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Interview with Ingeborg Raymer by Eric Damer November 21, 2012 - Track 3
https://search.heritageburnaby.ca/link/oralhistory396
- Repository
- City of Burnaby Archives
- Date Range
- 1960-2012
- Length
- 0:08:03
- Summary
- This portion of the recording pertains mainly to Ingeborg ((Weigler) (Haacke) Raymer's memories of music and art. She describes her children first learning to play the piano and her own career as an art teacher and artist. She begins to tell the story of forming the Burnaby Artist's Guild.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the recording pertains mainly to Ingeborg ((Weigler) (Haacke) Raymer's memories of music and art. She describes her children first learning to play the piano and her own career as an art teacher and artist. She begins to tell the story of forming the Burnaby Artist's Guild.
- Date Range
- 1960-2012
- Photo Info
- Ingeborg (Weigler) (Haacke) Raymer in an evening gown, [196-]. Item no. 549-061.
- Length
- 0:08:03
- Interviewer
- Damer, Eric
- Interview Date
- November 21, 2012
- Scope and Content
- Recording is an interview with Ingeborg (Weigler) (Haacke) Raymer conducted by Burnaby Village Museum employee Eric Damer, November 21, 2012. Major theme discussed: rise of fine arts in Burnaby.
- Biographical Notes
- Born in 1922 in Dresden and trained as a pianist, Ingeborg (Weigler) Haacke came to Vancouver in 1952 with her husband, eldest daughter, and son. Ingeborg found work in Burnaby but her husband did not wish to stay. By 1953 they were divorced, with Ingeborg keeping the children in Burnaby. In 1955 Ingeborg (Weigler) Haacke married her second husband Roy Raymer. The first auto court in British Columbia, the Oasis, was originally owned and operated by Roy Raymer's parents. Roy was responsible for running the Oasis gas station and he and Ingeborg also built an attached drive-in restaurant on the property. During this time, Ingeborg and Roy had two sons together. After the auto court was sold in 1964, Ingeborg followed Roy on a job to Banff where she began sketching and painting. Over the course of her art career, Ingeborg has studied at Douglas College, Emily Carr College of Art, and Capilano College, earned an Associate of Arts Degree and an honorary Degree from the Accademia Internazionale Greci Marino. Ingeborg also founded the Burnaby Artists' Guild in 1970 of which she is an honorary Lifetime Member. She currently teaches private art classes out of her studio.
- Total Tracks
- 5
- Total Length
- 0:44:18
- Interviewee Name
- Raymer, Ingeborg Weigler Haacke
- Interview Location
- Burnaby Village Museum
- Interviewer Bio
- Eric Damer is a lifelong British Columbian born in Victoria, raised in Kamloops, and currently residing in Burnaby. After studying philosophy at the University of Victoria, he became interested in the educational forces that had shaped his own life. He completed master’s and doctoral degrees in educational studies at the University of British Columbia with a particular interest in the history of adult and higher education in the province. In 2012, Eric worked for the City of Burnaby as a field researcher and writer, conducting interviews for the City Archives and Museum Oral History Program.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Transcript Available
- None
- Media Type
- Sound Recording
Images
Audio Tracks
Track three of recording of interview with Ingeborg Raymer
Track three of recording of interview with Ingeborg Raymer
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS171-023/MSS171-023_Track_3.mp3Interview with Jiro Kamiya, 2015
https://search.heritageburnaby.ca/link/museumdescription4476
- Repository
- Burnaby Village Museum
- Date
- [2015]
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Item
- Physical Description
- 1 sound recording (mp3) (01:11:02 min)
- Scope and Content
- Recording of a interview with Jiro Kamiya about the ofuro he built as an exhibit for display at Burnaby Village Museum, and his work in Canada generally. When he speaks in Japanese, his son Frank Kamiya does the English translation. Frank recalls how his father, a Japanese-trained carpenter, came …
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Museum Oral Histories series
- Subseries
- Museum research interviews subseries
- Description Level
- Item
- Physical Description
- 1 sound recording (mp3) (01:11:02 min)
- Material Details
- Interviewer: Lisa Codd Interviewees: Jiro Kamiya and his son Frank Kamiya Location of Interview: Nikkei Home, Burnaby Interview Date: [2015] Total Number of Tracks: 1 Total Length of all Tracks: 1:11:02
- Scope and Content
