, as well as photographs of Leopold Buxton and other members of the Buxton family.
History
George Searby Buxton (1867-1955) was born in England and was a carpenter by trade. He married Mary Isabel Nattriss (1866-1941), a teacher, and moved to Canada in 1911. In 1912, George built an arts and crafts style home in Burnaby which remains as one of the City's heritage buildings to this day. George and Mary had five children: Clara Violet (1910-1913), Mary (1900-?), Alice Clarissa (Clissie) (1902-?), Bernard (1897-1972) and Leopold (1893-1951).
Media Type
Photograph
Creator
Buxton, Leopold George
Buxton, George Searby
Other Title Information
Title was changed from Buxton family collection to Buxton family fonds to better reflect the nature of the materials.
Notes
Photo catalogue 513
Less detail

Jesse Love farmhouse series

https://search.heritageburnaby.ca/link/museumdescription9782
Repository
Burnaby Village Museum
Date
[1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Series
Physical Description
approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
Scope and Content
Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse re…
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
Jesse Love farmhouse series
Description Level
Series
Physical Description
approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
Scope and Content
Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse restoration photographs subseries 3) Love farmhouse curatorial files subseries 4) Love farmouse research files subseries 5) Love family photographs 6) Love farmhouse Oral History subseries 7) Love farmhouse architectural drawings subseries
History
Jesse Love was born in Swindon, England in 1847 and left England to work on a dairy farm in the Toronto area. While working on the farm in Toronto, he met Martha Leonard who he married in 1879. Martha was born on February 3, 1858 in Bedfordshire, England and had come to Canada with her parents George and Ann Leonard. While living in Toronto, Jesse and Martha had two children, George born March 22, 1880 and Annie Elizabeth on August 24, 1881. About one year after Annie was born, the Love family moved to North Dakota to grow wheat. While living there, they had two more children, Henry who was born August 24, 1883 and Edith Minnie born October 9, 1885. The family decided to move further west after hearing about the fairer weather conditions from Martha’s father, George Leonard, who had settled in Vancouver in 1885. On May 23, 1887, Jesse, Martha and their four children arrived in Vancouver after travelling across Canada from Winnipeg on the first transcontinental train. The Loves made their home in Vancouver while Jesse helped clear land on Granville Street. Their fifth child, Thomas Robert was born on September 17, 1887 and soon after, the family moved to Lulu Island in Richmond where they lived growing vegetables and selling them to Vancouver hotels. While living and farming on Lulu island, the couple had two more girls, Martha (Dot or Dorothy) born on December 17, 1889 and Sarah Marie, born February 8, 1892. On October 6, 1893 an agreement was signed by Jesse Love to purchase 14.52 acres of land from Joseph C. Armstrong. The acreage covered the north east section of District Lot 25 within the newly incorporated District of the Municipality of Burnaby. It was here where the original Love house was built (between October 1893 and April 15, 1894) by Jesse Love with the help of local builder George Salt and father in law, George Leonard. The house consisted of an entrance hall, dining room, lean to kitchen, master bedroom and three bedrooms upstairs. A road was constructed and named Cumberland in 1905 and ran from District Lot 25 through to District Lot 11. The address for the Love home was 1390 Cumberland Road and in the early 1960’s the address was renumbered 7651 Cumberland Street. On the land surrounding the house, Jesse Love planted an orchard along with strawberries and raspberries which he sold at the Fraser Valley Market, T.S. Anandale’s Grocery Store in New Westminster and to hotels around Vancouver. Jesse Love served on the Burnaby School Board and also as a District Councillor in 1901 and from 1904-1907. While living in the house, Jesse and Martha had four more children, Phoebe Leonard, born April 15, 1894, Esther, born August 28, 1896, John Leonard, born June 7, 1899 and Hannah Victoria (also known as Girlie) who was born May 12, 1902. As the family grew to eleven children, additions along with some substantial remodelling in the craftsman style took place. In about 1898, a north wing addition was added to include a parlour with two windows, the construction of two more bedrooms and the relocation of the stair case to the North West wall. In 1903 the front door moved to the north elevation, a front porch was extended along the east wall and a summer lean to kitchen was added to the west elevation. Between 1905 and 1910, a tin embossed ceiling was installed along with an addition of the main kitchen which included a pantry, bathtub and a back porch. In about 1912, five craftsman style windows replaced the original pioneer tent style, the front verandah was enlarged to wrap around the south and east elevations, a back door was installed in the kitchen to access the verandah and wood shingle siding and brackets were added to the exterior. In 1918, at the age of 31 years, Robert Love fell ill due to an influenza epidemic and died on November 23, 1918. Following their son’s death, Martha Love became weak and on August 24, 1920, she passed away. By this time, Jesse had sold off a large percentage of his land and his youngest daughter, Girlie decided to stay on to live and care for him. Since the