"Arts" found 24 records | Heritage Burnaby

Physical Description: 1 file of textual records : 1 p. + 1 illustration : col. ; graphite and watercolour + 1 digital file : col. (pdf) + 10 photographs : col. (tiffs)

Scope and Content: File consists of pages from a scrapbook created by May Aitkenhead. Pages include an illustration of a Girl Guide in uniform done in pencil and watercolour along with two pages (double sided) of clippings from newspapers, magazines and a programme. The illustration page includes the name "Mabel McIn…

1 image 1 document

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Girl Guides fonds

Series: Burnaby Girl Guides scrapbooks and photographs series

Description Level: File

Physical Description: 1 file of textual records : 1 p. + 1 illustration : col. ; graphite and watercolour + 1 digital file : col. (pdf) + 10 photographs : col. (tiffs)

Scope and Content: File consists of pages from a scrapbook created by May Aitkenhead. Pages include an illustration of a Girl Guide in uniform done in pencil and watercolour along with two pages (double sided) of clippings from newspapers, magazines and a programme. The illustration page includes the name "Mabel McIntyre / Cl. 16" handwritten in pencil at the top of the page along with a sticker of a wreath. The newspaper clippings page is titled "Guide News" and includes selected clippings about the 5th Burnaby Girl Guides, while two other pages include information titled "Patrol Portfolio Chart No. 9 _ Digging"; "The Aims of the Girl Guides" and "Girl Guiding" with photographic images of Mrs. Alan Morkill (Provincial Commissioner for British Columbia); Countess Bessborough (Honourary President of the Canadian Girl Guide Association); His Excellency Rt. Hon. the Earl of Bessborough (Governor General and Commander in Chief of the Dominion of Canada- Chief Scout of Canada) as well as Lady and Lord Baden Powell. The last page is clipped and pasted from a programme and/or poster "Grand Rally / Scouts / and / Guides / April 15th 1935 / Hastings Park / Vancouver BC" and includes a page of the programme.

Creator: Aitkenhead, May

Subjects: Organizations - Girls' Societies and Clubs; Arts - Paintings

Names: Girl Guides of Canada

Accession Code: BV015.35.168

Access Restriction: No restrictions

Reproduction Restriction: May be restricted by third party rights

Date: [1930-1935]

Media Type: Textual Record; Graphic Material

Notes: Title based on contents of file; Digital images were created of the scrapbook prior to selective retention of original records; Selected pages were removed from original scrapbook and were retained under BV015.35.168; Selected photographs were removed from scrapbook prior and are described at item level (BV015.35.292 to BV015.35.300)

Images

Pages from May Aikenhead scrapbook, [1930-1935] thumbnail

Documents

2015_0035_0168_all_pages

Design quarterly, 56

https://search.heritageburnaby.ca/link/museumlibrary5982

Repository: Burnaby Village Museum

Author: Kelly, Rob Roy, 1925-2004

Publication Date: 1963

Call Number: 686.224 KEL

Repository: Burnaby Village Museum

Collection: Reference Collection

Material Type: Textual Record

Call Number: 686.224 KEL

Author: Kelly, Rob Roy, 1925-2004

Contributor: Walker Art Center

Place of Publication: Minneapolis, Minn.

Publisher: Walker Art Center

Publication Date: 1963

Physical Description: 41 p. : ill. ; 28 cm.

Library Subject (LOC): Decorative arts; Industrial arts--History; Type and type-founding; Printing--Specimens; Periodicals

Notes: Includes bibliographical references

Sears craftman : vol. 7, no.2

https://search.heritageburnaby.ca/link/museumlibrary6644

Repository: Burnaby Village Museum

Publication Date: 1962

Call Number: 686 SEA

Repository: Burnaby Village Museum

Collection: Reference Collection

Material Type: Textual Record

Call Number: 686 SEA

Contributor: Chittick, Bob

Place of Publication: Toronto

Publisher: Sears Ltd

Publication Date: 1962

Library Subject (LOC): Printing; Graphic arts; Periodicals

Notes: "Editor: Bob Chittick"; "a publication for the Canadian Graphic Arts Industry" -- title page

Burnaby Centennial '71 Committee collection

https://search.heritageburnaby.ca/link/museumdescription12986

Repository: Burnaby Village Museum

Date: 1970-1971

Collection/Fonds: Burnaby Centennial '71 Committee collection

Description Level: Fonds

Physical Description: 57 architectural drawings + approx. 45 cm of textual records + 94 photographs + 1 video recording (mp4) + 1 film reel

Scope and Content: Collection consists of records documenting the planning and development of the Burnaby Centennial '71 Committee's commemorative project, Heritage Village (Burnaby Village Museum) prior to it's opening in November 1971. These records were created and/or accumulated by various members of the Burnaby…

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Centennial '71 Committee collection

Description Level: Fonds

Physical Description: 57 architectural drawings + approx. 45 cm of textual records + 94 photographs + 1 video recording (mp4) + 1 film reel

Scope and Content: Collection consists of records documenting the planning and development of the Burnaby Centennial '71 Committee's commemorative project, Heritage Village (Burnaby Village Museum) prior to it's opening in November 1971. These records were created and/or accumulated by various members of the Burnaby ’71 Centennial Committee sub-committee, Heritage Village staff and the Century Park Museum Association.