- Recording of a interview with Jiro Kamiya about the ofuro he built as an exhibit for display at Burnaby Village Museum, and his work in Canada generally. When he speaks in Japanese, his son Frank Kamiya does the English translation. Frank recalls how his father, a Japanese-trained carpenter, came to be involved in the project, which was donated to the Museum by the Japanese Canadian Citizens Association. An unidentified woman is also present and contributes to the discussion. 0:00 – 6:38: Frank Kamiya recalls the museum’s ofuro project, describing how his father became involved with it. He talks about the ofuro in Canada, speaking of their importance to Japanese Canadians but noting that they have been superseded by newer products. Frank also mentions that ofuros are now subject to modern building regulations. 6:38 – 20:30: Jiro Kamiya describes the construction of the ofuro. He explains the technique of water-proofing and talks about the different sizes of baths, discussing the differences in Japanese and Canadian styles and in the way water was supplied. 20:30 – 28:27: This portion of the recording pertains to Jiro Kamiya’s background as a carpenter in Shizuoka, Japan, in the family’s business, and how he came to immigrate to Canada. Frank talks about his father’s innovations and skills. He discusses the differences between Japanese and Canadian tools. Lisa Codd asks about the tools Jiro donated to the museum. 28:27 – 36:00: Frank talks about his father’s involvement in the building of the Museum’s ofuro. He notes that he himself drew up the plans and submitted them to City Hall. He asks about the ofuro’s plaque and the building’s condition. Lisa explains how the classification of buildings as replica or heritage determines how conservation choices are made. 36:00 – 45:47: Frank describes the purpose and use of the ofuro and the kind of accessories which should be included in the Museum’s display. The exact meaning of ‘ofuro’ is discussed with Jiro, as is bathing protocol for the larger and smaller kinds. 45:47 – 59:13: Jiro recalls New Year and other traditions and Lisa and Frank remark on the differences between the established infrastructures of Japan and those of rural Canada. Frank describes his father’s work in Canada. Jiro talks of being unable to join the carpenters union, but advancing in his profession through his ability and experience with Japanese techniques. 59:13 – 1:11:02: Jiro talks about the work that he did during internment during World War II and his choice to go to Winnipeg with his family. Frank relates how his father adapted to shipyard work, and Jiro tells anecdotes about his working years.
- History
- Interviewee: Jiro Kamiya (ne Tsuneki) was born on August 29, 1910 in Shizuoka Ken, Japan to parents Torakichi Tsuneki and Sono Ssuneki. In 1936, Jiro married Toneko Kamiya. The Tsuneki family were Master Carpenters for over 500 years and the family business, Torakichi Tsuneki Construction Co was the largest and best known construction company in Shizuoka Ken. Jiro also became a master carpenter working for his father's company. In 1933, Jiro immigrated to Canada and in 1936, he returned to Japan to marry. In 1937 he got work at the Hammond Cedar Mill leading a crew of six men and worked there for about three or four years. In 1942 along with over 21,000 Japanese Canadians, Jiro and his family were forcibly removed from the coastal area of British Columbia. Jiro and his family were relocated to Oak Bluff, Manitoba to work on the beet farms. JIro chose this location of internment so that he could keep his family together. While living in Manitoba, Jiro also found work as a carpenter. In 1948 when he was permitted to return to British Columbia, Jiro and his family relocated to Kamloops. In 1951, he began working as a carpenter for Matsumoto Shipyard in North Vancouver and between 1961 and 1974, he worked for Grimwood Construction. From 1975, he worked for Dawson Hall Construction until his retirement at the age of 68. Following his retirement he built a house for his nephew on Mayne Island and a summer house for himself which he completed in 1988. In 2001, Jiro and his wife, Toneko moved to Nikkei Home. While living at Nikkei Home, Jiro made chopsticks out of hardwood, creating over a thousand pairs up until he was 99 years old. Jiro passed away in 2015. Interviewer: Lisa Codd has worked in the museum sector since 2000 and between 2005 and 2019, she worked as the curator at the Burnaby Village Museum. In 2019, Lisa began her work as the City of Burnaby Heritage Planner.
- Creator
- Burnaby Village Museum
- Subjects
- Persons - Japanese Canadians
- Names
- Kamiya, Jiro
- Kamiya, Frank
- Accession Code
- BV019.13.1
- Access Restriction
- No restrictions
- Reproduction Restriction
- No known restrictions
- Date
- [2015]
- Media Type
- Sound Recording
- Notes
- Audio is only available to listen at the Burnaby Village Museum
Audio Tracks
Interview with Jiro Kamiya, 2015, [2015]
Interview with Jiro Kamiya, 2015, [2015]
https://search.heritageburnaby.ca/media/hpo/_Data/_BVM_Sound_Recordings/Oral_Histories/2019_0013_0001_001.mp3