house was too large for just the two of them, Jesse invited any other children to return and share the residence. For a while his son, George and his wife joined them until 1925, followed by his daughter Sarah Parker (nee Love), her husband William and their three children, Albert, Bill and Elsie. The house remained pretty unchanged until 1928 after Jesse Love died of pneumonia (March 10, 1928) and the house was purchased by Sarah and her husband William Parker who continued to live there with their children. The master bedroom wall on the main floor opened up to the dining room, the kitchen pantry and bathtub converted to an alcove with a marble counter and enlarged window and sink while the bathroom was moved to the upstairs and the furnace and coolers were installed in the crawl space under the kitchen. A hot water tank was installed in the house in 1966. Sarah continued to live in the house until a little while after her husband William died in 1961. She sold the house to her daughter Elsie and husband John Hughes in 1966, who lived in the house along with their son Brent, until August 23, 1971. Mahbir Molchan Papan and his wife Geraldine Papan bought the house August 23, 1971 and by 1982, the house was sold to Nirmal Singh Singha and Narinder Singha. The Papans continued to rent the house from Nirmal Singh Singha and Narinder Singha until the late 1980s. In 1988, the house was scheduled for demolition with the remaining property to be subdivided. Fortunately, a neighbour, Mr. Harvey Elder recognized the farmhouse's historical significance and contacted the Burnaby Historical Society. Following this event, the owners agreed to donate the building to the Burnaby Village Museum (under the Century Park Museum Association) who financed the move of the house from Cumberland Street to the museum site. Heritage planner and architect, Robert Lemon provided guidance for the project. Prior to the move, the two porches were removed and demolished while the kitchen and roof were both separated from the main house. The kitchen and roof of the house were transported to Burnaby Village Museum on May 20, 1988 by Nickel Bros. House Moving company, while the main frame of the house completed its transportation to the museum near the end of May 1988 (due to low overhead wires). The house was moved down Cumberland Street to 10th Avenue, up Canada Way to Sperling and set on temporary footings near Hart House. Robert Lemon oversaw structural improvements such as, upgrading floor joists and creating new foundations to replace the original timber foundation of the farmhouse. The restoration went through several phases of work between 1988 until it opened in November 1998. Restoration began on both the interior and exterior features to be interpreted from the period of 1925. On November 23, 1992, the building was designated a heritage building under Heritage Designation Bylaw 1992, Bylaw Number 9807. In 1993, the architecture firm of Brian G. Hart Associates was appointed for the design and construction supervision of the restoration project. Plans were created for a foundation on the museum site in 1989 and the farmhouse was eventually settled on a permanent foundation behind the Burnaby Village Museum administration building in 1993 along with the reattachment of the roof. The kitchen section was reattached to the main house in 1994 along with skirting around the foundation and the reshingling of the exterior. In 1996, the tin ceiling was removed to make way for the installation of the internal electrical system along with sprinklers, ceiling heating and fire break gyprock. The dining room ceiling joists were consolidated, a pantry and bathroom were added to the kitchen, the downstairs bedroom wall was opened and filled, the dining and kitchen doorways were widened. In 1997, a wheelchair ramp was installed along with a concrete sidewalk, stair rails, cement pads at the base of the stairs and a gravel sink for any excess water. Interior work included painting of the kitchen, restoration and furnishing of the kitchen pantry, insulation of the house floor to protect from rodents along with the reconstruction of the kitchen and house chimneys. The registrar worked together with the curator and conservator and was tasked with a large research project on the house including the family contacts and family history, property information, plans, photographs, artifacts, furnishings, stories etc. all organized in files for easy retrieval. A great deal of research and conservation was undertaken in order to make the interior of the house authentic to the time period as possible. One of the biggest projects was selecting and obtaining wall coverings since much of the original wallpaper was incomplete and poor condition. The conservator and registrar were lucky enough to locate a few samples of the original paper and engage the Bradbury and Bradbury Art Wallpaper Company of Benica, California to reproduce replica designs for free. The City of Burnaby now has its own series “Burnaby Village Papers” produced by this company which are titled “Burnaby Wall”; “Burnaby Border” and “Burnaby Ceiling”. All three of these wallpaper designs have been used in the Love farm house and are also commercially available through the Bradbury and Bradbury Art Wallpaper Company. In 1997, restoration of the kitchen was completed and opened to the public. After the completion of the dining room, main floor bedroom and parlour, the Love farmhouse exhibit opened on November 29, 1998 with an open invitation to the public and extended members of the Love family. Officials including the Mayor, Doug Drummond and Love family members were all present to cut the ribbon for the special event.