History: The Burnaby Centennial '71 Committee was formed in accordance with the British Columbia Centennial '71 Act and was directed by the Provincial Centennial '71 Committee. In April 1970, a representative group of Burnaby citizens were appointed to the committee. Members of the committee included: Ex-Officio Mayor Robert W. Prittie; Chairman, James A. Barrrington; Vice Chairman, Gordon H. Skene; Secretary-Treasurer, Charles B. Brown; Alderman, John D. Drummond; Mrs. Joan Johnston; Mrs. Martin Dunsmuir; Miss Rose Bancroft; Msgr. J.E. Brown; Messrs. Elmer Buckingham; A.B. "Sandy" Stewart; Vic Stusiak; Fraser Wilson; Don Copan and Richard Smith. The purpose of the committee was to ensure that all Burnaby citizens as individuals, family groups or members of community organizations had an opportunity to participate and contribute to celebrations marking the 100th Anniversary of the entry of British Columbia into Confederation and further to make written suggestions of a permanent Centennial project of lasting value and significance to the community. Programs and special events sponsored by the committee included; Flag raising ceremony on January 1, 1971, New Year's Day Ceremony, parades, plays (including "Barkerville '71"), musical events, Burnaby pioneer award presentations, a horse show, lacrosse jamboree, minor baseball, volleyball, tennis, football, soccer, judo and field hockey tournaments, a swim meet, an antique car rally, Easter egg hunt, Rocketry meet, Boy Scouts outdoor action show, Girl Guides "camporee", Midsummer Festival at Burnaby Arts Centre, Rhododendrun Festival at Century Gardens, Variety show, Centennial Ball, Burnaby Rhodendrun Flower show, a Miss Burnaby Pageant, Sports Day, Burnaby Amateur Radio Club party, Centennial '71 Caravan, Centennial High School Art Contest, Sod Turning Ceremony at Heritage park Museum and opening of Heritage Village Museum in November. A sub-committee of the Centennial Committee was responsible for the development of a City of Burnaby permanent commemorative project which became Heritage Village. Sandy Stewart was the sub-committee chair who worked with Richie Smith and Vic Stusiak to develop the concept for an open- air museum reflective of a tram stop community. Architect Rudy Kovacs was hired to come up with a design for the project. Official sod-turning of Heritage Village took place on April 11, 1971. Mayor Bob Prittie officially turned the sod in front of the Elworth house before a crowd of 500. In the spring of 1971, a Heritage Village Director and Curator were hired to oversee the development of the project and acquire artifacts. Salaries were paid through the Parks Commission. The sub-committee continued to assist in overseeing the project to completion. Vic Stusiak set up an administrative structure to govern the new museum. The building of the museum was contracted by Ballarin Bros. Construction at a cost of $121,000 and work began in mid July. Trevi Construction Co. was contracted to do the finished carpentry on the project. The Century Park Museum Association was formed to govern Heritage Village with directors elected on October 26, 1971. Heritage Village officially opened on November 19, 1971 with Mayor Bob Prittie and Governor General Roland Michener in attendance. On January 27, 1972 the committee turned over the Heritage Village Project to the Corporation of the District of Burnaby. After this, the committee was dissolved and all remaining funds were transferred to the Century Park Museum Association which took over the governance of Heritage Village, later known as Burnaby Village Museum.

Creator: Burnaby Centennial '71 Committee

Accession Code: BV985.6018; BV000.18; BV019.52; BV020.5; BV022.9

Date: 1970-1971

Media Type: Architectural Drawing; Photograph; Moving Images; Textual Record

Related Material: Century Park Museum Association fonds; Donald Copan collection; Burnaby Village Museum fonds

Arrangement: Records were accumulated and donated by various donors over time. They were arranged and described by subject and format as discrete items originating from this committee.

Notes: Title based on content of collection; Some records within this collection have restricted access - contact Burnaby Village Museum for further information; Further accruals are expected

Fashion service : woman's institute magazine

https://search.heritageburnaby.ca/link/museumlibrary3329

Repository: Burnaby Village Museum

Author: Picken, Mary Brooks, 1886-1981

Publication Date: c1921

Call Number: 646 PIC

Repository: Burnaby Village Museum

Collection: Special Collection

Material Type: Textual Record

Accession Code: BV991.24.1

Call Number: 646 PIC

Author: Picken, Mary Brooks, 1886-1981

Contributor: Fellows, Alwilda; Seipp, Alice

Place of Publication: Scranton, Pa.

Publisher: Woman's Institute of Domestic Arts and Sciences

Publication Date: c1921

Physical Description: 1 v. (unpaged) : ill. : 29 cm.