Accession Code
BV018.41; BV020.5
Access Restriction
Restricted access
Date
[1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
Media Type
Textual Record
Architectural Drawing
Sound Recording
Moving Images
Photograph
Arrangement
The majority of the records within series and subseries were arranged by a staff members of Burnaby Village Museum who worked on the historical research and restoration of the house. Other photographs documenting the move and further restoration work were added later and included in the arrangment by format and subject.
Notes
Title based on content of series
Jesse Love farmhouse is described as an Artifact under BV988.33.1
Some records within this collection have restricted access and are subject to FIPPA
Accessions BV018.41 and BV020.5 form this fonds
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E.W. Bateman family fonds

https://search.heritageburnaby.ca/link/museumdescription15157
Repository
Burnaby Village Museum
Date
[1857]-[195-]
Collection/Fonds
E.W. Bateman family fonds
Description Level
Fonds
Physical Description
63 photographs + 6 cm of textual records
Scope and Content
Fonds consists of photographs of the family of Edwin Wettenhall Bateman and residences including Elworth house, along with letters written by Colin Rhodes Fox during World War II. Fonds is arranged into the following series: 1) Bateman family photographs series 2) Bateman family World War II lette…
Repository
Burnaby Village Museum
Collection/Fonds
E.W. Bateman family fonds
Description Level
Fonds
Physical Description
63 photographs + 6 cm of textual records
Scope and Content
Fonds consists of photographs of the family of Edwin Wettenhall Bateman and residences including Elworth house, along with letters written by Colin Rhodes Fox during World War II. Fonds is arranged into the following series: 1) Bateman family photographs series 2) Bateman family World War II letters series
History
Edwin Wettenhall "E.W." Bateman was born in 1859 in Sandbach, Cheshire, to James and Caroline Mary Wettenhall Bateman (their home in Sandbach was called Elworth Cottage). When he was twenty-one, E.W. Bateman immigrated to Manitoba, Canada where he met Catherine “Cassie” Dale, daughter of George and Sarah Gillon Dale. They were married in Portage La Prairie, Manitoba on November 9, 1886. Edwin and Cassie had seven children, the eldest Edna Caroline Annie (Corner) (1889-1969); George Edwin (1890-? ); Mamie (McWilliams) (1892-1979); Marianne “May” Bateman (1894-1990); Warren Stafford (1896-1954); Jessie (Fox Kemp) (1899-1978) and John Carey (1901-1945). Catherine “Cassie” (Dale) Bateman died in Portage La Prairie in 1909. After Cassie's death, Edwin was transferred to Vancouver by the Canadian Pacific Railway where he married Cassie’s younger sister Mary Dale (1896-1935). Edwin moved his six of his seven children to Vancouver (not including George). Edwin and Mary (Dale) Bateman first lived at 7th and Balsam Street in Vancouver and in 1920, they decided to move to the quieter atmosphere of the Burnaby Lake- Deer Lake area. By this time Edwin Wettenhall Bateman was a retired CPR executive. He moved his wife and daughter Marianne “May” Bateman to Deer Lake and commissioned architect, Enoch Evans to build 'Elworth' house (named after Edwin’s family home in Sandbach, Chesire). The house was completed by contractor William Dodson in 1922 and located at the site of what would become Heritage Village and later, Burnaby Village Museum, 6501 Deer Lake Avenue. The Batemans lived at this location for thirteen years before moving back to Vancouver in May of 1935. Mary Dale Bateman died in July 1935 and sometime after, Edwin W. Bateman married Dora Coulton. Edwin W. Bateman died in 1957 at the age of 98. Edna Caroline Bateman married Raymond Westley Corner in 1920 and had a daughter named Catherine Mary (Levins). Edna and Raymond lived in Kelowna. George Bateman married Louise Agness Birss in January 1910 and continued to live in Manitoba. Mamie Dale Bateman married George Lloyd McWilliams in 1915. The couple had two children, Warren Finley McWilliams and Bruce McWilliams. Mamie and George McWilliams lived with their family on Douglas Road across the road from Elworth house in Burnaby. Warren McWilliams was on North Atlantic convoy duty during World War I from 1942 to 1944. Warren McWilliams died in 2004. Warren Stafford Bateman married Norah Withington in Burnaby in 1924; Winifred Dare Webster in Burnaby in 1932 and Dorothy Margaret Buchanan in New Westminster in 1949. Warren and Winnifred “Winnie” Webster celebrated their marriage at Elworth house in 1932. Warren served in World War I. Jessie Madeline Bateman married Ernest Denby Fox (1900-1945) in 1921. Jessie and Ernest Fox had three children, Colin Rhodes Fox (1921-2005); Mary “Betty” (Gludo) and Allan Fox. Jessie and Ernest Fox operated a small logging company near Powell River, B.C. Sometime after the death of her first husband, Ernest Denby Fox, Jessie married James Kemp. The youngest child of Edwin and Cassie, John “Carey” Bateman married Sophia Spak (1899-1977) in 1925. On September 10, 1939, the day that Canada declared war on Germany, Colin Rhodes Fox (eldest son of Jessie and Ernest Fox) enlisted in the army at the age of 18 years. Colin initially served in an anti-aircraft unit, but was soon transferred to the Field Artillery. During his service overseas, Colin wrote letters to family members including his aunt May Bateman who was living in Burnaby. Colin went through basic artillery training in Edmonton before heading overseas to the United Kingdom with his unit, the 13th Field Regiment , 44th Canadian Field Battery of the Royal Canadian Artillery and later the 78th Canadian Field Battery in Germany and Holland . Colin was wounded on June 8, 1944 (two days after D-Day) but returned to serve in Holland and Germany until the war ended. Colin suffered bullet and shrapnel wounds while laying communication cable from the Normandy beachhead. In 1946, Colin married Susan Streika (Striha) of Pitt Meadows and he began a thirty five year career in the B.C. Telephone Company on Vancouver Island. Colin and Susan had three children; Gary, Elaine and Irene. Colin Rhodes Fox died in 2005. The E.W. Bateman house, "Elworth" is a heritage building on the site of the Burnaby Village Museum. The site is an important cultural feature for the interpretation of Burnaby’s heritage to the public. The E.W. Bateman House was purchased by Burnaby in 1970 and became the focal point for the development of the Museum. Both the interior and exterior of the house have been restored and interpreted to the date of original construction, including recreated room interiors and period furnishings.
Creator
Fox, Colin Rhodes
Bateman, Caroline Mary Wettenhall
Accession Code
HV974.22
HV974.90
HV975.120
HV976.37
HV979.32
BV985.1003
BV986.21
BV992.29
BV994.22
BV004.28
BV004.84
BV020.27
Date
[1857]-[195-]
Media Type
Photograph
Textual Record
Related Material
See also: Interview with Marianne May Bateman February 22, 1978 - Tracks 1-4. City of Burnaby Archives Item No. MSS137-014-1
Notes
Title based on contents of fonds
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C.W. Parker no. 119 carousel series

https://search.heritageburnaby.ca/link/museumdescription17810
Repository
Burnaby Village Museum
Date
[190-] (date of originals) - 2012
Collection/Fonds
Burnaby Village Museum fonds
Description Level
Series
Physical Description
238 photographs + 3 audio cassettes + 2 sound recordings (mp3) + 6 videocassettes + 8 video recordings (mp4)
Scope and Content
Series consists of records created and adminstered by the Burnaby Village Museum pertaining to the history, acquistion, restoration, preservation and documentation of the C.W. Parker no. 119 carousel. Series have been arranged into the following subseries: 1) Carousel photographs subseries 2) Caro…
Repository
Burnaby Village Museum
Collection/Fonds
Burnaby Village Museum fonds
Series
C.W. Parker no. 119 carousel series
Description Level
Series
Physical Description
238 photographs + 3 audio cassettes + 2 sound recordings (mp3) + 6 videocassettes + 8 video recordings (mp4)
Scope and Content
Series consists of records created and adminstered by the Burnaby Village Museum pertaining to the history, acquistion, restoration, preservation and documentation of the C.W. Parker no. 119 carousel. Series have been arranged into the following subseries: 1) Carousel photographs subseries 2) Carousel sound recordings and films subseries
History
"The C.W. Parker no. 119 carousel was built in 1912 in Leavenworth Kansas by the Charles Wallace Parker Company. It was the one hundred and nineteenth carousel made by the company and was so named the C.W. Parker no. 119 carousel. In 1913 the carousel was sold to Mr. F.K. Leggett of Houston Texas for $5,886.00 and was originally equipped with a steam engine and ""wishbones/grass-hopper/jumping horse"" mechanisms. It toured Texas for two years with the Lone Star Circus until 1915 when the machine was shipped back to the factory. It is believed that the machine was rebuilt by the factory with fancier horses and heavier rounding boards referred to as the “Superior” style. Some of the horses were built around 1917 and some between 1920 and 1922. The factory records consulted do not tell for certain where the machine went between 1915 and 1936, possibly to San Jose, California from 1918 until 1922 and then to San Francisco California, or Tacoma, Washington. Accounts from the family of James W. "Jimmy" Robertson, supervisor of rides for Happyland, tell of him travelling with his wife Dora Robertson to Washington, Oregon and California in the fall of 1935 or early 1936 to pick up a new carousel for