Library Subject (LOC): Fashion; Textile fabrics; Textile industry; Periodicals

Notes: "Assisted by Alwilda Fellows" -- Title page; "Illustrations by Alice Seipp" -- Title page; "Prepared for the exclusive use of students of the Woman's Institute course in dressmaking and designing" -- Title page; Spring & Summer 1921

Fashion service : woman's institute magazine

https://search.heritageburnaby.ca/link/museumlibrary3330

Repository: Burnaby Village Museum

Author: Picken, Mary Brooks, 1886-1981; Fellows, Alwilda

Publication Date: c1921

Call Number: 646 PIC

Repository: Burnaby Village Museum

Collection: Special Collection

Material Type: Textual Record

Accession Code: BV991.24.2

Call Number: 646 PIC

Author: Picken, Mary Brooks, 1886-1981; Fellows, Alwilda

Contributor: Mahon, Mary; Seipp, Alice

Place of Publication: Scranton, Pa.

Publisher: Woman's Institute of Domestic Arts and Sciences

Publication Date: c1921

Physical Description: 1 v. (unpaged) : ill. : 29 cm.

Library Subject (LOC): Fashion; Textile fabrics; Textile industry; Periodicals

Notes: "Illustrations by Alice Seipp" -- Title page; "Millinery Instruction by Mary Mahon" -- Title page; "Prepared for the exclusive use of students of the Woman's Institute" -- Title page; "Fall & Winter 1921-1922" -- Title page

Fashion service : woman's institute magazine

https://search.heritageburnaby.ca/link/museumlibrary3331

Repository: Burnaby Village Museum

Author: Picken, Mary Brooks, 1886-1981; Fellows, Alwilda

Publication Date: c1922

Call Number: 646 PIC

Repository: Burnaby Village Museum

Collection: Special Collection

Material Type: Textual Record

Accession Code: BV991.24.3

Call Number: 646 PIC

Author: Picken, Mary Brooks, 1886-1981; Fellows, Alwilda

Contributor: Seipp, Alice; Mahon, Mary

Place of Publication: Scranton, Pa.

Publisher: Woman's Institute of Domestic Arts and Sciences

Publication Date: c1922

Printer: International Textbook Press

Physical Description: 1 v. (unpaged) : ill. : 31 cm.

Library Subject (LOC): Fashion; Textile fabrics; Textile industry; Periodicals

Notes: "Fall and Winter 1922-1923" -- Title page; "Illustrations by Alice Seipp" -- Title page; "Millinery Instruction by Mary Mahon" -- Title page; "Prepared for the exclusive use of students of the Woman's Institute" -- Title page

Fashion service : woman's institute magazine

https://search.heritageburnaby.ca/link/museumlibrary3332

Repository: Burnaby Village Museum

Author: Picken, Mary Brooks, 1886-1981; Fellows, Alwilda

Publication Date: c1923

Call Number: 646 PIC

Repository: Burnaby Village Museum

Collection: Special Collection

Material Type: Textual Record

Accession Code: BV991.24.4

Call Number: 646 PIC

Author: Picken, Mary Brooks, 1886-1981; Fellows, Alwilda

Contributor: Mahon, Mary; Seipp, Alice

Place of Publication: Scranton, Pa.

Publisher: Woman's Institute of Domestic Arts and Sciences

Publication Date: c1923

Printer: International Textbook Press

Physical Description: 1 v. (unpaged) : ill. : 29 cm.

Library Subject (LOC): Fashion; Textile fabrics; Textile industry; Periodicals

Notes: "Millinery Instruction by Mary Mahon" -- Title page; "Illustrations by Alice Seipp" -- Title page; "Prepared for the exclusive use of students of the Woman's Institute" -- Title page; Spring & Summer 1923

Hawkshaw family fonds

https://search.heritageburnaby.ca/link/museumdescription19354

Repository: Burnaby Village Museum

Date: 1888-1976, predominant 1931-1939

Collection/Fonds: Hawkshaw family fonds

Description Level: Fonds

Physical Description: 1 album (284 photographs) + 19 photographs + 17.5 cm of textual records

Scope and Content: Fonds consists of family photographs including a photograph album created by Crichton Hawkshaw, correspendence, reports and literary works created by and belonging to Mabel Hawkshaw and a series of photographs documenting special events in Burnaby including, Burnaby's first May Day in 1925 and a v…

Repository: Burnaby Village Museum

Collection/Fonds: Hawkshaw family fonds

Description Level: Fonds

Physical Description: 1 album (284 photographs) + 19 photographs + 17.5 cm of textual records

Scope and Content: Fonds consists of family photographs including a photograph album created by Crichton Hawkshaw, correspendence, reports and literary works created by and belonging to Mabel Hawkshaw and a series of photographs documenting special events in Burnaby including, Burnaby's first May Day in 1925 and a visit to Burnaby by Governor-General Lord Willingon in 1928. Fonds is arranged into series: 1) Hawkshaw family photographs series 2) Mabel Hawkshaw records series 3) Burnaby events photographs series

History: Mabel Edith Honor McClean Hawkshaw (1886-1946) was born in Wexford, Ireland to parents, Washington Gilliland McClean and Honor Delamore McClean (nee Thomas). Mabel's parents had four children; Charles Gilliland McClean; Elsie (Rae); Evangeline Mai (Goff) and Mabel Honor (Hawkshaw). Mabel emigrated from Ireland to Canada with her family in 1903 and the family moved to Vancouver in 1905. In 1909, Mabel married John Edward “Jack” Hawkshaw. Mabel and Jack Hawkshaw had three children; Richard “Crichton” Gilliand Hawkshaw (1912-1972); Edward Delamere “Dal” Burrington Hawkshaw (1914-1988) and Merton Cedric “Cedric” Perry Hawkshaw (1924-2008). Prior to her marriage in 1909, Mabel Hawkshaw worked for the Canadian Pacific Railway in Revelstoke. Mabel was founder and publisher of the “Burnaby Post” newspaper (1922-1937) and wrote articles for city dailies and magazines under the pen name “Percy Egerton Sterling”. Mabel also worked as the first female bank teller in Canada and was the first female censor of motion pictures in British Columbia (1928-1946) and also worked as an assistant advertising manager of the Hudson’s Bay Company. Among other accomplishments, Mabel was the chairperson of the committee for Burnaby's first May Day event in 1925, was active as a leader in the Girl Guides, a member of several women's clubs, a speaker on matters of education and film production in Vancouver and Victoria and was also a member of the Juvenile Court in Burnaby and the I.O.D.E. At time of her death in 1946, Mabel was living on West 57th Street, Vancouver. John Edward “Jack” Hawkshaw (1881-1934) who was born in Glanworth Ontario to Captain William Stearne Hawkshaw and Elizabeth Merton Hawkshaw (nee Shore). Jack came to Vancouver in 1900 and soon after arriving, Jack moved to the Yukon where he worked for the Canadian Bank of Commerce serving in Dawson and White Horse. He returned to Vancouver in 1904 and joined the newly-organized Northern Bank. In 1906, Jack became a bank manager in New Westminster and later was manager in New Westminster for the Northern Crown Bank. Jack resigned from the bank in 1914 to fight in World War I and moved his family to Calgary where he began his military training. In 1915, Jack was stricken with polio which left him crippled in one leg barring him from active service. In the 1920’s, he worked as a treasurer for the Royal City Canning Co. and Cunningham Trapp Hardware Company. In 1933, Jack worked as an accountant treasurer for the Crane Shipyards. Jack Hawkshaw was a member of the Canadian Credit Men’s Association of Burnaby and the Kiwanis Club of New Westminster. In May 1934, Mabel and Jack purchased property on Lasqueti Island with a sheep ranch. One month after purchasing the property Jack Hawkshaw died tragically in an accident on the island when he was thrown from a horse drawn carriage with his ten year old son Cedric. Cedric survived the accident but his father died on the dock on Lasqueti Island. The family dog, Dixie also died after she swam after the fishing boat carrying Jack Hawkshaw’s body and Cedric to the mainland for medical attention. John and Mabel’s first home was located at 309 Pine Street in New Westminster. In 1920, the family relocated to 763 Wedgewood, Burnaby (later renumbered 7743 Wedgewood Street) where they lived until 1931. In 1932, the Hawkshaw family moved to Vancouver where they resided in different locations until after the death of Jack Hawkshaw. Mabel continued to operate the sheep ranch on Lasquesti after Jack died in 1934, with a succession of tenants until Mabel’s death in 1946. In 1936, Mabel moved back to Burnaby for a few years, residing at 5590 Douglas Road in 1936 and 3908 Deer Lake Avenue in 1937 (Heritage home known as the R.F. Anderson House). In 1938 Mabel moved back to Vancouver where she lived until her death in 1946. Richard “Crichton” Gilliland Hawkshaw (1912-1972) married Ivy Ina Hawkshaw (nee Hughes) (1913-1987) at St. Mary’s Anglican Church, Vancouver in 1939. Crichton enlisted with the Canadian military and trained at Shilo and Sarcee military bases. Following his military training, Crichton got work as an operator in the mill at Britannia Beach mine where he worked between 1938 and 1949. Crichton and Ivy Hawkshaw lived at Britannia Beach during the time he worked there. Ivy and Crichton had two sons, Bruce and Dick Hawkshaw. After Britannia Beach, the family lived in Abbotsford and Chilliwack before moving to North Vancouver. Prior to his death in 1972, Crichton Hawkshaw worked as an auditor for the Government of British Columbia in the Internal Revenue Department. Crichton was a member of Abbotsford Masonic Lodge No. 70, past patron of the Order of the Eastern Star, member of the North Shore Shrine Club and Upper Fraser Valley Shrine Club and Gizeh Shrine Temple. He was also a devoted fan and supporter of the B.C. Lions football team. Edward Delamere “Dal” Burrington Hawkshaw (1914-1988) married Barbara Walters Fry (1913-2001) in 1940. The couple had three children; Nancy Susan, Peter Burrington and John Edward (who died in infancy). Dal Hawkshaw worked as a financial consultant with the Canadian Imperial Bank of Commerce. In his free time, Dal served on the board of the Goodwill Enterprises for the Handicapped, the Victoria Symphony Society and the Art Gallery of Greater Victoria. Dal was the first honorary treasurer of the University of Victoria and served on the advisory council and as a trustee of the British Columbia Institute of Technology. In 1985, Dal Hawkshaw was named an honorary citizen of British Columbia. Merton "Cedric" Perry Hawkshaw (1924-2008) married Carol Violet (Worrall) Hawkshaw (1923-1985) in 1947 (Carol remarried later to Jack Madsen). The couple had three children, Frances Jacqueline (b. 1948) and Geraldine Lucy (b.1952), and Barry (b.1957). ). Cedric was a member of the Old Boys Association of St. Georges School, served in the Navy (DEMS) and was a proud veteran of WWII. When the war ended he saved enough money to purchase a home in Burnaby on acreage which he sold soon after and relocated to Armstrong Street, Burnaby. Cedric worked for his father in law at William Worrall furniture. After the company closed in 1959, he worked in the furniture department at T. Eaton Co., West Vancouver. Cedric retired at a young age to run and live on the Hawkshaw Ranch on Lasqueti Island where he spent many years before returning to the mainland due to health issues. He lived at George Derby Veterans Centre for 17 years. While living at George Derby, Cedric was involved in Arts and Crafts, creating works in ceramic and textiles.