Happyland. By May 1936, the C.W. Parker no. 119 carousel was in operation in Happlyland inside Hastings Park. The Parker #119 carousel was installed in a pavilion in Happyland which had been built in 1928 by a rival company (Philadelphia Toboggan Company - P.T.C.) and was located next to the "Shoot the Chutes" ride in Hastings Park. Here it remained until Happyland was demolished in 1957. The C.W. Parker no. 119 carousel was then moved to a new small pavilion in Playland until that too was demolished in 1972. From 1972 to 1990, the C.W. Parker no. 119 carousel was operated outdoors inside Playland, and was put away each winter. In 1989 it was announced that the carousel would be sold off horse by horse at an auction in New York. Venus Solano and Doug McCallum and other local people came together to save the carousel and formed The Lower Mainland Association of Friends of the Vancouver Carousel (also known as "Friends of the Carousel"). The first directors of the society consisted of, President and Chairman, Venus Solano; Secretary, Doug McCallum; Director, Keith Jamieson and Director, Nina Freid Rhodes. In May 1989, the Friends of the Carousel approached the Burnaby Village Museum Association who agreed to provide a home for the carousel, pending the approval of Burnaby Municipal Council. Don Wrigley who was president of the Burnaby Village Museum Association joined the board of The Friends of the Carousel as a liaison. The Friends of the Carousel first acquired two horses from the carousel, who were named Julius and Belle. These two carousel horses were used in fundraising over the summer of 1990, at which time the carousel was operating again for a short time inside Playland. The carousel horse named Julius was restored by William Dentzel III (a descendant of one of North America’s original carousel manufacturers) and the carousel horse named Belle was partially stripped and repaired. These carousel horses served as before and after examples of restoration. In June 1990 Don Wrigley was elected as president of The Friends of the Carousel and they set about raising the $350,000 to purchase the carousel and begin restoration work. With a lot of hard work, the help of the Government of British Columbia and the support of the Municipality of Burnaby, the carousel was purchased. Funds were also raised by The Friends of the Carousel to pay for the restoration, and Burnaby agreed to build a new pavilion for it as a Centennial project. Keith Jamieson, a carousel expert, was brought in to coordinate the rebuilding project and restoration work. The Centennial Parker Carousel (C.W. Parker no. 119 carousel) and the Don Wrigley Pavilion where the carousel is housed, opened at Burnaby Village Museum on March 25, 1993.
Accession Code
BV013.19
BV019.21
BV019.39
BV020.5
BV020.12
BV022.2
X5124
X5125
Date
[190-] (date of originals) - 2012
Media Type
Photograph
Moving Images
Sound Recording
Related Material
Lower Mainland Association of the Friends of the Vancouver Carousel fonds
Keith Jamieson fonds
Faye Diamond fonds
See also: Burnaby Village Museum artifacts for the C.W. Parker no. 119 carousel as well as souvenir memorabilia from Lower Mainland Association of Friends of the Vancouver Carousel
Arrangement
Records have been created by various staff members of Burnaby Village Museum during the acquistion and research of the carousel. Some records were compiled together into a collection by subject and arranged according to their general material designations within the Burnaby Village Museum archival collection.
Notes
Title based on contents of series
Further accruals are expected
Contact Burnaby Village Museum to access sound recordings and moving images
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Fred K. Leggett family fonds

https://search.heritageburnaby.ca/link/museumdescription18773
Repository
Burnaby Village Museum
Date
[1900]-1993, predominant [1900-1947]
Collection/Fonds
Fred K. Leggett family fonds
Description Level
Fonds
Physical Description
16 photographs + 1 videocassette
Scope and Content
Fonds consists of a collection of photographs of the Leggett family, the C.W. Parker no. 119 carousel, the Lone Star Circus, a film created by family members that documents the opening day of the C.W. Parker no. 119 carousel at Burnaby Village Museum along with photographs of Parker Carousel "Carry…
Repository
Burnaby Village Museum
Collection/Fonds
Fred K. Leggett family fonds
Description Level
Fonds
Physical Description
16 photographs + 1 videocassette
Scope and Content
Fonds consists of a collection of photographs of the Leggett family, the C.W. Parker no. 119 carousel, the Lone Star Circus, a film created by family members that documents the opening day of the C.W. Parker no. 119 carousel at Burnaby Village Museum along with photographs of Parker Carousel "Carry Us All" in Alum Rock San Jose.