Creator: Hawkshaw, Richard Crichton Gilliland "Crichton"; Hawkshaw, Mabel Edith Honor McClean

Accession Code: HV977.17; HV982.25; BV996.6

Date: 1888-1976, predominant 1931-1939

Media Type: Photograph; Textual Record

Arrangement: Arrangement is based on the order in which records were compiled by creators and donors.

Notes: Title based on contents of fonds

Hipman "Jimmy" Chow and Donna Polos fonds

https://search.heritageburnaby.ca/link/museumdescription19150

Repository: Burnaby Village Museum

Date: 1950-2022

Collection/Fonds: Hipman "Jimmy" Chow and Donna Polos fonds

Description Level: Fonds

Physical Description: 3 sound recordings (wav) + 1 sound recording (mp3) + 65 photographs + 26 photographs (jpg) + 1 portfolio (15 col. photographs + 12 col. laser prints) + 1 col. laser print + 6 business cards + 1 identification card + 1 booklet

Scope and Content: Fonds consists of an oral history interview with Jimmy Chow and his wife, Donna Polos; photographs of Jimmy Chow and his family soon after they immigrated to Canada in the 1950s as well as a sampling of photographs and records documenting Jimmy Chow's career in the film industry. Fonds is arranged…

Repository: Burnaby Village Museum

Collection/Fonds: Hipman "Jimmy" Chow and Donna Polos fonds

Description Level: Fonds

Physical Description: 3 sound recordings (wav) + 1 sound recording (mp3) + 65 photographs + 26 photographs (jpg) + 1 portfolio (15 col. photographs + 12 col. laser prints) + 1 col. laser print + 6 business cards + 1 identification card + 1 booklet

Scope and Content: Fonds consists of an oral history interview with Jimmy Chow and his wife, Donna Polos; photographs of Jimmy Chow and his family soon after they immigrated to Canada in the 1950s as well as a sampling of photographs and records documenting Jimmy Chow's career in the film industry. Fonds is arranged into series: 1) Jimmy Chow and Donna Polos interviews series 2) Jimmy Chow family photographs series 3) Property master photographs series 4) Property master records series

History: Hipman "Jimmy" Chow was born in Lin Pong Lee, Hoiping, China in 1948. In 1950, Jimmy Chow and his mother, Gim Gee Chow (1913-1991) fled China to escape the Communist Revolution and to be reunited with his father, Robin Chung Dip Chow (1906-1990) who’d immigrated to Canada many years earlier. Jimmy’s elder sister Shao-Lin Chow stayed behind in China. Jimmy’s father, Robin Chung Dip Chow immigrated to Canada in 1921 at 14 years of age and was forced to pay the Chinese head tax of $500. In 1950, Jimmy and his mother first fled to Hong Kong before immigrating to Canada and arriving in Vancouver. Jimmy Chow’s birth name is Hipman Chow but when he arrived in Canada, his father indicated that he needed an English name and he was given the name “Jimmy” but retained his birth name “Hipman Chow”. Over the years, Jimmy has also used the name “James H. Chow” and is often credited by this name in the film industry. For the first four years after immigrating, Jimmy and his parents lived in Manitoba, Saskatchewan and Quebec where his father had work in hotels and restaurants. While living in Asquith, Saskatchewan Jimmy attended school and began to learn English. In 1954, Jimmy and his parents returned to Vancouver, first living in the area of Strathcona before settling in the neighbourhood of Mount Pleasant where they purchased a house located on 15th Avenue east of Main Street. While living in Mount Pleasant, Jimmy attended both elementary and high school. While attending high school, Jimmy began working at the local grocery store where he worked for many years living at home and saving his money. In 1970 while attending Vancouver City College, Jimmy met his future wife Donna Polos. Two years later, they moved in together, married in 1981 and started a family. Jimmy and Donna first lived in North Burnaby before purchasing a house on Victory Street in Burnaby where they raised their three children. Growing up in a traditional Chinese Canadian family, Jimmy was always one who went against the grain. Although his father wanted him to get a business degree, Jimmy had aspirations for a different career path. Through the referral of a friend, he entered the film industry in 1973 working for CBC Vancouver. While working at the CBC, Jimmy gained valuable experience working on the set of the television series The Beachcombers, which launched his career in the film industry. Over a 45 year career, Jimmy worked on over 50 blockbuster movies, historical period films, science fiction films and fantasy films, where he honed in on his expertise as a set decorator, art director and property master. He built an international reputation through working with production companies, prop makers and antique sellers across the globe. As a property master in the film industry, Jimmy Chow has been responsible for designing, managing, and sourcing props for films such as: The BFG, Warcraft: The Beginning, X-Men 2, Fantastic Four, Watchman, Tron: Legacy, Little Women, Seven Years in Tibet, Shanghai Noon, The Shipping News, Fantastic Four: Rise of the Silver Surfer, The Changeling, Man of Steel (Superman), Snow Falling on Cedars, Legends of the Fall, And the Sea Will Tell, Once a Thief and many more. With Jimmy's many years of professional experience in the film industry, he has been a union member of IATSE (International Alliance of Theatrical Stage Employees, Moving Picture Technicians...) from July 1979, a member of the Academy of Motion Picture Arts and Science from 2018 and has worked as a guest lecturer in film production at Capilano University and Langara University. He was also a key contributor to the Burnaby Village Museum’s 2014 temporary exhibition Burnaby Makes Movies. Donna Polos was born in Vancouver in 1949 to parents Mayme "May" Helen Tillikana Polos (1931-1977) and Donald James Polos (1926-2017). Donna’s maternal grandparents, Elvi Tienhara and Toiva Tillikana immigrated to Canada from Helsinki, Finland. Donna’s paternal grandmother, Pauline Chimiki Polos emigrated from Ukraine to Argentina and then to Winnipeg. Donna’s paternal grandfather, James "Jimmy" Kostopolus emigrated as an orphan from Sparta Greece at the age of 12 years. In 1908, he first immigrated to the United States where he was denied entry so immigrated to Canada, entering through Halifax at Pier 17. When immigrating, James changed his last name to "Polos". Jimmy Polos arrived in Halifax with only five dollars in his pocket. He lived in Halifax for many years before making his way to Vancouver where he established three restaurants and raised his family. James was the proprietor of three restaurants in Burnaby including; the Home Apple Pie Café (1941-1944) located on East Hastings near Princess Avenue; Jimmy’s Café (1945-1955) located on East Hastings near Hawks Avenue and another restaurant located near 10th Avenue and Alma Street. Donna grew up with her family in Vancouver, first living in the downtown eastside before moving to a home near Joyce Station. Donna attended elementary school and high school while growing up in the neighbourhood of Joyce Station. Donna moved out of her family home at 21 years of age and lived with roommates before moving in with Jimmy Chow in 1972. Donna attended Vancouver City College and the University of British Columbia where she obtained her teaching degree in 1974. Donna first taught at Gilmore Elementary School before being hired to teach at Clinton Elementary School where she taught for nine years. While raising their three children, Donna worked part time teaching in schools in Burnaby. In 1991, after a near death experience, Donna became interested in fine art and took drawing and watercolour painting classes. This experience led her to experimenting with different painting techniques on paper and fabric. In 2008, Donna retired from teaching but continued her art career often working as an Artist in Residence at various schools and exhibiting her work. While living in Burnaby Donna has been politically active with a particular passion for heritage, housing and preserving the natural environment. Donna was instrumental in advocating and petitioning for the establishment of a tree bylaw in Burnaby which was eventually adopted by the City.

Creator: Chow, Hipman "Jimmy"; Polos, Donna

Accession Code: BV022.21; BV023.11

Date: 1950-2022

Media Type: Sound Recording; Photograph; Textual Record; Graphic Material

Notes: Title based on contents of fonds; Hipman "Jimmy" Chow's name in Cantonese is Chow Hipman and in Mandarin is Zhou Xiamin.

Woman's Institute fashion service : fall and winter 1921-1922

https://search.heritageburnaby.ca/link/museumlibrary812

Repository: Burnaby Village Museum

Author: Picken, Mary Brooks, 1886-1981

Publication Date: 1922

Call Number: 391 PIC

Repository: Burnaby Village Museum

Collection: Reference Collection

Material Type: Textual Record

Call Number: 391 PIC

Author: Picken, Mary Brooks, 1886-1981

Place of Publication: Scranton, Pa.

Publisher: Woman's Institute of Domestic Arts and Sciences

Publication Date: 1922

Physical Description: 56 p. : ill. ; 30 cm.

Library Subject (LOC): Fashion; Costume--History--20th century; Periodicals

Woman's Institute fashion service : spring & summer 1921

https://search.heritageburnaby.ca/link/museumlibrary811

Repository: Burnaby Village Museum

Author: Picken, Mary Brooks, 1886-1981

Publication Date: c1921

Call Number: 391 PIC COPY 1

Repository: Burnaby Village Museum

Collection: Reference Collection

Material Type: Textual Record

Call Number: 391 PIC COPY 1

Author: Picken, Mary Brooks, 1886-1981

Contributor: Fellows, Alwilda; Seipp, Alice

Place of Publication: Scranton, Pa.

Publisher: Woman's Institute of Domestic Arts and Sciences

Publication Date: c1921

Physical Description: 51 p. : ill. ; 30 cm.