History
Fred Kirk Leggett was the first owner of the C.W. Parker no. 119 carousel. Fred and Norvie Leggett had six children including, Norvie, Fred D., Leon, Dedie and Ralph. The eldest daughter (name unknown) of F.K. and Norvie Leggett died in 1911. In 1913 the carousel was sold to Fred K. Leggett of Houston Texas for $5,886.00 and was originally equipped with a steam engine and ""wishbones/grass-hopper/jumping horse"" mechanisms. It toured Texas for two years with the Lone Star Circus until 1915 when the machine was shipped back to the factory. It is believed that the machine was rebuilt by the factory with fancier horses and heavier rounding boards referred to as the “Superior” style. Some of the horses were built around 1917 and some between 1920 and 1922. The factory records consulted do not tell for certain where the machine went between 1915 and 1936, possibly to San Jose, California from 1918 until 1922 and then to San Francisco California, or Tacoma, Washington. The carousel was installed at Happyland in the nineteen thirties and then moved to Playland and the PNE. In 1989 "The Lower Mainland Association of Friends of the Vancouver Carousel" came together save the carousel from destruction. With a lot of hard work, the help of the Government of British Columbia and the support of the Municipality of Burnaby, the carousel was purchased. Funds were also raised by The Friends of the Carousel to pay for the restoration, and Burnaby agreed to build a new pavilion for it as a Centennial project. The Centennial Parker Carousel (C.W. Parker no. 119 carousel) and the Don Wrigley Pavilion where the carousel is housed, opened at Burnaby Village Museum on March 25, 1993. The eldest daughter of F.K. Leggett, Norvie Leggett Frame and other members of the Leggett family were in attendance for the opening of the newly restored carousel at Burnaby Village Museum in 1993.
Responsibility
Frame, Norvie Leggett
Accession Code
BV993.18
BV993.51
BV004.94
BV005.49
BV005.63
Date
[1900]-1993, predominant [1900-1947]
Media Type
Photograph
Moving Images
Arrangement
Fonds is arranged by subject from various donations that orignated from the Leggett family.
Notes
Title based on contents of fonds
Contact Burnaby Village Museum to view video content
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Hill family and Vidal family fonds

https://search.heritageburnaby.ca/link/archivedescription82116
Repository
City of Burnaby Archives
Date
[1850-1983]
Collection/Fonds
Hill family and Vidal family fonds
Description Level
Fonds
Physical Description
255 photographs : b&w and sepia and 9.5 cm of textual records : ill. (some col.)
Scope and Content
Fonds consists of photographs and textual records from the Vidal and Hill family. Textual records include handwritten family trees, typed and handwritten biographical information of the Jones, Wright, Hyde, Vidal, and Hill families, copies of photographic prints, published works by J. H. Vidal and …
Repository
City of Burnaby Archives
Date
[1850-1983]
Collection/Fonds
Hill family and Vidal family fonds
Physical Description
255 photographs : b&w and sepia and 9.5 cm of textual records : ill. (some col.)
Description Level
Fonds
Access Restriction
No restrictions
Accession Number
2013-03
Scope and Content
Fonds consists of photographs and textual records from the Vidal and Hill family. Textual records include handwritten family trees, typed and handwritten biographical information of the Jones, Wright, Hyde, Vidal, and Hill families, copies of photographic prints, published works by J. H. Vidal and William Cowper, newspaper clippings, and a New Testament.
History
Minard Gerald “Gerry” Hill was born in Burnaby on July 31, 1893, to Marian (nee Berkeley) and Bernard Richard Hill. Marian was born in London, England. Bernard Hill, born in Bengal, India, in 1858 to Sir Richard Hill and Jane Ann (nee Rollinson) where his father worked for the East Indian Railway, was one of the early inhabitants of Burnaby. Despite their years of training as engineers, Bernard, along with his brother, Louis Claude Hill, became strawberry farmers and owned all the land between Burnaby Lake and Deer Lake where Deer Creek runs, and halfway around Deer Lake. Bernard built his family home at Douglas Road near Deer Lake in 1892. After the decline in the strawberry industry, Bernard worked as a surveyor for the municipality. Bernard also served as a Burnaby trustee and as councilor of Burnaby in 1904, 1905, 1906, and 1909. Bernard and Marian had four children: A. Claude (born in England around 1885, married Marion “Mamie”), Frank L., Winnifred “Winnie” L., and Gerry. Gerry attended Miss Harriet Woodward’s kindergarten class, and went on to Edmonds School with Miss Ellen Lister as his teacher. He later went to Central High School in New Westminster, often on horseback. Gerry served in World War I, signing his recruitment papers on November 9, 1914. When he returned home, he worked felling trees, then as an apprentice surveyor and finally as a carpenter. His father, Bernard, died in Burnaby on March 27, 1939, at the age of 80. Bernard's brother, Louis, was one of the first members elected to the Burnaby council and served in 1892, 1893, 1894, and again from 1909-1910. Louis, born in 1860, married Annie Sarah Kendrick (born in 1896) and they moved to the Burnaby Lake area in the early 1890s. Together they had one child, Katherine “Kitty” Maude, born in 1898. The first Hill family home, “Brookfield,” was sold around 1907 and the family moved to their new home, “Broadview,” which was also built in the vicinity of Deer Lake. Kitty, their only child, married William “Bob” John Peers in 1925 and they went on to have three children: Robert C.K., Barbara (later Barbara Jeffrey), and Anne (later Anne Latham). Charlotte Elizabeth Vidal was born in 1897 in the United States to Louisa Sophia (nee Jones) and Herbert P. Vidal. Louisa Vidal (1871-1943) was a descendent of Jones of Exeter of England and the House of Llanio Cardigan of Wales. Herbert Vidal (1868-1934)’s father was Alexander Vidal (1819-1906). Alexander Vidal, born in Brocknell, England, immigrated to Upper Canada in 1835 and later served as a senator of Canada from 1873 to 1906. He married Catherine Louisa Wright, the daughter of Capt. William Elliot Wright. Both of Charlotte’s parents, Louisa and Herbert, were born in Ontario. Charlotte Vidal was sister to Dorothy Kate and Alexander E. E. Vidal. Gerry Hill (aged 27) and Charlotte E. Vidal (aged 23) married on September 28, 1920, in Vancouver. Gerry built a house for him and his wife about a thousand feet from his parents’ home. He also bought property at Yellow Point on Vancouver Island around this time. By the early 1930s, Gerry had moved to Yellow Point permanently and begun building the Yellow Point Lodge. Gerry and Charlotte bore three children: David, Lesley C. (born in 1929), and Gerald. Gerry was later remarried to Elizabeth (nee Holen) and had one child: Richard Grant McEwan Hill, born in Ladysmith. Lesley married M. Clarke and had two boys: Roy and Graham. She later married B. Durban and had four boys: Patrick, Michael, Gary, and Grant. Charlotte died on February 11, 1984, at the age of 87. Gerry died on January 30, 1988, in Ladysmith at the age of 93.
Media Type
Photograph
Textual Record
Creator
Hill Family
Vidal family
Notes
Title based on contents of fonds
Photo catalogue 550, MSS176
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Robinson-Surgenor collection

https://search.heritageburnaby.ca/link/museumdescription18746
Repository
Burnaby Village Museum
Date
[1905-1931] (date of originals), copied 2016
Collection/Fonds
Robinson-Surgenor collection
Description Level
Fonds
Physical Description
15 photographs (tiffs)
Scope and Content
Collection consists of photographs of train locomotive "Old Curly" along with photographs of other locomotives. Photographs of "Old Curly" were taken during it's early logging days and when it was moved back to Vancouver. Photographs were maintained and collected by William F. Surgenor and later by…
Repository
Burnaby Village Museum
Collection/Fonds
Robinson-Surgenor collection
Description Level
Fonds
Physical Description
15 photographs (tiffs)
Scope and Content
Collection consists of photographs of train locomotive "Old Curly" along with photographs of other locomotives. Photographs of "Old Curly" were taken during it's early logging days and when it was moved back to Vancouver. Photographs were maintained and collected by William F. Surgenor and later by his grandson Bill Robinson.
History
William F. Surgenor was born in Ireland in 1877 and in 1905 William Surgenor immigrated to British Columbia. In 1912, William Surgenor married Bessie Duncan in Vancouver. William worked as a railway locomotive engineer and was toted in the Vancouver Sun as a legend among railroaders in British Columbia. His first railway job as train engineer in British Columbia was aboard the locomotive named "Old Curly". William Surgenor worked on the engine during it's logging service up Vancouver Island and the Sunshine Coast and before it was moved back to Vancouver around 1927. William and Bessie Surgenor had four children; William George "Tyke", Earl Almer, Alice Margrete (Robinson) and Robert. William and Bessie Surgenor's eldest son William "Tyke" Surgenor also worked on the railway as a fireman and brakeman. William William F. Surgenor died in 1965. The locomotive engine "Old Curly" was built in San Francisco in 1879 and was used during the building of the harbour sea wall. It was likley built by Marshutz & Cantrell. It was acquired by Andrew Onderdonk in 1881 to use during construction of the Fraser Canyon section of the Canadian Pacific Railroad (CPR). The locomotive was the first logging locomotive in this area. It was later used on the section from Savona Ferry to Kamloops. The locomotive was layed up in 1887 and not used for several years until it was purchased by the British Columbia Timber and Trading Company (BCTTC) for use on their logging railway in Surrey. In the early 1900s the engine was shifted from Surrey to the company operations north of Powell River and was a familiar sight carrying logs from Hastings Mill. It was brought back to Vancouver, in a damaged condition and stored on BCTTC property around 1927, was acquired by the CPR and restored as a 50th Anniversary Project in 1930. It was displayed at the Pacific National Exhibition grounds until the 1973 when it was brought to Heritage Village (later Burnaby Village Museum) and restored again.
Creator
Surgenor, William F.