Library Subject (LOC): Fashion; Clothing and dress; Costume; Periodicals

Notes: "assisted by Alwilda Fellows".; "Illustrations by Alice Seipp". 3 copies held : copy 1.

Old-fashioned ribbon art : ideas and designs for accessories and decorations

https://search.heritageburnaby.ca/link/museumlibrary1043

Repository: Burnaby Village Museum

Author: Ribbon Art Pub. Co.

Publication Date: 1986

Call Number: 746 RIB

Repository: Burnaby Village Museum

Collection: Reference Collection

Material Type: Textual Record

ISBN: 0486251748

Call Number: 746 RIB

Author: Ribbon Art Pub. Co.

Place of Publication: New York

Publisher: Published through the cooperation of the Center for the History of American Needlework by Dover Publications

Publication Date: 1986

Physical Description: 32 p. : ill. ; 28 cm.

Library Subject (LOC): Ribbon work

Notes: Reprint. Originally published: Ribbon art. New York : Ribbon Art Pub. Co.

Jesse Love farmhouse series

https://search.heritageburnaby.ca/link/museumdescription9782

Repository: Burnaby Village Museum

Date: [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000

Collection/Fonds: Burnaby Village Museum fonds

Description Level: Series

Physical Description: approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette

Scope and Content: Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse re…

Repository: Burnaby Village Museum

Collection/Fonds: Burnaby Village Museum fonds

Series: Jesse Love farmhouse series

Description Level: Series

Physical Description: approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette

Scope and Content: Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse restoration photographs subseries 3) Love farmhouse curatorial files subseries 4) Love farmouse research files subseries 5) Love family photographs 6) Love farmhouse Oral History subseries 7) Love farmhouse architectural drawings subseries