Accession Code
BV016.52
Access Restriction
Restricted access
Reproduction Restriction
May be restricted by third party rights
Date
[1905-1931] (date of originals), copied 2016
Media Type
Photograph
Arrangement
A selection of 15 photographs (negatives and prints) with a common subject were loaned for reproduction purposes (three of the photographs were prints from negatives). Photographs are arranged and described at item level. Low resolution copies of each photograph have been made available on Heritage Burnaby.
Notes
Title based on contents of fonds
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Way Sang Yuen Wat Kee & Co.

https://search.heritageburnaby.ca/link/museumdescription4648
Repository
Burnaby Village Museum
Date
1908-1975
Collection/Fonds
Way Sang Yuen Wat Kee & Co. fonds
Description Level
Fonds
Physical Description
3 folders of textual records + 180 photographs + ephemera + 1 map + 1 architectural drawing
Scope and Content
Fonds consists of records acquired from the Chinese Herbalist shop “Way Sang Yuen Wat Kee & Co” operating in Victoria from 1905 until 1968. Textual records include a few pieces of correspondence, receipts and ephemera addressed to "Way Sang Yuen Wat Kee & Co.", Lim You and Lim Yau (Yew Long Lum) wh…
Repository
Burnaby Village Museum
Collection/Fonds
Way Sang Yuen Wat Kee & Co. fonds
Description Level
Fonds
Physical Description
3 folders of textual records + 180 photographs + ephemera + 1 map + 1 architectural drawing
Scope and Content
Fonds consists of records acquired from the Chinese Herbalist shop “Way Sang Yuen Wat Kee & Co” operating in Victoria from 1905 until 1968. Textual records include a few pieces of correspondence, receipts and ephemera addressed to "Way Sang Yuen Wat Kee & Co.", Lim You and Lim Yau (Yew Long Lum) while the shop was in operation at 1620 Government Street in the 1940s. Some of the records are written in English while a portion are written in Cantonese and haven't been translated. Most of the photographs document the content of the original shop at the time of aquistion in 1975. Some photographs of unidentified people may be related to the owner or proprietor of the shop. A collection of other photographs document various Chinese Canadian organizations that were in operation in Victoria. Records are arranged into the following series: 1) Way Sang Yuen Wat Kee & Co. photographs series 2) Way Sang Yuen Wat Kee & Co. documents series
History
The Chinese Herbalist shop "Way Sang Yuen Wat Kee & Co" operated in Victoria, BC from about 1905 until [1968]. The meaning of "Way Sang Yuen Wat Kee & Co" can be translated as "Collection, Life, Source, Alive, Shop" although many interpretations can be taken since each Chinese character can have several meanings. Contents of the shop were purchased by the Burnaby Village Museum in 1975 and reassembled as a permanent display in the Burnaby Village Museum. The shop’s original owner was Ng Chee Fong who opened the shop ca.1905. In 1921, Ng returned to Hong Kong and sold the business to Lam Yuen and Wong Ying who were from Vancouver. Lam Yuen and Wong Ying employed Lum Chuck Yue to operate the shop. Lum Chuck Yue had formerly operated a small herbal counter in a Chinese apothecary store on the south side of Fisgard Street, Victoria. In 1924 Lam Yuen and Wong Ying purchased Wah Sun & Co. from Lee S. Yew and Way Sang Yuen Wat Kee & Co. moved into the Wah Sun premises at 1620 Government Street in the Lee Block . The furnishings and fixtures of both stores were combined, with the more elaborate fixtures from WSYWK remaining as part of the public part of the shop and the plainer fixtures of Wah Sun moved into the workroom and basement. In the 1930s Lum Chuck Yue took over the business and became the proprietor. In about 1934, Tan Yi Tang purchased the business and the shop reopened as Way Sang Yuen Wat Kee & Co. following renovations with Lum Yew Jong as the shop's proprietor. Lum Yew Jong continued to operate the shop until his death in 1967 at the age of 68 years. Following Lum’s death, the property and contents of the shop were purchased by Mr. J. Watson Marles, a local owner operator of an antique store at 1714 Government Street. The shop and contents went through a few more private owners including Rodney Pain before it was purchased by the Heritage Village Museum in 1975 with funds made available by the Vancouver Foundation and the Province of British Columbia. Contents of the original shop were reasembled in a reconstructed building as a permanent display on site at the Burnaby Village Museum.
Creator
Way Sang Yuen Wat Kee & Company
Accession Code
HV975.5
BV985.5331
BV017.7
Access Restriction
Restricted access
Reproduction Restriction
May be restricted by third party rights
Date
1908-1975
Media Type
Photograph
Textual Record
Cartographic Material
Architectural Drawing
Related Material
See also Artifacts under Accessions HV975.5; BV985.5331 and BV017.7
Notes
Title based on contents of fonds
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