History: Jesse Love was born in Swindon, England in 1847 and left England to work on a dairy farm in the Toronto area. While working on the farm in Toronto, he met Martha Leonard who he married in 1879. Martha was born on February 3, 1858 in Bedfordshire, England and had come to Canada with her parents George and Ann Leonard. While living in Toronto, Jesse and Martha had two children, George born March 22, 1880 and Annie Elizabeth on August 24, 1881. About one year after Annie was born, the Love family moved to North Dakota to grow wheat. While living there, they had two more children, Henry who was born August 24, 1883 and Edith Minnie born October 9, 1885. The family decided to move further west after hearing about the fairer weather conditions from Martha’s father, George Leonard, who had settled in Vancouver in 1885. On May 23, 1887, Jesse, Martha and their four children arrived in Vancouver after travelling across Canada from Winnipeg on the first transcontinental train. The Loves made their home in Vancouver while Jesse helped clear land on Granville Street. Their fifth child, Thomas Robert was born on September 17, 1887 and soon after, the family moved to Lulu Island in Richmond where they lived growing vegetables and selling them to Vancouver hotels. While living and farming on Lulu island, the couple had two more girls, Martha (Dot or Dorothy) born on December 17, 1889 and Sarah Marie, born February 8, 1892. On October 6, 1893 an agreement was signed by Jesse Love to purchase 14.52 acres of land from Joseph C. Armstrong. The acreage covered the north east section of District Lot 25 within the newly incorporated District of the Municipality of Burnaby. It was here where the original Love house was built (between October 1893 and April 15, 1894) by Jesse Love with the help of local builder George Salt and father in law, George Leonard. The house consisted of an entrance hall, dining room, lean to kitchen, master bedroom and three bedrooms upstairs. A road was constructed and named Cumberland in 1905 and ran from District Lot 25 through to District Lot 11. The address for the Love home was 1390 Cumberland Road and in the early 1960’s the address was renumbered 7651 Cumberland Street. On the land surrounding the house, Jesse Love planted an orchard along with strawberries and raspberries which he sold at the Fraser Valley Market, T.S. Anandale’s Grocery Store in New Westminster and to hotels around Vancouver. Jesse Love served on the Burnaby School Board and also as a District Councillor in 1901 and from 1904-1907. While living in the house, Jesse and Martha had four more children, Phoebe Leonard, born April 15, 1894, Esther, born August 28, 1896, John Leonard, born June 7, 1899 and Hannah Victoria (also known as Girlie) who was born May 12, 1902. As the family grew to eleven children, additions along with some substantial remodelling in the craftsman style took place. In about 1898, a north wing addition was added to include a parlour with two windows, the construction of two more bedrooms and the relocation of the stair case to the North West wall. In 1903 the front door moved to the north elevation, a front porch was extended along the east wall and a summer lean to kitchen was added to the west elevation. Between 1905 and 1910, a tin embossed ceiling was installed along with an addition of the main kitchen which included a pantry, bathtub and a back porch. In about 1912, five craftsman style windows replaced the original pioneer tent style, the front verandah was enlarged to wrap around the south and east elevations, a back door was installed in the kitchen to access the verandah and wood shingle siding and brackets were added to the exterior. In 1918, at the age of 31 years, Robert Love fell ill due to an influenza epidemic and died on November 23, 1918. Following their son’s death, Martha Love became weak and on August 24, 1920, she passed away. By this time, Jesse had sold off a large percentage of his land and his youngest daughter, Girlie decided to stay on to live and care for him. Since the house was too large for just the two of them, Jesse invited any other children to return and share the residence. For a while his son, George and his wife joined them until 1925, followed by his daughter Sarah Parker (nee Love), her husband William and their three children, Albert, Bill and Elsie. The house remained pretty unchanged until 1928 after Jesse Love died of pneumonia (March 10, 1928) and the house was purchased by Sarah and her husband William Parker who continued to live there with their children. The master bedroom wall on the main floor opened up to the dining room, the kitchen pantry and bathtub converted to an alcove with a marble counter and enlarged window and sink while the bathroom was moved to the upstairs and the furnace and coolers were installed in the crawl space under the kitchen. A hot water tank was installed in the house in 1966. Sarah continued to live in the house until a little while after her husband William died in 1961. She sold the house to her daughter Elsie and husband John Hughes in 1966, who lived in the house along with their son Brent, until August 23, 1971. Mahbir Molchan Papan and his wife Geraldine Papan bought the house August 23, 1971 and by 1982, the house was sold to Nirmal Singh Singha and Narinder Singha. The Papans continued to rent the house from Nirmal Singh Singha and Narinder Singha until the late 1980s. In 1988, the house was scheduled for demolition with the remaining property to be subdivided. Fortunately, a neighbour, Mr. Harvey Elder recognized the farmhouse's historical significance and contacted the Burnaby Historical Society. Following this event, the owners agreed to donate the building to the Burnaby Village Museum (under the Century Park Museum Association) who financed the move of the house from Cumberland Street to the museum site. Heritage planner and architect, Robert Lemon provided guidance for the project. Prior to the move, the two porches were removed and demolished while the kitchen and roof were both separated from the main house. The kitchen and roof of the house were transported to Burnaby Village Museum on May 20, 1988 by Nickel Bros. House Moving company, while the main frame of the house completed its transportation to the museum near the end of May 1988 (due to low overhead wires). The house was moved down Cumberland Street to 10th Avenue, up Canada Way to Sperling and set on temporary footings near Hart House. Robert Lemon oversaw structural improvements such as, upgrading floor joists and creating new foundations to replace the original timber foundation of the farmhouse. The restoration went through several phases of work between 1988 until it opened in November 1998. Restoration began on both the interior and exterior features to be interpreted from the period of 1925. On November 23, 1992, the building was designated a heritage building under Heritage Designation Bylaw 1992, Bylaw Number 9807. In 1993, the architecture firm of Brian G. Hart Associates was appointed for the design and construction supervision of the restoration project. Plans were created for a foundation on the museum site in 1989 and the farmhouse was eventually settled on a permanent foundation behind the Burnaby Village Museum administration building in 1993 along with the reattachment of the roof. The kitchen section was reattached to the main house in 1994 along with skirting around the foundation and the reshingling of the exterior. In 1996, the tin ceiling was removed to make way for the installation of the internal electrical system along with sprinklers, ceiling heating and fire break gyprock. The dining room ceiling joists were consolidated, a pantry and bathroom were added to the kitchen, the downstairs bedroom wall was opened and filled, the dining and kitchen doorways were widened. In 1997, a wheelchair ramp was installed along with a concrete sidewalk, stair rails, cement pads at the base of the stairs and a gravel sink for any excess water. Interior work included painting of the kitchen, restoration and furnishing of the kitchen pantry, insulation of the house floor to protect from rodents along with the reconstruction of the kitchen and house chimneys. The registrar worked together with the curator and conservator and was tasked with a large research project on the house including the family contacts and family history, property information, plans, photographs, artifacts, furnishings, stories etc. all organized in files for easy retrieval. A great deal of research and conservation was undertaken in order to make the interior of the house authentic to the time period as possible. One of the biggest projects was selecting and obtaining wall coverings since much of the original wallpaper was incomplete and poor condition. The conservator and registrar were lucky enough to locate a few samples of the original paper and engage the Bradbury and Bradbury Art Wallpaper Company of Benica, California to reproduce replica designs for free. The City of Burnaby now has its own series “Burnaby Village Papers” produced by this company which are titled “Burnaby Wall”; “Burnaby Border” and “Burnaby Ceiling”. All three of these wallpaper designs have been used in the Love farm house and are also commercially available through the Bradbury and Bradbury Art Wallpaper Company. In 1997, restoration of the kitchen was completed and opened to the public. After the completion of the dining room, main floor bedroom and parlour, the Love farmhouse exhibit opened on November 29, 1998 with an open invitation to the public and extended members of the Love family. Officials including the Mayor, Doug Drummond and Love family members were all present to cut the ribbon for the special event.

Accession Code: BV018.41; BV020.5

Access Restriction: Restricted access

Date: [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000

Media Type: Textual Record; Architectural Drawing; Sound Recording; Moving Images; Photograph

Arrangement: The majority of the records within series and subseries were arranged by a staff members of Burnaby Village Museum who worked on the historical research and restoration of the house. Other photographs documenting the move and further restoration work were added later and included in the arrangment by format and subject.

Notes: Title based on content of series; Jesse Love farmhouse is described as an Artifact under BV988.33.1; Some records within this collection have restricted access and are subject to FIPPA; Accessions BV018.41 and BV020.5 form this fonds